agrippina the younger,murder of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
agrippina the younger,nero murders |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25, 166 |
agrippina the younger,usurping of government functions by |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
alsop,j. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
altars |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
ambitio |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
anger,divine |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
animals,pigs |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
annales maximi,narrative placement of material in |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229, 230 |
antiquitas |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
apollo,palatine temple of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
astrologers |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
augustus,and romulus |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
beaujeu,j. m. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
becatti,g. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
bees |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
birds,hawks |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
birds |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
birth |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
britannicus,murder of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
brothers |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
campania |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
capitoline hill |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
carpentum |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
casson,l. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
celani,a. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
claudius,antiquarianism of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
claudius |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
comets |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
crime |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
cultic commemoration,and non-cultic commemoration |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
dais |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
decemuiri sacris faciundis |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205, 216 |
decline,of religion |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
decline,of rome |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
duret,l. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
earthquakes |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
egypt |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229, 230 |
expiation |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205; Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165; Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
family,imperial |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
fatum,diagnosis |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
fatum,in tacitus |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213, 216 |
fatum,of rome |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
ficus ruminalis |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205, 213, 216; Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165; Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229, 230, 290, 291, 292, 306 |
fire,interpreted as prodigy |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
fire |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
flavian dynasty |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
fors,forte |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
fortuna |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
forum |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
fratricide |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230, 291 |
frugalitas |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
gods,agency deduced |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
gods,intervention |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
greek,art |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
greek,statuary |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
greeks |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
gualandi,g. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
haruspices |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
hermaphrodites |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
heroön |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
ira deorum |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205, 213 |
isager,j. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
kin murder |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
koch,g. f. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
letters |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
lightning |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290, 306 |
memory,cultic,decline and |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290, 291, 292 |
memory,cultural |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
miracula |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
munatius plancus,l. (dedicator of temple of saturn),murderers,ritual pollution of |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
myth |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
nero,and signs |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
nero (emperor),murders committed by |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230, 291 |
nero (emperor),prodigies and |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
nero (emperor),purification performed by |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290 |
nero (emperor) |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
néradau,j. p. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
ogulnius gallus,cn. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
ogulnius gallus,q. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
omens |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213; Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
palatine |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
pape,m. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
parricidium |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
pax deorum |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
phoenix |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205, 213, 216; Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229, 230 |
pietas |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166; Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
pliny the elder |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
pollution,ritual |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
pompeii |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
prodigies,in early principate |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
prodigies,symbolic |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
prodigies,under claudius |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
prodigies,under tiberius (lack of) |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
prodigies |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230, 306 |
prodigy reports |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
prophecy |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
purification |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 290, 292 |
remus |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229, 290, 291 |
rhodes,as vehicle of cultural memory |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
ritual,error |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
rituals |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
rome,area capitolina |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,burns |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,casa romuli |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,casa romuli on |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,comitium |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,early principate |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
rome,ficus ruminalis |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,founders |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
rome,palatine hill,casa romuli on |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,palatine hill |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
rome,temple of mars ultor,neros statue in |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
rome,the arx |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
romulus,his tomb |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
romulus |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216; Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
romulus and remus |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
rouveret,a. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
rubellius plautus |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
rumor |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
saecula,100 years |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saecula,beatissimum |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saecula |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213, 216 |
saecular games,dating |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saecular games,of augustus |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saecular games,of claudius |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saecular games,of domitian |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saecular games |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saeculum corruptissimum,dating |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
saeculum corruptissimum |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
self-presentation |
Galinsky (2016), Memory in Ancient Rome and Early Christianity, 217 |
senate,and emperor |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 216 |
senate,failure of authority |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 205 |
senate |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
series saeculorum |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
significance in roman culture |
Galinsky (2016), Memory in Ancient Rome and Early Christianity, 217 |
statues,republican |
Galinsky (2016), Memory in Ancient Rome and Early Christianity, 217 |
statues |
Galinsky (2016), Memory in Ancient Rome and Early Christianity, 217 |
strong,d. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
sulla,l. cornelius |
Galinsky (2016), Memory in Ancient Rome and Early Christianity, 217 |
syme,ronald |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
tacitus,and the fatum of rome |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213, 216 |
tacitus |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
temples,alterations to |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 292 |
tiberius,astrology and |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
tiberius,emperor,and signs |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
tiberius |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
tree portents,ficus ruminalis' |
Eidinow and Driediger-Murphy (2019), Esther Eidinow, Ancient Divination and Experience, 165 |
trees |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229, 230, 290, 291, 292 |
trojans,as romes ancestors |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
tumuli |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 229 |
ubii |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 291 |
uelut,and interpretation |
Davies (2004), Rome's Religious History: Livy, Tacitus and Ammianus on their Gods, 213 |
vanitas |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 306 |
vespasian |
Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s , 230 |
virtus |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
vitruvius |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 166 |
von holst,n. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 25 |
warburg,aby |
Galinsky (2016), Memory in Ancient Rome and Early Christianity, 217 |