| references | secondary books |
|---|---|
| Lucian, The Dance, 2 | Cosgrove, Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine (2022), 208 Graverini, Literature and Identity in The Golden Ass of Apuleius (2012), 164 Stephens and Winkler, Ancient Greek Novels: The Fragments: Introduction, Text, Translation, and Commentary (1995), 72, 80 |
| Lucian, The Dance, 4 | Rothschold, Blanton and Calhoun, The History of Religions School Today: Essays on the New Testament and Related Ancient Mediterranean Texts (2014), 282 |
| Lucian, The Dance, 7 | Borg, Paideia: the World of the Second Sophistic: The World of the Second Sophistic (2008), 389 |
| Lucian, The Dance, 8 | Rothschold, Blanton and Calhoun, The History of Religions School Today: Essays on the New Testament and Related Ancient Mediterranean Texts (2014), 257 |
| Lucian, The Dance, 9 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 168 |
| Lucian, The Dance, 12 | Waldner et al., Burial Rituals, Ideas of Afterlife, and the Individual in the Hellenistic World and the Roman Empire (2016), 58 |
| Lucian, The Dance, 14 | Bull, Lied and Turner, Mystery and Secrecy in the Nag Hammadi Collection and Other Ancient Literature: Ideas and Practices: Studies for Einar Thomassen at Sixty (2011), 384 |
| Lucian, The Dance, 15 | Belayche and Massa, Mystery Cults in Visual Representation in Graeco-Roman Antiquity (2021), 7 Bernabe et al., Redefining Dionysos (2013), 175 Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 90 Parker, Polytheism and Society at Athens (2005), 353 Seaford, Tragedy, Ritual and Money in Ancient Greece: Selected Essays (2018), 169 Waldner et al., Burial Rituals, Ideas of Afterlife, and the Individual in the Hellenistic World and the Roman Empire (2016), 58 deJauregui, Orphism and Christianity in Late Antiquity (2010), , 145 |
| Lucian, The Dance, 16 | Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007), 71 Sandnes and Hvalvik, Early Christian Prayer and Identity Formation (2014), 189 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 17 | Alikin, The Earliest History of the Christian Gathering (2009), 86 Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007), 71 |
| Lucian, The Dance, 19 | Bianchetti et al., Brill’s Companion to Ancient Geography: The Inhabited World in Greek and Roman Tradition (2015), 200 Cosgrove, Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine (2022), 106 Mheallaigh, Reading Fiction with Lucian: Fakes, Freaks and Hyperreality (2014), 18, 19, 20 Pinheiro et al., Cultural Crossroads in the Ancient Novel (2018), 337 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 21 | Bremmer, Greek Religion and Culture, the Bible, and the Ancient Near East (2008), 74 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 27 | Cosgrove, Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine (2022), 212 Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019), 297, 298, 317, 320 |
| Lucian, The Dance, 34 | Edmunds, Greek Myth (2021), 5 |
| Lucian, The Dance, 35 | Bernabe et al., Redefining Dionysos (2013), 193 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 36 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 102 |
| Lucian, The Dance, 38 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 39 | Bernabe et al., Redefining Dionysos (2013), 111, 279, 280 Bierl, Time and Space in Ancient Myth, Religion and Culture (2017), 186 Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 Graf and Johnston, Ritual texts for the afterlife: Orpheus and the Bacchic Gold Tablets (2007), 199 Shear, Serving Athena: The Festival of the Panathenaia and the Construction of Athenian Identities (2021), 67 Lorenzo Gagliardi, 'Ruolo E Competenze Degli Efeti Da Draconte All’Età Degli Oratori ', Dike 15 (2012), 33-71, at 43 |
| Lucian, The Dance, 40 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 Federica Ciccolella, 'Phaedra’s Shining Roses: Reading Euripides in Sixth-Century Gaza', Scripta Classica Israelica 26 (2007), 181-204, at 193 |
| Lucian, The Dance, 41 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 42 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 43 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 44 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 45 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 46 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 47 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 48 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 49 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 50 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 51 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 52 | Bremmer, Greek Religion and Culture, the Bible, and the Ancient Near East (2008), 206 Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 53 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 54 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 Graverini, Literature and Identity in The Golden Ass of Apuleius (2012), 164 Stephens and Winkler, Ancient Greek Novels: The Fragments: Introduction, Text, Translation, and Commentary (1995), 78 |
| Lucian, The Dance, 55 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 Giampiera Arrigoni, 'La Sorella E Lo Zio Materno Di Polinice: L’Invito Di Antigone A Creonte (Soph. Ant. 523) ', Dike 17 (2014), 121-152, at 133 |
| Lucian, The Dance, 56 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 57 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 58 | Bickerman and Tropper, Studies in Jewish and Christian History (2007), 528 Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 59 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 Spielman, Jews and Entertainment in the Ancient World (2020) , 190 |
| Lucian, The Dance, 60 | Csapo et al., Theatre and Autocracy in the Ancient World (2022), 112 |
| Lucian, The Dance, 62 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 102, 8 |
| Lucian, The Dance, 63 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 102, 8 |
| Lucian, The Dance, 64 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 102, 8 |
| Lucian, The Dance, 65 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 102 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 78 | Fleury and Schmidt, Perceptions of the Second Sophistic and Its Times - Regards sur la Seconde Sophistique et son époque(2010), 168 Kirkland, Herodotus and Imperial Greek Literature: Criticism, Imitation, Reception (2022), 218 |
| Lucian, The Dance, 79 | Bernabe et al., Redefining Dionysos (2013), 174, 175 Cosgrove, Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine (2022), 193 deJauregui, Orphism and Christianity in Late Antiquity (2010), , 268, 49, 74, 82 |
| Lucian, The Dance, 81 | Malherbe et al., Light from the Gentiles: Hellenistic Philosophy and Early Christianity: Collected Essays of Abraham J (2014), 560 Rothschold, Blanton and Calhoun, The History of Religions School Today: Essays on the New Testament and Related Ancient Mediterranean Texts (2014), 253 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 83 | Greensmith, The Resurrection of Homer in Imperial Greek Epic: Quintus Smyrnaeus Posthomerica and the Poetics of Impersonation (2021), 54 Alexiou and Cairns, Greek Laughter and Tears: Antiquity and After (2017), 235 Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 149 Maren R. Niehoff, 'From the “Theater of the World” to the “Mask of Christ” — and Back Again: Insights from Origen’s Newly Discovered Homilies on Psalms', Scripta Classica Israelica 39 (2020), 117-136, at 131 |
| Lucian, The Dance, 84 | Greensmith, The Resurrection of Homer in Imperial Greek Epic: Quintus Smyrnaeus Posthomerica and the Poetics of Impersonation (2021), 54 Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 149 |
| Lucian, The Dance, 85 | Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021), 334 Rothschold, Blanton and Calhoun, The History of Religions School Today: Essays on the New Testament and Related Ancient Mediterranean Texts (2014), 282 |
| Lucian, The Dance, "75" | Petraki, Sculpture, weaving, and the body in Plato. Berlin: De Gruyter, 2023 (2023), 270 |