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Tiresias: The Ancient Mediterranean Religions Source Database

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9 results for "portraits"
1. Tacitus, Annals, 1.3.3 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 230
2. Arrian, Periplus, 1.3-1.4, 6.2, 10.1 (1st cent. CE - missingth cent. CE)  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 229
3. Cassius Dio, Roman History, 44.4.4 (2nd cent. CE - 3rd cent. CE)  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 230
44.4.4.  In addition to these remarkable privileges they named him father of his country, stamped this title on the coinage, voted to celebrate his birthday by public sacrifice, ordered that he should have a statue in the cities and in all the temples of Rome,
4. Eusebius of Caesarea, Ecclesiastical History, 9.9.10 (3rd cent. CE - 4th cent. CE)  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 229
9.9.10. But he, as one possessed of inborn piety toward God, did not exult in the shouts, nor was he elated by the praises; but perceiving that his aid was from God, he immediately commanded that a trophy of the Saviour's passion be put in the hand of his own statue.
5. Eusebius of Caesarea, Life of Constantine, 3.3, 4.15.2-4.15.16, 4.69 (3rd cent. CE - 4th cent. CE)  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 229
3.3. And besides this, he caused to be painted on a lofty tablet, and set up in the front of the portico of his palace, so as to be visible to all, a representation of the salutary sign placed above his head, and below it that hateful and savage adversary of mankind, who by means of the tyranny of the ungodly had wasted the Church of God, falling headlong, under the form of a dragon, to the abyss of destruction. For the sacred oracles in the books of God's prophets have described him as a dragon and a crooked serpent; and for this reason the emperor thus publicly displayed a painted resemblance of the dragon beneath his own and his children's feet, stricken through with a dart, and cast headlong into the depths of the sea. In this manner he intended to represent the secret adversary of the human race, and to indicate that he was consigned to the gulf of perdition by virtue of the salutary trophy placed above his head. This allegory, then, was thus conveyed by means of the colors of a picture: and I am filled with wonder at the intellectual greatness of the emperor, who as if by divine inspiration thus expressed what the prophets had foretold concerning this monster, saying that God would bring his great and strong and terrible sword against the dragon, the flying serpent; and would destroy the dragon that was in the sea. This it was of which the emperor gave a true and faithful representation in the picture above described. 4.69. On the arrival of the news of the emperor's death in the imperial city, the Roman senate and people felt the announcement as the heaviest and most afflictive of all calamities, and gave themselves up to an excess of grief. The baths and markets were closed, the public spectacles, and all other recreations in which men of leisure are accustomed to indulge, were interrupted. Those who had erewhile lived in luxurious ease, now walked the streets in gloomy sadness, while all united in blessing the name of the deceased, as the one who was dear to God, and truly worthy of the imperial dignity. Nor was their sorrow expressed only in words: they proceeded also to honor him, by the dedication of paintings to his memory, with the same respect as before his death. The design of these pictures embodied a representation of heaven itself, and depicted the emperor reposing in an ethereal mansion above the celestial vault. They too declared his sons alone to be emperors and Augusti, and begged with earnest entreaty that they might be permitted to receive the body of their emperor, and perform his obsequies in the imperial city.
6. Theodoret of Cyrus, Religious History, 26.12 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 231
7. Galeni–Iv, I–Iv X N. 3, 4.8  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 231
8. Hom., Hom. Matt., 0.134722222  Tagged with subjects: •portraits, imperial, distribution of Found in books: Ando (2013) 230