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Tiresias: The Ancient Mediterranean Religions Source Database



10409
Sophocles, Antigone, 480-499


nanThis girl was already practiced in outrage when she overstepped the published laws. And, that done, this now is a second outrage, that she glories in it and exults in her deed. In truth, then, I am no man, but she is


nanThis girl was already practiced in outrage when she overstepped the published laws. And, that done, this now is a second outrage, that she glories in it and exults in her deed. In truth, then, I am no man, but she is


nanThis girl was already practiced in outrage when she overstepped the published laws. And, that done, this now is a second outrage, that she glories in it and exults in her deed. In truth, then, I am no man, but she is


nanThis girl was already practiced in outrage when she overstepped the published laws. And, that done, this now is a second outrage, that she glories in it and exults in her deed. In truth, then, I am no man, but she is


nanThis girl was already practiced in outrage when she overstepped the published laws. And, that done, this now is a second outrage, that she glories in it and exults in her deed. In truth, then, I am no man, but she is


nanif this victory rests with her and brings no penalty. No! Whether she is my sister’s child, or nearer to me in blood than any of my kin that worship Zeus at the altar of our house, she and her sister will not escape a doom most harsh. For in truth


nanif this victory rests with her and brings no penalty. No! Whether she is my sister’s child, or nearer to me in blood than any of my kin that worship Zeus at the altar of our house, she and her sister will not escape a doom most harsh. For in truth


nanif this victory rests with her and brings no penalty. No! Whether she is my sister’s child, or nearer to me in blood than any of my kin that worship Zeus at the altar of our house, she and her sister will not escape a doom most harsh. For in truth


nanif this victory rests with her and brings no penalty. No! Whether she is my sister’s child, or nearer to me in blood than any of my kin that worship Zeus at the altar of our house, she and her sister will not escape a doom most harsh. For in truth


nanif this victory rests with her and brings no penalty. No! Whether she is my sister’s child, or nearer to me in blood than any of my kin that worship Zeus at the altar of our house, she and her sister will not escape a doom most harsh. For in truth


nanI charge that other with an equal share in the plotting of this burial. Call her out! I saw her inside just now, raving, and not in control of her wits. Before the deed, the mind frequently is convicted of stealthy crimes when conspirators are plotting depravity in the dark.


nanI charge that other with an equal share in the plotting of this burial. Call her out! I saw her inside just now, raving, and not in control of her wits. Before the deed, the mind frequently is convicted of stealthy crimes when conspirators are plotting depravity in the dark.


nanI charge that other with an equal share in the plotting of this burial. Call her out! I saw her inside just now, raving, and not in control of her wits. Before the deed, the mind frequently is convicted of stealthy crimes when conspirators are plotting depravity in the dark.


nanI charge that other with an equal share in the plotting of this burial. Call her out! I saw her inside just now, raving, and not in control of her wits. Before the deed, the mind frequently is convicted of stealthy crimes when conspirators are plotting depravity in the dark.


nanI charge that other with an equal share in the plotting of this burial. Call her out! I saw her inside just now, raving, and not in control of her wits. Before the deed, the mind frequently is convicted of stealthy crimes when conspirators are plotting depravity in the dark.


nanBut, truly, I detest it, too, when one who has been caught in treachery then seeks to make the crime a glory.


nanBut, truly, I detest it, too, when one who has been caught in treachery then seeks to make the crime a glory.


nanWhat more do you want than to capture and kill me?


nanI want nothing else. Having that, I have everything.


nanWhy then do you wait? In none of your maxim


Intertexts (texts cited often on the same page as the searched text):

2 results
1. Aeschylus, Prometheus Bound, 443, 442 (6th cent. BCE - 5th cent. BCE)

442. ὑμῖν λέγοιμι· τἀν βροτοῖς δὲ πήματα
2. Sophocles, Antigone, 10, 1000-1090, 11, 1192-1199, 12, 1200-1243, 1260-1299, 13, 1300-1353, 14-16, 162-169, 17, 170-179, 18, 180-189, 19, 190-199, 2, 20, 200-209, 21, 210, 22-24, 249, 25, 250-259, 26, 260-269, 27, 270-277, 28-29, 3, 30, 305, 31-33, 332-339, 34, 340-349, 35, 350-359, 36, 360-369, 37, 370-376, 38, 388-389, 39, 390-394, 4, 40, 407-409, 41, 410-419, 42, 420-429, 43, 430-439, 44, 440-443, 446-449, 45, 450-459, 46, 460-469, 47, 470-479, 48, 481-489, 49, 490-499, 5, 50, 500-509, 51, 510-519, 52, 520-525, 53, 531-539, 54, 540-549, 55, 550-559, 56, 560-569, 57, 570-579, 58, 580-581, 59, 6, 60-63, 631-639, 64, 640-649, 65, 650-659, 66, 660-669, 67, 670-679, 68, 680-689, 69, 690-699, 7, 70, 700-709, 71, 710-719, 72, 720-729, 73, 730-739, 74, 740-749, 75, 750-759, 76, 760-765, 77-79, 8, 80, 806-809, 81, 810-819, 82, 820-829, 83, 830-839, 84, 840-849, 85, 850-859, 86, 860-869, 87, 870-879, 88, 880-882, 89, 9, 90-99, 998-999, 1 (5th cent. BCE - 5th cent. BCE)



Subjects of this text:

subject book bibliographic info
anger,of clytemnestra Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 736
antigone Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
antigone (sophocles) Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
asia,as origin of pelops Gruen (2011), Rethinking the Other in Antiquity, 227
characters,tragic/mythical,antigone Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
characters,tragic/mythical,creon,king of thebes Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
characters,tragic/mythical,haemon Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
characters,tragic/mythical,ismene Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
characters,tragic/mythical,polyneices Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
episodes,of antigone (sophocles) Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
eulogy,of human beings Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
euripides,and political as opposed to rhetorical tragedy Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
fictive founder Gruen (2011), Rethinking the Other in Antiquity, 227
fictive founders Gruen (2011), Rethinking the Other in Antiquity, 227
foundation legends,peloponnesus' Gruen (2011), Rethinking the Other in Antiquity, 227
foundation legends Gruen (2011), Rethinking the Other in Antiquity, 227
fury,of clytemnestra Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 736
justice,divine Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 485
justice (dikè) Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 736
law,in antigone Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 485
paean,to human beings Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
peloponnesus,foundation legend Gruen (2011), Rethinking the Other in Antiquity, 227
pelops,as founder Gruen (2011), Rethinking the Other in Antiquity, 227
pindar Gruen (2011), Rethinking the Other in Antiquity, 227
sophocles,and rhetoric/tragedy as a rhetorical form Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 278
stasima,of antigone (sophocles) Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
structure,of antigone (sophocles) Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 484, 485
underworld,and antigone Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 485