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Tiresias: The Ancient Mediterranean Religions Source Database



10588
Tacitus, Annals, 14.1.1


nan In the consular year of Gaius Vipstanius and Gaius Fonteius, Nero postponed no further the long-contemplated crime: for a protracted term of empire had consolidated his boldness, and day by day he burned more hotly with love for Poppaea; who, hopeless of wedlock for herself and divorce for Octavia so long as Agrippina lived, plied the sovereign with frequent reproaches and occasional raillery, styling him "the ward, dependent on alien orders, who was neither the empire's master nor his own. For why was her wedding deferred? Her face, presumably, and her grandsires with their triumphs, did not give satisfaction — or was the trouble her fecundity and truth of heart? No, it was feared that, as a wife at all events, she might disclose the wrongs of the Fathers, the anger of the nation against the pride and greed of his mother! But, if Agrippina could tolerate no daughter-in‑law but one inimical to her son, then let her be restored to her married life with Otho: she would go to any corner of earth where she could hear the emperor's ignominy rather than view it and be entangled in his perils." To these and similar attacks, pressed home by tears and adulterous art, no opposition was offered: all men yearned for the breaking of the mother's power; none credited that the hatred of the son would go the full way to murder.


Intertexts (texts cited often on the same page as the searched text):

8 results
1. Xenophon, Hellenica, 3.3.2 (5th cent. BCE - 4th cent. BCE)

3.3.2. And Leotychides said: 397 B.C. But, Agesilaus, the law directs, not that a brother, but that a son of a king, should be king; if, however, there should chance to be no son, in that case the brother would be king. It is I, then, who should be king. How so, when I am alive? Because he whom you call your father said that you were not his son. Nay, but my mother, who knows far better than he did, says even to this day that I am. But Poseidon showed that you are entirely in the wrong, for he drove your father Leotychides was reputed to be the son of Alcibiades. For the incident here mentioned, cp. Plut. Alc. 23. out of her chamber into the open by an earthquake. And time also, which is said to be the truest witness, gave testimony that the god was right; for you were born in the tenth month from the time when he fled from the chamber. Such were the words which passed between these two.
2. Ovid, Fasti, 3.835-3.837, 3.849-3.876 (1st cent. BCE - 1st cent. CE)

3.835. At the point where the street’s almost, but not quite, level 3.836. You can see the little shrine of Minerva Capta 3.837. Which the goddess first occupied on her birthday. 3.849. The tuneful trumpets, and sacrifice to the mighty god. 3.850. Now you can turn your face to the Sun and say: 3.851. ‘He touched the fleece of the Phrixian Ram yesterday’. 3.852. The seeds having been parched, by a wicked stepmother’ 3.853. Guile, the corn did not sprout in the usual way. 3.854. They sent to the oracle, to find by sure prophecy 3.855. What cure the Delphic god would prescribe for sterility. 3.856. But tarnished like the seed, the messenger brought new 3.857. That the oracle sought the death of Helle and young Phrixus: 3.858. And when citizens, season, and Ino herself compelled 3.859. The reluctant king to obey that evil order 3.860. Phrixus and his sister, brows covered with sacred bands 3.861. Stood together before the altar, bemoaning their mutual fate. 3.862. Their mother saw them, as she hovered by chance in the air 3.863. And, stunned, she beat her naked breasts with her hand: 3.864. Then, with the clouds as her companions, she leapt down 3.865. Into serpent-born Thebes, and snatched away her children: 3.866. And so that they could flee a ram, shining and golden 3.867. Was brought, and it carried them over the wide ocean. 3.868. They say the sister held too weakly to the left-hand horn 3.869. And so gave her own name to the waters below. 3.870. Her brother almost died with her, trying to help her 3.871. As she fell, stretching out his hands as far as he could. 3.872. He wept at losing her, his friend in their twin danger 3.873. Not knowing she was now wedded to a sea-green god. 3.874. Reaching the shore the Ram was raised as a constellation 3.875. While his golden fleece was carried to the halls of Colchis. 3.876. When the Morning Star has three times heralded the dawn
3. Seneca The Younger, Thyestes, 10-19, 2, 20, 3-5, 578, 593, 6, 602-603, 607-608, 7-9, 1 (1st cent. CE - 1st cent. CE)

4. Suetonius, Augustus, 33.1 (1st cent. CE - 2nd cent. CE)

5. Suetonius, Nero, 34.2-34.4 (1st cent. CE - 2nd cent. CE)

6. Tacitus, Annals, 11.31.3, 13.4.2, 13.12.1-13.12.2, 13.21, 13.58, 14.1-14.13, 14.4.1, 14.6.1, 14.10.1-14.10.3, 14.12.1-14.12.2, 14.20 (1st cent. CE - 2nd cent. CE)

13.12.1.  For the rest, maternal authority had weakened little by little. For Nero had slipped into a love affair with a freedwoman by the name of Acte, and at the same time had taken into his confidence Marcus Otho and Claudius Senecio, two handsome youths; the former of consular family, the latter a son of one of the imperial freedmen. At first, without the knowledge of his mother, then in defiance of her opposition, they had crept securely into the prince's favour as the partners of his dissipation and of his questionable secrets; while even his older friends showed no reluctance that a girl of that standing should gratify, without injury to anyone, the cravings of the emperor: for, whether from some whim of fate or because the illicit is stronger than the licit, he abhorred his wife Octavia, in spite of her high descent and proved honour; and there was always the risk that, if he were checked in this passion, his instincts would break out at the expense of women of rank. 13.21.  When the emperor's fears had been thus calmed, at break of day a visit was paid to Agrippina; who was to listen to the charges, and rebut them or pay the penalty. The commission was carried out by Burrus under the eye of Seneca: a number of freedmen also were present as witnesses to the conversation. Then, after recapitulating the charges and their authors, Burrus adopted a threatening attitude. Agrippina summoned up her pride:— "I am not astonished," she said, "that Silana, who has never known maternity, should have no knowledge of a mother's heart: for parents do not change their children as a wanton changes her adulterers. Nor, if Iturius and Calvisius, after consuming the last morsel of their estates, pay their aged mistress the last abject service of undertaking a delation, is that a reason why my own fair fame should be darkened by the blood of my son or the emperor's conscience by that of his mother? For as to Domitia — I should thank her for her enmity, if she were competing with me in benevolence to my Nero, instead of staging this comedy with the help of her bedfellow Atimetus and her mummer Paris. In the days when my counsels were preparing his adoption, his proconsular power, his consulate in prospect, and the other steps to his sovereignty, she was embellishing the fish-ponds of her beloved Baiae. — Or let a man stand forth to convict me of tampering with the guards in the capital — of shaking the allegiance of the provinces — or, finally, of seducing either slave or freedman into crime! Could I have lived with Britannicus on the throne? And if Plautus or another shall acquire the empire and sit in judgement, am I to assume there is a dearth of accusers prepared to indict me, no longer for the occasional hasty utterances of an ill-regulated love, but for guilt from which only a son can absolve?" The listeners were moved, but she demanded an interview with her son. There she neither spoke in support of her innocence, as though she could entertain misgivings, nor on the theme of her services, as though she would cast them in his teeth, but procured vengeance upon her accusers and recognition for her friends. 13.58.  In the same year, the tree in the Comitium, known as the Ruminalis, which eight hundred and thirty years earlier had sheltered the infancy of Remus and Romulus, through the death of its boughs and the withering of its stem, reached a stage of decrepitude which was regarded as a portent, until it renewed its verdure in fresh shoots. 14.1.  In the consular year of Gaius Vipstanius and Gaius Fonteius, Nero postponed no further the long-contemplated crime: for a protracted term of empire had consolidated his boldness, and day by day he burned more hotly with love for Poppaea; who, hopeless of wedlock for herself and divorce for Octavia so long as Agrippina lived, plied the sovereign with frequent reproaches and occasional raillery, styling him "the ward, dependent on alien orders, who was neither the empire's master nor his own. For why was her wedding deferred? Her face, presumably, and her grandsires with their triumphs, did not give satisfaction — or was the trouble her fecundity and truth of heart? No, it was feared that, as a wife at all events, she might disclose the wrongs of the Fathers, the anger of the nation against the pride and greed of his mother! But, if Agrippina could tolerate no daughter-in‑law but one inimical to her son, then let her be restored to her married life with Otho: she would go to any corner of earth where she could hear the emperor's ignominy rather than view it and be entangled in his perils." To these and similar attacks, pressed home by tears and adulterous art, no opposition was offered: all men yearned for the breaking of the mother's power; none credited that the hatred of the son would go the full way to murder. 14.2.  It is stated by Cluvius that Agrippina's ardour to keep her influence was carried so far that at midday, an hour at which Nero was beginning to experience the warmth of wine and good cheer, she presented herself on several occasions to her half-tipsy son, coquettishly dressed and prepared for incest. Already lascivious kisses, and endearments that were the harbingers of guilt, had been observed by their intimates, when Seneca sought in a woman the antidote to female blandishments, and brought in the freedwoman Acte, who, alarmed as she was both at her own danger and at Nero's infamy, was to report that the incest was common knowledge, since his mother boasted of it, and that the troops would not submit to the supremacy of a sacrilegious emperor. According to Fabius Rusticus, not Agrippina, but Nero, desired the union, the scheme being wrecked by the astuteness of the same freedwoman. The other authorities, however, give the same version as Cluvius, and to their side tradition leans; whether the enormity was actually conceived in the brain of Agrippina, or whether the contemplation of such a refinement in lust was merely taken as comparatively credible in a woman who, for the prospect of power, had in her girlish years yielded to the embraces of Marcus Lepidus; who, for a similar ambition had prostituted herself to the desires of Pallas; and who had been inured to every turpitude by her marriage with her uncle. 14.3.  Nero, therefore, began to avoid private meetings with her; when she left for her gardens or the estates at Tusculum and Antium, he commended her intention of resting; finally, convinced that, wherever she might be kept, she was still an incubus, he decided to kill her, debating only whether by poison, the dagger, or some other form of violence. The first choice fell on poison. But, if it was to be given at the imperial table, then the death could not be referred to chance, since Britannicus had already met a similar fate. At the same time, it seemed an arduous task to tamper with the domestics of a woman whose experience of crime had made her vigilant for foul play; and, besides, she had herself fortified her system by taking antidotes in advance. Cold steel and bloodshed no one could devise a method of concealing: moreover, there was the risk that the agent chosen for such an atrocity might spurn his orders. Mother wit came to the rescue in the person of Anicetus the freedman, preceptor of Nero's boyish years, and detested by Agrippina with a vigour which was reciprocated. Accordingly, he pointed out that it was possible to construct a ship, part of which could be artificially detached, well out at sea, and throw the unsuspecting passenger overboard:— "Nowhere had accident such scope as on salt water; and, if the lady should be cut off by shipwreck, who so captious as to read murder into the delinquency of wind and wave? The sovereign, naturally, would assign the deceased a temple and the other displays of filial piety. 14.4.  This ingenuity commended itself: the date, too, was in its favour, as Nero was in the habit of celebrating the festival of Minerva at Baiae. Thither he proceeded to lure his mother, observing from time to time that outbreaks of parental anger had to be tolerated, and that he must show a forgiving spirit; his aim being to create a rumour of reconciliation, which Agrippina, with the easy faith of her sex in the agreeable, would probably accept. — In due course, she came. He went down to the beach to meet her (she was arriving from Antium), took her hand, embraced her, and escorted her to Bauli, the name of a villa washed by the waters of a cove between the promontory of Misenum and the lake of Baiae. Here, among others, stood a more handsomely appointed vessel; apparently one attention the more to his mother, as she had been accustomed to use a trireme with a crew of marines. Also, she had been invited to dinner for the occasion, so that night should be available for the concealment of the crime. It is well established that someone had played the informer, and that Agrippina, warned of the plot, hesitated whether to believe or not, but made the journey to Baiae in a litter. There her fears were relieved by the blandishments of a cordial welcome and a seat above the prince himself. At last, conversing freely, — one moment boyishly familiar, the next grave-browed as though making some serious communication, — Nero, after the banquet had been long protracted, escorted her on her way, clinging more closely than usual to her breast and kissing her eyes; possibly as a final touch of hypocrisy, or possibly the last look upon his doomed mother gave pause even to that brutal spirit. 14.4.1.  This ingenuity commended itself: the date, too, was in its favour, as Nero was in the habit of celebrating the festival of Minerva at Baiae. Thither he proceeded to lure his mother, observing from time to time that outbreaks of parental anger had to be tolerated, and that he must show a forgiving spirit; his aim being to create a rumour of reconciliation, which Agrippina, with the easy faith of her sex in the agreeable, would probably accept. — In due course, she came. He went down to the beach to meet her (she was arriving from Antium), took her hand, embraced her, and escorted her to Bauli, the name of a villa washed by the waters of a cove between the promontory of Misenum and the lake of Baiae. Here, among others, stood a more handsomely appointed vessel; apparently one attention the more to his mother, as she had been accustomed to use a trireme with a crew of marines. Also, she had been invited to dinner for the occasion, so that night should be available for the concealment of the crime. It is well established that someone had played the informer, and that Agrippina, warned of the plot, hesitated whether to believe or not, but made the journey to Baiae in a litter. There her fears were relieved by the blandishments of a cordial welcome and a seat above the prince himself. At last, conversing freely, — one moment boyishly familiar, the next grave-browed as though making some serious communication, — Nero, after the banquet had been long protracted, escorted her on her way, clinging more closely than usual to her breast and kissing her eyes; possibly as a final touch of hypocrisy, or possibly the last look upon his doomed mother gave pause even to that brutal spirit. 14.5.  A starlit night and the calm of an unruffled sea appeared to have been sent by Heaven to afford proof of guilt. The ship had made no great way, and two of Agrippina's household were in attendance, Crepereius Gallus standing not far from the tiller, while Acerronia, bending over the feet of the recumbent princess, recalled exultantly the penitence of the son and the re-entry of the mother into favour. Suddenly the signal was given: the canopy above them, which had been heavily weighted with lead, dropped, and Crepereius was crushed and killed on the spot. Agrippina and Acerronia were saved by the height of the couch-sides, which, as it happened, were too solid to give way under the impact. Nor did the break-up of the vessel follow: for confusion was universal, and even the men accessory to the plot were impeded by the large numbers of the ignorant. The crew then decided to throw their weight on one side and so capsize the ship; but, even on their own part, agreement came too slowly for a sudden emergency, and a counter-effort by others allowed the victims a gentler fall into the waves. Acerronia, however, incautious enough to raise the cry that she was Agrippina, and to demand aid for the emperor's mother, was despatched with poles, oars, and every nautical weapon that came to hand. Agrippina, silent and so not generally recognised, though she received one wound in the shoulder, swam until she was met by a few fishing-smacks, and so reached the Lucrine lake, whence she was carried into her own villa. 14.6.  There she reflected on the evident purpose of the treacherous letter of invitation and the exceptional honour with which she had been treated, and on the fact that, hard by the shore, a vessel, driven by no gale and striking no reef, had collapsed at the top like an artificial structure on land. She reviewed as well the killing of Acerronia, glanced simultaneously at her own wound, and realized that the one defence against treachery was to leave it undetected. Accordingly she sent the freedman Agermus to carry word to her son that, thanks to divine kindness and to his fortunate star, she had survived a grave accident; but that, however great his alarm at his mother's danger, she begged him to defer the attention of a visit: for the moment, what she needed was rest. Meanwhile, with affected unconcern, she applied remedies to her wound and fomentations to her body: Acerronia's will, she gave instructions was to be sought, and her effects sealed up, — the sole measure not referable to dissimulation. 14.6.1.  There she reflected on the evident purpose of the treacherous letter of invitation and the exceptional honour with which she had been treated, and on the fact that, hard by the shore, a vessel, driven by no gale and striking no reef, had collapsed at the top like an artificial structure on land. She reviewed as well the killing of Acerronia, glanced simultaneously at her own wound, and realized that the one defence against treachery was to leave it undetected. Accordingly she sent the freedman Agermus to carry word to her son that, thanks to divine kindness and to his fortunate star, she had survived a grave accident; but that, however great his alarm at his mother's danger, she begged him to defer the attention of a visit: for the moment, what she needed was rest. Meanwhile, with affected unconcern, she applied remedies to her wound and fomentations to her body: Acerronia's will, she gave instructions was to be sought, and her effects sealed up, — the sole measure not referable to dissimulation. 14.7.  Meanwhile, as Nero was waiting for the messengers who should announce the doing of the deed, there came the news that she had escaped with a wound from a light blow, after running just sufficient risk to leave no doubt as to its author. Half-dead with terror, he protested that any moment she would be here, hot for vengeance. And whether she armed her slaves or inflamed the troops, or made her way to the senate and the people, and charged him with the wreck, her wound, and the slaying of her friends, what counter-resource was at his own disposal? Unless there was hope in Seneca and Burrus! He had summoned them immediately: whether to test their feeling, or as cognizant already of the secret, is questionable. — There followed, then, a long silence on the part of both: either they were reluctant to dissuade in vain, or they believed matters to have reached a point at which Agrippina must be forestalled or Nero perish. After a time, Seneca so far took the lead as to glance at Burrus and inquire if the fatal order should be given to the military. His answer was that the guards, pledged as they were to the Caesarian house as a whole, and attached to the memory of Germanicus, would flinch from drastic measures against his issue: Anicetus must redeem his promise. He, without any hesitation, asked to be given full charge of the crime. The words brought from Nero a declaration that that day presented him with an empire, and that he had a freedman to thank for so great a boon: Anicetus must go with speed and take an escort of men distinguished for implicit obedience to orders. He himself, on hearing that Agermus had come with a message from Agrippina, anticipated it by setting the stage for a charge of treason, threw a sword at his feet while he was doing his errand, then ordered his arrest as an assassin caught in the act; his intention being to concoct a tale that his mother had practised against the imperial life and taken refuge in suicide from the shame of detection. 14.8.  In the interval, Agrippina's jeopardy, which was attributed to accident, had become generally known; and there was a rush to the beach, as man after man learned the news. Some swarmed up the sea-wall, some into the nearest fishing-boats: others were wading middle-deep into the surf, a few standing with outstretched arms. The whole shore rang with lamentations and vows and the din of conflicting questions and vague replies. A huge multitude streamed up with lights, and, when the knowledge of her safety spread, set out to offer congratulations; until, at the sight of an armed and threatening column, they were forced to scatter. Anicetus drew a cordon around the villa, and, breaking down the entrance, dragged off the slaves as they appeared, until he reached the bedroom-door. A few servants were standing by: the rest had fled in terror at the inrush of men. In the chamber was a dim light and a single waiting-maid; and Agrippina's anxiety deepened every instant. Why no one from her son — nor even Agermus? Had matters prospered, they would have worn another aspect. Now, nothing but solitude, hoarse alarms, and the symptoms of irremediable ill! Then the maid rose to go. "Dost thou too forsake me?" she began, and saw Anicetus behind her, accompanied by Herculeius, the trierarch, and Obaritus, a centurion of marines. "If he had come to visit the sick, he might take back word that she felt refreshed. If to do murder, she would believe nothing of her son: matricide was no article of their instructions." The executioners surrounded the couch, and the trierarch began by striking her on the head with a club. The centurion was drawing his sword to make an end, when she proffered her womb to the blow. "Strike here," she exclaimed, and was despatched with repeated wounds. 14.9.  So far the accounts concur. Whether Nero inspected the corpse of his mother and expressed approval of her figure is a statement which some affirm and some deny. She was cremated the same night, on a dinner-couch, and with the humblest rites; nor, so long as Nero reigned, was the earth piled over the grave or enclosed. Later, by the care of her servants, she received a modest tomb, hard by the road to Misenum and that villa of the dictator Caesar which looks from its dizzy height to the bay outspread beneath. As the pyre was kindled, one of her freedmen, by the name of Mnester, ran a sword through his body, whether from love of his mistress or from fear of his own destruction remains unknown. This was that ending to which, years before, Agrippina had given her credence, and her contempt. For to her inquiries as to the destiny of Nero the astrologers answered that he should reign, and slay his mother; and "Let him slay," she had said, "so that he reign. 14.10.  But only with the completion of the crime was its magnitude realized by the Caesar. For the rest of the night, sometimes dumb and motionless, but not rarely starting in terror to his feet with a sort of delirium, he waited for the daylight which he believed would bring his end. Indeed, his first encouragement to hope came from the adulation of the centurions and tribunes, as, at the suggestion of Burrus, they grasped his hand and wished him joy of escaping his unexpected danger and the criminal enterprise of his mother. His friends in turn visited the temples; and, once the example had been given, the Campanian towns in the neighbourhood attested their joy by victims and deputations. By a contrast in hypocrisy, he himself was mournful, repining apparently at his own preservation and full of tears for the death of a parent. But because the features of a landscape change less obligingly than the looks of men, and because there was always obtruded upon his gaze the grim prospect of that sea and those shores, — and there were some who believed that he could hear a trumpet, calling in the hills that rose around, and lamentations at his mother's grave, — he withdrew to Naples and forwarded to the senate a letter, the sum of which was that an assassin with his weapon upon him had been discovered in Agermus, one of the confidential freedmen of Agrippina, and that his mistress, conscious of her guilt, had paid the penalty of meditated murder. 14.10.1.  But only with the completion of the crime was its magnitude realized by the Caesar. For the rest of the night, sometimes dumb and motionless, but not rarely starting in terror to his feet with a sort of delirium, he waited for the daylight which he believed would bring his end. Indeed, his first encouragement to hope came from the adulation of the centurions and tribunes, as, at the suggestion of Burrus, they grasped his hand and wished him joy of escaping his unexpected danger and the criminal enterprise of his mother. His friends in turn visited the temples; and, once the example had been given, the Campanian towns in the neighbourhood attested their joy by victims and deputations. By a contrast in hypocrisy, he himself was mournful, repining apparently at his own preservation and full of tears for the death of a parent. But because the features of a landscape change less obligingly than the looks of men, and because there was always obtruded upon his gaze the grim prospect of that sea and those shores, — and there were some who believed that he could hear a trumpet, calling in the hills that rose around, and lamentations at his mother's grave, — he withdrew to Naples and forwarded to the senate a letter, the sum of which was that an assassin with his weapon upon him had been discovered in Agermus, one of the confidential freedmen of Agrippina, and that his mistress, conscious of her guilt, had paid the penalty of meditated murder. 14.11.  He appended a list of charges drawn from the remoter past:— "She had hoped for a partnership in the empire; for the praetorian cohorts to swear allegiance to a woman; for the senate and people to submit to a like ignominy. Then, her ambition foiled, she had turned against the soldiers, the Fathers and the commons; had opposed the donative and the largess, and had worked for the ruin of eminent citizens. At what cost of labour had he succeeded in preventing her from forcing the door of the senate and delivering her answers to foreign nations!" He made an indirect attack on the Claudian period also, transferring every scandal of the reign to the account of his mother, whose removal he ascribed to the fortunate star of the nation. For even the wreck was narrated: though where was the folly which could believe it accidental, or that a ship-wrecked woman had despatched a solitary man with a weapon to cut his way through the guards and navies of the emperor? The object, therefore, of popular censure was no longer Nero — whose barbarity transcended all protest — but Seneca, who in composing such a plea had penned a confession. 14.12.  However, with a notable spirit of emulation among the magnates, decrees were drawn up: thanksgivings were to be held at all appropriate shrines; the festival of Minerva, on which the conspiracy had been brought to light, was to be celebrated with annual games; a golden statue of the goddess, with an effigy of the emperor by her side, was to be erected in the curia, and Agrippina's birthday included among the inauspicious dates. Earlier sycophancies Thrasea Paetus had usually allowed to pass, either in silence or with a curt assent: this time he walked out of the senate, creating a source of danger for himself, but implanting no germ of independence in his colleagues. Portents, also, frequent and futile made their appearance: a woman gave birth to a serpent, another was killed by a thunderbolt in the embraces of her husband; the sun, again, was suddenly obscured, and the fourteen regions of the capital were struck by lightning — events which so little marked the concern of the gods that Nero continued for years to come his empire and his crimes. However, to aggravate the feeling against his mother, and to furnish evidence that his own mildness had increased with her removal, he restored to their native soil two women of high rank, Junia and Calpurnia, along with the ex-praetors Valerius Capito and Licinius Gabolus — all of them formerly banished by Agrippina. He sanctioned the return, even, of the ashes of Lollia Paulina, and the erection of a tomb: Iturius and Calvisius, whom he had himself relegated some little while before, he now released from the penalty. As to Silana, she had died a natural death at Tarentum, to which she had retraced her way, when Agrippina, by whose enmity she had fallen, was beginning to totter or to relent. 14.12.1.  However, with a notable spirit of emulation among the magnates, decrees were drawn up: thanksgivings were to be held at all appropriate shrines; the festival of Minerva, on which the conspiracy had been brought to light, was to be celebrated with annual games; a golden statue of the goddess, with an effigy of the emperor by her side, was to be erected in the curia, and Agrippina's birthday included among the inauspicious dates. Earlier sycophancies Thrasea Paetus had usually allowed to pass, either in silence or with a curt assent: this time he walked out of the senate, creating a source of danger for himself, but implanting no germ of independence in his colleagues. Portents, also, frequent and futile made their appearance: a woman gave birth to a serpent, another was killed by a thunderbolt in the embraces of her husband; the sun, again, was suddenly obscured, and the fourteen regions of the capital were struck by lightning — events which so little marked the concern of the gods that Nero continued for years to come his empire and his crimes. However, to aggravate the feeling against his mother, and to furnish evidence that his own mildness had increased with her removal, he restored to their native soil two women of high rank, Junia and Calpurnia, along with the ex-praetors Valerius Capito and Licinius Gabolus — all of them formerly banished by Agrippina. He sanctioned the return, even, of the ashes of Lollia Paulina, and the erection of a tomb: Iturius and Calvisius, whom he had himself relegated some little while before, he now released from the penalty. As to Silana, she had died a natural death at Tarentum, to which she had retraced her way, when Agrippina, by whose enmity she had fallen, was beginning to totter or to relent. 14.13.  And yet he dallied in the towns of Campania, anxious and doubtful how to make his entry into Rome. Would he find obedience in the senate? enthusiasm in the crowd? Against his timidity it was urged by every reprobate — and a court more prolific of reprobates the world has not seen — that the name of Agrippina was abhorred and that her death had won him the applause of the nation. Let him go without a qualm and experience on the spot the veneration felt for his position! At the same time, they demanded leave to precede him. They found, indeed, an alacrity which surpassed their promises: the tribes on the way to meet him; the senate in festal dress; troops of wives and of children disposed according to their sex and years, while along his route rose tiers of seats of the type used for viewing a triumph. Then, flushed with pride, victor over the national servility, he made his way to the Capitol, paid his grateful vows, and abandoned himself to all the vices, till now retarded, though scarcely repressed, by some sort of deference to his mother. 14.20.  In the consulate of Nero — his fourth term — and of Cornelius Cossus, a quinquennial competition on the stage, in the style of a Greek contest, was introduced at Rome. Like almost all innovations it was variously canvassed. Some insisted that "even Pompey had been censured by his elders for establishing the theatre in a permanent home. Before, the games had usually been exhibited with the help of improvised tiers of benches and a stage thrown up for the occasion; or, to go further into the past, the people stood to watch: seats in the theatre, it was feared, might tempt them to pass whole days in indolence. By all means let the spectacles be retained in their old form, whenever the praetor presided, and so long as no citizen lay under any obligation to compete. But the national morality, which had gradually fallen into oblivion, was being overthrown from the foundations by this imported licentiousness; the aim of which was that every production of every land, capable of either undergoing or engendering corruption, should be on view in the capital, and that our youth, under the influence of foreign tastes, should degenerate into votaries of the gymnasia, of indolence, and of dishonourable amours, — and this at the instigation of the emperor and senate, who, not content with conferring immunity upon vice, were applying compulsion, in order that Roman nobles should pollute themselves on the stage under pretext of delivering an oration or a poem. What remained but to strip to the skin as well, put on the gloves, and practise that mode of conflict instead of the profession of arms? Would justice be promoted, would the equestrian decuries better fulfil their great judicial functions, if they had lent an expert ear to emasculated music and dulcet voices? Even night had been re­quisitioned for scandal, so that virtue should not be left with a breathing-space, but that amid a promiscuous crowd every vilest profligate might venture in the dark the act for which he had lusted in the light.
7. Tacitus, Histories, 1.3, 1.10.3 (1st cent. CE - 2nd cent. CE)

8. Curtius Rufus, Historiae Alexandri Magni, 8.3.5-8.3.6

8.3.5. nisi prohibitus esset fratrum eius occursu. Ceterum abire e conspectu iubet addito metu mortis, si se oculis eius obtulisset, et ad desiderium levandum noctes agere inter pelices coepit. 8.3.6. Sed penitus haerens amor fastidio praesentium accensus est. Itaque rursus uni ei deditus orare non destitit, ut tali consilio abstineret patereturque sortem, quamcumque iis fortuna fecisset:


Subjects of this text:

subject book bibliographic info
acerronia Poulsen, Usages of the Past in Roman Historiography (2021), 204
acte Poulsen, Usages of the Past in Roman Historiography (2021), 204; Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
actor, acting Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
agrippina the younger, empress Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
agrippina the younger, murder of Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295, 300
agrippina the younger, usurping of government functions by Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
anicetus Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204; Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
annalistic Poulsen, Usages of the Past in Roman Historiography (2021), 203
annals Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
apollo, palatine temple of Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
burrus Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
c. suetonius tranquillus Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204
caligula, emperor Poulsen, Usages of the Past in Roman Historiography (2021), 203
carpentum Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
civil war, discordia Poulsen, Usages of the Past in Roman Historiography (2021), 203
conspiracy, conspirator Poulsen, Usages of the Past in Roman Historiography (2021), 204
crime Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292, 295, 300
dais Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
digression Poulsen, Usages of the Past in Roman Historiography (2021), 203
dio cassius Poulsen, Usages of the Past in Roman Historiography (2021), 203, 215
drama Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
emperor, princeps Poulsen, Usages of the Past in Roman Historiography (2021), 204
epicharis Poulsen, Usages of the Past in Roman Historiography (2021), 204
etruria, etruscans Poulsen, Usages of the Past in Roman Historiography (2021), 203
exemplarity, exemplum, imitation, emulation Poulsen, Usages of the Past in Roman Historiography (2021), 203
expiation Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
family, imperial Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
fatum Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
ficus ruminalis Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292, 295
fire, interpreted as prodigy Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
fortuna publica Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
fragment Poulsen, Usages of the Past in Roman Historiography (2021), 203
furies Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
gods and divinities Poulsen, Usages of the Past in Roman Historiography (2021), 215
greece, greeks Poulsen, Usages of the Past in Roman Historiography (2021), 203, 215
incest Poulsen, Usages of the Past in Roman Historiography (2021), 204
kin murder Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292, 295, 300
letters Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
livy Poulsen, Usages of the Past in Roman Historiography (2021), 203, 215
m. cluvius rufus Poulsen, Usages of the Past in Roman Historiography (2021), 203
matricide Poulsen, Usages of the Past in Roman Historiography (2021), 203, 215
memory, cultic, decline and Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292, 295
moonlight Poulsen, Usages of the Past in Roman Historiography (2021), 203
munatius plancus, l. (dedicator of temple of saturn), murderers, ritual pollution of Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
nero, emperor Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
nero (emperor), marriages of Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
nero (emperor), murders committed by Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295, 300
nero (emperor), prodigies and Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
octavia, empress Poulsen, Usages of the Past in Roman Historiography (2021), 203
octavia, wife of nero Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 295
opsimathia Poulsen, Usages of the Past in Roman Historiography (2021), 215
oratio recta, oratio obliqua Poulsen, Usages of the Past in Roman Historiography (2021), 204
orators and oratory Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
ovid Poulsen, Usages of the Past in Roman Historiography (2021), 203
palatine Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
parricidium Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
pax, peace Poulsen, Usages of the Past in Roman Historiography (2021), 215
plutarch Poulsen, Usages of the Past in Roman Historiography (2021), 203
pollution, ritual Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
poppaea sabina, empress Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
populus Poulsen, Usages of the Past in Roman Historiography (2021), 215
princeps Poulsen, Usages of the Past in Roman Historiography (2021), 204, 215
punishment, divine Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
purification Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
rhetoric Poulsen, Usages of the Past in Roman Historiography (2021), 215
rumor Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
senate, senators Poulsen, Usages of the Past in Roman Historiography (2021), 203
senate Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
seneca Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
seneca the younger Poulsen, Usages of the Past in Roman Historiography (2021), 204, 215
ship (collapsible) Poulsen, Usages of the Past in Roman Historiography (2021), 204, 215
shipwreck Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
soldiers Poulsen, Usages of the Past in Roman Historiography (2021), 204
speech-acts Poulsen, Usages of the Past in Roman Historiography (2021), 204
staging Poulsen, Usages of the Past in Roman Historiography (2021), 215
superstitio Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
tacitus, p. cornelius Poulsen, Usages of the Past in Roman Historiography (2021), 203, 204, 215
temples, alterations to Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
theatre Poulsen, Usages of the Past in Roman Historiography (2021), 203
theatricality Poulsen, Usages of the Past in Roman Historiography (2021), 203, 215
tombs Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 300
trees' Shannon-Henderson, Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s (2019) 292
vespasian, emperor Poulsen, Usages of the Past in Roman Historiography (2021), 203