| 1. Acusilaus, Fragments, 24 (7th cent. BCE - 6th cent. BCE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 170 |
| 2. Bacchylides, Fragmenta Ex Operibus Incertis, 11 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 |
| 3. Pindar, Paeanes, 20-21, 18 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Kowalzig (2007) 170 |
| 4. Pindar, Dithyrambi (Poxy. 1604.), None (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Kowalzig (2007) 168, 169, 170 |
5. Herodotus, Histories, 5.67, 9.34 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169, 170 | 5.67. In doing this, to my thinking, this Cleisthenes was imitating his own mother's father, Cleisthenes the tyrant of Sicyon, for Cleisthenes, after going to war with the Argives, made an end of minstrels' contests at Sicyon by reason of the Homeric poems, in which it is the Argives and Argos which are primarily the theme of the songs. Furthermore, he conceived the desire to cast out from the land Adrastus son of Talaus, the hero whose shrine stood then as now in the very marketplace of Sicyon because he was an Argive. ,He went then to Delphi, and asked the oracle if he should cast Adrastus out, but the priestess said in response: “Adrastus is king of Sicyon, and you but a stone thrower.” When the god would not permit him to do as he wished in this matter, he returned home and attempted to devise some plan which might rid him of Adrastus. When he thought he had found one, he sent to Boeotian Thebes saying that he would gladly bring Melanippus son of Astacus into his country, and the Thebans handed him over. ,When Cleisthenes had brought him in, he consecrated a sanctuary for him in the government house itself, where he was established in the greatest possible security. Now the reason why Cleisthenes brought in Melanippus, a thing which I must relate, was that Melanippus was Adrastus' deadliest enemy, for Adrastus had slain his brother Mecisteus and his son-in-law Tydeus. ,Having then designated the precinct for him, Cleisthenes took away all Adrastus' sacrifices and festivals and gave them to Melanippus. The Sicyonians had been accustomed to pay very great honor to Adrastus because the country had once belonged to Polybus, his maternal grandfather, who died without an heir and bequeathed the kingship to him. ,Besides other honors paid to Adrastus by the Sicyonians, they celebrated his lamentable fate with tragic choruses in honor not of Dionysus but of Adrastus. Cleisthenes, however, gave the choruses back to Dionysus and the rest of the worship to Melanippus. 9.34. By so saying he imitated Melampus, in so far as one may compare demands for kingship with those for citizenship. For when the women of Argos had gone mad, and the Argives wanted him to come from Pylos and heal them of that madness, Melampus demanded half of their kingship for his wages. ,This the Argives would not put up with and departed. When, however, the madness spread among their women, they promised what Melampus demanded and were ready to give it to him. Thereupon, seeing their purpose changed, he demanded yet more and said that he would not do their will except if they gave a third of their kingship to his brother Bias; now driven into dire straits, the Argives consented to that also. |
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6. Apollodorus, Bibliotheca, 3.5.2 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169| 3.5.2. διελθὼν δὲ Θρᾴκην καὶ τὴν Ἰνδικὴν ἅπασαν, στήλας ἐκεῖ στήσας 1 -- ἧκεν εἰς Θήβας, καὶ τὰς γυναῖκας ἠνάγκασε καταλιπούσας τὰς οἰκίας βακχεύειν ἐν τῷ Κιθαιρῶνι. Πενθεὺς δὲ γεννηθεὶς ἐξ Ἀγαυῆς Ἐχίονι, παρὰ Κάδμου εἰληφὼς τὴν βασιλείαν, διεκώλυε ταῦτα γίνεσθαι, καὶ παραγενόμενος εἰς Κιθαιρῶνα τῶν Βακχῶν κατάσκοπος ὑπὸ τῆς μητρὸς Ἀγαυῆς κατὰ μανίαν ἐμελίσθη· ἐνόμισε γὰρ αὐτὸν θηρίον εἶναι. δείξας δὲ Θηβαίοις ὅτι θεός ἐστιν, ἧκεν εἰς Ἄργος, κἀκεῖ 2 -- πάλιν οὐ τιμώντων αὐτὸν ἐξέμηνε τὰς γυναῖκας. αἱ δὲ ἐν τοῖς ὄρεσι τοὺς ἐπιμαστιδίους ἔχουσαι 3 -- παῖδας τὰς σάρκας αὐτῶν ἐσιτοῦντο. | |
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7. Plutarch, On Isis And Osiris, None (1st cent. CE - 2nd cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 | 364f. and indulge in shoutings and movements exactly as do those who are under the spell of the Dionysiac ecstasies. For the same reason many of the Greeks make statues of Dionysus in the form of a bull; and the women of Elis invoke him, praying that the god may come with the hoof of a bull; and the epithet applied to Dionysus among the Argives is "Son of the Bull." They call him up out of the water by the sound of trumpets, at the same time casting into the depths a lamb as an offering to the Keeper of the Gate. The trumpets they conceal in Bacchic wands, as Socrates has stated in his treatise on The Holy Ones. Furthermore, the tales regarding the Titans and the rites celebrated by night agree with the accounts of the dismemberment of Osiris and his revivification and regenesis. Similar agreement is found too in the tales about their sepulchres. The Egyptians, as has already been stated, point out tombs of Osiris in many places, and the people of Delphi believe that the remains of Dionysus rest with them close beside the oracle; and the Holy Ones offer a secret sacrifice in the shrine of Apollo whenever the devotees of Dionysus wake the God of the Mystic Basket. To show that the Greeks regard Dionysus as the lord and master not only of wine, but of the nature of every sort of moisture, it is enough that Pindar be our witness, when he says May gladsome Dionysus swell the fruit upon the trees, The hallowed splendour of harvest time. |
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| 8. Plutarch, Greek Questions, None (1st cent. CE - 2nd cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 |
| 9. Plutarch, Theseus, 18 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 395 |
10. Pausanias, Description of Greece, 2.16.6, 2.22.1, 9.20.4-9.20.5 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 168, 169, 170| 2.16.6. Μυκηνῶν δὲ ἐν τοῖς ἐρειπίοις κρήνη τέ ἐστι καλουμένη Περσεία καὶ Ἀτρέως καὶ τῶν παίδων ὑπόγαια οἰκοδομήματα, ἔνθα οἱ θησαυροί σφισι τῶν χρημάτων ἦσαν. τάφος δὲ ἔστι μὲν Ἀτρέως, εἰσὶ δὲ καὶ ὅσους σὺν Ἀγαμέμνονι ἐπανήκοντας ἐξ Ἰλίου δειπνίσας κατεφόνευσεν Αἴγισθος. τοῦ μὲν δὴ Κασσάνδρας μνήματος ἀμφισβητοῦσι Λακεδαιμονίων οἱ περὶ Ἀμύκλας οἰκοῦντες· ἕτερον δέ ἐστιν Ἀγαμέμνονος, τὸ δὲ Εὐρυμέδοντος τοῦ ἡνιόχου, καὶ Τελεδάμου τὸ αὐτὸ καὶ Πέλοπος— τούτους γὰρ τεκεῖν διδύμους Κασσάνδραν φασί, 2.22.1. τῆς δὲ Ἥρας ὁ ναὸς τῆς Ἀνθείας ἐστὶ τοῦ ἱεροῦ τῆς Λητοῦς ἐν δεξιᾷ καὶ πρὸ αὐτοῦ γυναικῶν τάφος. ἀπέθανον δὲ αἱ γυναῖκες ἐν μάχῃ πρὸς Ἀργείους τε καὶ Περσέα, ἀπὸ νήσων τῶν ἐν Αἰγαίῳ Διονύσῳ συνεστρατευμέναι· καὶ διὰ τοῦτο Ἁλίας αὐτὰς ἐπονομάζουσιν. ἀντικρὺ δὲ τοῦ μνήματος τῶν γυναικῶν Δήμητρός ἐστιν ἱερὸν ἐπίκλησιν Πελασγίδος ἀπὸ τοῦ ἱδρυσαμένου Πελασγοῦ τοῦ Τριόπα, καὶ οὐ πόρρω τοῦ ἱεροῦ τάφος Πελασγοῦ. 9.20.4. ἐν δὲ τοῦ Διονύσου τῷ ναῷ θέας μὲν καὶ τὸ ἄγαλμα ἄξιον λίθου τε ὂν Παρίου καὶ ἔργον Καλάμιδος , θαῦμα δὲ παρέχεται μεῖζον ἔτι ὁ Τρίτων. ὁ μὲν δὴ σεμνότερος ἐς αὐτὸν λόγος τὰς γυναῖκάς φησι τὰς Ταναγραίων πρὸ τῶν Διονύσου ὀργίων ἐπὶ θάλασσαν καταβῆναι καθαρσίων ἕνεκα, νηχομέναις δὲ ἐπιχειρῆσαι τὸν Τρίτωνα καὶ τὰς γυναῖκας εὔξασθαι Διόνυσόν σφισιν ἀφικέσθαι βοηθόν, ὑπακοῦσαί τε δὴ τὸν θεὸν καὶ τοῦ Τρίτωνος κρατῆσαι τῇ μάχῃ· 9.20.5. ὁ δὲ ἕτερος λόγος ἀξιώματι μὲν ἀποδεῖ τοῦ προτέρου, πιθανώτερος δέ ἐστι. φησὶ γὰρ δὴ οὗτος, ὁπόσα ἐλαύνοιτο ἐπὶ θάλασσαν βοσκήματα, ὡς ἐλόχα τε ὁ Τρίτων καὶ ἥρπαζεν· ἐπιχειρεῖν δὲ αὐτὸν καὶ τῶν πλοίων τοῖς λεπτοῖς, ἐς ὃ οἱ Ταναγραῖοι κρατῆρα οἴνου προτιθέασιν αὐτῷ. καὶ τὸν αὐτίκα ἔρχεσθαι λέγουσιν ὑπὸ τῆς ὀσμῆς, πιόντα δὲ ἐρρῖφθαι κατὰ τῆς ᾐόνος ὑπνωμένον, Ταναγραῖον δὲ ἄνδρα πελέκει παίσαντα ἀποκόψαι τὸν αὐχένα αὐτοῦ· καὶ διὰ τοῦτο οὐκ ἔπεστιν αὐτῷ κεφαλή. ὅτι δὲ μεθυσθέντα εἷλον, ἐπὶ τούτῳ ὑπὸ Διονύσου νομίζουσιν ἀποθανεῖν αὐτόν. | 2.16.6. In the ruins of Mycenae is a fountain called Persea; there are also underground chambers of Atreus and his children, in which were stored their treasures. There is the grave of Atreus, along with the graves of such as returned with Agamemnon from Troy , and were murdered by Aegisthus after he had given them a banquet. As for the tomb of Cassandra, it is claimed by the Lacedaemonians who dwell around Amyclae. Agamemnon has his tomb, and so has Eurymedon the charioteer, while another is shared by Teledamus and Pelops, twin sons, they say, of Cassandra, 2.22.1. The temple of Hera Anthea (Flowery) is on the right of the sanctuary of Leto, and before it is a grave of women. They were killed in a battle against the Argives under Perseus, having come from the Aegean Islands to help Dionysus in war; for which reason they are surnamed Haliae (Women of the Sea). Facing the tomb of the women is a sanctuary of Demeter, surnamed Pelasgian from Pelasgus, son of Triopas, its founder, and not far from the sanctuary is the grave of Pelasgus. 9.20.4. In the temple of Dionysus the image too is worth seeing, being of Parian marble and a work of Calamis. But a greater marvel still is the Triton. The grander of the two versions of the Triton legend relates that the women of Tanagra before the orgies of Dionysus went down to the sea to be purified, were attacked by the Triton as they were swimming, and prayed that Dionysus would come to their aid. The god, it is said, heard their cry and overcame the Triton in the fight. 9.20.5. The other version is less grand but more credible. It says that the Triton would waylay and lift all the cattle that were driven to the sea. He used even to attack small vessels, until the people of Tanagra set out for him a bowl of wine. They say that, attracted by the smell, he came at once, drank the wine, flung himself on the shore and slept, and that a man of Tanagra struck him on the neck with an axe and chopped off his head. for this reason the image has no head. And because they caught him drunk, it is supposed that it was Dionysus who killed him. |
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| 11. Nonnus, Dionysiaca, 25.728-25.741 (4th cent. CE - 5th cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 |
| 12. Hesychius of Alexandria, Lexicon (A-O), α 788 (5th cent. CE - 6th cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 |
| 13. Hesychius of Alexandria, Lexicon, α 788 (5th cent. CE - 6th cent. CE) Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 |
| 14. Rhetorica Ad Alexandrum, Inst., None Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 169 |
| 15. Epigraphy, Inscriptiones Selectae, 65 Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 395 |
| 16. Papyri, P. Apokrimata, 11, 10 Tagged with subjects: •nan Found in books: Kowalzig (2007) 170 |
| 17. Epigraphy, Seg, 11.298, 22.26 Tagged with subjects: •polis, civic integration in the chorus Found in books: Kowalzig (2007) 170 |
