| 1. Homer, Odyssey, 11.568-11.571, 19.178-19.179 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •tragedy, forging social convictions Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92 |
| 2. Bacchylides, Fragmenta Ex Operibus Incertis, 17.43, 17.93, 17.121-17.132 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92 |
3. Plato, Minos, None (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92| 318d. ἥκει; οἶσθα; ΕΤ. φασί γε ἐκ Κρήτης. ΣΩ. οὐκοῦν οὗτοι παλαιοτάτοις νόμοις χρῶνται τῶν Ἑλλήνων; ΕΤ. ναί. ΣΩ. οἶσθα οὖν τίνες τούτων ἀγαθοὶ βασιλῆς ἦσαν; Μίνως καὶ Ῥαδάμανθυς, οἱ Διὸς καὶ Εὐρώπης παῖδες, ὧν οἵδε εἰσὶν οἱ νόμοι. ΕΤ. Ῥαδάμανθύν γέ φασιν, ὦ Σώκρατες, δίκαιον ἄνδρα, τὸν δὲ Μίνων ἄγριόν τινα καὶ χαλεπὸν καὶ ἄδικον. ΣΩ. Ἀττικόν, ὦ βέλτιστε, λέγεις μῦθον καὶ τραγικόν. | 318d. the best of those ordices come? Do you know? Com. From Crete , so they say. Soc. Then the people there use the most ancient laws in Greece ? Com. Yes. Soc. Then do you know who were their good kings? Minos and Rhadamanthus, the sons of Zeus and Europa; those laws were theirs. Com. Rhadamanthus, they do say, Socrates, was a just man; but Minos was a savage sort of person, harsh and unjust. Soc. Your tale, my excellent friend, is a fiction of Attic tragedy. |
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4. Plato, Phaedo, None (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92| 58a. ΦΑΙΔ. οὐδὲ τὰ περὶ τῆς δίκης ἄρα ἐπύθεσθε ὃν τρόπον ἐγένετο; γ ΕΧ. ναί, ταῦτα μὲν ἡμῖν ἤγγειλέ τις, καὶ ἐθαυμάζομέν γε ὅτι πάλαι γενομένης αὐτῆς πολλῷ ὕστερον φαίνεται ἀποθανών. τί οὖν ἦν τοῦτο, ὦ Φαίδων ; ΦΑΙΔ. τύχη τις αὐτῷ, ὦ Ἐχέκρατες , συνέβη: ἔτυχεν γὰρ τῇ προτεραίᾳ τῆς δίκης ἡ πρύμνα ἐστεμμένη τοῦ πλοίου ὃ εἰς Δῆλον Ἀθηναῖοι πέμπουσιν. ΕΧ. τοῦτο δὲ δὴ τί ἐστιν; ΦΑΙΔ. τοῦτ’ ἔστι τὸ πλοῖον, ὥς φασιν Ἀθηναῖοι , ἐν ᾧ Θησεύς ποτε εἰς Κρήτην τοὺς δὶς ἑπτὰ ἐκείνους ᾤχετο | 58a. Phaedo. Did you not even hear about the trial and how it was conducted? Echecrates. Yes, some one told us about that, and we wondered that although it took place a long time ago, he was put to death much later. Now why was that, Phaedo? Phaedo. It was a matter of chance, Echecrates. It happened that the stern of the ship which the Athenians send to Delos was crowned on the day before the trial. Echecrates. What ship is this? Phaedo. This is the ship, as the Athenians say, in which Theseus once went to Crete with the fourteen |
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5. Apollodorus, Bibliotheca, 3.15.7-3.15.8 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •tragedy, forging social convictions Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92| 3.15.7. καὶ Τροιζῆνα διοδεύων ἐπιξενοῦται Πιτθεῖ τῷ Πέλοπος, ὃς τὸν χρησμὸν συνείς, μεθύσας αὐτὸν τῇ θυγατρὶ συγκατέκλινεν Αἴθρᾳ. τῇ δὲ αὐτῇ νυκτὶ καὶ Ποσειδῶν ἐπλησίασεν αὐτῇ. Αἰγεὺς δὲ ἐντειλάμενος Αἴθρᾳ, ἐὰν ἄρρενα γεννήσῃ, τρέφειν, τίνος ἐστὶ μὴ λέγουσαν, 2 -- ἀπέλιπεν ὑπό τινα πέτραν 3 -- μάχαιραν καὶ πέδιλα, εἰπών, ὅταν ὁ παῖς δύνηται τὴν πέτραν ἀποκυλίσας ἀνελέσθαι ταῦτα, τότε μετʼ αὐτῶν αὐτὸν ἀποπέμπειν. αὐτὸς δὲ ἧκεν εἰς Ἀθήνας, καὶ τὸν τῶν Παναθηναίων ἀγῶνα ἐπετέλει, ἐν ᾧ ὁ Μίνωος παῖς Ἀνδρόγεως ἐνίκησε πάντας. τοῦτον Αἰγεὺς 4 -- ἐπὶ τὸν Μαραθώνιον ἔπεμψε ταῦρον, ὑφʼ οὗ διεφθάρη. ἔνιοι δὲ αὐτὸν λέγουσι πορευόμενον εἰς Θήβας 5 -- ἐπὶ τὸν Λαΐου ἀγῶνα πρὸς τῶν ἀγωνιστῶν ἐνεδρευθέντα διὰ φθόνον ἀπολέσθαι. Μίνως δέ, ἀγγελθέντος αὐτῷ τοῦ θανάτου, 1 -- θύων ἐν Πάρῳ ταῖς χάρισι, τὸν μὲν στέφανον ἀπὸ τῆς κεφαλῆς ἔρριψε καὶ τὸν αὐλὸν κατέσχε, τὴν δὲ θυσίαν οὐδὲν ἧττον ἐπετέλεσεν· ὅθεν ἔτι καὶ δεῦρο χωρὶς αὐλῶν καὶ στεφάνων ἐν Πάρῳ θύουσι ταῖς χάρισι. 3.15.8. μετʼ οὐ πολὺ δὲ θαλασσοκρατῶν ἐπολέμησε στόλῳ τὰς Ἀθήνας, καὶ Μέγαρα εἷλε Νίσου βασιλεύοντος τοῦ Πανδίονος, καὶ Μεγαρέα τὸν Ἱππομένους ἐξ Ὀγχηστοῦ Νίσῳ βοηθὸν ἐλθόντα ἀπέκτεινεν. ἀπέθανε δὲ καὶ Νῖσος διὰ θυγατρὸς προδοσίαν. ἔχοντι γὰρ αὐτῷ πορφυρέαν ἐν μέσῃ τῇ κεφαλῇ τρίχα ταύτης ἀφαιρεθείσης ἦν χρησμὸς τελευτῆσαι· 2 -- ἡ δὲ θυγάτηρ αὐτοῦ Σκύλλα ἐρασθεῖσα Μίνωος ἐξεῖλε τὴν τρίχα. Μίνως 3 -- δὲ Μεγάρων κρατήσας καὶ τὴν κόρην τῆς πρύμνης τῶν ποδῶν ἐκδήσας ὑποβρύχιον ἐποίησε. χρονιζομένου δὲ τοῦ πολέμου, μὴ δυνάμενος ἑλεῖν Ἀθήνας εὔχεται Διὶ παρʼ Ἀθηναίων λαβεῖν δίκας. γενομένου δὲ τῇ πόλει λιμοῦ τε καὶ λοιμοῦ. τὸ μὲν πρῶτον κατὰ λόγιον Ἀθηναῖοι παλαιὸν τὰς Ὑακίνθου κόρας, Ἀνθηίδα Αἰγληίδα Λυταίαν Ὀρθαίαν, ἐπὶ τὸν Γεραίστου τοῦ Κύκλωπος τάφον κατέσφαξαν· τούτων δὲ ὁ πατὴρ Ὑάκινθος ἐλθὼν ἐκ Λακεδαίμονος Ἀθήνας κατῴκει. ὡς δὲ οὐδὲν ὄφελος ἦν τοῦτο, ἐχρῶντο περὶ ἀπαλλαγῆς. ὁ δὲ θεὸς ἀνεῖλεν 1 -- αὐτοῖς Μίνωι διδόναι δίκας ἃς ἂν αὐτὸς αἱροῖτο. 2 -- πέμψαντες οὖν πρὸς Μίνωα ἐπέτρεπον αἰτεῖν δίκας. Μίνως δὲ ἐκέλευσεν αὐτοῖς κόρους 3 -- ἑπτὰ καὶ κόρας τὰς ἴσας χωρὶς ὅπλων πέμπειν τῷ Μινωταύρῳ βοράν. ἦν δὲ οὗτος ἐν λαβυρίνθῳ καθειργμένος, ἐν ᾧ τὸν εἰσελθόντα ἀδύνατον ἦν ἐξιέναι· πολυπλόκοις γὰρ καμπαῖς τὴν ἀγνοουμένην ἔξοδον ἀπέκλειε. κατεσκευάκει δὲ αὐτὸν Δαίδαλος ὁ Εὐπαλάμου παῖς τοῦ Μητίονος καὶ Ἀλκίππης. ἦν γὰρ 1 -- ἀρχιτέκτων ἄριστος καὶ πρῶτος ἀγαλμάτων εὑρετής. οὗτος ἐξ Ἀθηνῶν ἔφυγεν, ἀπὸ τῆς ἀκροπόλεως βαλὼν τὸν τῆς ἀδελφῆς Πέρδικος 2 -- υἱὸν Τάλω, 3 -- μαθητὴν ὄντα, δείσας μὴ διὰ τὴν εὐφυΐαν αὐτὸν ὑπερβάλῃ· σιαγόνα γὰρ ὄφεως εὑρὼν ξύλον λεπτὸν ἔπρισε. φωραθέντος δὲ τοῦ νεκροῦ κριθεὶς ἐν Ἀρείῳ πάγῳ καὶ καταδικασθεὶς πρὸς Μίνωα ἔφυγε. κἀκεῖ 1 -- Πασιφάῃ ἐρασθείσῃ 2 -- τοῦ Ποσειδωνείου 3 -- ταύρου συνήργησε 4 -- τεχνησάμενος ξυλίνην βοῦν, καὶ τὸν λαβύρινθον κατεσκεύασεν, εἰς ὃν κατὰ ἔτος Ἀθηναῖοι κόρους 5 -- ἑπτὰ καὶ κόρας τὰς ἴσας τῷ Μινωταύρῳ βορὰν ἔπεμπον . | |
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| 6. Theon of Smyrna, Aspects of Mathematics Useful For The Reading of Plato, 1 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •tragedy, forging social convictions Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92 |
7. Plutarch, Theseus, 16.3-16.4, 23.1 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92| 16.3. καὶ γὰρ ὁ Μίνως ἀεὶ διετέλει κακῶς ἀκούων καὶ λοιδορούμενος ἐν τοῖς Ἀττικοῖς θεάτροις, καὶ οὔτε Ἡσίοδος αὐτὸν ὤνησε βασιλεύτατον οὔτε Ὅμηρος ὀαριστὴν Διὸς προσαγορεύσας, ἀλλʼ ἐπικρατήσαντες οἱ τραγικοὶ πολλὴν ἀπὸ τοῦ λογείου καὶ τῆς σκηνῆς ἀδοξίαν αὐτοῦ κατεσκέδασαν ὡς χαλεποῦ καὶ βιαίου γενομένου. καίτοι φασὶ τὸν μὲν Μίνω βασιλέα καὶ νομοθέτην, δικαστὴν δὲ τὸν Ῥαδάμανθυν εἶναι καὶ φύλακα τῶν ὡρισμένων ὑπʼ ἐκείνου δικαίων. 23.1. τὸ δὲ πλοῖον ἐν ᾧ μετὰ τῶν ἠϊθέων ἔπλευσε καὶ πάλιν ἐσώθη, τὴν τριακόντορον, ἄχρι τῶν Δημητρίου τοῦ Φαληρέως χρόνων διεφύλαττον οἱ Ἀθηναῖοι, τὰ μὲν παλαιὰ τῶν ξύλων ὑφαιροῦντες, ἄλλα δὲ ἐμβάλλοντες ἰσχυρὰ καὶ συμπηγνύντες οὕτως ὥστε καὶ τοῖς· φιλοσόφοις εἰς τὸν αὐξόμενον λόγον ἀμφιδοξούμενον παράδειγμα τὸ πλοῖον εἶναι, τῶν μὲν ὡς τὸ αὐτό, τῶν δὲ ὡς οὐ τὸ αὐτὸ διαμένοι λεγόντων. | |
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| 8. Gregory of Nazianzus, In Theophania (Orat. 38), 144 (4th cent. CE - 4th cent. CE) Tagged with subjects: •tragedy, forging social convictions Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92 |
9. Strabo, Geography, 10.4.8 Tagged with subjects: •tragedy, forging social convictions Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92 | 10.4.8. But Minos is said to have used as seaport Amnisus, where is the sanctuary of Eileithuia. In earlier times Cnossus was called Caeratus, bearing the same name as the river which flows past it. According to history, Minos was an excellent law-giver, and also the first to gain the mastery of the sea; and he divided the island into three parts and founded a city in each part, Cnossus in the . . . And it, too, lies to the north. As Ephorus states, Minos was an emulator of a certain Rhadamanthys of early times, a man most just and bearing the same name as Minos's brother, who is reputed to have been the first to civilize the island by establishing laws and by uniting cities under one city as metropolis and by setting up constitutions, alleging that he brought from Zeus the several decrees which he promulgated. So, in imitation of Rhadamanthys, Minos would go up every nine years, as it appears, to the cave of Zeus, tarry there, and come back with commandments drawn up in writing, which he alleged were ordices of Zeus; and it was for this reason that the poet says,there Minos reigned as king, who held converse with great Zeus every ninth year. Such is the statement of Ephorus; but again the early writers have given a different account of Minos, which is contrary to that of Ephorus, saying that he was tyrannical, harsh, and an exactor of tribute, representing in tragedy the story of the Minotaur and the Labyrinth, and the adventures of Theseus and Daedalus. |
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| 10. Ps.-Chrysostom, Synopsis Sacrae Scripturae, 56.3 Tagged with subjects: •tragedy, forging social convictions Found in books: Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 92 |
