3. Homer, Iliad, 2.734-2.737, 5.76-5.83, 9.575-9.592, 9.806-9.848, 14.415, 23.74 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •oracle, oracular, oracle of delphi Found in books: Bernabe et al. (2013), Redefining Dionysos, 402, 403 | 2.734. / and Oechalia, city of Oechalian Eurytus, these again were led by the two sons of Asclepius, the skilled leeches Podaleirius and Machaon. And with these were ranged thirty hollow ships. And they that held Ormenius and the fountain Hypereia, 2.735. / and that held Asterium and the white crests of Titanus, these were led by Eurypylus, the glorious son of Euaemon. And with him there followed forty black ships.And they that held Argissa, and dwelt in Gyrtone, Orthe, and Elone, and the white city of Oloösson, 2.736. / and that held Asterium and the white crests of Titanus, these were led by Eurypylus, the glorious son of Euaemon. And with him there followed forty black ships.And they that held Argissa, and dwelt in Gyrtone, Orthe, and Elone, and the white city of Oloösson, 2.737. / and that held Asterium and the white crests of Titanus, these were led by Eurypylus, the glorious son of Euaemon. And with him there followed forty black ships.And they that held Argissa, and dwelt in Gyrtone, Orthe, and Elone, and the white city of Oloösson, 5.76. / So he fell in the dust, and bit the cold bronze with his teeth.And Eurypylus, son of Euaemon, slew goodly Hypsenor, son of Dolopion high of heart, that was made priest of Scamander, and was honoured of the folk even as a god—upon him did Eurypylus, Euaemon's glorious son, 5.77. / So he fell in the dust, and bit the cold bronze with his teeth.And Eurypylus, son of Euaemon, slew goodly Hypsenor, son of Dolopion high of heart, that was made priest of Scamander, and was honoured of the folk even as a god—upon him did Eurypylus, Euaemon's glorious son, 5.78. / So he fell in the dust, and bit the cold bronze with his teeth.And Eurypylus, son of Euaemon, slew goodly Hypsenor, son of Dolopion high of heart, that was made priest of Scamander, and was honoured of the folk even as a god—upon him did Eurypylus, Euaemon's glorious son, 5.79. / So he fell in the dust, and bit the cold bronze with his teeth.And Eurypylus, son of Euaemon, slew goodly Hypsenor, son of Dolopion high of heart, that was made priest of Scamander, and was honoured of the folk even as a god—upon him did Eurypylus, Euaemon's glorious son, 5.80. / rush with his sword as he fled before him, and in mid-course smite him upon the shoulder and lop off his heavy arm. So the arm all bloody fell to the ground; and down over his eyes came dark death and mighty fate. 5.81. / rush with his sword as he fled before him, and in mid-course smite him upon the shoulder and lop off his heavy arm. So the arm all bloody fell to the ground; and down over his eyes came dark death and mighty fate. 5.82. / rush with his sword as he fled before him, and in mid-course smite him upon the shoulder and lop off his heavy arm. So the arm all bloody fell to the ground; and down over his eyes came dark death and mighty fate. 5.83. / rush with his sword as he fled before him, and in mid-course smite him upon the shoulder and lop off his heavy arm. So the arm all bloody fell to the ground; and down over his eyes came dark death and mighty fate. 9.575. / of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland, 9.576. / of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland, 9.577. / of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland, 9.578. / of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland, 9.579. / of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland, 9.580. / and the half clear plough-land, to be cut from out the plain. 9.581. / and the half clear plough-land, to be cut from out the plain. 9.582. / and the half clear plough-land, to be cut from out the plain. 9.583. / and the half clear plough-land, to be cut from out the plain. 9.584. / and the half clear plough-land, to be cut from out the plain. And earnestly the old horseman Oeneus besought him, standing upon the threshold of his high-roofed chamber, and shaking the jointed doors, in prayer to his son, and earnestly too did his sisters and his honoured mother beseech him 9.585. / —but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.586. / —but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.587. / —but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.588. / —but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.589. / —but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.590. / Then verily his fair-girdled wife besought Meleager with wailing, and told him all the woes that come on men whose city is taken; the men are slain and the city is wasted by fire, and their children and low-girdled women are led captive of strangers. 9.591. / Then verily his fair-girdled wife besought Meleager with wailing, and told him all the woes that come on men whose city is taken; the men are slain and the city is wasted by fire, and their children and low-girdled women are led captive of strangers. 9.592. / Then verily his fair-girdled wife besought Meleager with wailing, and told him all the woes that come on men whose city is taken; the men are slain and the city is wasted by fire, and their children and low-girdled women are led captive of strangers. 14.415. / and a dread reek of brimstone ariseth therefrom—then verily courage no longer possesseth him that looketh thereon and standeth near by, for dread is the bolt of great Zeus—even so fell mighty Hector forthwith to the ground in the dust. And the spear fell from his hand, but the shield was hurled upon him, 23.74. / Not in my life wast thou unmindful of me, but now in my death! Bury me with all speed, that I pass within the gates of Hades. Afar do the spirits keep me aloof, the phantoms of men that have done with toils, neither suffer they me to join myself to them beyond the River, but vainly I wander through the wide-gated house of Hades. |
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9. Pausanias, Description of Greece, 1.2.5, 1.20.3, 1.29.2, 1.31.6, 1.38.8, 1.41.3, 2.2.6, 2.7.5-2.7.6, 2.20.4, 2.23.1, 3.2.1, 3.13.7, 4.4.2-4.4.3, 4.31.4, 4.31.7-4.31.8, 6.1-6.2, 6.25.2, 6.26.1-6.26.2, 7.1.1-7.1.5, 7.1.13, 7.18.5, 7.18.8-7.18.13, 7.19.1-7.19.10, 7.20.5, 7.20.9, 7.21.1-7.21.7, 8.26.1-8.26.2, 10.4.3, 10.6.4, 10.19.4, 10.32.7, 18.2-18.7 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •oracle, oracular, oracle of delphi Found in books: Bernabe et al. (2013), Redefining Dionysos, 402, 403, 409, 410| 1.2.5. ἡ δὲ ἑτέρα τῶν στοῶν ἔχει μὲν ἱερὰ θεῶν, ἔχει δὲ γυμνάσιον Ἑρμοῦ καλούμενον· ἔστι δὲ ἐν αὐτῇ Πουλυτίωνος οἰκία, καθʼ ἣν παρὰ τὴν ἐν Ἐλευσῖνι δρᾶσαι τελετὴν Ἀθηναίων φασὶν οὐ τοὺς ἀφανεστάτους· ἐπʼ ἐμοῦ δὲ ἀνεῖτο Διονύσῳ. Διόνυσον δὲ τοῦτον καλοῦσι Μελπόμενον ἐπὶ λόγῳ τοιῷδε ἐφʼ ὁποίῳ περ Ἀπόλλωνα Μουσηγέτην. ἐνταῦθά ἐστιν Ἀθηνᾶς ἄγαλμα Παιωνίας καὶ Διὸς καὶ Μνημοσύνης καὶ Μουσῶν, Ἀπόλλων τε ἀνάθημα καὶ ἔργον Εὐβουλίδου , καὶ δαίμων τῶν ἀμφὶ Διόνυσον Ἄκρατος· πρόσωπόν ἐστίν οἱ μόνον ἐνῳκοδομημένον τοίχῳ. μετὰ δὲ τὸ τοῦ Διονύσου τέμενός ἐστιν οἴκημα ἀγάλματα ἔχον ἐκ πηλοῦ, βασιλεὺς Ἀθηναίων Ἀμφικτύων ἄλλους τε θεοὺς ἑστιῶν καὶ Διόνυσον. ἐνταῦθα καὶ Πήγασός ἐστιν Ἐλευθερεύς, ὃς Ἀθηναίοις τὸν θεὸν ἐσήγαγε· συνεπελάβετο δέ οἱ τὸ ἐν Δελφοῖς μαντεῖον ἀναμνῆσαν τὴν ἐπὶ Ἰκαρίου ποτὲ ἐπιδημίαν τοῦ θεοῦ. 1.20.3. τοῦ Διονύσου δέ ἐστι πρὸς τῷ θεάτρῳ τὸ ἀρχαιότατον ἱερόν· δύο δέ εἰσιν ἐντὸς τοῦ περιβόλου ναοὶ καὶ Διόνυσοι, ὅ τε Ἐλευθερεὺς καὶ ὃν Ἀλκαμένης ἐποίησεν ἐλέφαντος καὶ χρυσοῦ. γραφαὶ δὲ αὐτόθι Διόνυσός ἐστιν ἀνάγων Ἥφαιστον ἐς οὐρανόν· λέγεται δὲ καὶ τάδε ὑπὸ Ἑλλήνων, ὡς Ἥρα ῥίψαι γενόμενον Ἥφαιστον, ὁ δέ οἱ μνησικακῶν πέμψαι δῶρον χρυσοῦν θρόνον ἀφανεῖς δεσμοὺς ἔχοντα, καὶ τὴν μὲν ἐπεί τε ἐκαθέζετο δεδέσθαι, θεῶν δὲ τῶν μὲν ἄλλων οὐδενὶ τὸν Ἥφαιστον ἐθέλειν πείθεσθαι, Διόνυσος δὲ— μάλιστα γὰρ ἐς τοῦτον πιστὰ ἦν Ἡφαίστῳ—μεθύσας αὐτὸν ἐς οὐρανὸν ἤγαγε· ταῦτά τε δὴ γεγραμμένα εἰσὶ καὶ Πενθεὺς καὶ Λυκοῦργος ὧν ἐς Διόνυσον ὕβρισαν διδόντες δίκας, Ἀριάδνη δὲ καθεύδουσα καὶ Θησεὺς ἀναγόμενος καὶ Διόνυσος ἥκων ἐς τῆς Ἀριάδνης τὴν ἁρπαγήν. 1.29.2. Ἀθηναίοις δὲ καὶ ἔξω πόλεως ἐν τοῖς δήμοις καὶ κατὰ τὰς ὁδοὺς θεῶν ἐστιν ἱερὰ καὶ ἡρώων καὶ ἀνδρῶν τάφοι· ἐγγυτάτω δὲ Ἀκαδημία, χωρίον ποτὲ ἀνδρὸς ἰδιώτου, γυμνάσιον δὲ ἐπʼ ἐμοῦ. κατιοῦσι δʼ ἐς αὐτὴν περίβολός ἐστιν Ἀρτέμιδος καὶ ξόανα Ἀρίστης καὶ Καλλίστης· ὡς μὲν ἐγὼ δοκῶ καὶ ὁμολογεῖ τὰ ἔπη τὰ Πάμφω, τῆς Ἀρτέμιδός εἰσιν ἐπικλήσεις αὗται, λεγόμενον δὲ καὶ ἄλλον ἐς αὐτὰς λόγον εἰδὼς ὑπερβήσομαι. καὶ ναὸς οὐ μέγας ἐστίν, ἐς ὃν τοῦ Διονύσου τοῦ Ἐλευθερέως τὸ ἄγαλμα ἀνὰ πᾶν ἔτος κομίζουσιν ἐν τεταγμέναις ἡμέραις. 1.31.6. ἔστι δὲ Ἀχαρναὶ δῆμος· οὗτοι θεῶν Ἀπόλλωνα τιμῶσιν Ἀγυιέα καὶ Ἡρακλέα. καὶ Ἀθηνᾶς βωμός ἐστιν Ὑγείας· τὴν δʼ Ἱππίαν Ἀθηνᾶν ὀνομάζουσι καὶ Διόνυσον Μελπόμενον καὶ Κισσὸν τὸν αὐτὸν θεόν, τὸν κισσὸν τὸ φυτὸν ἐνταῦθα πρῶτον φανῆναι λέγοντες. 1.38.8. ἐκ δὲ Ἐλευσῖνος τραπομένοις ἐπὶ Βοιωτῶν, ἐστὶν ὅμορος Ἀθηναίοις ἡ Πλαταιίς. πρότερον μὲν γὰρ Ἐλευθερεῦσιν ὅροι πρὸς τὴν Ἀττικὴν ἦσαν· προσχωρησάντων δὲ Ἀθηναίοις τούτων, οὕτως ἤδη Βοιωτίας ὁ Κιθαιρών ἐστιν ὅρος. προσεχώρησαν δὲ Ἐλευθερεῖς οὐ πολέμῳ βιασθέντες, ἀλλὰ πολιτείας τε ἐπιθυμήσαντες παρὰ Ἀθηναίων καὶ κατʼ ἔχθος τὸ Θηβαίων. ἐν τούτῳ τῷ πεδίῳ ναός ἐστι Διονύσου, καὶ τὸ ξόανον ἐντεῦθεν Ἀθηναίοις ἐκομίσθη τὸ ἀρχαῖον· τὸ δὲ ἐν Ἐλευθεραῖς τὸ ἐφʼ ἡμῶν ἐς μίμησιν ἐκείνου πεποίηται. 1.41.3. οὐ πόρρω δὲ τοῦ Ὕλλου μνήματος Ἴσιδος ναὸς καὶ παρʼ αὐτὸν Ἀπόλλωνός ἐστι καὶ Ἀρτέμιδος· Ἀλκάθουν δέ φασι ποιῆσαι ἀποκτείναντα λέοντα τὸν καλούμενον Κιθαιρώνιον. ὑπὸ τούτου τοῦ λέοντος διαφθαρῆναι καὶ ἄλλους καὶ Μεγαρέως φασὶ τοῦ σφετέρου βασιλέως παῖδα Εὔιππον, τὸν δὲ πρεσβύτερον τῶν παίδων αὐτῷ Τίμαλκον ἔτι πρότερον ἀποθανεῖν ὑπὸ Θησέως, στρατεύοντα ἐς Ἄφιδναν σὺν τοῖς Διοσκούροις· Μεγαρέα δὲ γάμον τε ὑποσχέσθαι θυγατρὸς καὶ ὡς διάδοχον ἕξει τῆς ἀρχῆς, ὅστις τὸν Κιθαιρώνιον λέοντα ἀποκτείναι· διὰ ταῦτα Ἀλκάθουν τὸν Πέλοπος ἐπιχειρήσαντα τῷ θηρίῳ κρατῆσαί τε καὶ ὡς ἐβασίλευσε τὸ ἱερὸν ποιῆσαι τοῦτο, Ἀγροτέραν Ἄρτεμιν καὶ Ἀπόλλωνα Ἀγραῖον ἐπονομάσαντα. 2.2.6. λόγου δὲ ἄξια ἐν τῇ πόλει τὰ μὲν λειπόμενα ἔτι τῶν ἀρχαίων ἐστίν, τὰ δὲ πολλὰ αὐτῶν ἐπὶ τῆς ἀκμῆς ἐποιήθη τῆς ὕστερον. ἔστιν οὖν ἐπὶ τῆς ἀγορᾶς— ἐνταῦθα γὰρ πλεῖστά ἐστι τῶν ἱερῶν—Ἄρτεμίς τε ἐπίκλησιν Ἐφεσία καὶ Διονύσου ξόανα ἐπίχρυσα πλὴν τῶν προσώπων· τὰ δὲ πρόσωπα ἀλοιφῇ σφισιν ἐρυθρᾷ κεκόσμηται· Λύσιον δέ, τὸν δὲ Βάκχειον ὀνομάζουσι. 2.7.5. ἐν δὲ τῇ νῦν ἀκροπόλει Τύχης ἱερόν ἐστιν Ἀκραίας, μετὰ δὲ αὐτὸ Διοσκούρων· ξόανα δὲ οὗτοί τε καὶ τὸ ἄγαλμα τῆς Τύχης ἐστί. τοῦ θεάτρου δὲ ὑπὸ τὴν ἀκρόπολιν ᾠκοδομημένου τὸν ἐν τῇ σκηνῇ πεποιημένον ἄνδρα ἀσπίδα ἔχοντα Ἄρατόν φασιν εἶναι τὸν Κλεινίου. μετὰ δὲ τὸ θέατρον Διονύσου ναός ἐστι· χρυσοῦ μὲν καὶ ἐλέφαντος ὁ θεός, παρὰ δὲ αὐτὸν Βάκχαι λίθου λευκοῦ. ταύτας τὰς γυναῖκας ἱερὰς εἶναι καὶ Διονύσῳ μαίνεσθαι λέγουσιν. ἄλλα δὲ ἀγάλματα ἐν ἀπορρήτῳ Σικυωνίοις ἐστί· ταῦτα μιᾷ καθʼ ἕκαστον ἔτος νυκτὶ ἐς τὸ Διονύσιον ἐκ τοῦ καλουμένου κοσμητηρίου κομίζουσι, κομίζουσι δὲ μετὰ δᾴδων τε ἡμμένων καὶ ὕμνων ἐπιχωρίων. 2.7.6. ἡγεῖται μὲν οὖν ὃν Βάκχειον ὀνομάζουσιν—Ἀνδροδάμας σφίσιν ὁ Φλάντος τοῦτον ἱδρύσατο—, ἕπεται δὲ ὁ καλούμενος Λύσιος, ὃν Θηβαῖος Φάνης εἰπούσης τῆς Πυθίας ἐκόμισεν ἐκ Θηβῶν. ἐς δὲ Σικυῶνα ἦλθεν ὁ Φάνης, ὅτε Ἀριστόμαχος ὁ Κλεοδαίου τῆς γενομένης μαντείας ἁμαρτὼν διʼ αὐτὸ καὶ καθόδου τῆς ἐς Πελοπόννησον ἥμαρτεν. ἐκ δὲ τοῦ Διονυσίου βαδίζουσιν ἐς τὴν ἀγοράν, ἔστι ναὸς Ἀρτέμιδος ἐν δεξιᾷ Λιμναίας. καὶ ὅτι μὲν κατερρύηκεν ὁ ὄροφος, δῆλά ἐστιν ἰδόντι· περὶ δὲ τοῦ ἀγάλματος οὔτε ὡς κομισθέντος ἑτέρωσε οὔτε ὅντινα αὐτοῦ διεφθάρη τρόπον εἰπεῖν ἔχουσιν. 2.20.4. τὸ δὲ μνῆμα τὸ πλησίον Χορείας μαινάδος ὀνομάζουσι, Διονύσῳ λέγοντες καὶ ἄλλας γυναῖκας καὶ ταύτην ἐς Ἄργος συστρατεύσασθαι, Περσέα δέ, ὡς ἐκράτει τῆς μάχης, φονεῦσαι τῶν γυναικῶν τὰς πολλάς· τὰς μὲν οὖν λοιπὰς θάπτουσιν ἐν κοινῷ, ταύτῃ δὲ—ἀξιώματι γὰρ δὴ προεῖχεν—ἰδίᾳ τὸ μνῆμα ἐποίησαν. 2.23.1. ἐντεῦθεν ἐρχομένοις ὁδὸν καλουμένην Κοίλην ναός ἐστιν ἐν δεξιᾷ Διονύσου· τὸ δὲ ἄγαλμα εἶναι λέγουσιν ἐξ Εὐβοίας. συμβάσης γὰρ τοῖς Ἕλλησιν, ὡς ἐκομίζοντο ἐξ Ἰλίου, τῆς πρὸς τῷ Καφηρεῖ ναυαγίας, τοὺς δυνηθέντας ἐς τὴν γῆν διαφυγεῖν τῶν Ἀργείων ῥῖγός τε πιέζει καὶ λιμός. εὐξαμένοις δὲ θεῶν τινα ἐν τοῖς παροῦσιν ἀπόροις γενέσθαι σωτῆρα, αὐτίκα ὡς προῄεσαν ἐφάνη σφίσι Διονύσου σπήλαιον, καὶ ἄγαλμα ἦν ἐν τῷ σπηλαίῳ τοῦ θεοῦ· τότε δὲ αἶγες ἄγριαι φεύγουσαι τὸν χειμῶνα ἐς αὐτὸ ἦσαν ἠθροισμέναι. ταύτας οἱ Ἀργεῖοι σφάξαντες τά τε κρέα ἐδείπνησαν καὶ δέρμασιν ἐχρήσαντο ἀντὶ ἐσθῆτος. ἐπεὶ δὲ ὁ χειμὼν ἐπαύσατο καὶ ἐπισκευάσαντες τὰς ναῦς οἴκαδε ἐκομίζοντο, ἐπάγονται τὸ ἐκ τοῦ σπηλαίου ξόανον· 3.2.1. Εὐρυσθένει πρεσβυτέρῳ τῶν Ἀριστοδήμου παίδων ὄντι ἡλικίαν γενέσθαι λέγουσιν υἱὸν Ἆγιν· ἀπὸ τούτου δὲ τὸ γένος τὸ Εὐρυσθένους καλοῦσιν Ἀγιάδας. ἐπὶ τούτου Πατρεῖ τῷ Πρευγένους κτίζοντι ἐν Ἀχαΐᾳ πόλιν, ἥντινα Πάτρας καὶ ἐς ἡμᾶς καλοῦσιν ἀπὸ τοῦ Πατρέως τούτου, συνεπελάβοντο Λακεδαιμόνιοι τοῦ οἰκισμοῦ. συνήραντο δὲ καὶ Γρᾷ τῷ Ἐχέλα τοῦ Πενθίλου τοῦ Ὀρέστου στελλομένῳ ναυσὶν ἐς ἀποικίαν. καὶ ὁ μὲν τὴν τῆς Ἰωνίας μεταξὺ καὶ Μυσῶν, καλουμένην δὲ Αἰολίδα ἐφʼ ἡμῶν, καθέξειν ἔμελλεν· ὁ δέ οἱ πρόγονος Πενθίλος Λέσβον τὴν ὑπὲρ τῆς ἠπείρου ταύτης νῆσον εἷλεν ἔτι πρότερον. 3.13.7. ἀπαντικρὺ δὲ ἥ τε ὀνομαζομένη Κολώνα καὶ Διονύσου Κολωνάτα ναός, πρὸς αὐτῷ δὲ τέμενός ἐστιν ἥρωος, ὃν τῆς ὁδοῦ τῆς ἐς Σπάρτην Διονύσῳ φασὶ γενέσθαι ἡγεμόνα· τῷ δὲ ἥρωι τούτῳ πρὶν ἢ τῷ θεῷ θύουσιν αἱ Διονυσιάδες καὶ αἱ Λευκιππίδες. τὰς δὲ ἄλλας ἕνδεκα ἃς καὶ αὐτὰς Διονυσιάδας ὀνομάζουσι, ταύταις δρόμου προτιθέασιν ἀγῶνα· 4.4.2. ἔστιν ἐπὶ τοῖς ὅροις τῆς Μεσσηνίας ἱερὸν Ἀρτέμιδος καλουμένης Λιμνάτιδος, μετεῖχον δὲ αὐτοῦ μόνοι Δωριέων οἵ τε Μεσσήνιοι καὶ οἱ Λακεδαιμόνιοι. Λακεδαιμόνιοι μὲν δή φασιν ὡς παρθένους αὑτῶν παραγενομένας ἐς τὴν ἑορτὴν αὐτάς τε βιάσαιντο ἄνδρες τῶν Μεσσηνίων καὶ τὸν βασιλέα σφῶν ἀποκτείναιεν πειρώμενον κωλύειν, Τήλεκλον Ἀρχελάου τοῦ Ἀγησιλάου τοῦ Δορύσσου τοῦ Λαβώτα τοῦ Ἐχεστράτου τοῦ Ἄγιδος, πρός τε δὴ τούτοις τὰς βιασθείσας τῶν παρθένων διεργάσασθαι λέγουσιν αὑτὰς ὑπὸ αἰσχύνης· 4.4.3. Μεσσήνιοι δὲ τοῖς ἐλθοῦσι σφῶν ἐς τὸ ἱερὸν πρωτεύουσιν ἐν Μεσσήνῃ κατὰ ἀξίωμα, τούτοις φασὶν ἐπιβουλεῦσαι Τήλεκλον, αἴτιον δὲ εἶναι τῆς χώρας τῆς Μεσσηνίας τὴν ἀρετήν, ἐπιβουλεύοντα δὲ ἐπιλέξαι Σπαρτιατῶν ὁπόσοι πω γένεια οὐκ εἶχον, τούτους δὲ ἐσθῆτι καὶ κόσμῳ τῷ λοιπῷ σκευάσαντα ὡς παρθένους ἀναπαυομένοις τοῖς Μεσσηνίοις ἐπεισαγαγεῖν, δόντα ἐγχειρίδια· καὶ τοὺς Μεσσηνίους ἀμυνομένους τούς τε ἀγενείους νεανίσκους καὶ αὐτὸν ἀποκτεῖναι Τήλεκλον, Λακεδαιμονίους δὲ—οὐ γὰρ ἄνευ τοῦ κοινοῦ ταῦτα βουλεῦσαι σφῶν τὸν βασιλέα—συνειδότας ὡς ἄρξαιεν ἀδικίας, τοῦ φόνου σφᾶς τοῦ Τηλέκλου δίκας οὐκ ἀπαιτῆσαι. ταῦτα μὲν ἑκάτεροι λέγουσι, πειθέσθω δὲ ὡς ἔχει τις ἐς τοὺς ἑτέρους σπουδῆς. 4.31.4. ἰόντι δὲ ἐκ Θουρίας ὡς ἐπὶ Ἀρκαδίας εἰσὶν αἱ πηγαὶ τοῦ Παμίσου· καὶ ἐπʼ αὐταῖς παισὶ μικροῖς ἀκέσματα γίνεται. ἰοῦσι δὲ ἀπὸ τῶν πηγῶν ἐν ἀριστερᾷ καὶ προελθόντι ὡς τεσσαράκοντα στάδια, ἔστι Μεσσηνίοις ἡ ὑπὸ τῇ Ἰθώμῃ πόλις· περιέχεται δὲ οὐ τῇ Ἰθώμῃ μόνον ἀλλὰ καὶ ἐπὶ τὸν Πάμισον τὰ τετραμμένα ὑπὸ τῆς Εὔας· τὸ δὲ ὄνομα γενέσθαι τῷ ὄρει φασὶ Βακχικόν τι ἐπίφθεγμα εὐοῖ Διονύσου πρῶτον ἐνταῦθα αὐτοῦ τε εἰπόντος καὶ τῶν ὁμοῦ τῷ Διονύσῳ γυναικῶν. 4.31.7. Δαμοφῶντος δέ ἐστι τούτου καὶ ἡ Λαφρία καλουμένη παρὰ Μεσσηνίοις· σέβεσθαι δέ σφισιν ἀπὸ τοιοῦδε αὐτὴν καθέστηκε. Καλυδωνίοις ἡ Ἄρτεμις—ταύτην γὰρ θεῶν μάλιστα ἔσεβον— ἐπίκλησιν εἶχε Λαφρία· Μεσσηνίων δὲ οἱ λαβόντες Ναύπακτον παρὰ Ἀθηναίων—τηνικαῦτα γὰρ Αἰτωλίας ἐγγύτατα ᾤκουν—παρὰ Καλυδωνίων ἔλαβον. τὸ σχῆμα ἑτέρωθι δηλώσω. τὸ μὲν δὴ τῆς Λαφρίας ἀφίκετο ὄνομα ἔς τε Μεσσηνίους καὶ ἐς Πατρεῖς Ἀχαιῶν μόνους, Ἐφεσίαν δὲ Ἄρτεμιν πόλεις τε νομίζουσιν αἱ 4.31.8. πᾶσαι καὶ ἄνδρες ἰδίᾳ θεῶν μάλιστα ἄγουσιν ἐν τιμῇ· τὰ δὲ αἴτια ἐμοὶ δοκεῖν ἐστὶν Ἀμαζόνων τε κλέος, αἳ φήμην τὸ ἄγαλμα ἔχουσιν ἱδρύσασθαι, καὶ ὅτι ἐκ παλαιοτάτου τὸ ἱερὸν τοῦτο ἐποιήθη. τρία δὲ ἄλλα ἐπὶ τούτοις συνετέλεσεν ἐς δόξαν, μέγεθός τε τοῦ ναοῦ τὰ παρὰ πᾶσιν ἀνθρώποις κατασκευάσματα ὑπερηρκότος καὶ Ἐφεσίων τῆς πόλεως ἡ ἀκμὴ καὶ ἐν αὐτῇ τὸ ἐπιφανὲς τῆς θεοῦ. 6.25.2. ὁ δὲ ἱερὸς τοῦ Ἅιδου περίβολός τε καὶ ναός—ἔστι γὰρ δὴ Ἠλείοις καὶ Ἅιδου περίβολός τε καὶ ναός— ἀνοίγνυται μὲν ἅπαξ κατὰ ἔτος ἕκαστον, ἐσελθεῖν δὲ οὐδὲ τότε ἐφεῖται πέρα γε τοῦ ἱερωμένου. ἀνθρώπων δὲ ὧν ἴσμεν μόνοι τιμῶσιν Ἅιδην Ἠλεῖοι κατὰ αἰτίαν τήνδε. Ἡρακλεῖ στρατιὰν ἄγοντι ἐπὶ Πύλον τὴν ἐν τῇ Ἤλιδι, παρεῖναί οἱ καὶ Ἀθηνᾶν συνεργὸν λέγουσιν· ἀφικέσθαι οὖν καὶ Πυλίοις τὸν Ἅιδην συμμαχήσοντα τῇ ἀπεχθείᾳ τοῦ Ἡρακλέους, ἔχοντα ἐν τῇ Πύλῳ τιμάς. 6.26.1. θέατρον δὲ ἀρχαῖον, μεταξὺ τῆς ἀγορᾶς καὶ τοῦ Μηνίου τὸ θέατρόν τε καὶ ἱερόν ἐστι Διονύσου· τέχνη τὸ ἄγαλμα Πραξιτέλους , θεῶν δὲ ἐν τοῖς μάλιστα Διόνυσον σέβουσιν Ἠλεῖοι καὶ τὸν θεόν σφισιν ἐπιφοιτᾶν ἐς τῶν Θυίων τὴν ἑορτὴν λέγουσιν. ἀπέχει μέν γε τῆς πόλεως ὅσον τε ὀκτὼ στάδια ἔνθα τὴν ἑορτὴν ἄγουσι Θυῖα ὀνομάζοντες· λέβητας δὲ ἀριθμὸν τρεῖς ἐς οἴκημα ἐσκομίσαντες οἱ ἱερεῖς κατατίθενται κενούς, παρόντων καὶ τῶν ἀστῶν καὶ ξένων, εἰ τύχοιεν ἐπιδημοῦντες· σφραγῖδας δὲ αὐτοί τε οἱ ἱερεῖς καὶ τῶν ἄλλων ὅσοις ἂν κατὰ γνώμην ᾖ ταῖς θύραις τοῦ οἰκήματος ἐπιβάλλουσιν, ἐς δὲ τὴν ἐπιοῦσαν τά τε 6.26.2. σημεῖα ἐπιγνῶναι πάρεστί σφισι καὶ ἐσελθόντες ἐς τὸ οἴκημα εὑρίσκουσιν οἴνου πεπλησμένους τοὺς λέβητας. ταῦτα Ἠλείων τε οἱ δοκιμώτατοι ἄνδρες, σὺν αὐτοῖς δὲ καὶ ξένοι κατώμνυντο ἔχειν κατὰ τὰ εἰρημένα, ἐπεὶ αὐτός γε οὐκ ἐς καιρὸν ἀφικόμην τῆς ἑορτῆς· λέγουσι δὲ καὶ Ἄνδριοι παρὰ ἔτος σφίσιν ἐς τοῦ Διονύσου τὴν ἑορτὴν ῥεῖν οἶνον αὐτόματον ἐκ τοῦ ἱεροῦ. εἰ πιστεύειν χρὴ ταῦτα Ἕλλησιν, εἰ ἀποδέχοιτο ἄν τις τῷ λόγῳ γε τῷ αὐτῷ καὶ ὅσα Αἰθίοπες οἱ ὑπὲρ Συήνης ἐς τοῦ ἡλίου τὴν τράπεζαν λέγουσιν. 7.1.1. ἡ δὲ τῆς Ἠλείας μέση καὶ Σικυωνίας, καθήκουσα μὲν ἐπὶ τὴν πρὸς ἕω θάλασσαν, Ἀχαΐαν δὲ ὄνομα τὸ ἐφʼ ἡμῶν ἔχουσα ἀπὸ τῶν ἐνοικούντων, αὐτή τε Αἰγιαλὸς τὸ ἀρχαῖον καὶ οἱ νεμόμενοι τὴν γῆν ἐκαλοῦντο Αἰγιαλεῖς, λόγῳ μὲν τῷ Σικυωνίων ἀπὸ Αἰγιαλέως βασιλεύσαντος ἐν τῇ νῦν Σικυωνίᾳ, εἰσὶ δὲ οἵ φασιν ἀπὸ τῆς χώρας, εἶναι γὰρ τὰ πολλὰ αὐτῆς αἰγιαλόν. 7.1.2. χρόνῳ δὲ ὕστερον ἀποθανόντος Ἕλληνος Ξοῦθον οἱ λοιποὶ τοῦ Ἕλληνος παῖδες διώκουσιν ἐκ Θεσσαλίας, ἐπενεγκόντες αἰτίαν ὡς ἰδίᾳ χρήματα ὑφελόμενος ἔχοι τῶν πατρῴων· ὁ δὲ ἐς Ἀθήνας φυγὼν θυγατέρα Ἐρεχθέως ἠξιώθη λαβεῖν καὶ παῖδας Ἀχαιὸν καὶ Ἴωνα ἔσχεν ἐξ αὐτῆς. ἀποθανόντος δὲ Ἐρεχθέως τοῖς παισὶν αὐτοῦ δικαστὴς Ξοῦθος ἐγένετο ὑπὲρ τῆς ἀρχῆς, καὶ—ἔγνω γὰρ τὸν πρεσβύτατον Κέκροπα βασιλέα εἶναι—οἱ λοιποὶ τοῦ Ἐρεχθέως παῖδες ἐξελαύνουσιν ἐκ τῆς χώρας αὐτόν· 7.1.3. ἀφικομένῳ δὲ ἐς τὸν Αἰγιαλὸν καὶ οἰκήσαντι αὐτῷ μὲν ἐγένετο ἐνταῦθα ἡ τελευτή, τῶν δέ οἱ παίδων Ἀχαιὸς μὲν ἐκ τοῦ Αἰγιαλοῦ παραλαβὼν καὶ ἐξ Ἀθηνῶν ἐπικούρους κατῆλθεν ἐς Θεσσαλίαν καὶ ἔσχε τὴν πατρῴαν ἀρχήν, Ἴωνι δὲ ἐπὶ τοὺς Αἰγιαλεῖς στρατιὰν καὶ ἐπὶ Σελινοῦντα τὸν βασιλέα αὐτῶν ἀθροίζοντι ἀγγέλους ἔπεμπεν ὁ Σελινοῦς, τὴν θυγατέρα Ἑλίκην, ἣ μόνη οἱ παῖς ἦν, γυναῖκα αὐτῷ διδοὺς καὶ αὐτὸν Ἴωνα ἐπὶ τῇ ἀρχῇ παῖδα ποιούμενος. 7.1.4. καί πως ταῦτα τῷ Ἴωνι ἐγένετο οὐκ ἄπο γνώμης, καὶ τῶν Αἰγιαλέων τὴν ἀρχὴν Ἴων ἔσχεν ἀποθανόντος Σελινοῦντος, καὶ Ἑλίκην τε ἀπὸ τῆς γυναικὸς ᾤκισεν ἐν τῷ Αἰγιαλῷ πόλιν καὶ τοὺς ἀνθρώπους ἐκάλεσεν Ἴωνας ἀφʼ αὑτοῦ. τοῦτο οὐ μεταβολὴ τοῦ ὀνόματος, προσθήκη δέ σφισιν ἐγένετο· Αἰγιαλεῖς γὰρ ἐκαλοῦντο Ἴωνες. τῇ χώρᾳ δὲ ἔτι καὶ μᾶλλον διέμεινεν ὄνομα τὸ ἐξ ἀρχῆς· Ὁμήρῳ γοῦν ἐν καταλόγῳ τῶν μετὰ Ἀγαμέμνονος ἐξήρκεσε τὸ ἀρχαῖον δηλῶσαι τῆς γῆς ὄνομα· Αἰγιαλόν τʼ ἀνὰ πάντα καὶ ἀμφʼ Ἑλίκην εὐρεῖαν. Hom. Il. 2.575 7.1.5. τότε δὲ ἐπὶ τῆς Ἴωνος βασιλείας πολεμησάντων Ἀθηναίοις Ἐλευσινίων καὶ Ἀθηναίων Ἴωνα ἐπαγαγομένων ἐπὶ ἡγεμονίᾳ τοῦ πολέμου, τὸν μὲν ἐν τῇ Ἀττικῇ τὸ χρεὼν ἐπιλαμβάνει, καὶ Ἴωνος ἐν τῷ δήμῳ μνῆμα τῷ Ποταμίων ἐστίν· οἱ δὲ ἀπόγονοι τοῦ Ἴωνος τὸ Ἰώνων ἔσχον κράτος, ἐς ὃ ὑπʼ Ἀχαιῶν ἐξέπεσον καὶ αὐτοὶ καὶ ὁ δῆμος. τοῖς δὲ Ἀχαιοῖς τηνικαῦτα ὑπῆρξε καὶ αὐτοῖς ἐκ Λακεδαίμονος καὶ Ἄργους ὑπὸ Δωριέων ἐξεληλάσθαι· 7.18.5. Ἀχαιῶν δὲ ὕστερον ἐκβαλόντων Ἴωνας, Πατρεὺς ὁ Πρευγένους τοῦ Ἀγήνορος ἐς μὲν Ἄνθειαν καὶ ἐς Μεσάτιν μὴ ἐνοικίζεσθαι τοῖς Ἀχαιοῖς ἀπεῖπε, περίβολον δὲ τείχους πρὸς τῇ Ἀρόῃ βαλόμενος μείζονα, ἵνα ἐντός οἱ τοῦ περιβόλου καὶ ἡ Ἀρόη γένηται, ὄνομα ἔθετο ἀφʼ ἑαυτοῦ Πάτρας τῇ πόλει. Ἀγήνωρ δὲ ὁ πατὴρ τοῦ Πρευγένους Ἀρέως παῖς ἦν τοῦ Ἄμπυκος, ὁ δὲ Ἄμπυξ Πελίου τοῦ Αἰγινήτου τοῦ Δηρείτου τοῦ Ἁρπάλου τοῦ Ἀμύκλα τοῦ Λακεδαίμονος. 7.18.8. Πατρεῦσι δὲ ἐν ἄκρᾳ τῇ πόλει Λαφρίας ἱερόν ἐστιν Ἀρτέμιδος· ξενικὸν μὲν τῇ θεῷ τὸ ὄνομα, ἐσηγμένον δὲ ἑτέρωθεν καὶ τὸ ἄγαλμα. Καλυδῶνος γὰρ καὶ Αἰτωλίας τῆς ἄλλης ὑπὸ Αὐγούστου βασιλέως ἐρημωθείσης διὰ τὸ τὴν ἐς τὴν Νικόπολιν τὴν ὑπὲρ τοῦ Ἀκτίου συνοικίζεσθαι καὶ τὸ Αἰτωλικόν, οὕτω τὸ ἄγαλμα τῆς Λαφρίας οἱ Πατρεῖς ἔσχον. 7.18.9. ὡσαύτως δὲ καὶ ὅσα ἄλλα ἀγάλματα ἔκ τε Αἰτωλίας καὶ παρὰ Ἀκαρνάνων, τὰ μὲν πολλὰ ἐς τὴν Νικόπολιν κομισθῆναι, Πατρεῦσι δὲ ὁ Αὔγουστος ἄλλα τε τῶν ἐκ Καλυδῶνος λαφύρων καὶ δὴ καὶ τῆς Λαφρίας ἔδωκε τὸ ἄγαλμα, ὃ δὴ καὶ ἐς ἐμὲ ἔτι ἐν τῇ ἀκροπόλει τῇ Πατρέων εἶχε τιμάς. γενέσθαι δὲ ἐπίκλησιν τῇ θεῷ Λαφρίαν ἀπὸ ἀνδρὸς Φωκέως φασί· Λάφριον γὰρ τὸν Κασταλίου τοῦ Δελφοῦ Καλυδωνίοις ἱδρύσασθαι τὸ ἄγαλμα τῆς Ἀρτέμιδος τὸ ἀρχαῖον, οἱ δὲ τῆς Ἀρτέμιδος τὸ μήνιμα τὸ 7.18.10. ἐς Οἰνέα ἀνὰ χρόνον τοῖς Καλυδωνίοις ἐλαφρότερον γενέσθαι λέγουσι καὶ αἰτίαν τῇ θεῷ τῆς ἐπικλήσεως ἐθέλουσιν εἶναι ταύτην. τὸ μὲν σχῆμα τοῦ ἀγάλματος θηρεύουσά ἐστιν, ἐλέφαντος δὲ καὶ χρυσοῦ πεποίηται, Ναυπάκτιοι δὲ Μέναιχμος καὶ Σοΐδας εἰργάσαντο· τεκμαίρονται σφᾶς Κανάχου τοῦ Σικυωνίου καὶ τοῦ Αἰγινήτου Κάλλωνος οὐ πολλῷ γενέσθαι τινὶ ἡλικίαν ὑστέρους. 7.18.11. ἄγουσι δὲ καὶ Λάφρια ἑορτὴν τῇ Ἀρτέμιδι οἱ Πατρεῖς ἀνὰ πᾶν ἔτος, ἐν ᾗ τρόπος ἐπιχώριος θυσίας ἐστὶν αὐτοῖς. περὶ μὲν τὸν βωμὸν ἐν κύκλῳ ξύλα ἱστᾶσιν ἔτι χλωρὰ καὶ ἐς ἑκκαίδεκα ἕκαστον πήχεις· ἐντὸς δὲ ἐπὶ τοῦ βωμοῦ τὰ αὐότατά σφισι τῶν ξύλων κεῖται. μηχανῶνται δὲ ὑπὸ τὸν καιρὸν τῆς ἑορτῆς καὶ ἄνοδον ἐπὶ τὸν βωμὸν λειοτέραν, ἐπιφέροντες γῆν ἐπὶ τοῦ βωμοῦ τοὺς ἀναβασμούς. 7.18.12. πρῶτα μὲν δὴ πομπὴν μεγαλοπρεπεστάτην τῇ Ἀρτέμιδι πομπεύουσι, καὶ ἡ ἱερωμένη παρθένος ὀχεῖται τελευταία τῆς πομπῆς ἐπὶ ἐλάφων ὑπὸ τὸ ἅρμα ἐζευγμένων· ἐς δὲ τὴν ἐπιοῦσαν τηνικαῦτα ἤδη δρᾶν τὰ ἐς τὴν θυσίαν νομίζουσι, δημοσίᾳ τε ἡ πόλις καὶ οὐχ ἧσσον ἐς τὴν ἑορτὴν οἱ ἰδιῶται φιλοτίμως ἔχουσιν. ἐσβάλλουσι γὰρ ζῶντας ἐς τὸν βωμὸν ὄρνιθάς τε τοὺς ἐδωδίμους καὶ ἱερεῖα ὁμοίως ἅπαντα, ἔτι δὲ ὗς ἀγρίους καὶ ἐλάφους τε καὶ δορκάδας, οἱ δὲ καὶ λύκων καὶ ἄρκτων σκύμνους, οἱ δὲ καὶ τὰ τέλεια τῶν θηρίων· κατατιθέασι δὲ ἐπὶ τὸν βωμὸν καὶ δένδρων καρπὸν τῶν ἡμέρων. 7.18.13. τὸ δὲ ἀπὸ τούτου πῦρ ἐνιᾶσιν ἐς τὰ ξύλα. ἐνταῦθά που καὶ ἄρκτον καὶ ἄλλο τι ἐθεασάμην τῶν ζῴων, τὰ μὲν ὑπὸ τὴν πρώτην ὁρμὴν τοῦ πυρὸς βιαζόμενα ἐς τὸ ἐκτός, τὰ δὲ καὶ ἐκφεύγοντα ὑπὸ ἰσχύος· ταῦτα οἱ ἐμβαλόντες ἐπανάγουσιν αὖθις ἐς τὴν πυράν. τρωθῆναι δὲ οὐδένα ὑπὸ τῶν θηρίων μνημονεύουσιν. 7.19.1. ἔστι δὲ ἐν τῷ μεταξὺ τοῦ ναοῦ τε τῆς Λαφρίας καὶ τοῦ βωμοῦ πεποιημένον μνῆμα Εὐρυπύλου. τὰ δὲ ὅστις τε ὢν καὶ καθʼ ἥντινα αἰτίαν ἀφίκετο ἐς τὴν γῆν ταύτην, δηλώσει μοι καὶ ταῦτα ὁ λόγος προδιηγησαμένῳ πρότερον ὁποῖα ὑπὸ τοῦ Εὐρυπύλου τὴν ἐπιδημίαν τοῖς ἐνταῦθα ἦν τὰ παρόντα τοῖς ἀνθρώποις. Ἰώνων τοῖς Ἀρόην καὶ Ἄνθειαν καὶ Μεσάτιν οἰκοῦσιν ἦν ἐν κοινῷ τέμενος καὶ ναὸς Ἀρτέμιδος Τρικλαρίας ἐπίκλησιν, καὶ ἑορτὴν οἱ Ἴωνες αὐτῇ καὶ παννυχίδα ἦγον ἀνὰ πᾶν ἔτος. ἱερωσύνην δὲ εἶχε τῆς θεοῦ παρθένος, ἐς ὃ ἀποστέλλεσθαι παρὰ ἄνδρα ἔμελλε. 7.19.2. λέγουσιν οὖν συμβῆναί ποτε ὡς ἱερᾶσθαι μὲν τῆς θεοῦ Κομαιθὼ τὸ εἶδος καλλίστην παρθένον, τυγχάνειν δὲ αὐτῆς ἐρῶντα Μελάνιππον, τά τε ἄλλα τοὺς ἡλικιώτας καὶ ὄψεως εὐπρεπείᾳ μάλιστα ὑπερηρκότα. ὡς δὲ ὁ Μελάνιππος ἐς τὸ ἴσον τοῦ ἔρωτος ὑπηγάγετο τὴν παρθένον, ἐμνᾶτο αὐτὴν παρὰ τοῦ πατρός. ἕπεται δέ πως τῷ γήρᾳ τά τε ἄλλα ὡς τὸ πολὺ ἐναντιοῦσθαι νέοις καὶ οὐχ ἥκιστα ἐς τοὺς ἐρῶντας τὸ ἀνάλγητον, ὅπου καὶ Μελανίππῳ τότε ἐθέλοντι ἐθέλουσαν ἄγεσθαι Κομαιθὼ οὔτε παρὰ τῶν ἑαυτοῦ γονέων οὔτε παρὰ τῶν Κομαιθοῦς ἥμερον ἀπήντησεν οὐδέν. 7.19.3. ἐπέδειξε δὲ ἐπὶ πολλῶν τε δὴ ἄλλων καὶ ἐν τοῖς Μελανίππου παθήμασιν, ὡς μέτεστιν ἔρωτι καὶ ἀνθρώπων συγχέαι νόμιμα καὶ ἀνατρέψαι θεῶν τιμάς, ὅπου καὶ τότε ἐν τῷ τῆς Ἀρτέμιδος ἱερῷ Κομαιθὼ καὶ Μελάνιππος καὶ ἐξέπλησαν τοῦ ἔρωτος τὴν ὁρμήν. καὶ οἱ μὲν ἔμελλον τῷ ἱερῷ καὶ ἐς τὸ ἔπειτα ἴσα καὶ θαλάμῳ χρήσεσθαι· τοὺς δὲ ἀνθρώπους αὐτίκα ἐξ Ἀρτέμιδος μήνιμα ἔφθειρε, τῆς τε γῆς καρπὸν οὐδένα ἀποδιδούσης καὶ νόσοι σφίσιν οὐ κατὰ τὰ εἰωθότα καὶ ἀπʼ αὐτῶν θάνατοι πλείονες ἢ τὰ πρότερα ἐγίνοντο. 7.19.4. καταφυγόντων δὲ αὐτῶν ἐπὶ χρηστήριον τὸ ἐν Δελφοῖς, ἤλεγχεν ἡ Πυθία Μελάνιππον καὶ Κομαιθώ· καὶ ἐκείνους τε αὐτοὺς μάντευμα ἀφίκετο θῦσαι τῇ Ἀρτέμιδι καὶ ἀνὰ πᾶν ἔτος παρθένον καὶ παῖδα οἳ τὸ εἶδος εἶεν κάλλιστοι τῇ θεῷ θύειν. ταύτης μὲν δὴ τῆς θυσίας ἕνεκα ὁ ποταμὸς ὁ πρὸς τῷ ἱερῷ τῆς Τρικλαρίας Ἀμείλιχος ἐκλήθη· 7.19.5. τέως δὲ ὄνομα εἶχεν οὐδέν. παίδων δὲ καὶ παρθένων ὁπόσοι μὲν ἐς τὴν θεὸν οὐδὲν εἰργασμένοι Μελανίππου καὶ Κομαιθοῦς ἕνεκα ἀπώλλυντο, αὐτοί τε οἰκτρότατα καὶ οἱ προσήκοντές σφισιν ἔπασχον, Μελάνιππον δὲ καὶ Κομαιθὼ συμφορᾶς ἐκτὸς γενέσθαι τίθεμαι· μόνον γὰρ δὴ ἀνθρώπῳ ψυχῆς ἐστιν ἀντάξιον κατορθῶσαί τινα ἐρασθέντα. 7.19.6. παύσασθαι δὲ οὕτω λέγονται θύοντες τῇ Ἀρτέμιδι ἀνθρώπους. ἐκέχρητο δὲ αὐτοῖς πρότερον ἔτι ἐκ Δελφῶν ὡς βασιλεὺς ξένος παραγενόμενός σφισιν ἐπὶ τὴν γῆν, ξενικὸν ἅμα ἀγόμενος δαίμονα, τὰ ἐς τὴν θυσίαν τῆς Τρικλαρίας παύσει. Ἰλίου δὲ ἁλούσης καὶ νεμομένων τὰ λάφυρα τῶν Ἑλλήνων, Εὐρύπυλος ὁ Εὐαίμονος λαμβάνει λάρνακα· Διονύσου δὲ ἄγαλμα ἦν ἐν τῇ λάρνακι, ἔργον μὲν ὥς φασιν Ἡφαίστου , δῶρον δὲ ὑπὸ Διὸς ἐδόθη Δαρδάνῳ. 7.19.7. λέγονται δὲ καὶ ἄλλοι λόγοι δύο ἐς αὐτήν, ὡς ὅτε ἔφυγεν Αἰνείας, ἀπολίποι ταύτην τὴν λάρνακα· οἱ δὲ ῥιφῆναί φασιν αὐτὴν ὑπὸ Κασσάνδρας συμφορὰν τῷ εὑρόντι Ἑλλήνων. ἤνοιξε δʼ οὖν ὁ Εὐρύπυλος τὴν λάρνακα καὶ εἶδε τὸ ἄγαλμα καὶ αὐτίκα ἦν ἔκφρων μετὰ τὴν θέαν· τὰ μὲν δὴ πλείονα ἐμαίνετο, ὀλιγάκις δὲ ἐγίνετο ἐν ἑαυτῷ. ἅτε δὲ οὕτω διακείμενος οὐκ ἐς τὴν Θεσσαλίαν τὸν πλοῦν ἐποιεῖτο, ἀλλʼ ἐπί τε Κίρραν καὶ ἐς τὸν ταύτῃ κόλπον· ἀναβὰς δὲ ἐς Δελφοὺς ἐχρᾶτο ὑπὲρ τῆς νόσου. 7.19.8. καὶ αὐτῷ γενέσθαι λέγουσι μάντευμα, ἔνθα ἂν ἐπιτύχῃ θύουσιν ἀνθρώποις θυσίαν ξένην, ἐνταῦθα ἱδρύσασθαί τε τὴν λάρνακα καὶ αὐτὸν οἰκῆσαι. ὁ μὲν δὴ ἄνεμος τὰς ναῦς τοῦ Εὐρυπύλου κατήνεγκεν ἐπὶ τὴν πρὸς τῇ Ἀρόῃ θάλασσαν· ἐκβὰς δὲ ἐς τὴν γῆν καταλαμβάνει παῖδα καὶ παρθένον ἐπὶ τὸν βωμὸν τῆς Τρικλαρίας ἠγμένους. καὶ ὁ μὲν ἔμελλεν οὐ χαλεπῶς συνήσειν τὰ ἐς τὴν θυσίαν· ἀφίκοντο δὲ ἐς μνήμην καὶ οἱ ἐπιχώριοι τοῦ χρησμοῦ, βασιλέα τε ἰδόντες ὃν οὔπω πρότερον ἑωράκεσαν καὶ ἐς τὴν λάρνακα ὑπενόησαν ὡς εἴη τις ἐν αὐτῇ θεός. 7.19.9. καὶ οὕτω τῷ Εὐρυπύλῳ τε ἡ νόσος καὶ τοῖς ἐνταῦθα ἀνθρώποις τὰ ἐς τὴν θυσίαν ἐπαύσθη, τό τε ὄνομα ἐτέθη τὸ νῦν τῷ ποταμῷ Μείλιχος. ἔγραψαν δὲ ἤδη τινὲς οὐ τῷ Θεσσαλῷ συμβάντα Εὐρυπύλῳ τὰ εἰρημένα, ἀλλὰ Εὐρύπυλον Δεξαμενοῦ παῖδα τοῦ ἐν Ὠλένῳ βασιλεύσαντος ἐθέλουσιν ἅμα Ἡρακλεῖ στρατεύσαντα ἐς Ἴλιον λαβεῖν παρὰ τοῦ Ἡρακλέους τὴν λάρνακα· τὰ δὲ ἄλλα κατὰ τὰ αὐτὰ εἰρήκασι καὶ οὗτοι. 7.19.10. ἐγὼ δὲ οὔτε Ἡρακλέα ἀγνοῆσαι τὰ ἐς τὴν λάρνακα εἰ δὴ τοιαῦτα ἦν πείθομαι οὔτε τὰ ἐς αὐτὴν ἐπιστάμενος δοκεῖ μοί ποτε ἂν δοῦναι δῶρον συμμαχήσαντι ἀνδρί· οὔτε μὴν οἱ Πατρεῖς ἄλλον τινὰ ἢ τὸν Εὐαίμονος ἔχουσιν Εὐρύπυλον ἐν μνήμῃ, καί οἱ καὶ ἐναγίζουσιν ἀνὰ πᾶν ἔτος, ἐπειδὰν τῷ Διονύσῳ τὴν ἑορτὴν ἄγωσι. 7.20.5. ἤτοι ἐγὼ Τρώεσσι πόλιν πέρι τεῖχος ἔδειμα, εὐρύ τε καὶ μάλα καλόν, ἵνʼ ἄρρηκτος πόλις εἴη· Φοῖβε, σὺ δʼ εἰλίποδας ἕλικας βοῦς βουκολέεσκες. Hom. Il. 21.446-448 τὰ μὲν δὴ ἐς τὸ κρανίον τοῦ βοὸς ἐπὶ τοιῷδε ἄν τις εἰκάσειε πεποιῆσθαι· ἔστι δὲ ἐν ὑπαίθρῳ τῆς ἀγορᾶς ἄγαλμά τε Ἀθηνᾶς καὶ πρὸ αὐτοῦ Πατρέως τάφος. 7.20.9. τούτου δὲ τοῦ τεμένους ἐστὶ καὶ ἄλλα τοῖς Πατρεῦσιν ἱερά· πεποίηται δὲ ταῦτα οὐκ ἐν ὑπαίθρῳ, ἀλλὰ ἔσοδος ἐς αὐτὰ διὰ τῶν στοῶν ἐστι. τὸ μὲν δὴ ἄγαλμα τοῦ Ἀσκληπιοῦ, πλὴν ἐσθῆτος, λίθου τὰ ἄλλα· Ἀθηνᾶ δὲ ἐλέφαντος εἴργασται καὶ χρυσοῦ. πρὸ δὲ τῆς Ἀθηνᾶς τοῦ ἱεροῦ Πρευγένους μνῆμά ἐστιν· ἐναγίζουσι δὲ καὶ τῷ Πρευγένει κατὰ ἔτος, ὡσαύτω; δὲ καὶ Πατρεῖ, τὴν ἑορτὴν τῇ Λιμνάτιδι ἄγοντες. τοῦ θεάτρου δὲ οὐ πόρρω Νεμέσεως ναὸς καὶ ἕτερός ἐστιν Ἀφροδίτης· μεγέθει μεγάλα λίθου λευκοῦ τὰ ἀγάλματα. 7.21.1. καὶ Διονύσου κατὰ τοῦτο τῆς πόλεώς ἐστιν ἱερὸν ἐπίκλησιν Καλυδωνίου· μετεκομίσθη γὰρ καὶ τοῦ Διονύσου τὸ ἄγαλμα ἐκ Καλυδῶνος. ὅτε δὲ ᾠκεῖτο ἔτι Καλυδών, ἄλλοι τε Καλυδωνίων ἐγένοντο ἱερεῖς τῷ θεῷ καὶ δὴ καὶ Κόρεσος, ὃν ἀνθρώπων μάλιστα ἐπέλαβεν ἄδικα ἐξ ἔρωτος παθεῖν. ἤρα μὲν Καλλιρόης παρθένου· ὁπόσον δὲ ἐς Καλλιρόην ἔρωτος Κορέσῳ μετῆν, τοσοῦτο εἶχεν ἀπεχθείας ἐς αὐτὸν ἡ παρθένος. 7.21.2. ὡς δὲ τοῦ Κορέσου δεήσεις τε ποιουμένου πάσας καὶ δώρων ὑποσχέσεις παντοίας οὐκ ἐνετρέπετο ἡ γνώμη τῆς παρθένου, ἐκομίζετο ἱκέτης ἤδη παρὰ τοῦ Διονύσου τὸ ἄγαλμα. ὁ δὲ ἤκουσέ τε εὐχομένου τοῦ ἱερέως καὶ οἱ Καλυδώνιοι τὸ παραυτίκα ὥσπερ ὑπὸ μέθης ἐγίνοντο ἔκφρονες καὶ ἡ τελευτὴ σφᾶς παραπλῆγας ἐπελάμβανε. καταφεύγουσιν οὖν ἐπὶ τὸ χρηστήριον τὸ ἐν Δωδώνῃ· τοῖς γὰρ τὴν ἤπειρον ταύτην οἰκοῦσι, τοῖς τε Αἰτωλοῖς καὶ τοῖς προσχώροις αὐτῶν Ἀκαρνᾶσι καὶ Ἠπειρώταις, αἱ πέλειαι καὶ τὰ ἐκ τῆς δρυὸς μαντεύματα μετέχειν μάλιστα ἐφαίνετο ἀληθείας. 7.21.3. τότε δὲ τὰ χρησθέντα ἐκ Δωδώνης Διονύσου μὲν ἔλεγεν εἶναι τὸ μήνιμα, ἔσεσθαι δὲ οὐ πρότερον λύσιν πρὶν ἢ θύσῃ τῷ Διονύσῳ Κόρεσος ἢ αὐτὴν Καλλιρόην ἢ τὸν ἀποθανεῖν ἀντʼ ἐκείνης τολμήσαντα. ὡς δὲ οὐδὲν ἐς σωτηρίαν εὑρίσκετο ἡ παρθένος, δεύτερα ἐπὶ τοὺς θρεψαμένους καταφεύγει· ἁμαρτάνουσα δὲ καὶ τούτων, ἐλείπετο οὐδὲν ἔτι ἢ αὐτὴν φονεύεσθαι. 7.21.4. προεξεργασθέντων δὲ ὁπόσα ἐς τὴν θυσίαν ἄλλα ἐκ Δωδώνης μεμαντευμένα ἦν, ἡ μὲν ἱερείου τρόπον ἦκτο ἐπὶ τὸν βωμόν, Κόρεσος δὲ ἐφειστήκει μὲν τῇ θυσίᾳ, τῷ δὲ ἔρωτι εἴξας καὶ οὐ τῷ θυμῷ ἑαυτὸν ἀντὶ Καλλιρόης διεργάζεται. ὁ μὲν δὴ ἀπέδειξεν ἔργον ἀνθρώπων ὧν ἴσμεν διατεθεὶς ἐς ἔρωτα ἀπλαστότατα· 7.21.5. Καλλιρόη τε ὡς Κόρεσον τεθνεῶτα εἶδεν, μετέπεσε τῇ παιδὶ ἡ γνώμη, καὶ—ἐσῄει γὰρ αὐτὴν Κορέσου τε ἔλεος καὶ ὅσα ἐς αὐτὸν εἴργασται αἰδώς—ἀπέσφαξέ τε αὑτὴν ἐς τὴν πηγήν, τοῦ λιμένος ἣ ἐν Καλυδῶνί ἐστιν οὐ πόρρω τοῦ λιμένος , καὶ ἀπʼ ἐκείνης οἱ ἔπειτα ἄνθρωποι Καλλιρόην τὴν πηγὴν καλοῦσι. 7.21.6. τοῦ θεάτρου δὲ ἐγγὺς πεποίηται Πατρεῦσι γυναικὸς ἐπιχωρίας τέμενος. Διονύσου δέ ἐστιν ἐνταῦθα ἀγάλματα, ἴσοι τε τοῖς ἀρχαίοις πολίσμασι καὶ ὁμώνυμοι· Μεσατεὺς γὰρ καὶ Ἀνθεύς τε καὶ Ἀροεύς ἐστιν αὐτοῖς τὰ ὀνόματα. ταῦτα τὰ ἀγάλματα ἐν τῇ Διονύσου τῇ ἑορτῇ κομίζουσιν ἐς τὸ ἱερὸν τοῦ Αἰσυμνήτου· τὸ δὲ ἱερὸν τοῦτο ἐς τὰ ἐπὶ θαλάσσῃ τῆς πόλεως ἐρχομένοις ἔστιν ἐκ τῆς ἀγορᾶς ἐν δεξιᾷ τῆς ὁδοῦ. 7.21.7. ἀπὸ δὲ τοῦ Αἰσυμνήτου κατωτέρω ἰόντι ἄλλο ἱερὸν καὶ ἄγαλμα λίθου· καλεῖται μὲν Σωτηρίας, ἱδρύσασθαι δὲ αὐτὸ ἐξ ἀρχῆς ἀποφυγόντα φασὶ τὴν μανίαν Εὐρύπυλον. πρὸς δὲ τῷ λιμένι Ποσειδῶνός τε ναὸς καὶ ἄγαλμά ἐστιν ὀρθὸν λίθου. Ποσειδῶνι δὲ παρὲξ ἢ ὁπόσα ὀνόματα ποιηταῖς πεποιημένα ἐστὶν ἐς ἐπῶν κόσμον καὶ ἰδίᾳ σφίσιν ἐπιχώρια ὄντα ἕκαστοι τίθενται, τοσαίδε ἐς ἅπαντας γεγόνασιν ἐπικλήσεις αὐτῷ, Πελαγαῖος καὶ Ἀσφάλιός τε καὶ Ἵππιος. 8.26.1. Ἡραιεῦσι δὲ οἰκιστὴς μὲν γέγονεν Ἡραιεὺς ὁ Λυκάονος, κεῖται δὲ ἡ πόλις ἐν δεξιᾷ τοῦ Ἀλφειοῦ, τὰ μὲν πολλὰ ἐν ἠρέμα προσάντει, τὰ δὲ καὶ ἐπʼ αὐτὸν καθήκει τὸν Ἀλφειόν. δρόμοι τε παρὰ τῷ ποταμῷ πεποίηνται μυρσίναις καὶ ἄλλοις ἡμέροις διακεκριμένοι δένδροις, καὶ τὰ λουτρὰ αὐτόθι, εἰσὶ δὲ καὶ Διονύσῳ ναοί· τὸν μὲν καλοῦσιν αὐτῶν Πολίτην, τὸν δὲ Αὐξίτην, καὶ οἴκημά ἐστί σφισιν ἔνθα τῷ Διονύσῳ τὰ 8.26.2. ὄργια ἄγουσιν. ἔστι καὶ ναὸς ἐν τῇ Ἡραίᾳ Πανὸς ἅτε τοῖς Ἀρκάσιν ἐπιχωρίου, τῆς δὲ Ἥρας τοῦ ναοῦ καὶ ἄλλα ἐρείπια καὶ οἱ κίονες ἔτι ἐλείποντο· ἀθλητὰς δὲ ὁπόσοι γεγόνασιν Ἀρκάσιν ὑπερῆρκε τῇ δόξῃ Δαμάρετος Ἡραιεύς, ὃς τὸν ὁπλίτην δρόμον ἐνίκησεν ἐν Ὀλυμπίᾳ πρῶτος. 10.4.3. τὸ ἕτερον δὲ οὐκ ἐδυνήθην συμβαλέσθαι πρότερον, ἐφʼ ὅτῳ καλλίχορον τὸν Πανοπέα εἴρηκε, πρὶν ἢ ἐδιδάχθην ὑπὸ τῶν παρʼ Ἀθηναίοις καλουμένων Θυιάδων. αἱ δὲ Θυιάδες γυναῖκες μέν εἰσιν Ἀττικαί, φοιτῶσαι δὲ ἐς τὸν Παρνασσὸν παρὰ ἔτος αὐταί τε καὶ αἱ γυναῖκες Δελφῶν ἄγουσιν ὄργια Διονύσῳ. ταύταις ταῖς Θυιάσι κατὰ τὴν ἐξ Ἀθηνῶν ὁδὸν καὶ ἀλλαχοῦ χοροὺς ἱστάναι καὶ παρὰ τοῖς Πανοπεῦσι καθέστηκε· καὶ ἡ ἐπίκλησις ἡ ἐς τὸν Πανοπέα Ὁμήρου ὑποσημαίνειν τῶν Θυιάδων δοκεῖ τὸν χορόν. 10.6.4. οἱ δὲ Καστάλιόν τε ἄνδρα αὐτόχθονα καὶ θυγατέρα ἐθέλουσιν αὐτῷ γενέσθαι Θυίαν, καὶ ἱερᾶσθαί τε τὴν Θυίαν Διονύσῳ πρῶτον καὶ ὄργια ἀγαγεῖν τῷ θεῷ· ἀπὸ ταύτης δὲ καὶ ὕστερον ὅσαι τῷ Διονύσῳ μαίνονται Θυιάδας καλεῖσθαι σφᾶς ὑπὸ ἀνθρώπων· Ἀπόλλωνος δʼ οὖν παῖδα καὶ Θυίας νομίζουσιν εἶναι Δελφόν. οἱ δὲ μητρὸς μὲν Μελαίνης φασὶν αὐτόν, θυγατρὸς Κηφισοῦ. 10.19.4. τὰ δὲ ἐν τοῖς ἀετοῖς, ἔστιν Ἄρτεμις καὶ Λητὼ καὶ Ἀπόλλων καὶ Μοῦσαι δύσις τε Ἡλίου καὶ Διόνυσός τε καὶ αἱ γυναῖκες αἱ Θυιάδες. τὰ μὲν δὴ πρῶτα αὐτῶν Ἀθηναῖος Πραξίας μαθητὴς Καλάμιδός ἐστιν ὁ ἐργασάμενος· χρόνου δὲ ὡς ὁ ναὸς ἐποιεῖτο ἐγγινομένου Πραξίαν μὲν ἔμελλεν ἀπάξειν τὸ χρεών, τὰ δὲ ὑπολειπόμενα τοῦ ἐν τοῖς ἀετοῖς κόσμου ἐποίησεν Ἀνδροσθένης , γένος μὲν καὶ οὗτος Ἀθηναῖος, μαθητὴς δὲ Εὐκάδμου. ὅπλα δὲ ἐπὶ τῶν ἐπιστυλίων χρυσᾶ, Ἀθηναῖοι μὲν τὰς ἀσπίδας ἀπὸ τοῦ ἔργου τοῦ Μαραθῶνι ἀνέθεσαν, Αἰτωλοὶ δὲ τά τε ὄπισθεν καὶ τὰ ἐν ἀριστερᾷ Γαλατῶν δὴ ὅπλα· σχῆμα δὲ αὐτῶν ἐστιν ἐγγυτάτω τῶν Περσικῶν γέρρων. 10.32.7. τὸ δὲ ἄντρον τὸ Κωρύκιον μεγέθει τε ὑπερβάλλει τὰ εἰρημένα καὶ ἔστιν ἐπὶ πλεῖστον ὁδεῦσαι διʼ αὐτοῦ καὶ ἄνευ λαμπτήρων· ὅ τε ὄροφος ἐς αὔταρκες ἀπὸ τοῦ ἐδάφους ἀνέστηκε, καὶ ὕδωρ τὸ μὲν ἀνερχόμενον ἐκ πηγῶν, πλέον δὲ ἔτι ἀπὸ τοῦ ὀρόφου στάζει, ὥστε καὶ δῆλα ἐν τῷ ἐδάφει σταλαγμῶν τὰ ἴχνη διὰ παντός ἐστι τοῦ ἄντρου. ἱερὸν δὲ αὐτὸ οἱ περὶ τὸν Παρνασσὸν Κωρυκίων τε εἶναι Νυμφῶν καὶ Πανὸς μάλιστα ἥγηνται. ἀπὸ δὲ τοῦ Κωρυκίου χαλεπὸν ἤδη καὶ ἀνδρὶ εὐζώνῳ πρὸς τὰ ἄκρα ἀφικέσθαι τοῦ Παρνασσοῦ· τὰ δὲ νεφῶν τέ ἐστιν ἀνωτέρω τὰ ἄκρα καὶ αἱ Θυιάδες ἐπὶ τούτοις τῷ Διονύσῳ καὶ τῷ Ἀπόλλωνι μαίνονται. | 1.2.5. One of the porticoes contains shrines of gods, and a gymnasium called that of Hermes. In it is the house of Pulytion, at which it is said that a mystic rite was performed by the most notable Athenians, parodying the Eleusinian mysteries. But in my time it was devoted to the worship of Dionysus. This Dionysus they call Melpomenus (Minstrel), on the same principle as they call Apollo Musegetes (Leader of the Muses). Here there are images of Athena Paeonia (Healer), of Zeus, of Mnemosyne (Memory) and of the Muses, an Apollo, the votive offering and work of Eubulides, and Acratus, a daemon attendant upon Apollo; it is only a face of him worked into the wall. After the precinct of Apollo is a building that contains earthen ware images, Amphictyon, king of Athens , feasting Dionysus and other gods. Here also is Pegasus of Eleutherae, who introduced the god to the Athenians. Herein he was helped by the oracle at Delphi , which called to mind that the god once dwelt in Athens in the days of Icarius. 1.20.3. The oldest sanctuary of Dionysus is near the theater. Within the precincts are two temples and two statues of Dionysus, the Eleuthereus (Deliverer) and the one Alcamenes made of ivory and gold. There are paintings here—Dionysus bringing Hephaestus up to heaven. One of the Greek legends is that Hephaestus, when he was born, was thrown down by Hera. In revenge he sent as a gift a golden chair with invisible fetters. When Hera sat down she was held fast, and Hephaestus refused to listen to any other of the gods save Dionysus—in him he reposed the fullest trust—and after making him drunk Dionysus brought him to heaven. Besides this picture there are also represented Pentheus and Lycurgus paying the penalty of their insolence to Dionysus, Ariadne asleep, Theseus putting out to sea, and Dionysus on his arrival to carry off Ariadne. 1.29.2. Outside the city, too, in the parishes and on the roads, the Athenians have sanctuaries of the gods, and graves of heroes and of men. The nearest is the Academy, once the property of a private individual, but in my time a gymnasium. As you go down to it you come to a precinct of Artemis, and wooden images of Ariste (Best) and Calliste (Fairest). In my opinion, which is supported by the poems of Pamphos, these are surnames of Artemis. There is another account of them, which I know but shall omit. Then there is a small temple, into which every year on fixed days they carry the image of Dionysus Eleuthereus. 1.31.6. There is a parish called Acharnae, where they worship Apollo Agyieus (God of Streets) and Heracles, and there is an altar of Athena Health. And they call upon the name of Athena Horse-goddess and Dionysus Singer and Dionysus Ivy, saying that the plant ivy first appeared there. 1.38.8. When you have turned from Eleusis to Boeotia you come to the Plataean land, which borders on Attica . Formerly Eleutherae formed the boundary on the side towards Attica , but when it came over to the Athenians henceforth the boundary of Boeotia was Cithaeron. The reason why the people of Eleutherae came over was not because they were reduced by war, but because they desired to share Athenian citizenship and hated the Thebans. In this plain is a temple of Dionysus, from which the old wooden image was carried off to Athens . The image at Eleutherae at the present day is a copy of the old one. 1.41.3. Not far from the tomb of Hyllus is a temple of Isis, and beside it one of Apollo and of Artemis. They say that Alcathous made it after killing the lion called Cithaeronian. By this lion they say many were slain, including Euippus, the son of Megareus their king, whose elder son Timalcus had before this been killed by Theseus while on a campaign with the Dioscuri against Aphidna . Megareus they say promised that he who killed the Cithaeronian lion should marry his daughter and succeed him in the kingdom. Alcathous therefore, son of Pelops, attacked the beast and overcame it, and when he came to the throne he built this sanctuary, surnaming Artemis Agrotera (Huntress) and Apollo Agraeus ( Hunter ). 2.2.6. The things worthy of mention in the city include the extant remains of antiquity, but the greater number of them belong to the period of its second ascendancy. On the market-place, where most of the sanctuaries are, stand Artemis surnamed Ephesian and wooden images of Dionysus, which are covered with gold with the exception of their faces; these are ornamented with red paint. They are called Lysius and Baccheus, 2.7.5. On the modern citadel is a sanctuary of Fortune of the Height, and after it one of the Dioscuri. Their images and that of Fortune are of wood. On the stage of the theater built under the citadel is a statue of a man with a shield, who they say is Aratus, the son of Cleinias. After the theater is a temple of Dionysus. The god is of gold and ivory, and by his side are Bacchanals of white marble. These women they say are sacred to Dionysus and maddened by his inspiration. The Sicyonians have also some images which are kept secret. These one night in each year they carry to the temple of Dionysus from what they call the Cosmeterium (Tiring-room), and they do so with lighted torches and native hymns. 2.7.6. The first is the one named Baccheus, set up by Androdamas, the son of Phlias, and this is followed by the one called Lysius (Deliverer), brought from Thebes by the Theban Phanes at the command of the Pythian priestess. Phanes came to Sicyon when Aristomachus, the son of Cleodaeus, failed to understand the oracle I To wait for “the third fruit,” i.e. the third generation. It was interpreted to mean the third year. given him, and therefore failed to return to the Peloponnesus . As you walk from the temple of Dionysus to the market-place you see on the right a temple of Artemis of the lake. A look shows that the roof has fallen in, but the inhabitants cannot tell whether the image has been removed or how it was destroyed on the spot. 2.20.4. The tomb near this they call that of the maenad Chorea, saying that she was one of the women who joined Dionysus in his expedition against Argos , and that Perseus, being victorious in the battle, put most of the women to the sword. To the rest they gave a common grave, but to Chorea they gave burial apart because of her high rank. 2.23.1. As you go from here along a road called Hollow there is on the right a temple of Dionysus; the image, they say, is from Euboea . For when the Greeks, as they were returning from Troy , met with the shipwreck at Caphereus, those of the Argives who were able to escape to land suffered from cold and hunger. Having prayed that someone of the gods should prove himself a saviour in their present distress, straightway as they advanced they came upon a cave of Dionysus; in the cave was an image of the god, and on this occasion wild she-goats had gathered there to escape from the storm. These the Argives killed, using the flesh as food and the skins as raiment. When the storm was over and the Argives, having refitted their ships, were returning home, they took with them the wooden image from the cave, and continue to honor it to the present day. 3.2.1. Eurysthenes, the elder of the sons of Aristodemus, had, they say, a son Agis, after. whom the family of Eurysthenes is called the Agiadae. In his time, when Patreus the son of Preugenes was founding in Achaea a city which even at the present day is called Patrae from this Patreus, the Lacedaemonians took part in the settlement. They also joined in an expedition oversea to found a colony. Gras the son of Echelas the son of Penthilus the son of Orestes was the leader, who was destined to occupy the land between Ionia and Mysia , called at the present day Aeolis ; his ancestor Penthilus had even before this seized the island of Lesbos that lies over against this part of the mainland. 3.13.7. Opposite is what is called the Knoll, with a temple of Dionysus of the Knoll, by which is a precinct of the hero who they say guided Dionysus on the way to Sparta . To this hero sacrifices are offered before they are offered to the god by the daughters of Dionysus and the daughters of Leucippus. For the other eleven ladies who are named daughters of Dionysus there is held a footrace; this custom came to Sparta from Delphi . 4.4.2. There is a sanctuary of Artemis called Limnatis (of the Lake) on the frontier of Messenian, in which the Messenians and the Lacedaemonians alone of the Dorians shared. According to the Lacedaemonians their maidens coming to the festival were violated by Messenian men and their king was killed in trying to prevent it. He was Teleclus the son of Archelaus, son of Agesilaus, son of Doryssus, son of Labotas, son of Echestratus, son of Agis. In addition to this they say that the maidens who were violated killed themselves for shame. 4.4.3. The Messenians say that a plot was formed by Teleclus against persons of the highest rank in Messene who had come to the sanctuary, his incentive being the excellence of the Messenian land; in furtherance of his design he selected some Spartan youths, all without beards, dressed them in girls' clothes and ornaments, and providing them with daggers introduced them among the Messenians when they were resting; the Messenians, in defending themselves, killed the beardless youths and Teleclus himself; but the Lacedaemonians, they say, whose king did not plan this without the general consent, being conscious that they had begun the wrong, did not demand justice for the murder of Teleclus. These are the accounts given by the two sides; one may believe them according to one's feelings towards either side. 4.31.4. On the road from Thuria towards Arcadia are the springs of the Pamisus, at which little children find cures. A road turns to the left from the springs, and after some forty stades is the city of the Messenians under Ithome . It is enclosed not only by Mount Ithome, but on the side towards the Pamisos by Mount Eva. The mountain is said to have obtained its name from the fact that the Bacchic cry of “Evoe” was first uttered here by Dionysus and his attendant women. 4.31.7. By Damophon too is the so-called Laphria at Messene . The cult came to be established among them in the following way: Among the people of Calydon, Artemis, who was worshipped by them above all the gods, had the title Laphria, and the Messenians who received Naupactus from the Athenians, being at that time close neighbors of the Aetolians, adopted her from the people of Calydon. I will describe her appearance in another place. Paus. 7.18.8 The name Laphria spread only to the Messenians and to the Achaeans of Patrae . 4.31.8. But all cities worship Artemis of Ephesus , and individuals hold her in honor above all the gods. The reason, in my view, is the renown of the Amazons, who traditionally dedicated the image, also the extreme antiquity of this sanctuary. Three other points as well have contributed to her renown, the size of the temple, surpassing all buildings among men, the eminence of the city of the Ephesians and the renown of the goddess who dwells there. 6.25.2. The sacred enclosure of Hades and its temple (for the Eleans have these among their possessions) are opened once every year, but not even on this occasion is anybody permitted to enter except the priest. The following is the reason why the Eleans worship Hades; they are the only men we know of so to do. It is said that, when Heracles was leading an expedition against Pylus in Elis , Athena was one of his allies. Now among those who came to fight on the side of the Pylians was Hades, who was the foe of Heracles but was worshipped at Pylus. 6.26.1. Between the market-place and the Menius is an old theater and a shrine of Dionysus. The image is the work of Praxiteles. of the gods the Eleans worship Dionysus with the greatest reverence, and they assert that the god attends their festival, the Thyia. The place where they hold the festival they name the Thyia is about eight stades from the city. Three pots are brought into the building by the priests and set down empty in the presence of the citizens and of any strangers who may chance to be in the country. The doors of the building are sealed by the priests themselves and by any others who may be so inclined. 6.26.2. On the morrow they are allowed to examine the seals, and on going into the building they find the pots filled with wine. I did not myself arrive at the time of the festival, but the most respected Elean citizens, and with them strangers also, swore that what I have said is the truth. The Andrians too assert that every other year at their feast of Dionysus wine flows of its own accord from the sanctuary. If the Greeks are to be believed in these matters, one might with equal reason accept what the Ethiopians above Syene say about the table of the sun. See Paus. 1.33.4 7.1.1. The land between Elis and Sicyonia, reaching down to the eastern sea, is now called Achaia after the inhabitants, but of old was called Aegialus and those who lived in it Aegialians. According to the Sicyonians the name is derived from Aegialeus, who was king in what is now Sicyonia; others say that it is from the land, the greater part of which is coast ( aigialos). 7.1.2. Later on, after the death of Hellen, Xuthus was expelled from Thessaly by the rest of the sons of Hellen, who charged him with having appropriated some of the ancestral property. But he fled to Athens , where he was deemed worthy to wed the daughter of Erechtheus, by whom he had sons, Achaeus and Ion. On the death of Erechtheus Xuthus was appointed judge to decide which of his sons should succeed him. He decided that Cecrops, the eldest of them, should be king, and was accordingly banished from the land by the rest of the sons of Erechtheus. 7.1.3. He reached Aegialus, made his home there, and there died. of his sons, Achaeus with the assistance of allies from Aegialus and Athens returned to Thessaly and recovered the throne of his fathers: Ion, while gathering an army against the Aegialians and Selinus their king, received a message from Selinus , who offered to give him in marriage Helice, his only child, as well as to adopt him as his son and successor. 7.1.4. It so happened that the proposal found favour with Ion, and on the death of Selinus he became king of the Aegialians. He called the city he founded in Aegialus Helice after his wife, and called the inhabitants Ionians after himself. This, however, was not a change of name, but an addition to it, for the folk were named Aegialian Ionians. The original name clung to the land even longer than to the people; for at any rate in the list of the allies of Agamemnon, Homer Hom. Il. 2.575 is content to mention the ancient name of the land: Throughout all Aegialus and about wide Helice. Hom. Il. 2.575 7.1.5. At that time in the reign of Ion the Eleusinians made war on the Athenians, and these having invited Ion to be their leader in the war, he met his death in Attica , his tomb being in the deme of Potamus. The descendants of Ion became rulers of the Ionians, until they themselves as well as the people were expelled by the Achaeans. The Achaeans at that time had themselves been expelled from Lacedaemon and Argos by the Dorians. 7.18.5. When afterwards the Achaeans had driven out the Ionians, Patreus, the son of Preugenes, the son of Agenor, forbade the Achaeans to settle in Antheia and Mesatis, but built at Aroe a wall of greater circumference so as to include Aroe within it, and named the city Patrae after himself. Agenor, the father of Preugenes, was the son of Areus, the son of Ampyx, and Ampyx was a son of Pelias, the son of Aeginetes, the son of Dereites, the son of Harpalus, the son of Amyclas, the son of Lacedaemon . 7.18.8. On the acropolis of Patrae is a sanctuary of Artemis Laphria. The surname of the goddess is a foreign one, and her image too was brought in from elsewhere. For after Calydon with the rest of Aetolia had been laid waste by the Emperor Augustus in order that the Aetolian people might be incorporated into Nicopolis above Actium , the people of Patrae thus secured the image of Laphria. 7.18.9. Most of the images out of Aetolia and from Acaria were brought by Augustus' orders to Nicopolis , but to Patrae he gave, with other spoils from Calydon, the image of Laphria, which even in my time was still worshipped on the acropolis of Patrae . It is said that the goddess was surnamed Laphria after a man of Phocis , because the ancient image of Artemis was set up at Calydon by Laphrius, the son of Castalius, the son of Delphus. 7.18.10. Others say that the wrath of Artemis against Oeneus weighed as time went on more lightly ( elaphroteron) on the Calydonians, and they believe that this was why the goddess received her surname. The image represents her in the guise of a huntress; it is made of ivory and gold, and the artists were Menaechmus and Soldas of Naupactus, who, it is inferred, lived not much later than Canachus of Sicyon and Callon of Aegina . 7.18.11. Every year too the people of Patrae celebrate the festival Laphria in honor of their Artemis, and at it they employ a method of sacrifice peculiar to the place. Round the altar in a circle they set up logs of wood still green, each of them sixteen cubits long. On the altar within the circle is placed the driest of their wood. Just before the time of the festival they construct a smooth ascent to the altar, piling earth upon the altar steps. 7.18.12. The festival begins with a most splendid procession in honor of Artemis, and the maiden officiating as priestess rides last in the procession upon a car yoked to deer. It is, however, not till the next day that the sacrifice is offered, and the festival is not only a state function but also quite a popular general holiday. For the people throw alive upon the altar edible birds and every kind of victim as well; there are wild boars, deer and gazelles; some bring wolf-cubs or bear-cubs, others the full-grown beasts. They also place upon the altar fruit of cultivated trees. 7.18.13. Next they set fire to the wood. At this point I have seen some of the beasts, including a bear, forcing their way outside at the first rush of the flames, some of them actually escaping by their strength. But those who threw them in drag them back again to the pyre. It is not remembered that anybody has ever been wounded by the beasts. 7.19.1. Between the temple of Laphria and the altar stands the tomb of Eurypylus. Who he was and for what reason he came to this land I shall set forth presently; but I must first describe what the condition of affairs was at his arrival. The Ionians who lived in Aroe, Antheia and Mesatis had in common a precinct and a temple of Artemis surnamed Triclaria, and in her honor the Ionians used to celebrate every year a festival and an all-night vigil. The priesthood of the goddess was held by a maiden until the time came for her to be sent to a husband. 7.19.2. Now the story is that once upon a time it happened that the priestess of the goddess was Comaetho, a most beautiful maiden, who had a lover called Melanippus, who was far better and handsomer than his fellows. When Melanippus had won the love of the maiden, he asked the father for his daughter's hand. It is somehow a characteristic of old age to oppose the young in most things, and especially is it insensible to the desires of lovers. So Melanippus found it; although both he and Comaetho were eager to wed, he met with nothing but harshness from both his own parents and from those of his lover. 7.19.3. The history of Melanippus, like that of many others, proved that love is apt both to break the laws of men and to desecrate the worship of the gods, seeing that this pair had their fill of the passion of love in the sanctuary of Artemis. And hereafter also were they to use the sanctuary as a bridal-chamber. Forthwith the wrath of Artemis began to destroy the inhabitants; the earth yielded no harvest, and strange diseases occurred of an unusually fatal character. 7.19.4. When they appealed to the oracle at Delphi the Pythian priestess accused Melanippus and Comaetho. The oracle ordered that they themselves should be sacrificed to Artemis, and that every year a sacrifice should be made to the goddess of the fairest youth and the fairest maiden. Because of this sacrifice the river flowing by the sanctuary of Triclaria was called Ameilichus ( relentless). Previously the river had no name. 7.19.5. The innocent youths and maidens who perished because of Melanippus and Comaetho suffered a piteous fate, as did also their relatives; but the pair, I hold, were exempt from suffering, for the one thing With the reading of the MSS.: “for to man only is it worth one's life to be successful in love.” that is worth a man's life is to be successful in love. 7.19.6. The sacrifice to Artemis of human beings is said to have ceased in this way. An oracle had been given from Delphi to the Patraeans even before this, to the effect that a strange king would come to the land, bringing with him a strange divinity, and this king would put an end to the sacrifice to Triclaria. When Troy was captured, and the Greeks divided the spoils, Eurypylus the son of Euaemon got a chest. In it was an image of Dionysus, the work, so they say, of Hephaestus, and given as a gift by Zeus to Dardanus. 7.19.7. But there are two other accounts of it. One is that this chest was left by Aeneas when he fled; the other that it was thrown away by Cassandra to be a curse to the Greek who found it. Be this as it may, Eurypylus opened the chest, saw the image, and forthwith on seeing it went mad. He continued to be insane for the greater part of the time, with rare lucid intervals. Being in this condition he did not proceed on his voyage to Thessaly , but made for the town and gulf of Cirrha. Going up to Delphi he inquired of the oracle about his illness. 7.19.8. They say that the oracle given him was to the effect that where he should come across a people offering a strange sacrifice, there he was to set down the chest and make his home. Now the ships of Eurypylus were carried down by the wind to the sea off Aroe. On landing he came across a youth and a maiden who had been brought to the altar of Triclaria. So Eurypylus found it easy to understand about the sacrifice, while the people of the place remembered their oracle seeing a king whom they had never seen before, they also suspected that the chest had some god inside it. 7.19.9. And so the malady of Eurypylus and the sacrifice of these people came to an end, and the river was given its present name Meilichus. Certain writers have said that the events I have related happened not to the Thessalian Eurypylus, but to Eurypylus the son of Dexamenus who was king in Olenus , holding that this man joined Heracles in his campaign against Troy and received the chest from Heracles. The rest of their story is the same as mine. 7.19.10. But I cannot bring myself to believe that Heracles did not know the facts about the chest, if they were as described, nor, if he were aware of them, do I think that he would ever have given it to an ally as a gift. Further, the people of Patrae have no tradition of a Eurypylus save the son of Euaemon, and to him every year they sacrifice as to a hero, when they celebrate the festival in honor of Dionysus. 7.20.5. Verily I built a wall for the Trojans about their city, A wide wall and very beautiful, that the city might be impregnable; And thou, Phoebus, didst tend the shambling cows with crumpled horns. Hom. Il. 21.446-448 This, it may be conjectured, is the reason for the ox skull. On the market-place, in the open, is an image of Athena with the grave of Patreus in front of it. 7.20.9. Near this precinct the people of Patrae have other sanctuaries. These are not in the open, but there is an entrance to them through the porticoes. The image of Asclepius, save for the drapery, is of stone; Athena is made of ivory and gold. Before the sanctuary of Athena is the tomb of Preugenes. Every year they sacrifice to Preugenes as to a hero, and likewise to Patreus also, when the festival of our Lady is being held. Not far from the theater is a temple of Nemesis, and another of Aphrodite. The images are colossal and of white marble. 7.21.1. In this part of the city is also a sanctuary of Dionysus surnamed Calydonian, for the image of Dionysus too was brought from Calydon. When Calydon was still inhabited, among the Calydonians who became priests of the god was Coresus, who more than any other man suffered cruel wrongs because of love. He was in love with Callirhoe, a maiden. But the love of Coresus for Callirhoe was equalled by the maiden's hatred of him. 7.21.2. When the maiden refused to change her mind, in spite of the many prayers and promises of Coresus, he then went as a suppliant to the image of Dionysus. The god listened to the prayer of his priest, and the Calydonians at once became raving as though through drink, and they were still out of their minds when death overtook them. So they appealed to the oracle at Dodona . For the inhabitants of this part of the mainland, the Aetolians and their Acarian and Epeirot neighbors, considered that the truest oracles were the doves and the responses from the oak. 7.21.3. On this occasion the oracles from Dodona declared that it was the wrath of Dionysus that caused the plague, which would not cease until Coresus sacrificed to Dionysus either Callirhoe herself or one who had the courage to die in her stead. When the maiden could find no means of escape, she next appealed to her foster parents. These too failing her, there was no other way except for her to be put to the sword. 7.21.4. When everything had been prepared for the sacrifice according to the oracle from Dodona , the maiden was led like a victim to the altar. Coresus stood ready to sacrifice, when, his resentment giving way to love, he slew himself in place of Callirhoe. He thus proved in deed that his love was more genuine than that of any other man we know. 7.21.5. When Callirhoe saw Goresus lying dead, the maiden repented. Overcome by pity for Goresus, and by shame at her conduct towards him, she cut her throat at the spring in Galydon not far from the harbor, and later generations call the spring Callirhoe after her. 7.21.6. Near to the theater there is a precinct sacred to a native lady. Here are images of Dionysus, equal in number to the ancient cities, and named after them Mesateus, Antheus and Aroeus. These images at the festival of Dionysus they bring into the sanctuary of the Dictator. This sanctuary is on the right of the road from the market-place to the sea-quarter of the city. 7.21.7. As you go lower down from the Dictator there is another sanctuary with an image of stone. It is called the sanctuary of Recovery, and the story is that it was originally founded by Eurypylus on being cured of his madness. At the harbor is a temple of Poseidon with a standing image of stone. Besides the names given by poets to Poseidon to adorn their verses, and in addition to his local names, all men give him the following surnames—Marine, Giver of Safety, God of Horses. 8.26.1. The founder of Heraea was Heraeeus the son of Lycaon, and the city lies on the right of the Alpheius, mostly upon a gentle slope, though a part descends right to the Alpheius. Walks have been made along the river, separated by myrtles and other cultivated trees; the baths are there, as are also two temples to Dionysus. One is to the god named Citizen, the other to the Giver of Increase, and they have a building there where they celebrate their mysteries in honor of Dionysus. 8.26.2. There is also in Heraea a temple of Pan, as he is native to Arcadia , and of the temple of Hera I found remaining various ruins, including the pillars. of Arcadian athletes the most renowned has been Damaretus of Heraea, who was the first to win the race in armour at Olympia . 10.4.3. The former passage, in which Homer speaks of the beautiful dancing-floors of Panopeus, I could not understand until I was taught by the women whom the Athenians call Thyiads. The Thyiads are Attic women, who with the Delphian women go to Parnassus every other year and celebrate orgies in honor of Dionysus. It is the custom for these Thyiads to hold dances at places, including Panopeus, along the road from Athens . The epithet Homer applies to Panopeus is thought to refer to the dance of the Thyiads. 10.6.4. Others maintain that Castalius, an aboriginal, had a daughter Thyia, who was the first to be priestess of Dionysus and celebrate orgies in honor of the god. It is said that later on men called after her Thyiads all women who rave in honor of Dionysus. At any rate they hold that Delphus was a son of Apollo and Thyia. Others say that his mother was Melaena, daughter of Cephisus. 10.19.4. The carvings in the pediments are: Artemis, Leto, Apollo, Muses, a setting Sun, and Dionysus together with the Thyiad women. The first of them are the work of Praxias, an Athenian and a pupil of Calamis, but the temple took some time to build, during which Praxias died. So the rest of the ornament in the pediments was carved by Androsthenes, like Praxias an Athenian by birth, but a pupil of Eucadmus. There are arms of gold on the architraves; the Athenians dedicated the shields from spoils taken at the battle of Marathon, and the Aetolians the arms, supposed to be Gallic, behind and on the left. Their shape is very like that of Persian wicker shields. 10.32.7. But the Corycian cave exceeds in size those I have mentioned, and it is possible to make one's way through the greater part of it even without lights. The roof stands at a sufficient height from the floor, and water, rising in part from springs but still more dripping from the roof, has made clearly visible the marks of drops on the floor throughout the cave. The dwellers around Parnassus believe it to be sacred to the Corycian nymphs, and especially to Pan. From the Corycian cave it is difficult even for an active walker to reach the heights of Parnassus . The heights are above the clouds, and the Thyiad women rave there in honor of Dionysus and Apollo. |
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