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Tiresias: The Ancient Mediterranean Religions Source Database

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13 results for "imitation"
1. Plato, Philebus, None (5th cent. BCE - 4th cent. BCE)  Tagged with subjects: •nan Found in books: Joosse (2021) 191
48a. καὶ τὰς ἐν τοῖς θρήνοις καὶ πόθοις ἡδονὰς ἐν λύπαις οὔσας ἀναμεμειγμένας; ΠΡΩ. οὔκ, ἀλλʼ οὕτω ταῦτά γε καὶ οὐκ ἄλλως ἂν συμβαίνοι γιγνόμενα. ΣΩ. καὶ μὴν καὶ τάς γε τραγικὰς θεωρήσεις, ὅταν ἅμα χαίροντες κλάωσι, μέμνησαι; ΠΡΩ. τί δʼ οὔ; ΣΩ. τὴν δʼ ἐν ταῖς κωμῳδίαις διάθεσιν ἡμῶν τῆς ψυχῆς, ἆρʼ οἶσθʼ ὡς ἔστι κἀν τούτοις μεῖξις λύπης τε καὶ ἡδονῆς; ΠΡΩ. οὐ πάνυ κατανοῶ. 48a. and of the pleasures mixed with pains, which we find in mournings and longings? Pro. No, you need not remind me; those things occur just as you suggest. Soc. And you remember, too, how people enjoy weeping at tragedies? Pro. Yes, certainly. Soc. And are you aware of the condition of the soul at comedies, how there also we have a mixture of pain and pleasure? Pro. I do not quite understand.
2. Plato, Republic, None (5th cent. BCE - 4th cent. BCE)  Tagged with subjects: •nan Found in books: Joosse (2021) 201
395a. the practice of any worthy pursuit with the imitation of many things and the quality of a mimic; since, unless I mistake, the same men cannot practise well at once even the two forms of imitation that appear most nearly akin, as the writing of tragedy and comedy? Did you not just now call these two imitations? I did, and you are right in saying that the same men are not able to succeed in both, nor yet to be at once good rhapsodists and actors. True. But
3. Plato, Symposium, None (5th cent. BCE - 4th cent. BCE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 201
223d. Ἀριστόδημος οὐκ ἔφη μεμνῆσθαι τῶν λόγων—οὔτε γὰρ ἐξ ἀρχῆς παραγενέσθαι ὑπονυστάζειν τε—τὸ μέντοι κεφάλαιον, ἔφη, προσαναγκάζειν τὸν Σωκράτη ὁμολογεῖν αὐτοὺς τοῦ αὐτοῦ ἀνδρὸς εἶναι κωμῳδίαν καὶ τραγῳδίαν ἐπίστασθαι ποιεῖν, καὶ τὸν τέχνῃ τραγῳδοποιὸν ὄντα καὶ κωμῳδοποιὸν εἶναι. ταῦτα δὴ ἀναγκαζομένους αὐτοὺς καὶ οὐ σφόδρα ἑπομένους νυστάζειν, καὶ πρότερον μὲν καταδαρθεῖν τὸν Ἀριστοφάνη, ἤδη δὲ ἡμέρας γιγνομένης τὸν Ἀγάθωνα. τὸν οὖν Σωκράτη, κατακοιμίσαντʼ ἐκείνους, ἀναστάντα ἀπιέναι, καὶ ἓ ὥσπερ εἰώθει ἕπεσθαι, καὶ ἐλθόντα εἰς Λύκειον, ἀπονιψάμενον, ὥσπερ ἄλλοτε τὴν ἄλλην ἡμέραν διατρίβειν, καὶ οὕτω διατρίψαντα εἰς ἑσπέραν οἴκοι ἀναπαύεσθαι. 223d. for he had missed the beginning and was also rather drowsy; but the substance of it was, he said, that Socrates was driving them to the admission that the same man could have the knowledge required for writing comedy and tragedy—that the fully skilled tragedian could be a comedian as well. While they were being driven to this, and were but feebly following it, they began to nod; first Aristophanes dropped into a slumber, and then, as day began to dawn, Agathon also. When Socrates had seen them comfortable, he rose and went away,—followed in the usual manner by my friend; on arriving at the Lyceum, he washed himself, and then spent the rest of the day in his ordinary fashion; and so, when the day was done, he went home for the evening and reposed.
4. Plato, Theaetetus, None (5th cent. BCE - 4th cent. BCE)  Tagged with subjects: •nan Found in books: Joosse (2021) 215
5. Aristotle, Poetics, None (4th cent. BCE - 4th cent. BCE)  Tagged with subjects: •nan Found in books: Joosse (2021) 189
6. Diogenes Laertius, Lives of The Philosophers, 3.48 (3rd cent. CE - 3rd cent. CE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 201
3.48. They say that Zeno the Eleatic was the first to write dialogues. But, according to Favorinus in his Memorabilia, Aristotle in the first book of his dialogue On Poets asserts that it was Alexamenus of Styra or Teos. In my opinion Plato, who brought this form of writing to perfection, ought to be adjudged the prize for its invention as well as for its embellishment. A dialogue is a discourse consisting of question and answer on some philosophical or political subject, with due regard to the characters of the persons introduced and the choice of diction. Dialectic is the art of discourse by which we either refute or establish some proposition by means of question and answer on the part of the interlocutors.
7. Iamblichus, Concerning The Mysteries, (3rd cent. CE - 4th cent. CE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 191
8. Plotinus, Enneads, 3.2.15-3.2.18 (3rd cent. CE - 3rd cent. CE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 186
9. Damaskios, In Phaedonem (Versio 1), 1.2.15-1.2.17, 1.6, 1.6.5-1.6.8, 1.75.2-1.75.5, 1.142.1-1.142.6, 6.3.1-6.3.15, 8.6.4 (5th cent. CE - 6th cent. CE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 186, 201, 215
10. Proclus, Commentary On Plato'S Republic, 1.14.15-15.19, 1.49.13-51.25, 1.50.27, 1.50.26, 1.50.25, 1.50.24, 1.50.29, 1.50.23, 1.50.22, 1.50.28, 1.50.20, 1.50.21, 1.50.19, 1.50.18, 1.50.17, 1.50.16, 1.50.15, 1.50.14, 1.50.13, 1.50.12, 1.50.11, 1.51.26-54.2, 1.51.10, 1.51.9, 1.51.8, 1.51.7, 1.51.6, 1.51.5, 1.57.18, 1.57.17, 1.57.16, 1.182.28, 1.182.27, 1.182.26, 1.183.26, 1.183.25, 1.183.24, 1.192.10, 1.192.11, 1.192.9, 1.198-10-11, 1.204.15, 1.204.17, 1.204.16, 1.204.14 (5th cent. CE - 5th cent. CE)  Tagged with subjects: •nan Found in books: Joosse (2021) 189, 201
11. Proclus, Theologia Platonica ( ), 1.108.8 (5th cent. CE - 5th cent. CE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 215
12. Olympiodorus The Younger of Alexandria, In Platonis Alcibiadem Commentarii, 2.2, 2.12, 11.5-11.6, 55.4, 172.12-172.14 (6th cent. CE - 6th cent. CE)  Tagged with subjects: •imitation, aesthetic Found in books: Joosse (2021) 189, 215
13. Olympiodorus The Younger of Alexandria, In Platonis Gorgiam Commentaria, None (6th cent. CE - 6th cent. CE)  Tagged with subjects: •nan Found in books: Joosse (2021) 215