Tiresias: The Ancient Mediterranean Religions Source Database

11181

Vitruvius Pollio, On Architecture, 6.5.2
nan 2. Those, however, who have to lay up stores that are the produce of the country, should have stalls and shops in their vestibules: under their houses they should have vaults (cryptæ), granaries (horrea), store rooms (apothecæ), and other apartments, suited rather to preserve such produce, than to exhibit a magnificent appearance.

Intertexts (texts cited often on the same page as the searched text):

24 results
1. Cicero, On Duties, 1.138-1.139 (2nd cent. BCE - 1st cent. BCE) 1.138. Et quoniam omnia persequimur, volumus quidem certe, dicendum est etiam, qualem hominis honorati et principis domum placeat esse, cuius finis est usus, ad quem accommodanda est aedificandi descriptio et tamen adhibenda commoditatis dignitatisque diligentia. Cn. Octavio, qui primus ex illa familia consul factus est, honori fuisse accepimus, quod praeclaram aedificasset in Palatio et plenam dignitatis domum; quae cum vulgo viseretur, suffragata domino, novo homini, ad consulatum putabatur; hanc Scaurus demolitus accessionem adiunxit aedibus. Itaque ille in suam domum consulatum primus attulit, hic, summi et clarissimi viri filius, in domum multiplicatam non repulsam solum rettulit, sed ignominiam etiam et calamitatem. 1.139. Orda enim est dignitas domo, non ex domo tota quaerenda, nec domo dominus, sed domino domus honestanda est, et, ut in ceteris habenda ratio non sua solum, sed etiam aliorum, sic in domo clari hominis, in quam et hospites multi recipiendi et admittenda hominum cuiusque modi multitudo, adhibenda cura est laxitatis; aliter ampla domus dedecori saepe domino fit, si est in ea solitudo, et maxime, si aliquando alio domino solita est frequentari. Odiosum est enim, cum a praetereuntibus dicitur: O domus ántiqua, heu quam dispari domináre domino! quod quidem his temporibus in multis licet dicere. 1.138.  But since I am investigating this subject in all its phases (at least, that is my purpose), I must discuss also what sort of house a man of rank and station should, in my opinion, have. Its prime object is serviceableness. To this the plan of the building should be adapted; and yet careful attention should be paid to its convenience and distinction. We have heard that Gnaeus Octavius — the first of that family to be elected consul — distinguished himself by building upon the Palatine an attractive and imposing house. Everybody went to see it, and it was thought to have gained votes for the owner, a new man, in his canvass for the consulship. That house Scaurus demolished, and on its site he built an addition to his own house. Octavius, then, was the first of his family to bring the honour of a consulship to his house; Scaurus, thought the son of a very great and illustrious man, brought to the same house, when enlarged, not only defeat, but disgrace and ruin. 1.139.  The truth is, a man's dignity may be enhanced by the house he lives in, but not wholly secured by it; the owner should bring honour to his house, not the house to its owner. And, as in everything else a man must have regard not for himself alone but for others also, so in the home of a distinguished man, in which numerous guests must be entertained and crowds of every sort of people received, care must be taken to have it spacious. But if it is not frequented by visitors, if it has an air of lonesomeness, a spacious palace often becomes a discredit to its owner. This is sure to be the case if at some other time, when it had a different owner, it used to be thronged. For it is unpleasant, when passers-by remark: "O good old house, alas! how different The owner who now owneth thee!" And in these times that may be said of many a house!
2. Cicero, De Oratore, 1.5, 1.9-1.10, 1.13-1.18, 1.128 (2nd cent. BCE - 1st cent. BCE) 1.5. Vis enim, ut mihi saepe dixisti, quoniam, quae pueris aut adulescentulis nobis ex commentariolis nostris incohata ac rudia exciderunt, vix sunt hac aetate digna et hoc usu, quem ex causis, quas diximus, tot tantisque consecuti sumus, aliquid eisdem de rebus politius a nobis perfectiusque proferri; solesque non numquam hac de re a me in disputationibus nostris dissentire, quod ego eruditissimorum hominum artibus eloquentiam contineri statuam, tu autem illam ab elegantia doctrinae segregandam putes et in quodam ingeni atque exercitationis genere ponendam. Ac mihi quidem saepe numero in summos homines ac summis ingeniis praeditos intuenti quaerendum esse visum est quid esset cur plures in omnibus rebus quam in dicendo admirabiles exstitissent; nam quocumque te animo et cogitatione converteris, permultos excellentis in quoque genere videbis non mediocrium artium, sed prope maximarum. 1.9. Neque enim te fugit omnium laudatarum artium procreatricem quandam et quasi parentem eam, quam filosofi/an Graeci vocant, ab hominibus doctissimis iudicari; in qua difficile est enumerare quot viri quanta scientia quantaque in suis studiis varietate et copia fuerint, qui non una aliqua in re separatim elaborarint, sed omnia, quaecumque possent, vel scientiae pervestigatione vel disserendi ratione comprehenderint. 1.10. Quis ignorat, ei, qui mathematici vocantur, quanta in obscuritate rerum et quam recondita in arte et multiplici subtilique versentur? Quo tamen in genere ita multi perfecti homines exstiterunt, ut nemo fere studuisse ei scientiae vehementius videatur, quin quod voluerit consecutus sit. Quis musicis, quis huic studio litterarum, quod profitentur ei, qui grammatici vocantur, penitus se dedit, quin omnem illarum artium paene infinitam vim et materiem scientia et cognitione comprehenderit? 1.13. Ac ne illud quidem vere dici potest aut pluris ceteris inservire aut maiore delectatione aut spe uberiore aut praemiis ad perdiscendum amplioribus commoveri. Atque ut omittam Graeciam, quae semper eloquentiae princeps esse voluit, atque illas omnium doctrinarum inventrices Athenas, in quibus summa dicendi vis et inventa est et perfecta, in hac ipsa civitate profecto nulla umquam vehementius quam eloquentiae studia viguerunt. 1.14. Nam postea quam imperio omnium gentium constituto diuturnitas pacis otium confirmavit, nemo fere laudis cupidus adulescens non sibi ad dicendum studio omni enitendum putavit; ac primo quidem totius rationis ignari, qui neque exercitationis ullam vim neque aliquod praeceptum artis esse arbitrarentur, tantum, quantum ingenio et cogitatione poterant, consequebantur; post autem auditis oratoribus Graecis cognitisque eorum litteris adhibitisque doctoribus incredibili quodam nostri homines di s cendi studio flagraverunt. 1.15. Excitabat eos magnitudo, varietas multitudoque in omni genere causarum, ut ad eam doctrinam, quam suo quisque studio consecutus esset, adiungeretur usus frequens, qui omnium magistrorum praecepta superaret; erant autem huic studio maxima, quae nunc quoque sunt, exposita praemia vel ad gratiam vel ad opes vel ad dignitatem; ingenia vero, ut multis rebus possumus iudicare, nostrorum hominum multum ceteris hominibus omnium gentium praestiterunt. 1.16. Quibus de causis quis non iure miretur ex omni memoria aetatum, temporum, civitatum tam exiguum oratorum numerum inveniri? Sed enim maius est hoc quiddam quam homines opitur, et pluribus ex artibus studiisque conlectum. Quid enim quis aliud in maxima discentium multitudine, summa magistrorum copia, praestantissimis hominum ingeniis, infinita causarum varietate, amplissimis eloquentiae propositis praemiis esse causae putet, nisi rei quandam incredibilem magnitudinem ac difficultatem? 1.17. Est enim et scientia comprehendenda rerum plurimarum, sine qua verborum volubilitas iis atque inridenda est, et ipsa oratio conformanda non solum electione, sed etiam constructione verborum, et omnes animorum motus, quos hominum generi rerum natura tribuit, penitus pernoscendi, quod omnis vis ratioque dicendi in eorum, qui audiunt, mentibus aut sedandis aut excitandis expromenda est; accedat eodem oportet lepos quidam facetiaeque et eruditio libero digna celeritasque et brevitas et respondendi et lacessendi subtili venustate atque urbanitate coniuncta; tenenda praeterea est omnis antiquitas exemplorumque vis, neque legum ac iuris civilis scientia neglegenda est. 1.18. Nam quid ego de actione ipsa plura dicam? quae motu corporis, quae gestu, quae vultu, quae vocis conformatione ac varietate moderanda est; quae sola per se ipsa quanta sit, histrionum levis ars et scaena declarat; in qua cum omnes in oris et vocis et motus moderatione laborent, quis ignorat quam pauci sint fuerintque, quos animo aequo spectare possimus? Quid dicam de thesauro rerum omnium, memoria? Quae nisi custos inventis cogitatisque rebus et verbis adhibeatur, intellegimus omnia, etiam si praeclarissima fuerint in oratore, peritura. 1.128. in oratore autem acumen dialecticorum, sententiae philosophorum, verba prope poetarum, memoria iuris consultorum, vox tragoedorum, gestus paene summorum actorum est requirendus; quam ob rem nihil in hominum genere rarius perfecto oratore inveniri potest; quae enim, singularum rerum artifices singula si mediocriter adepti sunt, probantur, ea nisi omnia sunt in oratore summa, probari non possunt.'
3. Cicero, Letters To His Friends, 7.23 (2nd cent. BCE - 1st cent. BCE)
4. Cicero, In Verrem, 2.4.128-2.4.130 (2nd cent. BCE - 1st cent. BCE)
5. Cicero, Philippicae, 9.14 (2nd cent. BCE - 1st cent. BCE)
6. Varro, On Agriculture, 1.59.2 (2nd cent. BCE - 1st cent. BCE)
7. Ovid, Fasti, 1.223-1.226 (1st cent. BCE - missingth cent. CE) 1.223. We too delight in golden temples, however much 1.224. We approve the antique: such splendour suits a god. 1.225. We praise the past, but experience our own times: 1.226. Yet both are ways worthy of being cultivated.’
8. Ovid, Tristia, 3.1.34 (1st cent. BCE - missingth cent. CE)
9. Vitruvius Pollio, On Architecture, 6.5.1 (1st cent. BCE - 1st cent. BCE)
10. Dio Chrysostom, Orations, 37.42 (1st cent. CE - missingth cent. CE) 37.42.  Then, knowing as I do that men spare not even the gods, should I imagine you to have been concerned for the statue of a mere mortal? Furthermore, while I think I shall say nothing of the others, at any rate the Isthmian, your own Master of the Games, Mummius tore from his base and dedicated to Zeus — disgusting ignorance! — illiterate creature that he was, totally unfamiliar with the proprieties, treating the brother as a votive offering! It was he who took the Philip son of Amyntas, which he got from Thespiae, and labelled it Zeus, and also the lads from Pheneüs he labelled Nestor and Priam respectively! But the Roman mob, as might have been expected, imagined they were beholding those very heroes, and not mere Arcadians from Pheneüs.
11. Martial, Epigrams, 9.59 (1st cent. CE - 2nd cent. CE)
12. Martial, Epigrams, 9.59 (1st cent. CE - 2nd cent. CE)
13. Petronius Arbiter, Satyricon, 29 (1st cent. CE - 1st cent. CE)
14. Petronius Arbiter, Satyricon, 29 (1st cent. CE - 1st cent. CE)
15. Pliny The Elder, Natural History, 7.34, 34.28-34.29, 35.4-35.5, 35.26 (1st cent. CE - 1st cent. CE)
16. Plutarch, Lucullus, 39 (1st cent. CE - 2nd cent. CE)
17. Plutarch, Tiberius And Gaius Gracchus, 13.2 (1st cent. CE - 2nd cent. CE)
18. Suetonius, Augustus, 89.2 (1st cent. CE - 2nd cent. CE)
19. Suetonius, Iulius, 46 (1st cent. CE - 2nd cent. CE)
20. Suetonius, Tiberius, 20 (1st cent. CE - 2nd cent. CE)
21. Tacitus, Dialogus De Oratoribus, 28.5-28.6 (1st cent. CE - 2nd cent. CE)
22. Strabo, Geography, 5.3.7 5.3.7. In the interior, the first city above Ostia is Rome; it is the only city built on the Tiber. It has been remarked above, that its position was fixed, not by choice, but necessity; to this must be added, that those who afterwards enlarged it, were not at liberty to select a better site, being prevented by what was already built. The first [kings] fortified the Capitol, the Palatium, and the Collis Quirinalis, which was so easy of access, that when Titus Tatius came to avenge the rape of the [Sabine] virgins, he took it on the first assault. Ancus Marcius, who added Mount Caelius and the Aventine Mount with the intermediate plain, separated as these places were both from each other and from what had been formerly fortified, was compelled to do this of necessity; since he did not consider it proper to leave outside his walls, heights so well protected by nature, to whomsoever might have a mind to fortify themselves upon them, while at the same time he was not capable of enclosing the whole as far as Mount Quirinus. Servius perceived this defect, and added the Esquiline and Viminal hills. As these were both of easy access from without, a deep trench was dug outside them and the earth thrown up on the inside, thus forming a terrace of 6 stadia in length along the inner side of the trench. This terrace he surmounted with a wall flanked with towers, and extending from the Colline to the Esquiline gate. Midway along the terrace is a third gate, named after the Viminal hill. Such is the Roman rampart, which seems to stand in need of other ramparts itself. But it seems to me that the first [founders] were of opinion, both in regard to themselves and their successors, that Romans had to depend not on fortifications, but on arms and their individual valour, both for safety and for wealth, and that walls were not a defence to men, but men were a defence to walls. At the period of its commencement, when the large and fertile districts surrounding the city belonged to others, and while it lay easily open to assault, there was nothing in its position which could be looked upon as favourable; but when by valour and labour these districts became its own, there succeeded a tide of prosperity surpassing the advantages of every other place. Thus, notwithstanding the prodigious increase of the city, there has been plenty of food, and also of wood and stone for ceaseless building, rendered necessary by the falling down of houses, and on account of conflagrations, and of the sales, which seem never to cease. These sales are a kind of voluntary falling down of houses, each owner knocking down and rebuilding one part or another, according to his individual taste. For these purposes the numerous quarries, the forests, and the rivers which convey the materials, offer wonderful facilities. of these rivers, the first is the Teverone, which flows from Alba, a city of the Latins near to the country of the Marsi, and from thence through the plain below this [city], till it unites with the Tiber. After this come the Nera (Nar) and the Timia, which passing through Ombrica fall into the Tiber, and the Chiana, which flows through Tyrrhenia and the territory of Clusiumn. Augustus Caesar endeavoured to avert from the city damages of the kind alluded to, and instituted a company of freedmen, who should be ready to lend their assistance in cases of conflagration; whilst, as a preventive against the falling of houses, he decreed that all new buildings should not be carried so high as formerly, and that those erected along the public ways should not exceed seventy feet in height. But these improvements must have ceased only for the facilities afforded by the quarries, the forests, and the ease of transport.
23. Vergil, Aeneis, 11.497 11.497. if there be mettle in thee and some drops
24. Vergil, Georgics, 1.112, 1.191, 3.81 1.112. Or that it hardens more and helps to bind 1.191. An idler in the fields; the crops die down; 3.81. Survives within them, loose the males: be first

Subjects of this text:

subject	book bibliographic info
antioch	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
arbitrator,arbiter	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
arcesilaus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
architecture	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
asia	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
athena	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
augustus,c. iulius caesar octavianus	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
authentic versus copy,and pleasure	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
avianius evander,c.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
christodorus of thebes	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
citizen	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
colour	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
constantinople,the zeuxippus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
corinthian bronze	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
cubiculum	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
damasippus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
dignitas	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
domitius tullus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
domus publica	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
edwards,c.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
encolpius	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
forum	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
frugality	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
getae	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
gladiators,depicted in paintings	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
golden age	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
greece,and roman culture	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
hellenism	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
herculaneum	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
hercules	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
his villa,dedications to zeus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
homer,the iliad	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
homer,the odyssey	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
horses	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
house,reflective of identity and power	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
house	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
identity,construction of	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
inscriptions	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
iudex	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
julius caesar	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
jurisdiction	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
king	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
late republic	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
licinius lucullus,l.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
lucian,on realism	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
lust vii	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
magnificence	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
myron,his discobolus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
objects,and identity	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
objects,and inscriptions	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
objects,viewer understanding of	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
ovid,and pygmalion	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
painting	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
palladium,as talisman	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
paterfamilias	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
petronius,on trimalchios house	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
philostratus the elder,and realism	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
pinacothecae	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
pliny the younger	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
plutarch,on colour	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
pompeii,house of the vettii	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
pontifex maximus	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
praetor	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
quintilian,on myrons discobolus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
quintilian,on realism	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
realism	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
republic,republican	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
rome,forum of julius caesar	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
rome,forum of peace,cosmic significance of spoils in	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
rome,palatine hill	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
rome,roma quadrata	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
rome,temple of apollo palatinus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
rome,temple of castor and pollux,tiberius restoration of	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
rome,temple of divus augustus,victoria in	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58, 64
rome,temple of venus genetrix	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
sempronius gracchus,ti.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
semproniusgracchus,c.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
senate	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
sthenius of thermae	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
sumptuary laws	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
thompson,m. l.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
trajan,his column	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
trial'	Tuori (2016), The Emperor of Law: The Emergence of Roman Imperial Adjudication<, 49
trimalchio,his house	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
tullius cicero,m.,and decorum	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
tullius cicero,m.,and humanitas	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
tullius cicero,m.,and the de oratore	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
tullius cicero,m.,as collector	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
tullius cicero,m.,on colour	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
tullius cicero,m.,on the roman house	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
tullius cicero,m.,villa at tusculum	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
utilitas	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 64
valerius publicola,p.,as collector	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
venus	Romana Berno (2023), Roman Luxuria: A Literary and Cultural History, 58
verres,c.	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
viewers,and literacy	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116
vipsanius agrippa,m.,on public art	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
vitruvius,on houses	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
vitruvius,on realism	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 101
vitruvius	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 58
zeus	Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 116