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Philostratus, Pictures, 1.1 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135, 145 |
Philostratus, Pictures, 1.2 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 145 |
Philostratus, Pictures, 1.3 | Pinheiro et al. (2015), Philosophy and the Ancient Novel, 75, Strong (2021), The Fables of Jesus in the Gospel of Luke: A New Foundation for the Study of Parables262, 270 |
Philostratus, Pictures, 1.3.1 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91 |
Philostratus, Pictures, 1.4 | Hawes (2021), Pausanias in the World of Greek Myth, 6, Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135, 145 |
Philostratus, Pictures, 1.5 | Stephens and Winkler (1995), Ancient Greek Novels: The Fragments: Introduction, Text, Translation, and Commentary, 458 |
Philostratus, Pictures, 1.5.2 | Manolaraki (2012), Noscendi Nilum Cupido: Imagining Egypt from Lucan to Philostratus, 292 |
Philostratus, Pictures, 1.6 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 145 |
Philostratus, Pictures, 1.7 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135 |
Philostratus, Pictures, 1.9 | Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345 |
Philostratus, Pictures, 1.9.4 | de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 706 |
Philostratus, Pictures, 1.13.9 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109 |
Philostratus, Pictures, 1.14 | Bernabe et al. (2013), Redefining Dionysos, 9, Graf and Johnston (2007), Ritual texts for the afterlife: Orpheus and the Bacchic Gold Tablets, 197, Edmonds (2004), Myths of the Underworld Journey: Plato, Aristophanes, and the ‘Orphic’ Gold Tablets, 74, Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 346 |
Philostratus, Pictures, 1.15 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, Tanaseanu-Döbler and von Alvensleben (2020), Athens II: Athens in Late Antiquity, 158, Eliav (2023), A Jew in the Roman Bathhouse: Cultural Interaction in the Ancient Mediterranean, 184, Graverini (2012), Literature and Identity in The Golden Ass of Apuleius.99 |
Philostratus, Pictures, 1.15.1 | Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49 |
Philostratus, Pictures, 1.15.2 | Bernabe et al. (2013), Redefining Dionysos, 538, 539, Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49 |
Philostratus, Pictures, 1.15.3 | Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49 |
Philostratus, Pictures, 1.15.4 | Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49 |
Philostratus, Pictures, 1.15.5 | Barbato (2020), The Ideology of Democratic Athens: Institutions, Orators and the Mythical Past, 49 |
Philostratus, Pictures, 1.16.4 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, Clay and Vergados (2022), Teaching through Images: Imagery in Greco-Roman Didactic Poetry, 179, 180, 181, 182, 183, 184, 185, 186, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 272, 273, 274, 275, 276, 277, 278, 279, 280 |
Philostratus, Pictures, 1.17 | Graverini (2012), Literature and Identity in The Golden Ass of Apuleius.157 |
Philostratus, Pictures, 1.18 | Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345 |
Philostratus, Pictures, 1.19 | Bernabe et al. (2013), Redefining Dionysos, 530, Nuno et al. (2021), SENSORIVM: The Senses in Roman Polytheism, 164 |
Philostratus, Pictures, 1.19.3 | Esler (2000), The Early Christian World, 468 |
Philostratus, Pictures, 1.19.4 | Bernabe et al. (2013), Redefining Dionysos, 536, 538, 539 |
Philostratus, Pictures, 1.20 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109 |
Philostratus, Pictures, 1.21 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 162 |
Philostratus, Pictures, 1.22 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345 |
Philostratus, Pictures, 1.23 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 143, 162 |
Philostratus, Pictures, 1.23.1 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 144, 147, 155, 167 |
Philostratus, Pictures, 1.23.2 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 144, 147, 155, 2 |
Philostratus, Pictures, 1.23.3 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 144, 145, 165, 168 |
Philostratus, Pictures, 1.23.4 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 143, 146, 147, 153, 170 |
Philostratus, Pictures, 1.23.5 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 146 |
Philostratus, Pictures, 1.24.1 | Goldhill (2020), Preposterous Poetics: The Politics and Aesthetics of Form in Late Antiquity, 116 |
Philostratus, Pictures, 1.25 | Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 87 |
Philostratus, Pictures, 1.26 | Miller and Clay (2019), Tracking Hermes, Pursuing Mercury, 145, Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 346 |
Philostratus, Pictures, 1.27.1 | Wilding (2022), Reinventing the Amphiareion at Oropos, 30 |
Philostratus, Pictures, 1.28 | Demoen and Praet (2009), Theios Sophistes: Essays on Flavius Philostratus\ Vita Apollonii, 156, Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 120 |
Philostratus, Pictures, 1.28.1 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 143, 2 |
Philostratus, Pictures, 1.28.2 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 3, de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 707 |
Philostratus, Pictures, 1.28.6 | Hitch (2017), Animal sacrifice in the ancient Greek world, 52 |
Philostratus, Pictures, 1.28.8 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91 |
Philostratus, Pictures, 1.29 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109, 9 |
Philostratus, Pictures, 1.29.2 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 9 |
Philostratus, Pictures, 1.29.3 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 9 |
Philostratus, Pictures, 1.29.4 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 9 |
Philostratus, Pictures, 1.30.4 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91 |
Philostratus, Pictures, 1.31.2 | Bowie (2023), Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels.862 |
Philostratus, Pictures, 1_proem_1 | |
Philostratus, Pictures, 1_proem_4 | |
Philostratus, Pictures, 2.2 | Allison (2018), 4 Baruch, 242 |
Philostratus, Pictures, 2.2.2 | de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 655 |
Philostratus, Pictures, 2.4 | Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 346, de Bakker, van den Berg, and Klooster (2022), Emotions and Narrative in Ancient Literature and Beyond, 709 |
Philostratus, Pictures, 2.4.4 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91 |
Philostratus, Pictures, 2.5 | Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 117 |
Philostratus, Pictures, 2.6.5 | Boeghold (2022), When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature.23 |
Philostratus, Pictures, 2.7 | Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 278 |
Philostratus, Pictures, 2.7.5 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91 |
Philostratus, Pictures, 2.9 | Stephens and Winkler (1995), Ancient Greek Novels: The Fragments: Introduction, Text, Translation, and Commentary, 317 |
Philostratus, Pictures, 2.9.6 | de Jáuregui (2010), Orphism and Christianity in Late Antiquity, 25 |
Philostratus, Pictures, 2.10 | Bowie (2023), Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels.176 |
Philostratus, Pictures, 2.11 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109 |
Philostratus, Pictures, 2.12 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135 |
Philostratus, Pictures, 2.14 | Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345 |
Philostratus, Pictures, 2.15 | Pamias (2017), Apollodoriana: Ancient Myths, New Crossroads, 118 |
Philostratus, Pictures, 2.16 | Nuno et al. (2021), SENSORIVM: The Senses in Roman Polytheism, 164, 167, Trapp et al. (2016), In Praise of Asclepius: Selected Prose Hymns, 79, Athanassaki and Titchener (2022), Plutarch\s Cities, 316 |
Philostratus, Pictures, 2.16.3 | Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 103, 81 |
Philostratus, Pictures, 2.17 | Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 94, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 94 |
Philostratus, Pictures, 2.17.1 | Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 101, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 101 |
Philostratus, Pictures, 2.17.4 | Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103 |
Philostratus, Pictures, 2.17.5 | Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 104, 106, 112, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 104, 106, 112 |
Philostratus, Pictures, 2.17.12 | Konig and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103, 113, König and Wiater (2022), Late Hellenistic Greek Literature in Dialogue, 103, 113 |
Philostratus, Pictures, 2.18 | Konig (2022), The Folds of Olympus: Mountains in Ancient Greek and Roman Culture, 345 |
Philostratus, Pictures, 2.19.2 | Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 119 |
Philostratus, Pictures, 2.22 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109 |
Philostratus, Pictures, 2.23.1 | Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 120 |
Philostratus, Pictures, 2.23.2 | Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 119 |
Philostratus, Pictures, 2.23.4 | Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 120 |
Philostratus, Pictures, 2.24 | Demoen and Praet (2009), Theios Sophistes: Essays on Flavius Philostratus\ Vita Apollonii, 238 |
Philostratus, Pictures, 2.25.1 | Borg (2008), Paideia: the World of the Second Sophistic: The World of the Second Sophistic, 119 |
Philostratus, Pictures, 2.27 | Pirenne-Delforge and Pironti (2022), The Hera of Zeus: Intimate Enemy, Ultimate Spouse, 287, Munn (2006), The Mother of the Gods, Athens, and the Tyranny of Asia: A Study of Sovereignty in Ancient Religion.35, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 230 |
Philostratus, Pictures, 2.27.3 | Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 32 |
Philostratus, Pictures, 2.29.4 | Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 104, 105 |
Philostratus, Pictures, 2.31 | Marincola et al. (2021), Lloyd Llewellyn-Jones and Calum Maciver, Greek Notions of the Past in the Archaic and Classical Eras: History Without Historians, 336 |
Philostratus, Pictures, 2.31.2 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 91 |
Philostratus, Pictures, 2.33 | Eidinow (2007), Oracles, Curses, and Risk Among the Ancient Greeks, 272, Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 345, 347, 348 |
Philostratus, Pictures, 5 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 109 |
Philostratus, Pictures, 5.2 | Ando (2013), Imperial Ideology and Provincial Loyalty in the Roman Empire, 201 |
Philostratus, Pictures, 8 | Pirenne-Delforge and Pironti (2022), The Hera of Zeus: Intimate Enemy, Ultimate Spouse, 25 |
Philostratus, Pictures, 10.4 | Chrysanthou (2022), Reconfiguring the Imperial Past: Narrative Patterns and Historical Interpretation in Herodian’s History of the Empire.224 |
Philostratus, Pictures, 11 | Pamias (2017), Apollodoriana: Ancient Myths, New Crossroads, 118 |
Philostratus, Pictures, 11.1 | Ando (2013), Imperial Ideology and Provincial Loyalty in the Roman Empire, 129 |
Philostratus, Pictures, 13 | Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 135, Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 106, 63, Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 153 |
Philostratus, Pictures, 16 | Edelmann-Singer et al. (2020), Sceptic and Believer in Ancient Mediterranean Religions, 135, 137 |
Philostratus, Pictures, '2.15.5 | Malherbe et al. (2014), Light from the Gentiles: Hellenistic Philosophy and Early Christianity: Collected Essays of Abraham J, 899 |
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Philostratus, Pictures, proem._6 | |
Philostratus, Pictures, prologue_6 |