| 1. Archilochus, Fragments, 2 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 147 |
| 2. Archilochus, Fragments, 2 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 147 |
| 3. Mimnermus of Colophon, Fragments, 7.1 (7th cent. BCE - 6th cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 148 |
| 4. Theognis, Elegies, 795 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 148 |
| 5. Amipsias, Fragments, 21 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •banquet, and music •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5, 138 |
| 6. Callimachus, Aetia, 178.11-12 harder (4th cent. BCE - 3rd cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 138 |
| 7. Callimachus, Fragments, 544 peier (4th cent. BCE - 3rd cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 147 |
| 8. Horace, Odes, 1.36 (1st cent. BCE - 1st cent. BCE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 138 |
9. Petronius Arbiter, Satyricon, 34, 36, 59 (1st cent. CE - 1st cent. CE) Tagged with subjects: •nan Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 208 | 59. Ascyltos was preparing a retort to his abuse, but Trimalchio was delighted with his fellow-freedman's readiness, and said, "Come now, stop all this wrangling. It is nicer to go on pleasantly, please do not be hard on the young man, Hermeros. Young blood is hot in him; you must be indulgent. A man who admits defeat in this kind of quarrel is always the winner. And you, too, when you were a young cockerel cried Cock-a-doodle-doo! and hadn't any sense in your head. So let us do better, and start the fun over again, and have a look at these reciters of Homer." A troop came in at once and clashed spear on shield. Trimalchio sat up on his cushion, and when the reciters talked to each other in Greek verse, as their conceited wayis, he intoned Latin from a book. Soon there was silence, and then he said, "You know the story they are doing? Diomede and Ganymede were two brothers. Helen was their sister. Agamemnon carried her off and took in Diana by sacrificing a deer to her instead. So Homer is now telling the tale of the war between Troy and Parentium. of course he won and married his daughter Iphigenia to Achilles. That drove Ajax mad, and he will show you the story in a minute." As he spoke the heroes raised a shout, and the slaves stood back to let a boiled calf on a presentation dish be brought in. There was a helmet on its head. Ajax followed and attacked it with his sword drawn as if he were mad; and after making passes with the edge and the flat he collected slices on the point, and divided the calf among the astonished company. |
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10. Petronius Arbiter, Satyricon, 34, 59, 36 (1st cent. CE - 1st cent. CE) Tagged with subjects: •nan Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 208 | 36. We came to such an evil entertainment rather depressed. "Now," said Trimalchio, "let us have dinner. This is sauce for the dinner." As he spoke, four dancers ran up in time with the music and took off the top part of the dish. Then we saw in the well of it fat fowls and sow's bellies, and in the middle a hare got up with wings to look like Pegasus. Four figures of Marsyas at the corners of the dish also caught the eye; they let a spiced sauce run from their wine-skins over the fishes, which swam about in a kind of tide-race. We all took up the clapping which the slaves started, and attacked these delicacies with hearty laughter. Trimalchio was delighted with the trick he had played us, and said, "Now, Carver." The man came up at once, and making flourishes in time with the music pulled the dish to pieces; you would have said that a gladiator in a chariot was fighting to the accompaniment of a water-organ. Still Trimalchio kept on in a soft voice, "Oh, Carver, Carver." I thought this word over and over again must be part of a joke, and I made bold to ask the man who sat next me this very question. He had seen performances of this kind more often. "You see the fellow who is carving his way through the meat? Well, his name is Carver. So whenever Trimalchio says the word, you have his name, and he has his orders." |
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| 11. Juvenal, Satires, 5.122, 11.137 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 208 |
| 12. Plutarch, Moralia, 622c, 711d (1st cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5 |
| 13. Lucian, Salaried Posts In Great Houses, 18 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •banquet, and music Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5 |
| 14. Athenaeus, The Learned Banquet, 11.783d-e (2nd cent. CE - 3rd cent. CE) Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 138 |
| 15. Gellius, Attic Nights, 19.9.4 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •banquet, and music Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5 |
| 16. Epigraphy, Gvi, 1955 Tagged with subjects: •banquet, and music Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5, 6, 7 |
| 17. Mimnermus, Fragments, 7.1 Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 148 |
| 18. Epigraphy, Ceg, 113 Tagged with subjects: •banquet, and music Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 6 |
| 19. Various, Ap, 9.50.1, 11.43 Tagged with subjects: •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 148, 149 |
| 20. Epigraphy, Sgo, a b c d\n0 02/02/07 02/02/07 02/02/07 None\n1 10/05/04.2 10/05/04.2 10/05/04 2\n2 10/05/04.1 10/05/04.1 10/05/04 1 Tagged with subjects: •nan Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5, 6, 7 |
| 21. Various, Pmg Adespota, 913 Tagged with subjects: •banquet, and music •music, and banquet Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5, 138 |
| 22. Epigraphy, Pöhlmann And West (2001) 88-91, 23 Tagged with subjects: •banquet, and music Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5, 6, 7 |
| 23. Papyri, P.Oxy., 1795 Tagged with subjects: •banquet, and music Found in books: Rohland, Carpe Diem: The Poetics of Presence in Greek and Latin Literature (2022) 5 |
