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Tiresias: The Ancient Mediterranean Religions Source Database



10409
Sophocles, Antigone, 1200-1209


nanand to Pluto to restrain their anger in mercy, we washed him with pure washing, and with freshly-plucked boughs we burned what remains there were. Lastly we heaped a high-mounded tomb of his native earth. Afterwards we turned away to enter the maiden’s stoney-bedded


nanand to Pluto to restrain their anger in mercy, we washed him with pure washing, and with freshly-plucked boughs we burned what remains there were. Lastly we heaped a high-mounded tomb of his native earth. Afterwards we turned away to enter the maiden’s stoney-bedded


nanand to Pluto to restrain their anger in mercy, we washed him with pure washing, and with freshly-plucked boughs we burned what remains there were. Lastly we heaped a high-mounded tomb of his native earth. Afterwards we turned away to enter the maiden’s stoney-bedded


nanand to Pluto to restrain their anger in mercy, we washed him with pure washing, and with freshly-plucked boughs we burned what remains there were. Lastly we heaped a high-mounded tomb of his native earth. Afterwards we turned away to enter the maiden’s stoney-bedded


nanand to Pluto to restrain their anger in mercy, we washed him with pure washing, and with freshly-plucked boughs we burned what remains there were. Lastly we heaped a high-mounded tomb of his native earth. Afterwards we turned away to enter the maiden’s stoney-bedded


nanbridal chamber, the caverned mansion of Hades’ bride. From a distance, one of us servants heard a voice of loud wailing near that bride’s unwept bed and came to tell our master Creon. And as the King moved closer and closer, obscure signs rising from a bitter cry surrounded him—


nanbridal chamber, the caverned mansion of Hades’ bride. From a distance, one of us servants heard a voice of loud wailing near that bride’s unwept bed and came to tell our master Creon. And as the King moved closer and closer, obscure signs rising from a bitter cry surrounded him—


nanbridal chamber, the caverned mansion of Hades’ bride. From a distance, one of us servants heard a voice of loud wailing near that bride’s unwept bed and came to tell our master Creon. And as the King moved closer and closer, obscure signs rising from a bitter cry surrounded him—


nanbridal chamber, the caverned mansion of Hades’ bride. From a distance, one of us servants heard a voice of loud wailing near that bride’s unwept bed and came to tell our master Creon. And as the King moved closer and closer, obscure signs rising from a bitter cry surrounded him—


nanbridal chamber, the caverned mansion of Hades’ bride. From a distance, one of us servants heard a voice of loud wailing near that bride’s unwept bed and came to tell our master Creon. And as the King moved closer and closer, obscure signs rising from a bitter cry surrounded him—


Intertexts (texts cited often on the same page as the searched text):

4 results
1. Hesiod, Works And Days, 267 (8th cent. BCE - 7th cent. BCE)

267. All men and wander far, enclosed in mist
2. Aeschylus, Eumenides, 1045 (6th cent. BCE - 5th cent. BCE)

1045. Παλλάδος ἀστοῖς. Ζεὺς ὁ πανόπτας 1045. Zeus who sees all and Fate have come down to lend aid—cry aloud now in echo to our song! Exeunt omnes.
3. Sophocles, Antigone, 10, 1000-1099, 11, 1100-1156, 1167-1171, 1183-1190, 1192-1199, 12, 1201-1243, 1260-1299, 13, 1300-1353, 14-16, 162-169, 17, 170-179, 18, 180-189, 19, 190-199, 2, 20, 200-209, 21, 210, 22-24, 249, 25, 250-259, 26, 260-269, 27, 270-277, 28-29, 3, 30-39, 4, 40, 407-409, 41, 410-419, 42, 420-429, 43, 430-439, 44, 440, 446-449, 45, 450-459, 46, 460-469, 47, 470-479, 48, 480-489, 49, 490-499, 5, 50, 500-509, 51, 510-519, 52, 520-525, 53, 531-539, 54, 540-549, 55, 550-559, 56, 560-569, 57, 570-579, 58, 580-581, 59, 6, 60-63, 631-639, 64, 640-649, 65, 650-659, 66, 660-669, 67, 670-679, 68, 680-689, 69, 690-699, 7, 70, 700-709, 71, 710-719, 72, 720-729, 73, 730-739, 74, 740-749, 75, 750-759, 76, 760-765, 77-79, 8, 80, 806-809, 81, 810-819, 82, 820-829, 83, 830-839, 84, 840-849, 85, 850-859, 86, 860-869, 87, 870-879, 88, 880-882, 89, 9, 90-99, 998-999, 1 (5th cent. BCE - 5th cent. BCE)

4. Sophocles, Women of Trachis, 1079 (5th cent. BCE - 5th cent. BCE)

1079. Come close, stand near your father and do examine the magnitude of the misfortune by which I suffer; for I will uncover my suffering. Look! See all of you this miserable body;


Subjects of this text:

subject book bibliographic info
anacalypteria Markantonatos, Brill's Companion to Sophocles (2012) 418
antigone Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490; Markantonatos, Brill's Companion to Sophocles (2012) 418
antigone (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
characters, tragic/mythical, antigone Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
characters, tragic/mythical, creon, king of thebes Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
characters, tragic/mythical, haemon Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
characters, tragic/mythical, ismene Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
characters, tragic/mythical, polyneices Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
creon Markantonatos, Brill's Companion to Sophocles (2012) 418
episodes, of antigone (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
eulogy, of human beings Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
euripides, and political as opposed to rhetorical tragedy Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
eurydice Markantonatos, Brill's Companion to Sophocles (2012) 418
exodos, of antigone (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
exodos Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 716
hyperbaton Budelmann, The Language of Sophocles: Communality, Communication, and Involvement (1999) 39
irony, tragic Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 751
paean, to human beings Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
polyneices Markantonatos, Brill's Companion to Sophocles (2012) 418
rhythm, change of Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 716
sentences, flow interrupted Budelmann, The Language of Sophocles: Communality, Communication, and Involvement (1999) 39
sophoclean language, clarity Budelmann, The Language of Sophocles: Communality, Communication, and Involvement (1999) 39
sophoclean unlike gorgianic, unpredictable yet clear Budelmann, The Language of Sophocles: Communality, Communication, and Involvement (1999) 39
sophocles, and rhetoric/tragedy as a rhetorical form Liapis and Petrides, Greek Tragedy After the Fifth Century: A Survey from ca (2019) 278
stasima, of antigone (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
structure, of antigone (sophocles) Jouanna, Sophocles: A Study of His Theater in Its Political and Social Context (2018) 490
zeus' Markantonatos, Brill's Companion to Sophocles (2012) 418