subject | book bibliographic info |
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jocasta | In the Image of the Ancestors: Narratives of Kinship in Flavian Epic (2008)" 69, 70, 71, 73, 80, 82, 85, 90, 91, 92, 97, 116, 148 Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 243, 244, 245, 248 Bierl, Time and Space in Ancient Myth, Religion and Culture (2017) 150, 154, 155, 156, 157, 158, 159, 160, 161 Bloch, Ancient Jewish Diaspora: Essays on Hellenism (2022) 66 Braund and Most, Ancient Anger: Perspectives from Homer to Galen (2004) 140 Clay and Vergados, Teaching through Images: Imagery in Greco-Roman Didactic Poetry (2022) 74 Harrison, Brill's Companion to Roman Tragedy (2015) 133, 264, 265, 266, 270, 271, 272, 273, 276, 277, 278, 279, 280, 281, 340, 341 Kyriakou Sistakou and Rengakos, Brill's Companion to Theocritus (2014) 640, 641, 643, 644 Markantonatos, Brill's Companion to Sophocles (2012) 101, 102, 108, 111, 113, 127, 272, 335, 421, 424, 438, 503, 504, 510, 570 Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 120, 144, 196, 335 Naiden,Ancient Suppliation (2006)" 8, 79 Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 322 Roumpou, Ritual and the Poetics of Closure in Flavian Literature (2023) 140 Sharrock and Keith, Maternal Conceptions in Classical Literature and Philosophy (2020) 58, 197, 199, 205, 213, 214, 219, 221 Sommerstein and Torrance, Oaths and Swearing in Ancient Greece (2014) 88 |
jocasta, characters, tragic/mythical | Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 43, 45, 257, 309 |
jocasta, complex | Giusti, Disclosure and Discretion in Roman Astrology: Manilius and his Augustan Contemporaries (2018) 110 |
jocasta, epicaste | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 139, 194, 253 |
jocasta, epicaste, and delphi | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 144, 145, 146, 147 |
jocasta, epicaste, and minor characters | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 309, 310 |
jocasta, epicaste, and oedipus | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 337, 420, 429, 430, 431 |
jocasta, epicaste, and silence | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 339, 340, 732 |
jocasta, epicaste, and the oracle | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 385, 388 |
jocasta, epicaste, and tiresias | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 376 |
jocasta, epicaste, and tragic discovery | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 432, 433, 434 |
jocasta, epicaste, in the social hierarchy | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 317 |
jocasta, epicaste, role of | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 228, 229, 230 |
jocasta, on supplication | Boeghold, When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature (2022) 14 |
jocasta, prayer, of | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 411, 429, 430, 431, 752 |
jocasta, silence, of | Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 230, 339, 340, 432, 433, 732 |
jocasta, suicide of | Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 340, 341, 344 |
jocasta, suicide, and | Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 344 |
8 validated results for "jocasta" |
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1. Homer, Iliad, 6.308-6.309 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: • Jocasta • Jocasta, Found in books: Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 144; Naiden,Ancient Suppliation (2006)" 8 6.308 ὄφρά τοι αὐτίκα νῦν δυοκαίδεκα βοῦς ἐνὶ νηῷ, 6.309 ἤνις ἠκέστας ἱερεύσομεν, αἴ κʼ ἐλεήσῃς 6.308 Lady Athene, that dost guard our city, fairest among goddesses, break now the spear of Diomedes, and grant furthermore that himself may fall headlong before the Scaean gates; to the end that we may now forthwith sacrifice to thee in thy temple twelve sleek heifers that have not felt the goad, if thou wilt take pity, 6.309 Lady Athene, that dost guard our city, fairest among goddesses, break now the spear of Diomedes, and grant furthermore that himself may fall headlong before the Scaean gates; to the end that we may now forthwith sacrifice to thee in thy temple twelve sleek heifers that have not felt the goad, if thou wilt take pity |
2. Sophocles, Antigone, 999-1022, 1033-1047, 1055, 1234-1241 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: • Jocasta • Jocasta (Epicaste), and Tiresias • Jocasta (Epicaste), role of • Jocasta, Found in books: Bierl, Time and Space in Ancient Myth, Religion and Culture (2017) 156; Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 229, 376; Markantonatos, Brill's Companion to Sophocles (2012) 127, 421; Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 335 999 You will understand, when you hear the signs revealed by my art. As I took my place on my old seat of augury, 1000 where all birds regularly gather for me, I heard an unintelligible voice among them: they were screaming in dire frenzy that made their language foreign to me. I realized that they were ripping each other with their talons, murderously—the rush of their wings did not lack meaning. 1001 where all birds regularly gather for me, I heard an unintelligible voice among them: they were screaming in dire frenzy that made their language foreign to me. I realized that they were ripping each other with their talons, murderously—the rush of their wings did not lack meaning. 1004 where all birds regularly gather for me, I heard an unintelligible voice among them: they were screaming in dire frenzy that made their language foreign to me. I realized that they were ripping each other with their talons, murderously—the rush of their wings did not lack meaning. 1005 Quickly, in fear, I tried burnt-sacrifice on a duly-kindled altar, but from my offerings Hephaestus did not blaze. Instead juice that had sweated from the thigh-flesh trickled out onto the embers and smoked and sputtered; 1009 Quickly, in fear, I tried burnt-sacrifice on a duly-kindled altar, but from my offerings Hephaestus did not blaze. Instead juice that had sweated from the thigh-flesh trickled out onto the embers and smoked and sputtered; 1010 the gall was scattered high up in the air; and the streaming thighs lay bared of the fat that had been wrapped around them. Such was the failure of the rites that yielded no sign, as I learned from this boy. For he is my guide, as I am guide to others. 1014 the gall was scattered high up in the air; and the streaming thighs lay bared of the fat that had been wrapped around them. Such was the failure of the rites that yielded no sign, as I learned from this boy. For he is my guide, as I am guide to others. 1015 And it is your will that is the source of the sickness now afflicting the city. For the altars of our city and our hearths have one and all been tainted by the birds and dogs with the carrion taken from the sadly fallen son of Oedipus. And so the gods no more accept prayer and sacrifice at our hands, 1019 And it is your will that is the source of the sickness now afflicting the city. For the altars of our city and our hearths have one and all been tainted by the birds and dogs with the carrion taken from the sadly fallen son of Oedipus. And so the gods no more accept prayer and sacrifice at our hands, 1020 or the burning of thigh-meat, nor does any bird sound out clear signs in its shrill cries, for they have tasted the fatness of a slain man’s blood. Think, therefore, on these things, my son. All men are liable to err. 1022 or the burning of thigh-meat, nor does any bird sound out clear signs in its shrill cries, for they have tasted the fatness of a slain man’s blood. Think, therefore, on these things, my son. All men are liable to err. 1033 Old man, you all shoot your arrows at me, like archers at their mark, and I am not safe, 1034 Old man, you all shoot your arrows at me, like archers at their mark, and I am not safe, 1035 even from the plottings of the seer’s divine art, but by their tribe I have long been bought and sold and made their merchandise. Turn your profits, make your deals for the white gold of Sardis and the gold of India , if it pleases you, but you shall not cover that man with a grave, 1039 even from the plottings of the seer’s divine art, but by their tribe I have long been bought and sold and made their merchandise. Turn your profits, make your deals for the white gold of Sardis and the gold of India , if it pleases you, but you shall not cover that man with a grave, 1040 not even if the eagles of Zeus wish to snatch and carry him to be devoured at the god’s throne. No, not even then, for fear of that defilement will I permit his burial, since I know with certainty that no mortal has the power to defile the gods. 1044 not even if the eagles of Zeus wish to snatch and carry him to be devoured at the god’s throne. No, not even then, for fear of that defilement will I permit his burial, since I know with certainty that no mortal has the power to defile the gods. 1045 But even the exceedingly clever, old Teiresias, falls with a shameful fall, when they couch shameful thoughts in fine phrasing for profit’s sake. 1047 But even the exceedingly clever, old Teiresias, falls with a shameful fall, when they couch shameful thoughts in fine phrasing for profit’s sake. 1055 Yes, for the prophet-clan was ever fond of money. 1234 Come out, my son, I pray you, I beg you! But the boy glared at him with savage eyes, spat in his face, and without a word in response drew his twin-edged sword. As his father rushed out in flight, he missed his aim. Then the ill-fated boy was enraged with himself, 1235 and straightway stretched himself over his sword and drove it, half its length, into his side. Still conscious, he clasped the maiden in his faint embrace, and, as he gasped, he shot onto her pale cheek a swift stream of oozing blood. 1239 and straightway stretched himself over his sword and drove it, half its length, into his side. Still conscious, he clasped the maiden in his faint embrace, and, as he gasped, he shot onto her pale cheek a swift stream of oozing blood. 1240 Corpse enfolding corpse he lay, having won his marriage rites, poor boy, not here, but in Hades’ palace, and having shown to mankind by how much the failure to reason wisely is the most severe of all afflictions assigned to man. Eurydice departs into the house. 1241 Corpse enfolding corpse he lay, having won his marriage rites, poor boy, not here, but in Hades’ palace, and having shown to mankind by how much the failure to reason wisely is the most severe of all afflictions assigned to man. Eurydice departs into the house. |
3. Sophocles, Electra, 637-661 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: • Jocasta • Jocasta, • prayer, of Jocasta Found in books: Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 411, 752; Markantonatos, Brill's Companion to Sophocles (2012) 424; Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 335 637 of many fruits, so that I may uplift my prayers for release from my present fears to this image of our King. Please, O Phoebus our defender, may you now listen to my prayer, though it is muffled; for I do not make my plea among friends, nor does it suit me to unfold it all 638 of many fruits, so that I may uplift my prayers for release from my present fears to this image of our King. Please, O Phoebus our defender, may you now listen to my prayer, though it is muffled; for I do not make my plea among friends, nor does it suit me to unfold it all, 639 of many fruits, so that I may uplift my prayers for release from my present fears to this image of our King. Please, O Phoebus our defender, may you now listen to my prayer, though it is muffled; for I do not make my plea among friends, nor does it suit me to unfold it all, 640 to the light while she stands near me, lest by her malice and a cry of her clamorous tongue she sow reckless rumors through the whole city. Nevertheless, hear me thus, since in this way I will speak. That vision which I saw last night, 644 to the light while she stands near me, lest by her malice and a cry of her clamorous tongue she sow reckless rumors through the whole city. Nevertheless, hear me thus, since in this way I will speak. That vision which I saw last night, 645 in ambiguous dreams—if its appearance was to my good, grant, Lycean king, that it be fulfilled; but if to my harm, then hurl it back upon those who would harm me. And if any are plotting to eject me by treachery from my present prosperity, do not permit them. 649 in ambiguous dreams—if its appearance was to my good, grant, Lycean king, that it be fulfilled; but if to my harm, then hurl it back upon those who would harm me. And if any are plotting to eject me by treachery from my present prosperity, do not permit them. 650 Rather grant that living forever unharmed as I am I may govern the house of the sons of Atreus and their throne, sharing prosperous days with the friends who share them now, and with those of my children who feel no enmity or bitterness towards me. 654 Rather grant that living forever unharmed as I am I may govern the house of the sons of Atreus and their throne, sharing prosperous days with the friends who share them now, and with those of my children who feel no enmity or bitterness towards me. 655 O Lycean Apollo, hear these prayers with favor, and grant them to us all just as we ask! As for all my other prayers, though I am silent, I judge that you, a god, must know them, since it is appropriate that Zeus’s children see all. Enter the Paedagogus from the left. Paedagogu, 659 O Lycean Apollo, hear these prayers with favor, and grant them to us all just as we ask! As for all my other prayers, though I am silent, I judge that you, a god, must know them, since it is appropriate that Zeus’s children see all. Enter the Paedagogus from the left. Paedagogu, 660 Foreign ladies, how might I know for certain if this be the palace of the king Aegisthus? Choru, 661 Foreign ladies, how might I know for certain if this be the palace of the king Aegisthus? Choru, |
4. Sophocles, Oedipus At Colonus, 607-608 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: • Jocasta • Jocasta, Found in books: Augoustakis et al., Fides in Flavian Literature (2021) 134; Markantonatos, Brill's Companion to Sophocles (2012) 424 607 Dearest son of Aegeus, to the gods alone old age and death never come, but everything else sinks into chaos from time which overpowers all. 608 Dearest son of Aegeus, to the gods alone old age and death never come, but everything else sinks into chaos from time which overpowers all. |
5. Sophocles, Oedipus The King, 634-636, 700, 709, 711-727, 732-734, 738, 753-756, 758-764, 771-813, 834-845, 848-858, 862, 895-897, 911-925, 928, 946, 981-982, 1073-1075, 1184-1185, 1208-1209, 1329-1330 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: • Jocasta • Jocasta (Epicaste) • Jocasta (Epicaste), and Delphi • Jocasta (Epicaste), and Oedipus • Jocasta (Epicaste), and Tiresias • Jocasta (Epicaste), and minor characters • Jocasta (Epicaste), and silence • Jocasta (Epicaste), and the oracle • Jocasta (Epicaste), and tragic discovery • Jocasta (Epicaste), role of • Jocasta, • Jocasta, on supplication • characters, tragic/mythical, Jocasta • prayer, of Jocasta • silence, of Jocasta Found in books: Bierl, Time and Space in Ancient Myth, Religion and Culture (2017) 150, 154, 158, 159, 160; Boeghold, When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature (2022) 14; Clay and Vergados, Teaching through Images: Imagery in Greco-Roman Didactic Poetry (2022) 74; Edmunds, Greek Myth (2021) 43; Harrison, Brill's Companion to Roman Tragedy (2015) 279, 280; Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 144, 145, 147, 194, 228, 310, 339, 340, 376, 385, 388, 411, 429, 430, 432, 434, 732, 752; Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 257; Markantonatos, Brill's Companion to Sophocles (2012) 101, 102, 108, 127, 438, 503, 504, 570; Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 144, 196, 335; Naiden,Ancient Suppliation (2006)" 8 634 Misguided men, why have you raised, 635 uch a foolish argument? Are you not ashamed, while the land is so sick, to stir up troubles of your own? Come, go into the house—and you, Creon, go to yours—and stop making so much of a petty grief. Creon, ... 921 I have come as a suppliant with these symbols of prayer, that you may find us some escape from uncleanliness. For now we are all afraid, like those who see fear in the helmsman of their ship. Enter a messenger. Messenger, 923 I have come as a suppliant with these symbols of prayer, that you may find us some escape from uncleanliness. For now we are all afraid, like those who see fear in the helmsman of their ship. Enter a messenger. Messenger, 924 Can you tell me, strangers, where, 925 the house of King Oedipus is? Or better still, tell me where he himself is, if you know. Choru, 928 This is his dwelling, and he himself, stranger, is within. This lady here is the mother of his children. Messenger, 946 Handmaid, away with all speed, and tell this to your master! Oracles of the gods, where do you stand now? It is this man that Oedipus long feared he would slay. And now this man has died in the course of destiny, not by his hand. Enter Oedipus. Oedipu, 981 But fear not that you will wed your mother. Many men before now have slept with their mothers in dreams. But he to whom these things are as though nothing bears his life most easily. Oedipu, 982 But fear not that you will wed your mother. Many men before now have slept with their mothers in dreams. But he to whom these things are as though nothing bears his life most easily. Oedipu, 1073 Why has this woman gone, Oedipus, rushing off in wild grief? I fear 1074 Why has this woman gone, Oedipus, rushing off in wild grief? I fear, 1075 a storm of sorrow will soon break forth from this silence. Oedipu, 1184 Oh, oh! All brought to pass, all true. Light, may I now look on you for the last time—I who have been found to be accursed in birth, 1185 accursed in wedlock, accursed in the shedding of blood. He rushes into the palace. Choru, 1208 Who is a more wretched slave to fierce plagues and troubles, with all his life reversed? Alas, renowned Oedipus! The same bounteous harbor was sufficient for you, both as child and as father, to make your nuptial couch in. Oh, how can the soil, 1209 Who is a more wretched slave to fierce plagues and troubles, with all his life reversed? Alas, renowned Oedipus! The same bounteous harbor was sufficient for you, both as child and as father, to make your nuptial couch in. Oh, how can the soil, 1329 It was Apollo, friends, Apollo who brought these trouble, 1330 to pass, these terrible, terrible troubles. But the hand that struck my eyes was none other than my own, wretched that I am! |
6. Sophocles, Women of Trachis, 813 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: • Jocasta (Epicaste), and silence • Jocasta (Epicaste), role of • Jocasta, • silence, of Jocasta Found in books: Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 228, 340; Markantonatos, Brill's Companion to Sophocles (2012) 503 813 Why do you leave without a word? Do you not know that your silence pleads your accuser’s case? Hyllus: |
7. Seneca The Younger, Oedipus, 82-86, 811, 915, 934, 978, 1009 (1st cent. CE - 1st cent. CE) Tagged with subjects: • Jocasta • Jocasta, suicide of Found in books: Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 244, 245, 248, 340, 341; Harrison, Brill's Companion to Roman Tragedy (2015) 133, 271, 279, 341 Nunc adice certas corporis nostri notas. Sen. gravare questu? regium hoc ipsum reor: adversa capere, quoque sit dubius magis, status et cadentis imperi moles labet, hoc stare certo pressius fortem gradu; haud est virile terga Fortunae dare. Oed. Praedicta postquam fata et infandum genus, "mors innocentem sola Fortunae eripit.", rigat ora foedus imber et lacerum caput, set haeret ore prima vox. ioc. Quid te vocem? NA> |
8. Statius, Thebais, 11.341-11.342, 11.346-11.347, 11.351-11.352 (1st cent. CE - 1st cent. CE) Tagged with subjects: • Jocasta Found in books: In the Image of the Ancestors: Narratives of Kinship in Flavian Epic (2008)" 91; Augoustakis et al., Fides in Flavian Literature (2021) 121 NA> |