| subject | book bibliographic info |
|---|---|
| show, demonstrare, to | Lynskey (2021), Tyconius’ Book of Rules: An Ancient Invitation to Ecclesial Hermeneutics, 188, 215 |
| show, emotion is not judgement, alcinous, middle platonist author of didasklikos, disowned emotions | Sorabji (2000), Emotion and Peace of Mind: From Stoic Agitation to Christian Temptation, 122 |
| show, incubation stoa, asklepios and incubation reliefs, problem of whether reliefs | Renberg (2017), Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World, 136, 137 |
| show, tell vs. | Gianvittorio-Ungar and Schlapbach (2021), Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond, 72 |
| show, theatre of marcellus, dog | Athanassaki and Titchener (2022), Plutarch's Cities, 70 |
| show, tunes, monuments, of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 355 |
| show, “i’ll you, ” gesture for | Boeghold (2022), When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature. 44 |
| showing, enemies of rome as deserving to lose, polybius | Cohen (2010), The Significance of Yavneh and other Essays in Jewish Hellenism, 117, 118 |
| showing, fertility treatment, oropos amphiareion, incubation relief possibly | Renberg (2017), Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World, 282 |
| showing, him to be a law, virtue, abraham’s | Birnbaum and Dillon (2020), Philo of Alexandria: On the Life of Abraham: Introduction, Translation, and Commentary, 25, 64, 397, 398 |
| showing, procession, pompeii, frieze | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 254 |
| showing, proxy incubation, epidauros miracle inscriptions, testimony | Renberg (2017), Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World, 615 |
| showing, sacrificial animals, athens asklepieion, reliefs | Renberg (2017), Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World, 254, 255 |
| showing, the, way | Potter Suh and Holladay (2021), Hellenistic Jewish Literature and the New Testament: Collected Essays, 299, 300 |
| shows | Binder (2012), Tertullian, on Idolatry and Mishnah Avodah Zarah: Questioning the Parting of the Ways Between Christians and Jews, 79, 86, 95, 96, 97, 98, 99, 100, 101, 102, 136, 137, 138, 139, 189 |
| shows, doubleness, and rhapsodic | Greensmith (2021), The Resurrection of Homer in Imperial Greek Epic: Quintus Smyrnaeus' Posthomerica and the Poetics of Impersonation, 69, 70, 71, 72, 73, 75, 77, 78, 79 |
| shows, emotion is not judgement, plotinus, neoplatonist, disowned emotion | Sorabji (2000), Emotion and Peace of Mind: From Stoic Agitation to Christian Temptation, 122 |
| shows, forum, gladiatorial | Jenkyns (2013), God, Space, and City in the Roman Imagination, 90, 179 |
| shows, gladiator | Iricinschi et al. (2013), Beyond the Gnostic Gospels: Studies Building on the Work of Elaine Pagels, 155 |
| shows, gladiatorial | Jenkyns (2013), God, Space, and City in the Roman Imagination, 88, 90, 179 |
| shows, influence of hebrew on greek, septuagint | Feldman (2006), Judaism and Hellenism Reconsidered, 29 |
| shows, influence of rhetoric and tragedy on history, isocrates | Feldman (2006), Judaism and Hellenism Reconsidered, 414 |
| shows, ludi, public | Bruun and Edmondson (2015), The Oxford Handbook of Roman Epigraphy, 163, 236, 240, 353, 360, 361, 525, 537, 540, 542, 543, 549 |
| shows, lust is not under control of the will, augustine, effect of music on lust | Sorabji (2000), Emotion and Peace of Mind: From Stoic Agitation to Christian Temptation, 84, 91, 131, 405, 406 |
| shows, performance, rhapsodic | Greensmith (2021), The Resurrection of Homer in Imperial Greek Epic: Quintus Smyrnaeus' Posthomerica and the Poetics of Impersonation, 54, 69, 70, 71, 72, 73, 75, 77, 78, 79 |
| shows, porphyrys purpose for the souls descent, augustine | Simmons(1995), Arnobius of Sicca: Religious Conflict and Competition in the Age of Diocletian, 289 |
| shows, rabbinic adaptations of mime | Rosen-Zvi (2012), The Mishnaic Sotah Ritual: Temple, Gender and Midrash, 139, 140 |
| shows, rhapsodic | Greensmith (2021), The Resurrection of Homer in Imperial Greek Epic: Quintus Smyrnaeus' Posthomerica and the Poetics of Impersonation, 54, 69, 70, 71, 72, 73, 75, 77, 78, 79 |
| shows, the insubordination to be a punishment, augustine, novelty of shame after fall | Sorabji (2000), Emotion and Peace of Mind: From Stoic Agitation to Christian Temptation, 411, 412 |
| shows, without appropriate building, ludi, public | Bruun and Edmondson (2015), The Oxford Handbook of Roman Epigraphy, 553 |
| shows, yhwh omnipotence, leviathan | Sneed (2022), Taming the Beast: A Reception History of Behemoth and Leviathan, 59 |
| shows, θέα | Berglund Crostini and Kelhoffer (2022), Why We Sing: Music, Word, and Liturgy in Early Christianity, 214, 215, 331, 338, 341 |
| 2 validated results for "shows" | ||
|---|---|---|
| 1. None, None, nan (1st cent. CE - 2nd cent. CE) Tagged with subjects: • ludi, public shows • munus (munera), as gladiatorial show • senators absences,, seating at shows Found in books: Bowditch (2001), Cicero on the Philosophy of Religion: On the Nature of the Gods and On Divination, 2; Bruun and Edmondson (2015), The Oxford Handbook of Roman Epigraphy, 549; Talbert (1984), The Senate of Imperial Rome, 439 |
||
| 2. None, None, nan (1st cent. CE - 2nd cent. CE) Tagged with subjects: • Forum, gladiatorial shows • Nero,, in shows • gladiatorial shows Found in books: Jenkyns (2013), God, Space, and City in the Roman Imagination, 90; Talbert (1984), The Senate of Imperial Rome, 151 |