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Tiresias: The Ancient Mediterranean Religions Source Database

Philostratus, Pictures: reference List

ref joined_books
Philostratus, Pictures, 1.1 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135, 145
Philostratus, Pictures, 1.2 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 145
Philostratus, Pictures, 1.3 Pinheiro et al. (2015), Philosophy and the Ancient Novel, 75, Strong (2021), The Fables of Jesus in the Gospel of Luke: A New Foundation for the Study of Parables262, 270
Philostratus, Pictures, 1.3.1 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91
Philostratus, Pictures, 1.4 Hawes (2021), Pausanias in the World of Greek Myth, 6, Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135, 145
Philostratus, Pictures, 1.5 Stephens and Winkler (1995), Ancient Greek Novels: The Fragments: Introduction, Text, Translation, and Commentary, 458
Philostratus, Pictures, 1.5.2 Manolaraki (2012), Noscendi Nilum Cupido: Imagining Egypt from Lucan to Philostratus, 292
Philostratus, Pictures, 1.6 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 145
Philostratus, Pictures, 1.7 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135
Philostratus, Pictures, 1.9 Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345
Philostratus, Pictures, 1.9.4 de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 706
Philostratus, Pictures, 1.13.9 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109
Philostratus, Pictures, 1.14 Bernabe et al. (2013), Redefining Dionysos, 9, Graf and Johnston (2007), Ritual texts for the afterlife: Orpheus and the Bacchic Gold Tablets, 197, Edmonds (2004), Myths of the Underworld Journey: Plato, Aristophanes, and the ‘Orphic’ Gold Tablets, 74, Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 346
Philostratus, Pictures, 1.15 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, Tanaseanu-Döbler and von Alvensleben (2020), Athens II: Athens in Late Antiquity, 158, Eliav (2023), A Jew in the Roman Bathhouse: Cultural Interaction in the Ancient Mediterranean, 184, Graverini (2012), Literature and Identity in The Golden Ass of Apuleius.99
Philostratus, Pictures, 1.15.1 Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49
Philostratus, Pictures, 1.15.2 Bernabe et al. (2013), Redefining Dionysos, 538, 539, Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49
Philostratus, Pictures, 1.15.3 Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49
Philostratus, Pictures, 1.15.4 Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49
Philostratus, Pictures, 1.15.5 Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49
Philostratus, Pictures, 1.16.4 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, Clay and Vergados (2022), Teaching through Images: Imagery in Greco-Roman Didactic Poetry, 179, 180, 181, 182, 183, 184, 185, 186, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 272, 273, 274, 275, 276, 277, 278, 279, 280
Philostratus, Pictures, 1.17 Graverini (2012), Literature and Identity in The Golden Ass of Apuleius.157
Philostratus, Pictures, 1.18 Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345
Philostratus, Pictures, 1.19 Bernabe et al. (2013), Redefining Dionysos, 530, Nuno et al. (2021), SENSORIVM: The Senses in Roman Polytheism, 164
Philostratus, Pictures, 1.19.3 Esler (2000), The Early Christian World, 468
Philostratus, Pictures, 1.19.4 Bernabe et al. (2013), Redefining Dionysos, 536, 538, 539
Philostratus, Pictures, 1.20 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109
Philostratus, Pictures, 1.21 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 162
Philostratus, Pictures, 1.22 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345
Philostratus, Pictures, 1.23 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 143, 162
Philostratus, Pictures, 1.23.1 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 144, 147, 155, 167
Philostratus, Pictures, 1.23.2 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 144, 147, 155, 2
Philostratus, Pictures, 1.23.3 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 144, 145, 165, 168
Philostratus, Pictures, 1.23.4 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 143, 146, 147, 153, 170
Philostratus, Pictures, 1.23.5 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 146
Philostratus, Pictures, 1.24.1 Goldhill (2020), Preposterous Poetics: The Politics and Aesthetics of Form in Late Antiquity, 116
Philostratus, Pictures, 1.25 Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 87
Philostratus, Pictures, 1.26 Miller and Clay (2019), Tracking Hermes, Pursuing Mercury, 145, Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 346
Philostratus, Pictures, 1.27.1 Wilding (2022), Reinventing the Amphiareion at Oropos, 30
Philostratus, Pictures, 1.28 Demoen and Praet (2009), Theios Sophistes: Essays on Flavius Philostratus\ Vita Apollonii, 156, Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 120
Philostratus, Pictures, 1.28.1 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 143, 2
Philostratus, Pictures, 1.28.2 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 3, de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 707
Philostratus, Pictures, 1.28.6 Hitch (2017), Animal sacrifice in the ancient Greek world, 52
Philostratus, Pictures, 1.28.8 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91
Philostratus, Pictures, 1.29 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 9
Philostratus, Pictures, 1.29.2 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 9
Philostratus, Pictures, 1.29.3 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 9
Philostratus, Pictures, 1.29.4 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 9
Philostratus, Pictures, 1.30.4 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91
Philostratus, Pictures, 1.31.2 Bowie (2023), Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels.862
Philostratus, Pictures, 1_proem_1
Philostratus, Pictures, 1_proem_4
Philostratus, Pictures, 2.2 Allison (2018), 4 Baruch, 242
Philostratus, Pictures, 2.2.2 de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 655
Philostratus, Pictures, 2.4 Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 346, de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 709
Philostratus, Pictures, 2.4.4 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91
Philostratus, Pictures, 2.5 Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 117
Philostratus, Pictures, 2.6.5 Boeghold (2022), When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature.23
Philostratus, Pictures, 2.7 Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 278
Philostratus, Pictures, 2.7.5 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91
Philostratus, Pictures, 2.9 Stephens and Winkler (1995), Ancient Greek Novels: The Fragments: Introduction, Text, Translation, and Commentary, 317
Philostratus, Pictures, 2.9.6 de Jáuregui (2010), Orphism and Christianity in Late Antiquity, 25
Philostratus, Pictures, 2.10 Bowie (2023), Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels.176
Philostratus, Pictures, 2.11 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109
Philostratus, Pictures, 2.12 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135
Philostratus, Pictures, 2.14 Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345
Philostratus, Pictures, 2.15 Pamias (2017), Apollodoriana: Ancient Myths, New Crossroads, 118
Philostratus, Pictures, 2.16 Nuno et al. (2021), SENSORIVM: The Senses in Roman Polytheism, 164, 167, Trapp et al. (2016), In Praise of Asclepius: Selected Prose Hymns, 79, Athanassaki and Titchener (2022), Plutarch\s Cities, 316
Philostratus, Pictures, 2.16.3 Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 103, 81
Philostratus, Pictures, 2.17 Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 94, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 94
Philostratus, Pictures, 2.17.1 Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 101, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 101
Philostratus, Pictures, 2.17.4 Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103
Philostratus, Pictures, 2.17.5 Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 104, 106, 112, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 104, 106, 112
Philostratus, Pictures, 2.17.12 Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103, 113, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103, 113
Philostratus, Pictures, 2.18 Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345
Philostratus, Pictures, 2.19.2 Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 119
Philostratus, Pictures, 2.22 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109
Philostratus, Pictures, 2.23.1 Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 120
Philostratus, Pictures, 2.23.2 Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 119
Philostratus, Pictures, 2.23.4 Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 120
Philostratus, Pictures, 2.24 Demoen and Praet (2009), Theios Sophistes: Essays on Flavius Philostratus\ Vita Apollonii, 238
Philostratus, Pictures, 2.25.1 Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 119
Philostratus, Pictures, 2.27 Pirenne-Delforge and Pironti (2022), The Hera of Zeus: Intimate Enemy, Ultimate Spouse, 287, Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.35, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 230
Philostratus, Pictures, 2.27.3 Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 32
Philostratus, Pictures, 2.29.4 Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 104, 105
Philostratus, Pictures, 2.31 Marincola et al. (2021), Lloyd Llewellyn-Jones and Calum Maciver, Greek Notions of the Past in the Archaic and Classical Eras: History Without Historians, 336
Philostratus, Pictures, 2.31.2 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91
Philostratus, Pictures, 2.33 Eidinow (2007), Oracles, Curses, and Risk Among the Ancient Greeks, 272, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 345, 347, 348
Philostratus, Pictures, 5 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109
Philostratus, Pictures, 5.2 Ando (2013), Imperial Ideology and Provincial Loyalty in the Roman Empire, 201
Philostratus, Pictures, 8 Pirenne-Delforge and Pironti (2022), The Hera of Zeus: Intimate Enemy, Ultimate Spouse, 25
Philostratus, Pictures, 10.4 Chrysanthou (2022), Reconfiguring the Imperial Past: Narrative Patterns and Historical Interpretation in Herodian’s History of the Empire.224
Philostratus, Pictures, 11 Pamias (2017), Apollodoriana: Ancient Myths, New Crossroads, 118
Philostratus, Pictures, 11.1 Ando (2013), Imperial Ideology and Provincial Loyalty in the Roman Empire, 129
Philostratus, Pictures, 13 Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135, Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 106, 63, Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 153
Philostratus, Pictures, 16 Edelmann-Singer et al. (2020), Sceptic and Believer in Ancient Mediterranean Religions, 135, 137
Philostratus, Pictures, '2.15.5 Malherbe et al. (2014), Light from the Gentiles: Hellenistic Philosophy and Early Christianity: Collected Essays of Abraham J, 899
Philostratus, Pictures, i._praef.
Philostratus, Pictures, i._praef._1-2
Philostratus, Pictures, i._praef._3
Philostratus, Pictures, i._proem.
Philostratus, Pictures, pr._4-5
Philostratus, Pictures, proem._1-2
Philostratus, Pictures, proem._3
Philostratus, Pictures, proem._4
Philostratus, Pictures, proem._5
Philostratus, Pictures, proem._6
Philostratus, Pictures, prologue_6