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Tiresias: The Ancient Mediterranean Religions Source Database



10414
Sophocles, Oedipus The King, 1223-1296


nanYou who are most honored in this land, what deeds you will hear, what deeds you will behold, what burden of sorrow will be yours


nanYou who are most honored in this land, what deeds you will hear, what deeds you will behold, what burden of sorrow will be yours


nanif, true to your race, you still care for the house of Labdacus. For I think that neither the Ister nor the Phasis could wash this house clean, so many are the ills that it shrouds, or will soon bring to light, ills wrought not unwittingly, but on purpose.


nanif, true to your race, you still care for the house of Labdacus. For I think that neither the Ister nor the Phasis could wash this house clean, so many are the ills that it shrouds, or will soon bring to light, ills wrought not unwittingly, but on purpose.


nanif, true to your race, you still care for the house of Labdacus. For I think that neither the Ister nor the Phasis could wash this house clean, so many are the ills that it shrouds, or will soon bring to light, ills wrought not unwittingly, but on purpose.


nanif, true to your race, you still care for the house of Labdacus. For I think that neither the Ister nor the Phasis could wash this house clean, so many are the ills that it shrouds, or will soon bring to light, ills wrought not unwittingly, but on purpose.


nanif, true to your race, you still care for the house of Labdacus. For I think that neither the Ister nor the Phasis could wash this house clean, so many are the ills that it shrouds, or will soon bring to light, ills wrought not unwittingly, but on purpose.


nanAnd those griefs smart the most which are seen to be of our own choice. Choru


nanAnd those griefs smart the most which are seen to be of our own choice. Choru


nanIndeed the troubles which we knew before are far from being easy to bear. Besides them, what do you have to announce? Second Messenger


nanIndeed the troubles which we knew before are far from being easy to bear. Besides them, what do you have to announce? Second Messenger


nanThis is the shortest tale to tell and hear:


nanour royal lady Iocasta is dead. Choru


nanAlas, wretched lady! From what cause? Second Messenger


nanBy her own hand. You will not suffer the worst part of the painful event, since you do not behold the events. Nevertheless, so far as my memory serves


nanBy her own hand. You will not suffer the worst part of the painful event, since you do not behold the events. Nevertheless, so far as my memory serves


nanBy her own hand. You will not suffer the worst part of the painful event, since you do not behold the events. Nevertheless, so far as my memory serves


nanShe shut the doors behind her with a crash. "Laius," she cried, and called her husband dead Long, long ago; her thought was of that child By him begot, the son by whom the sire Was murdered and the mother left to breed With her own seed, a monstrous progeny. Then she bewailed the marriage bed whereon Poor wretch, she had conceived a double brood, Husband by husband, children by her child. What happened after that I cannot tell, Nor how the end befell, for with a shriek Burst on us Oidipus; all eyes were fixed On Oidipus, as up and down he strode, Nor could we mark her agony to the end. For stalking to and fro "A sword!" he cried, "Where is the wife, no wife, the teeming womb That bore a double harvest, me and mine?" And in his frenzy some supernal power (No mortal, surely, none of us who watched him) Guided his footsteps; with a terrible shriek


nanyou will learn that unhappy woman’s fate. When, frantic, she passed within the vestibule, she rushed straight towards her marriage couch, clutching her hair with the fingers of both hands. Once within the chamber


nanyou will learn that unhappy woman’s fate. When, frantic, she passed within the vestibule, she rushed straight towards her marriage couch, clutching her hair with the fingers of both hands. Once within the chamber


nanyou will learn that unhappy woman’s fate. When, frantic, she passed within the vestibule, she rushed straight towards her marriage couch, clutching her hair with the fingers of both hands. Once within the chamber


nanyou will learn that unhappy woman’s fate. When, frantic, she passed within the vestibule, she rushed straight towards her marriage couch, clutching her hair with the fingers of both hands. Once within the chamber


nanyou will learn that unhappy woman’s fate. When, frantic, she passed within the vestibule, she rushed straight towards her marriage couch, clutching her hair with the fingers of both hands. Once within the chamber


nanhe dashed the doors together behind her, then called on the name of Laius, long since a corpse, thinking of that son, born long ago, by whose hand the father was slain, leaving the mother to breed accursed offspring with his own child. And she bewailed the marriage in which, wretched woman, she had given birth to a twofold brood


nanhe dashed the doors together behind her, then called on the name of Laius, long since a corpse, thinking of that son, born long ago, by whose hand the father was slain, leaving the mother to breed accursed offspring with his own child. And she bewailed the marriage in which, wretched woman, she had given birth to a twofold brood


nanhe dashed the doors together behind her, then called on the name of Laius, long since a corpse, thinking of that son, born long ago, by whose hand the father was slain, leaving the mother to breed accursed offspring with his own child. And she bewailed the marriage in which, wretched woman, she had given birth to a twofold brood


nanhe dashed the doors together behind her, then called on the name of Laius, long since a corpse, thinking of that son, born long ago, by whose hand the father was slain, leaving the mother to breed accursed offspring with his own child. And she bewailed the marriage in which, wretched woman, she had given birth to a twofold brood


nanhe dashed the doors together behind her, then called on the name of Laius, long since a corpse, thinking of that son, born long ago, by whose hand the father was slain, leaving the mother to breed accursed offspring with his own child. And she bewailed the marriage in which, wretched woman, she had given birth to a twofold brood


nanhusband by husband, children by her child. And how she perished is more than I know. For with a shriek Oedipus burst in, and did not allow us to watch her woe until the end: on him, as he rushed around, our eyes were set.


nanhusband by husband, children by her child. And how she perished is more than I know. For with a shriek Oedipus burst in, and did not allow us to watch her woe until the end: on him, as he rushed around, our eyes were set.


nanhusband by husband, children by her child. And how she perished is more than I know. For with a shriek Oedipus burst in, and did not allow us to watch her woe until the end: on him, as he rushed around, our eyes were set.


nanhusband by husband, children by her child. And how she perished is more than I know. For with a shriek Oedipus burst in, and did not allow us to watch her woe until the end: on him, as he rushed around, our eyes were set.


nanhusband by husband, children by her child. And how she perished is more than I know. For with a shriek Oedipus burst in, and did not allow us to watch her woe until the end: on him, as he rushed around, our eyes were set.


nanTo and fro he went, asking us to give him a sword, asking where he could find the wife who was no wife, but a mother whose womb had borne both him and his children. And in his frenzy a power greater than mortal man was his guide, for it was none of us mortals who were near.


nanTo and fro he went, asking us to give him a sword, asking where he could find the wife who was no wife, but a mother whose womb had borne both him and his children. And in his frenzy a power greater than mortal man was his guide, for it was none of us mortals who were near.


nanTo and fro he went, asking us to give him a sword, asking where he could find the wife who was no wife, but a mother whose womb had borne both him and his children. And in his frenzy a power greater than mortal man was his guide, for it was none of us mortals who were near.


nanTo and fro he went, asking us to give him a sword, asking where he could find the wife who was no wife, but a mother whose womb had borne both him and his children. And in his frenzy a power greater than mortal man was his guide, for it was none of us mortals who were near.


nanTo and fro he went, asking us to give him a sword, asking where he could find the wife who was no wife, but a mother whose womb had borne both him and his children. And in his frenzy a power greater than mortal man was his guide, for it was none of us mortals who were near.


nanAs though one beckoned him, he crashed against The folding doors, and from their staples forced The wrenched bolts and hurled himself within. Then we beheld the woman hanging there, A running noose entwined about her neck. But when he saw her, with a maddened roar He loosed the cord; and when her wretched corpse Lay stretched on earth, what followed — O 'twas dread! He tore the golden brooches that upheld Her queenly robes, upraised them high and smote Full on his eye-balls, uttering words like these: "No more shall ye behold such sights of woe, Deeds I have suffered and myself have wrought; Henceforward quenched in darkness shall ye see Those ye should ne'er have seen; now blind to those Whom, when I saw, I vainly yearned to know." Such was the burden of his moan, whereto, Not once but oft, he struck with his hand uplift His eyes, and at each stroke the ensanguined orbs Bedewed his beard, not oozing drop by drop


nanWith a dread cry, as though someone beckoned him on, he sprang at the double doors, forced the bending bolts from the sockets, and rushed into the room. There we beheld the woman hanging by the neck in a twisted noose of swinging cords.


nanWith a dread cry, as though someone beckoned him on, he sprang at the double doors, forced the bending bolts from the sockets, and rushed into the room. There we beheld the woman hanging by the neck in a twisted noose of swinging cords.


nanWith a dread cry, as though someone beckoned him on, he sprang at the double doors, forced the bending bolts from the sockets, and rushed into the room. There we beheld the woman hanging by the neck in a twisted noose of swinging cords.


nanWith a dread cry, as though someone beckoned him on, he sprang at the double doors, forced the bending bolts from the sockets, and rushed into the room. There we beheld the woman hanging by the neck in a twisted noose of swinging cords.


nanWith a dread cry, as though someone beckoned him on, he sprang at the double doors, forced the bending bolts from the sockets, and rushed into the room. There we beheld the woman hanging by the neck in a twisted noose of swinging cords.


nanAnd when he saw her, with a dread deep cry he released the halter by which she hung. And when the hapless woman was stretched out on the ground, then the sequel was horrible to see: for he tore from her raiment the golden brooches with which she had decorated herself


nanAnd when he saw her, with a dread deep cry he released the halter by which she hung. And when the hapless woman was stretched out on the ground, then the sequel was horrible to see: for he tore from her raiment the golden brooches with which she had decorated herself


nanAnd when he saw her, with a dread deep cry he released the halter by which she hung. And when the hapless woman was stretched out on the ground, then the sequel was horrible to see: for he tore from her raiment the golden brooches with which she had decorated herself


nanAnd when he saw her, with a dread deep cry he released the halter by which she hung. And when the hapless woman was stretched out on the ground, then the sequel was horrible to see: for he tore from her raiment the golden brooches with which she had decorated herself


nanAnd when he saw her, with a dread deep cry he released the halter by which she hung. And when the hapless woman was stretched out on the ground, then the sequel was horrible to see: for he tore from her raiment the golden brooches with which she had decorated herself


nanand lifting them struck his own eye-balls, uttering words like these: No longer will you behold such horrors as I was suffering and performing! Long enough have you looked on those whom you ought never to have seen, having failed in the knowledge of those whom I yearned to know—henceforth you shall be dark!


nanand lifting them struck his own eye-balls, uttering words like these: No longer will you behold such horrors as I was suffering and performing! Long enough have you looked on those whom you ought never to have seen, having failed in the knowledge of those whom I yearned to know—henceforth you shall be dark!


nanand lifting them struck his own eye-balls, uttering words like these: No longer will you behold such horrors as I was suffering and performing! Long enough have you looked on those whom you ought never to have seen, having failed in the knowledge of those whom I yearned to know—henceforth you shall be dark!


nanand lifting them struck his own eye-balls, uttering words like these: No longer will you behold such horrors as I was suffering and performing! Long enough have you looked on those whom you ought never to have seen, having failed in the knowledge of those whom I yearned to know—henceforth you shall be dark!


nanand lifting them struck his own eye-balls, uttering words like these: No longer will you behold such horrors as I was suffering and performing! Long enough have you looked on those whom you ought never to have seen, having failed in the knowledge of those whom I yearned to know—henceforth you shall be dark!


nanWith such a dire refrain, he struck his eyes with raised hand not once but often. At each blow the bloody eye-balls bedewed his beard, and sent forth not sluggish drops of gore, but all at once a dark shower of blood came down like hail.


nanWith such a dire refrain, he struck his eyes with raised hand not once but often. At each blow the bloody eye-balls bedewed his beard, and sent forth not sluggish drops of gore, but all at once a dark shower of blood came down like hail.


nanWith such a dire refrain, he struck his eyes with raised hand not once but often. At each blow the bloody eye-balls bedewed his beard, and sent forth not sluggish drops of gore, but all at once a dark shower of blood came down like hail.


nanWith such a dire refrain, he struck his eyes with raised hand not once but often. At each blow the bloody eye-balls bedewed his beard, and sent forth not sluggish drops of gore, but all at once a dark shower of blood came down like hail.


nanWith such a dire refrain, he struck his eyes with raised hand not once but often. At each blow the bloody eye-balls bedewed his beard, and sent forth not sluggish drops of gore, but all at once a dark shower of blood came down like hail.


nanBut one black gory downpour, thick as hail. Such evils, issuing from the double source, Have whelmed them both, confounding man and wife. Till now the storied fortune of this house Was fortunate indeed; but from this day Woe, lamentation, ruin, death, disgrace, All ills that can be named, all, all are theirs. CHORUS: But hath he still no respite from his pain? Second Messenger: He cries, "Unbar the doors and let all ThebesBehold the slayer of his sire, his mother's — " That shameful word my lips may not repeat. He vows to fly self-banished from the land, Nor stay to bring upon his house the curse Himself had uttered; but he has no strength Nor one to guide him, and his torture's more Than man can suffer, as yourselves will see. For lo, the palace portals are unbarred, And soon ye shall behold a sight so sad That he who must abhorred would pity it. [Enter OEDIPUS blinded.]


nanFrom the deeds of the two of them such ills have broken forth, not on one alone, but with mingled woe for man and wife. The old happiness of their ancestral fortune was once happiness indeed. But now today lamentation, ruin, death, shame


nanFrom the deeds of the two of them such ills have broken forth, not on one alone, but with mingled woe for man and wife. The old happiness of their ancestral fortune was once happiness indeed. But now today lamentation, ruin, death, shame


nanFrom the deeds of the two of them such ills have broken forth, not on one alone, but with mingled woe for man and wife. The old happiness of their ancestral fortune was once happiness indeed. But now today lamentation, ruin, death, shame


nanFrom the deeds of the two of them such ills have broken forth, not on one alone, but with mingled woe for man and wife. The old happiness of their ancestral fortune was once happiness indeed. But now today lamentation, ruin, death, shame


nanFrom the deeds of the two of them such ills have broken forth, not on one alone, but with mingled woe for man and wife. The old happiness of their ancestral fortune was once happiness indeed. But now today lamentation, ruin, death, shame


nanand every earthly ill that anyone could name are all theirs. Choru


nanAnd does the sufferer have any respite from pain now? Second Messenger


nanHe cries for some one to unbar the gates and show to all the Cadmeans his father’s slayer, his mother’s—the words must not pass my lips—


nanHe cries for some one to unbar the gates and show to all the Cadmeans his father’s slayer, his mother’s—the words must not pass my lips—


nanHe cries for some one to unbar the gates and show to all the Cadmeans his father’s slayer, his mother’s—the words must not pass my lips—


nanin order to banish himself from the land and not to put the house under his own curse by waiting here. And yet he lacks strength, and one to guide his steps, for the anguish is more than he can bear. He will soon show this to you: look, the bars of the gates are withdrawn


nanin order to banish himself from the land and not to put the house under his own curse by waiting here. And yet he lacks strength, and one to guide his steps, for the anguish is more than he can bear. He will soon show this to you: look, the bars of the gates are withdrawn


nanin order to banish himself from the land and not to put the house under his own curse by waiting here. And yet he lacks strength, and one to guide his steps, for the anguish is more than he can bear. He will soon show this to you: look, the bars of the gates are withdrawn


nanin order to banish himself from the land and not to put the house under his own curse by waiting here. And yet he lacks strength, and one to guide his steps, for the anguish is more than he can bear. He will soon show this to you: look, the bars of the gates are withdrawn


nanin order to banish himself from the land and not to put the house under his own curse by waiting here. And yet he lacks strength, and one to guide his steps, for the anguish is more than he can bear. He will soon show this to you: look, the bars of the gates are withdrawn


nanand soon you will behold a sight which even he who abhors it must pity. Choru


nanand soon you will behold a sight which even he who abhors it must pity. Choru


Intertexts (texts cited often on the same page as the searched text):

9 results
1. Aeschylus, Seven Against Thebes, 743-750, 752-756, 771-791, 742 (6th cent. BCE - 5th cent. BCE)

742. παλαιγενῆ γὰρ λέγω 742. Indeed I speak of the ancient transgression, now swift in its retribution. It remains even into the third generation
2. Euripides, Hippolytus, 1158-1159, 1165, 1169-1170, 1173-1254, 1157 (5th cent. BCE - 5th cent. BCE)

1157. Theseus, I am the bearer of troublous tidings to thee and all citizens who dwell in Athens or the bounds of Troezen. Theseu
3. Sophocles, Ajax, 452 (5th cent. BCE - 5th cent. BCE)

4. Sophocles, Antigone, 1116-1149, 115, 1150-1154, 116-154, 988, 1115 (5th cent. BCE - 5th cent. BCE)

5. Sophocles, Oedipus The King, 100-101, 1012-1013, 1016-1019, 102, 1020, 103, 1032, 1036, 104-106, 1068, 107, 1071-1072, 110-111, 1129-1131, 1133-1139, 114-115, 1169-1170, 1177-1181, 1184-1221, 1224-1296, 1298, 1306, 1329, 1340-1341, 1345-1348, 1360-1385, 1388, 139, 1391-1399, 14, 140, 1400-1402, 1409, 141, 1410-1415, 142, 1426-1427, 143-144, 1449, 145, 1450-1454, 146-147, 1473-1479, 148, 1480-1489, 149, 1490-1499, 15, 150, 1500-1509, 151, 1510-1514, 1518-1519, 152-159, 16, 160-169, 17, 170-179, 18, 180-199, 2, 200-215, 223, 288-289, 298-304, 307, 312-313, 316-317, 320-321, 324-402, 444, 463-530, 532-630, 650-651, 707-708, 85, 863-869, 87, 870-879, 88, 880-909, 91, 910-919, 92, 920-923, 928, 95, 953, 96, 964-969, 97, 970-972, 976, 98-99, 1 (5th cent. BCE - 5th cent. BCE)

6. Sophocles, Women of Trachis, 538, 552-553, 555-581, 584-587, 623, 629-630, 537 (5th cent. BCE - 5th cent. BCE)

537. and partly to grieve over my sufferings in your company. I have received a maiden—or, I believe, no longer a maiden, but an experienced woman—into my home, just as a mariner takes on cargo, a merchandise to wreck my peace of mind. And now we are two, a pair waiting under
7. Vergil, Aeneis, 2.1-2.12 (1st cent. BCE - 1st cent. BCE)

2.1. A general silence fell; and all gave ear 2.2. while, from his lofty station at the feast 2.3. Father Aeneas with these words began :— 2.4. A grief unspeakable thy gracious word 2.5. o sovereign lady, bids my heart live o'er: 2.6. how Asia 's glory and afflicted throne 2.7. the Greek flung down; which woeful scene I saw 2.8. and bore great part in each event I tell. 2.9. But O! in telling, what Dolopian churl 2.10. or Myrmidon, or gory follower 2.11. of grim Ulysses could the tears restrain? 2.12. 'T is evening; lo! the dews of night begin
8. Seneca The Younger, Hercules Oetaeus, 486-538, 567-582, 485 (1st cent. CE - 1st cent. CE)

9. Seneca The Younger, Oedipus, 216, 233-238, 286, 418, 509, 697-708, 838-881, 915-979, 212 (1st cent. CE - 1st cent. CE)



Subjects of this text:

subject book bibliographic info
actors Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 506
aeneas de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
antigone (sophocles), and oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505, 506
antigone (sophocles), and seneca Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 763
apollo Markantonatos, Brill's Companion to Sophocles (2012) 106
audience, theatre Markantonatos, Brill's Companion to Sophocles (2012) 106
audience de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
characters, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505, 506
cithaeron, and oedipus Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 513
council, royal Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505, 506
decisions, in virtual space Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 757
dedoktai Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 757
delphi Markantonatos, Brill's Companion to Sophocles (2012) 106
episodes, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 513
euripides de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
exodos, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 513
hercules on oeta (seneca) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 763
hippolytus de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
information, from the outside, by seneca Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 763
kommos' Markantonatos, Brill's Companion to Sophocles (2012) 106
messenger-speech de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
messengers, arrival of Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 757
myth, of oedipus Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505
odysseus de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
oedipus Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505, 506, 513; de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
oedipus (euripides) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505
oedipus the king (sophocles), and seneca Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 763
oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505, 506, 513
pain/suffering de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
past, the, and oedipus Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 513
pathos (πάθος) de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
philter, from deianira Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 763
rhythm, agitated Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 757
sequence, mythic, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505
setting, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 506
seven against thebes (aeschylus), and oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 505
shock de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
sophocles de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 542
space, and oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 506
stasima, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 513
structure, of oedipus the king (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 506, 513
suicide de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
trauma de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
troy, fall of de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
troy de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
virgil de Bakker, van den Berg, and Klooster, Emotions and Narrative in Ancient Literature and Beyond (2022) 541, 542
women of trachis, the (sophocles), and seneca Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 763