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Plutarch, Nicias, 1 | Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 374, 389, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.29, 30, 31 |
Plutarch, Nicias, 1.1 | Joho (2022), Style and Necessity in Thucydides, 14, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 148, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 246, de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 391, Chrysanthou (2022), Reconfiguring the Imperial Past: Narrative Patterns and Historical Interpretation in Herodian’s History of the Empire.23, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.119, 30, 6 |
Plutarch, Nicias, 1.2 | Joho (2022), Style and Necessity in Thucydides, 14, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212, 220 |
Plutarch, Nicias, 1.3 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212 |
Plutarch, Nicias, 1.4 | Demoen and Praet (2009), Theios Sophistes: Essays on Flavius Philostratus\ Vita Apollonii, 205, Welch (2015), Tarpeia: Workings of a Roman Myth.267 |
Plutarch, Nicias, 1.5 | Liddel (2020), Decrees of Fourth-Century Athens (403/2-322/1 BC): Volume 2, Political and Cultural Perspectives, 202, Demoen and Praet (2009), Theios Sophistes: Essays on Flavius Philostratus\ Vita Apollonii, 201, Athanassaki and Titchener (2022), Plutarch\s Cities, 65, Kirkland (2022), Herodotus and Imperial Greek Literature: Criticism, Imitation, Reception, 134, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 148, 210, 211, 29, Gray (2021), Gregory of Nyssa as Biographer: Weaving Lives for Virtuous Readers, 53, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 389, Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 3, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.30, 31, Welch (2015), Tarpeia: Workings of a Roman Myth.256, 257 |
Plutarch, Nicias, 2.2 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 2.2.34 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 636 |
Plutarch, Nicias, 2.3 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 2.4 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 2.5 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 219, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 2.6 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.87, 88 |
Plutarch, Nicias, 3 | Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 55 |
Plutarch, Nicias, 3-5.2 | Gygax and Zuiderhoek (2021), Benefactors and the Polis: The Public Gift in the Greek Cities from the Homeric World to Late Antiquity, 75 |
Plutarch, Nicias, 3.1 | Gygax and Zuiderhoek (2021), Benefactors and the Polis: The Public Gift in the Greek Cities from the Homeric World to Late Antiquity, 75, Mikalson (2016), New Aspects of Religion in Ancient Athens: Honors, Authorities, Esthetics, and Society, 253, Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 154 |
Plutarch, Nicias, 3.2 | Gygax and Zuiderhoek (2021), Benefactors and the Polis: The Public Gift in the Greek Cities from the Homeric World to Late Antiquity, 75, Mikalson (2016), New Aspects of Religion in Ancient Athens: Honors, Authorities, Esthetics, and Society, 253, Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 152, 154 |
Plutarch, Nicias, 3.3 | Mikalson (2016), New Aspects of Religion in Ancient Athens: Honors, Authorities, Esthetics, and Society, 263, 264, Welch (2015), Tarpeia: Workings of a Roman Myth.257 |
Plutarch, Nicias, 3.3.33 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 184, 694 |
Plutarch, Nicias, 3.4 | Mikalson (2016), New Aspects of Religion in Ancient Athens: Honors, Authorities, Esthetics, and Society, 259, Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 152, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 70 |
Plutarch, Nicias, 3.5 | Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 198, Gygax and Zuiderhoek (2021), Benefactors and the Polis: The Public Gift in the Greek Cities from the Homeric World to Late Antiquity, 120, 126, Athanassaki and Titchener (2022), Plutarch\s Cities, 139, Mikalson (2016), New Aspects of Religion in Ancient Athens: Honors, Authorities, Esthetics, and Society, 259, Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 152, Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.211, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 111 |
Plutarch, Nicias, 3.6 | Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 198, Papazarkadas (2011), Sacred and Public Land in Ancient Athens, 263, 77, Dignas (2002), Economy of the Sacred in Hellenistic and Roman Asia Minor, 29, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 111 |
Plutarch, Nicias, 3.7 | Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 198, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 111 |
Plutarch, Nicias, 3.8 | Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 111 |
Plutarch, Nicias, 4 | Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 55 |
Plutarch, Nicias, 4.2 | Parker (2005), Polytheism and Society at Athens, 119 |
Plutarch, Nicias, 5.1 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 36, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 5.2 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 5.3 | Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 244 |
Plutarch, Nicias, 5.7 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 219 |
Plutarch, Nicias, 6 | Sommerstein and Torrance (2014), Oaths and Swearing in Ancient Greece, 263, Gagarin and Cohen (2005), The Cambridge Companion to Ancient Greek Law, 364 |
Plutarch, Nicias, 6.1 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 6.2 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 6.3 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 6.4 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 7.3 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.162, 86, 88 |
Plutarch, Nicias, 7.3-8.4 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 7.4 | Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 245, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86, 88 |
Plutarch, Nicias, 7.5 | Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 245, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86, 88 |
Plutarch, Nicias, 7.6 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.87, 88 |
Plutarch, Nicias, 7.7 | Parker (2005), Polytheism and Society at Athens, 43, Athanassaki and Titchener (2022), Plutarch\s Cities, 113, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 8.2 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 8.3 | Zanker (1996), The Mask of Socrates: The Image of the Intellectual in Antiquity, 350 |
Plutarch, Nicias, 9.7 | Gorman, Gorman (2014), Corrupting Luxury in Ancient Greek Literature.305 |
Plutarch, Nicias, 9.8 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 34, 35 |
Plutarch, Nicias, 9.9 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 34, 35, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 217, Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 98 |
Plutarch, Nicias, 10.5 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 215 |
Plutarch, Nicias, 10.6 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 10.7 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 10.8 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 219, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 10.9 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 11 | Lateiner and Spatharas (2016), The Ancient Emotion of Disgust, 106, Joho (2022), Style and Necessity in Thucydides, 75, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 217, 82 |
Plutarch, Nicias, 11.1 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 11.9 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 217 |
Plutarch, Nicias, 12 | Joho (2022), Style and Necessity in Thucydides, 75, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 12.1 | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 385, Baumann and Liotsakis (2022), Reading History in the Roman Empire, 49, 50, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 218, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88, Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.218 |
Plutarch, Nicias, 12.2 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88, Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.218 |
Plutarch, Nicias, 12.6 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212 |
Plutarch, Nicias, 12.7 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 218 |
Plutarch, Nicias, 12.8 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 218 |
Plutarch, Nicias, 13 | Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 217, Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 151, Eidinow (2007), Oracles, Curses, and Risk Among the Ancient Greeks, 256, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212 |
Plutarch, Nicias, 13.1 | Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.316 |
Plutarch, Nicias, 13.2 | Martin (2009), Divine Talk: Religious Argumentation in Demosthenes, 224 |
Plutarch, Nicias, 13.3 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 216, Gorman, Gorman (2014), Corrupting Luxury in Ancient Greek Literature.237 |
Plutarch, Nicias, 13.6 | Gagne (2021), Cosmography and the Idea of Hyperborea in Ancient Greece, 185 |
Plutarch, Nicias, 13.11 | Eidinow and Kindt (2015), The Oxford Handbook of Ancient Greek Religion, 252 |
Plutarch, Nicias, 14 | Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 217 |
Plutarch, Nicias, 14.1 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.119, 85 |
Plutarch, Nicias, 14.2 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 214, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.85 |
Plutarch, Nicias, 14.3 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 14.4 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 34, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 14.5 | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 63, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212, 218 |
Plutarch, Nicias, 14.6 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212, 218 |
Plutarch, Nicias, 14.7 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212, 218 |
Plutarch, Nicias, 15.1 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 34 |
Plutarch, Nicias, 15.2 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 32, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 214 |
Plutarch, Nicias, 16.7 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.162 |
Plutarch, Nicias, 16.9 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.88 |
Plutarch, Nicias, 19.5 | Hau (2017), Moral History from Herodotus to Diodorus Siculus, 133, 136 |
Plutarch, Nicias, 20.1 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 213, 214 |
Plutarch, Nicias, 20.2 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 213, 214 |
Plutarch, Nicias, 20.5 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 213 |
Plutarch, Nicias, 20.6 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 213, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 20.7 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 20.8 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 211, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 21.2 | Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.48 |
Plutarch, Nicias, 21.4 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 215, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 21.5 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86 |
Plutarch, Nicias, 21.6 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.86, 88 |
Plutarch, Nicias, 22.2 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.163, 86 |
Plutarch, Nicias, 22.3 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.163 |
Plutarch, Nicias, 23 | Taylor and Hay (2020), Philo of Alexandria: On the Contemplative Life: Introduction, Translation and Commentary, 148, Lloyd (1989), The Revolutions of Wisdom: Studies in the Claims and Practice of Ancient Greek Science, 331 |
Plutarch, Nicias, 23.1 | Mikalson (2010), Greek Popular Religion in Greek Philosophy, 129, Mowat (2021), Engendering the Future: Divination and the Construction of Gender in the Late Roman Republic, 128, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 243 |
Plutarch, Nicias, 23.2 | Mikalson (2010), Greek Popular Religion in Greek Philosophy, 129, Mowat (2021), Engendering the Future: Divination and the Construction of Gender in the Late Roman Republic, 128, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 243 |
Plutarch, Nicias, 23.3 | Mikalson (2010), Greek Popular Religion in Greek Philosophy, 129, Mowat (2021), Engendering the Future: Divination and the Construction of Gender in the Late Roman Republic, 128, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 243 |
Plutarch, Nicias, 23.4 | Mikalson (2010), Greek Popular Religion in Greek Philosophy, 129, Mowat (2021), Engendering the Future: Divination and the Construction of Gender in the Late Roman Republic, 128, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 243, Edelmann-Singer et al. (2020), Sceptic and Believer in Ancient Mediterranean Religions, 45 |
Plutarch, Nicias, 23.5 | Eidinow (2007), Oracles, Curses, and Risk Among the Ancient Greeks, 256, Mikalson (2010), Greek Popular Religion in Greek Philosophy, 129, Eidinow and Kindt (2015), The Oxford Handbook of Ancient Greek Religion, 302, Mowat (2021), Engendering the Future: Divination and the Construction of Gender in the Late Roman Republic, 128 |
Plutarch, Nicias, 23.6 | Mikalson (2010), Greek Popular Religion in Greek Philosophy, 129, Mowat (2021), Engendering the Future: Divination and the Construction of Gender in the Late Roman Republic, 128, Kingsley Monti and Rood (2022), The Authoritative Historian: Tradition and Innovation in Ancient Historiography, 243 |
Plutarch, Nicias, 23.7 | Johnston and Struck (2005), Mantikê: Studies in Ancient Divination, 206 |
Plutarch, Nicias, 24 | Mikalson (2016), New Aspects of Religion in Ancient Athens: Honors, Authorities, Esthetics, and Society, 66, Joho (2022), Style and Necessity in Thucydides, 75 |
Plutarch, Nicias, 24.6 | Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 45, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212 |
Plutarch, Nicias, 25.1 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 212 |
Plutarch, Nicias, 26.4 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.89 |
Plutarch, Nicias, 26.6 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 219, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.89 |
Plutarch, Nicias, 27.1 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.89 |
Plutarch, Nicias, 27.5 | Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 215 |
Plutarch, Nicias, 28.1 | Hau (2017), Moral History from Herodotus to Diodorus Siculus, 131, 132, 133, 136 |
Plutarch, Nicias, 28.2 | Hau (2017), Moral History from Herodotus to Diodorus Siculus, 131, 132, 133, 136 |
Plutarch, Nicias, 28.3 | Hau (2017), Moral History from Herodotus to Diodorus Siculus, 131, 132, 133, 136 |
Plutarch, Nicias, 28.4 | Hau (2017), Moral History from Herodotus to Diodorus Siculus, 131, 132, 133, 136 |
Plutarch, Nicias, 28.5 | Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 50 |
Plutarch, Nicias, 29 | Eidinow (2007), Oracles, Curses, and Risk Among the Ancient Greeks, 299, Johnson and Parker (2009), ?Ancient Literacies: The Culture of Reading in Greece and Rome, 100, Lloyd (1989), The Revolutions of Wisdom: Studies in the Claims and Practice of Ancient Greek Science, 331, Athanassaki and Titchener (2022), Plutarch\s Cities, 96, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 218 |
Plutarch, Nicias, 29.1 | Parkins and Smith (1998), Trade, Traders and the Ancient City, 116 |
Plutarch, Nicias, 29.2 | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 51 |
Plutarch, Nicias, 29.3 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 82, Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 51, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.119 |
Plutarch, Nicias, 29.4 | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 82, Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 51, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.119 |
Plutarch, Nicias, 29.5 | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 51, Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.119 |
Plutarch, Nicias, 30 | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 248, Beneker et al. (2022), Plutarch’s Unexpected Silences: Suppression and Selection in the Lives and Moralia, 218 |
Plutarch, Nicias, 30.3 | Chrysanthou (2018), Plutarch\s \Parallel Lives\: Narrative Technique and Moral Judgement.119, 90 |