achaea |
Talbert (1984), The Senate of Imperial Rome, 418 |
administration,provincial |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
agricola |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
alliatoria celsilla |
Talbert (1984), The Senate of Imperial Rome, 418 |
anger,divine |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275, 315 |
antiochus,iii |
Bickerman and Tropper (2007), Studies in Jewish and Christian History, 301 |
arbitration |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
artemis kynthia (paros),limnatis |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
asylum,right of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
attalids |
Bickerman and Tropper (2007), Studies in Jewish and Christian History, 301 |
augustus,worship of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
augustus (previously octavian),builds temple of mars,,communicates |
Talbert (1984), The Senate of Imperial Rome, 418 |
augustus (previously octavian),builds temple of mars,,measures |
Talbert (1984), The Senate of Imperial Rome, 418 |
benignitas |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
capitoline hill |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
communication |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
consuls |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
councils |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
crowns |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
cult centres,local and regional |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
cultic commemoration,and non-cultic commemoration |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192, 275 |
cyzicus |
Talbert (1984), The Senate of Imperial Rome, 418 |
decisions,judicial |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
deification,related to conduct of individual in life |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
diana limnatis |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192; Talbert (1984), The Senate of Imperial Rome, 418 |
dispute-resolution |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
disputes |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
education |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
emperor |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
ephesus |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
ethnicity,ethnic identity,fluidity and indeterminacy of |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
expiation |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
fama |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
festivals |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
fidenae |
Talbert (1984), The Senate of Imperial Rome, 418 |
fire,interpreted as prodigy |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
gaius (caligula),,puts proposals |
Talbert (1984), The Senate of Imperial Rome, 418 |
governor |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
grain supply |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
greece |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
greeks |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
hadrian |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
identity,general,ethnic |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
insular,regional |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
jurisdiction |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
koina |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
language,greek |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
language,latin |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
larisa |
Talbert (1984), The Senate of Imperial Rome, 418 |
legates |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
lieu(x) de mémoire |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
lycian,territorial |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
lycian,thessalian |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
macedon |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192, 275 |
manlius patruinus |
Talbert (1984), The Senate of Imperial Rome, 418 |
memories,religious,intertwined with current practice |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
memories,social,historicity of |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
memory,cultural |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
messene |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192; Talbert (1984), The Senate of Imperial Rome, 418 |
messenia,war |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
migrations,myths of,boiotia |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
military standards |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
molossia,molossians,at dodona |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
monuments |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
nero (emperor),performance and |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
oracles,in war situations |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
oracles |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
orators |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
panhellenic sanctuaries,not quite panhellenic |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
pelasgians,at dodona |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
pelasgians,traditions interlocking with central greeks |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
petitions |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
philosophy |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
poleis |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
praetors |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
prayer |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
prodigies |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
pteleon |
Talbert (1984), The Senate of Imperial Rome, 418 |
publication |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
purification |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
region,and ethnicity |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
region,boundaries between several collapsed in cult |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
rescripts |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
rhetoric |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
rhodes |
Talbert (1984), The Senate of Imperial Rome, 418 |
rome |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
sacrilege' |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
sacrilege,compensated for in ritual |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
sanctuaries,,mediating |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
sanctuaries,,territorial negotation |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
segesta |
Talbert (1984), The Senate of Imperial Rome, 418 |
seleucids,privileges granted jews |
Bickerman and Tropper (2007), Studies in Jewish and Christian History, 301 |
sena |
Talbert (1984), The Senate of Imperial Rome, 418 |
senate,flattery of emperor by |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 315 |
senate,in latin and greek,,exemption from laws |
Talbert (1984), The Senate of Imperial Rome, 418 |
senate,in latin and greek,,receives envoys |
Talbert (1984), The Senate of Imperial Rome, 418 |
senate,in latin and greek,,relief |
Talbert (1984), The Senate of Imperial Rome, 418 |
senate,in latin and greek,,summons envoys |
Talbert (1984), The Senate of Imperial Rome, 418 |
senate,roman |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
senate |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
smyrna |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
sophists |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 468 |
spain |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
sparta |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192, 275; Talbert (1984), The Senate of Imperial Rome, 418 |
status |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
synedrion |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
thessalians |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
tiber,r. |
Talbert (1984), The Senate of Imperial Rome, 418 |
tiberius,temples of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
tiberius,worshipful treatment of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 192 |
tiberius |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214, 468 |
to dodona |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
to the kyklades by artist babis kritikos,and territory |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
to the kyklades by artist babis kritikos,marking membership in cult community |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
tribute,religious,choral,with tripods,to dodona |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
tripods,at dodona |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
tripods,with a chorus |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
venus,temple of (eryx) |
Talbert (1984), The Senate of Imperial Rome, 418 |
violence |
Czajkowski et al. (2020), Vitruvian Man: Rome under Construction, 214 |
xenophon (doctor of claudius) |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 275 |
zeus dodonaios,at dodona,archaeology |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
zeus dodonaios,at dodona,oracle,oracular tree |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
zeus dodonaios,at dodona,theoria to |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
zeus dodonaios,at dodona |
Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 336 |
zeuxis |
Bickerman and Tropper (2007), Studies in Jewish and Christian History, 301 |