1. Aristophanes, Clouds, 498 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •crown, of palm, with leaves like rays, worn by initiate •palm, leaves of, in sandals of isis, implying victory, like rays on crown of initiate Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 357 498. οὔκ, ἀλλὰ γυμνοὺς εἰσιέναι νομίζεται. | |
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2. Vergil, Aeneis, 1.704 (1st cent. BCE - 1st cent. BCE) Tagged with subjects: •crown, of palm, with leaves like rays, worn by initiate •palm, crown of, with leaves like rays,worn by initiate •palm, leaves of, in sandals of isis, implying victory, like rays on crown of initiate •rays, palm leaves like, on crown of initiate Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 314 1.704. cura penum struere, et flammis adolere Penatis; | 1.704. amid her subjects passed, and not less bright |
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3. New Testament, John, 19.2-19.5 (1st cent. CE - 1st cent. CE) Tagged with subjects: •crown, of palm, with leaves like rays, worn by initiate •palm, leaves of, in sandals of isis, implying victory, like rays on crown of initiate Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 357 19.2. καὶ οἱ στρατιῶται πλέξαντες στέφανον ἐξ ἀκανθῶν ἐπέθηκαν αὐτοῦ τῇ κεφαλῇ, καὶ ἱμάτιον πορφυροῦν περιέβαλον αὐτόν, 19.3. καὶ ἤρχοντο πρὸς αὐτὸν καὶ ἔλεγον Χαῖρε ὁ βασιλεὺς τῶν Ἰουδαίων· καὶ ἐδίδοσαν αὐτῷ ῥαπίσματα. 19.4. Καὶ ἐξῆλθεν πάλιν ἔξω ὁ Πειλᾶτος καὶ λέγει αὐτοῖς Ἴδε ἄγω ὑμῖν αὐτὸν ἔξω, ἵνα γνῶτε ὅτι οὐδεμίαν αἰτίαν εὑρίσκω ἐν αὐτῷ. 19.5. ἐξῆλθεν οὖν [ὁ] Ἰησοῦς ἔξω, φορῶν τὸν ἀκάνθινον στέφανον καὶ τὸ πορφυροῦν ἱμάτιον. καὶ λέγει αὐτοῖς Ἰδοὺ ὁ ἄνθρωπος. | 19.2. The soldiers twisted thorns into a crown, and put it on his head, and dressed him in a purple garment. 19.3. They kept saying, "Hail, King of the Jews!" and they kept slapping him. 19.4. Then Pilate went out again, and said to them, "Behold, I bring him out to you, that you may know that I find no basis for a charge against him." 19.5. Jesus therefore came out, wearing the crown of thorns and the purple garment. Pilate said to them, "Behold, the man!" |
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4. Apuleius, Apology, 4, 23 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 4 |
5. Apuleius, Florida, 17 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •isis, sandals of, woven with leaves of palm •palm, leaves of, in sandals of isis, implying victory Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 4 |
6. Apuleius, The Golden Ass, 1.1, 3.15, 6.2, 8.9, 8.24, 9.3, 10.22, 10.31 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •isis, sandals of, woven with leaves of palm •palm, leaves of, in sandals of isis, implying victory Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 4, 135 | 1.1. Book 1: Apuleius' address to the reader Now! I'd like to string together various tales in the Milesian style, and charm your kindly ear with seductive murmurs, so long as you're ready to be amazed at human forms and fortunes changed radically and then restored in turn in mutual exchange, and don't object to reading Egyptian papyri, inscribed by a sly reed from the Nile. I'll begin. Who am I? I'll tell you briefly. Hymettus near Athens; the Isthmus of Corinth; and Spartan Mount Taenarus, happy soil more happily buried forever in other books, that's my lineage. There as a lad I served in my first campaigns with the Greek tongue. Later, in Rome, freshly come to Latin studies I assumed and cultivated the native language, without a teacher, and with a heap of pains. So there! I beg your indulgence in advance if as a crude performer in the exotic speech of the Forum I offend. And in truth the very fact of a change of voice will answer like a circus rider's skill when needed. We're about to embark on a Greek tale. Reader, attend: and find delight. 10.22. Still I was troubled and not a little anxious at the problem of how, possessing such a quantity of great legs, I was to mount so fragile a woman; or clasp that soft and glowing body, all made of milk and honey, with my hard hooves; or kiss those sweet lips moist with ambrosial dew with my vast misshapen mouth with teeth like granite; and even though she was itching for it, to the tips of her toes, how would she cope with my huge member? Alas for me, if I should injure the noble lady and be thrown to the wild beasts as part of my owner's entertainment. Meanwhile she kept repeating her tender words, her assiduous kisses and sweet moans, with eyes that devoured me. At last she gasped: 'I have you, I have you now, my dove, my sparrow.' And as she spoke, she revealed how idle my worries had been, how irrelevant my thoughts, as she clasped me tightly and swallowed me whole. Indeed, every time I tried to spare her and pull back, she thrust herself closer wildly, clasped my back and clung on ever harder, until, by Hercules, I feared I might fail to sate her desires, and that Pasiphae, who bore the Minotaur, might had have good reason to choose a bull for a lover. After a sleepless and relentless night, she left, avoiding the exposure of daylight, after agreeing the same price with my keeper for another session. 10.31. Then another girl made her entrance, a real beauty with an ambrosial complexion, playing Venus, as Venus looked before marriage. Her exquisite naked form was bare except for a piece of silken gauze with which she veiled her sweet charms. An inquisitive little breeze kept blowing this veil aside in wanton playfulness so that it lifted now to show her ripening bud, or now pressed madly against her, clinging tightly, smoothly delineating her voluptuous limbs. The goddess' very colouring offered interest to the eye, her body the white of heaven from which she came, her veil the cerulean blue of the sea from which she rose. Each of the girls who played a goddess was accompanied by attendants; Juno by two lads from the acting troop, depicting Castor and Pollux, heads capped with helmets shaped like halves of the egg they came from, topped by stars to signify the Twins, their constellation. To the sound of an Ionian flute piping melodies, the goddess advanced with calm unpretentious steps, and with graceful gestures promised Paris rule over all Asia if he granted her the prize for beauty. The girl whose weapons denoted Minerva was guarded by two boys, depicting Terror and Fear, armour-bearers to the war-goddess, leaping forward with drawn swords. Behind them a piper played a battle tune in the Dorian mode, a deep droning intermingled with shrill screeches, stirring them to energetic dance. Minerva tossed her head, glared threateningly, and informed Paris in swift and abrupt gestures that should he grant her victory in the beauty contest then with her assistance he would be renowned for his bravery and his triumphs in war. |
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7. Philostratus The Athenian, Life of Apollonius, 3.48 (2nd cent. CE - missingth cent. CE) Tagged with subjects: •crown, of palm, with leaves like rays, worn by initiate •palm, leaves of, in sandals of isis, implying victory, like rays on crown of initiate Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 357 3.48. ὃν δ' ὀρύττουσι χρυσὸν οἱ γρῦπες, πέτραι εἰσὶν οἷον σπινθῆρσιν ἐστιγμέναι ταῖς τοῦ χρυσοῦ ῥανίσιν, ἃς λιθοτομεῖ τὸ θηρίον τοῦτο τῇ τοῦ ῥάμφους ἰσχύι. τὰ γὰρ θηρία ταῦτα εἶναί τε ἐν ̓Ινδοῖς καὶ ἱεροὺς νομίζεσθαι τοῦ ̔Ηλίου τέθριππά τε αὐτῶν ὑποζευγνύναι τοῖς ἀγάλμασι τοὺς τὸν ̔́Ηλιον ἐν ̓Ινδοῖς γράφοντας μέγεθός τε καὶ ἀλκὴν εἰκάσθαι αὐτοὺς τοῖς λέουσιν, ὑπὸ δὲ πλεονεξίας τῶν πτερῶν αὐτοῖς τε ἐκείνοις ἐπιτίθεσθαι καὶ τῶν ἐλεφάντων δὲ καὶ δρακόντων ὑπερτέρους εἶναι. πέτονται δὲ οὔπω μέγα, ἀλλ' ὅσον οἱ βραχύποροι ὄρνιθες, μὴ γὰρ ἐπτιλῶσθαι σφᾶς, ὡς ὄρνισι πάτριον, ἀλλ' ὑμέσι τοὺς ταρσοὺς ὑφάνθαι πυρσοῖς, ὡς εἶναι κυκλώσαντας πέτεσθαί τε καὶ ἐκ μετεώρου μάχεσθαι, τὴν τίγριν δὲ αὐτοῖς ἀνάλωτον εἶναι μόνην, ἐπειδὴ τὸ τάχος αὐτὴν ἐσποιεῖ τοῖς ἀνέμοις. | 3.48. As to the gold which the griffins dig up, there are rocks which are spotted with drops of gold as with sparks, which this creature can quarry because of the strength of its beak. For these animals do exist in India, he said, and are held in veneration as being sacred to the Sun; and the Indian artists, when they represent the Sun, yoke four of them abreast to draw the imaged car; and in size and strength they resemble lions but having this advantage over them that they have wings, they will attack them, and they get the better of elephants and of dragons. But they have no great power of flying, not more than have birds of short flight; for they are not winged as is proper with birds, but the palms of their feet are webbed with red membranes, such that they are able to revolve them, and make a flight and fight in the air; and the tiger alone is beyond their powers of attack, because in swiftness it rivals the winds. |
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8. Justinian, Codex Justinianus, 55 (5th cent. CE - 6th cent. CE) Tagged with subjects: •isis, sandals of, woven with leaves of palm •palm, leaves of, in sandals of isis, implying victory Found in books: Griffiths, The Isis-Book (Metamorphoses, Book XI) (1975) 4 |