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Tiresias: The Ancient Mediterranean Religions Source Database



10243
Seneca The Younger, Letters, 120.22


nanThat is how a foolish mind is most clearly demonstrated: it shows first in this shape and then in that, and is never like itself – which is, in my opinion, the most shameful of qualities. Believe me, it is a great rôle – to play the rôle of one man. But nobody can be one person except the wise man; the rest of us often shift our masks. At times you will think us thrifty and serious, at other times wasteful and idle. We continually change our characters and play a part contrary to that which we have discarded. You should therefore force yourself to maintain to the very end of life's drama the character which you assumed at the beginning. See to it that men be able to praise you; if not, let them at least identify you. Indeed, with regard to the man whom you saw but yesterday, the question may properly be asked: "Who is he?" So great a change has there been! Farewell.


Intertexts (texts cited often on the same page as the searched text):

8 results
1. Cicero, On Duties, 1.107-1.115 (2nd cent. BCE - 1st cent. BCE)

1.107. Intellegendum etiam cst duabus quasi nos a natura indutos esse personis; quarum una communis est ex eo, quod omnes participes sumus rationis praestantiaeque eius, qua antecellimus bestiis, a qua omne honestum decorumque trahitur, et ex qua ratio inveniendi officii exquiritur, altera autem, quae proprie singulis est tributa. Ut enim in corporibus magnae dissimilitudines sunt (alios videmus velocitate ad cursum, alios viribus ad luctandum valere, itemque in formis aliis dignitatem inesse, aliis venustatem), sic in animis exsistunt maiores etiam varietates. 1.108. Erat in L. Crasso, in L. Philippo multus lepos, maior etiam magisque de industria in C. Caesare L. filio; at isdem temporibus in M. Scauro et in M. Druso adulescente singularis severitas, in C. Laelio multa hilaritas, in eius familiari Scipione ambitio maior, vita tristior. De Graecis autem dulcem et facetum festivique sermonis atque in omni oratione simulatorem, quem ei)/rwna Graeci nominarunt, Socratem accepimus, contra Pythagoram et Periclem summam auctoritatem consecutos sine ulla hilaritate. Callidum Hannibalem ex Poenorum, ex nostris ducibus Q. Maximum accepimus, facile celare, tacere, dissimulare, insidiari, praeripere hostium consilia. In quo genere Graeci Themistoclem et Pheraeum Iasonem ceteris anteponunt; in primisque versutum et callidum factum Solonis, qui, quo et tutior eius vita esset et plus aliquanto rei publicae prodesset, furere se simulavit. 1.109. Sunt his alii multum dispares, simplices et aperti. qui nihil ex occulto, nihil de insidiis agendum putant, veritatis cultores, fraudis inimici, itemque alii, qui quidvis perpetiantur, cuivis deserviant, dum, quod velint, consequantur, ut Sullam et M. Crassum videbamus. Quo in genere versutissimum et patientissimum Lacedaemonium Lysandrum accepimus, contraque Callicratidam, qui praefectus classis proximus post Lysandrum fuit; itemque in sermonibus alium quemque, quamvis praepotens sit, efficere, ut unus de multis esse videatur; quod in Catulo, et in patre et in filio, itemque in Q. Mucio ° Mancia vidimus. Audivi ex maioribus natu hoc idem fuisse in P. Scipione Nasica, contraque patrem eius, illum qui Ti. Gracchi conatus perditos vindicavit, nullam comitatem habuisse sermonis ne Xenocratem quidem, severissimum philosophorum, ob eamque rem ipsam magnum et clarum fuisse. Innumerabiles aliae dissimilitudines sunt naturae morumque, minime tamen vituperandorum. 1.110. Admodum autem tenenda sunt sua cuique non vitiosa, sed tamen propria, quo facilius decorum illud, quod quaerimus, retineatur. Sic enim est faciendum, ut contra universam naturam nihil contendamus, ea tamen conservata propriam nostram sequamur, ut, etiamsi sint alia graviora atque meliora, tamen nos studia nostra nostrae naturae regula metiamur; neque enim attinet naturae repugnare nec quicquam sequi, quod assequi non queas. Ex quo magis emergit, quale sit decorum illud, ideo quia nihil decet invita Minerva, ut aiunt, id est adversante et repugte natura. 1.111. Omnino si quicquam est decorum, nihil est profecto magis quam aequabilitas cum universae vitae, tum singularum actionum, quam conservare non possis, si aliorum naturam imitans omittas tuam. Ut enim sermone eo debemus uti, qui innatus est nobis, ne, ut quidam, Graeca verba inculcantes iure optimo rideamur, sic in actiones omnemque vitam nullam discrepantiam conferre debemus. 1.112. Atque haec differentia naturarum tantam habet vim, ut non numquam mortem sibi ipse consciscere alius debeat, alius in eadem causa non debeat. Num enim alia in causa M. Cato fuit, alia ceteri, qui se in Africa Caesari tradiderunt? Atqui ceteris forsitan vitio datum esset, si se interemissent, propterea quod lenior eorum vita et mores fuerant faciliores, Catoni cum incredibilem tribuisset natura gravitatem eamque ipse perpetua constantia roboravisset semperque in proposito susceptoque consilio permansisset, moriendum potius quam tyranni vultus aspiciendus fuit. 1.113. Quam multa passus est Ulixes in illo errore diuturno, cum et mulieribus, si Circe et Calypso mulieres appellandae sunt, inserviret et in omni sermone omnibus affabilem et iucundum esse se vellet! domi vero etiam contumelias servorun ancillarumque pertulit, ut ad id aliquando, quod cupiebat, veniret. At Aiax, quo animo traditur, milies oppetere mortem quam illa perpeti maluisset. Quae contemplantes expendere oportebit, quid quisque habeat sui, eaque moderari nee velle experiri, quam se aliena deceant; id enim maxime quemque decet, quod est cuiusque maxime suum. 1.114. Suum quisque igitur noscat ingenium acremque se et bonorum et vitiorum suorum iudicem praebeat, ne scaenici plus quam nos videantur habere prudentiae. Illi enim non optimas, sed sibi accommodatissimas fabulas eligunt; qui voce freti sunt, Epigonos Medumque, qui gestu, Melanippam, Clytemnestram, semper Rupilius, quem ego memini, Antiopam, non saepe Aesopus Aiacem. Ergo histrio hoc videbit in scaena, non videbit sapiens vir in vita? Ad quas igitur res aptissimi erimus, in iis potissimum elaborabimus; sin aliquando necessitas nos ad ea detruserit, quae nostri ingenii non erunt, omnis adhibenda erit cura, meditatio, diligentia, ut ea si non decore, at quam minime indecore facere possimus; nec tam est enitendum, ut bona, quae nobis data non sint, sequamur, quam ut vitia fugiamus. 1.115. Ac duabus iis personis, quas supra dixi, tertia adiungitur, quam casus aliqui aut tempus imponit; quarta etiam, quam nobismet ipsi iudicio nostro accommodamus. Nam regna, imperia, nobilitas, honores, divitiae, opes eaque, quae sunt his contraria, in casu sita temporibus gubertur; ipsi autem gerere quam personam velimus, a nostra voluntate proficiscitur. Itaque se alii ad philosophiam, alii ad ius civile, alii ad eloquentiam applicant, ipsarumque virtutum in alia alius mavult excellere. 1.107.  We must realize also that we are invested by Nature with two characters, as it were: one of these is universal, arising from the fact of our being all alike endowed with reason and with that superiority which lifts us above the brute. From this all morality and propriety are derived, and upon it depends the rational method of ascertaining our duty. The other character is the one that is assigned to individuals in particular. In the matter of physical endowment there are great differences: some, we see, excel in speed for the race, others in strength for wrestling; so in point of personal appearance, some have stateliness, others comeliness. 1.108.  Diversities of character are greater still. Lucius Crassus and Lucius Philippus had a large fund of wit; Gaius Caesar, Lucius's son, had a still richer fund and employed it with more studied purpose. Contemporary with them, Marcus Scaurus and Marcus Drusus, the younger, were examples of unusual seriousness; Gaius Laelius, of unbounded jollity; while his intimate friend, Scipio, cherished more serious ideals and lived a more austere life. Among the Greeks, history tells us, Socrates was fascinating and witty, a genial conversationalist; he was what the Greeks call εἴρων in every conversation, pretending to need information and professing admiration for the wisdom of his companion. Pythagoras and Pericles, on the other hand, reached the heights of influence and power without any seasoning of mirthfulness. We read that Hannibal, among the Carthaginian generals, and Quintus Maximus, among our own, were shrewd and ready at concealing their plans, covering up their tracks, disguising their movements, laying stratagems, forestalling the enemy's designs. In these qualities the Greeks rank Themistocles and Jason of Pherae above all others. Especially crafty and shrewd was the device of Solon, who, to make his own life safer and at the same time to do a considerably larger service for his country, feigned insanity. 1.109.  Then there are others, quite different from these, straightforward and open, who think that nothing should be done by underhand means or treachery. They are lovers of truth, haters of fraud. There are others still who will stoop to anything, truckle to anybody, if only they may gain their ends. Such, we saw, were Sulla and Marcus Crassus. The most crafty and most persevering man of this type was Lysander of Sparta, we are told; of the opposite type was Callicratidas, who succeeded Lysander as admiral of the fleet. So we find that another, no matter how eminent he may be, will condescend in social intercourse to make himself appear but a very ordinary person. Such graciousness of manner we have seen in the case of Catulus — both father and son — and also of Quintus Mucius Mancia. I have heard from my elders that Publius Scipio Nasica was another master of this art; but his father, on the other hand — the man who punished Tiberius Gracchus for his nefarious undertakings — had no such gracious manner in social intercourse [. . .], and because of that very fact he rose to greatness and fame. Countless other dissimilarities exist in natures and characters, and they are not in the least to be criticized. 1.110.  Everybody, however, must resolutely hold fast to his own peculiar gifts, in so far as they are peculiar only and not vicious, in order that propriety, which is the object of our inquiry, may the more easily be secured. For we must so act as not to oppose the universal laws of human nature, but, while safeguarding those, to follow the bent of our own particular nature; and even if other careers should be better and nobler, we may still regulate our own pursuits by the standard of our own nature. For it is of no avail to fight against one's nature or to aim at what is impossible of attainment. From this fact the nature of that propriety defined above comes into still clearer light, inasmuch as nothing is proper that "goes against the grain," as the saying is — that is, if it is in direct opposition to one's natural genius. 1.111.  If there is any such thing as propriety at all, it can be nothing more than uniform consistency in the course of our life as a whole and all its individual actions. And this uniform consistency one could not maintain by copying the personal traits of others and eliminating one's own. For as we ought to employ our mother-tongue, lest, like certain people who are continually dragging in Greek words, we draw well-deserved ridicule upon ourselves, so we ought not to introduce anything foreign into our actions or our life in general. 1.112.  Indeed, such diversity of character carries with it so great significance that suicide may be for one man a duty, for another [under the same circumstances] a crime. Did Marcus Cato find himself in one predicament, and were the others, who surrendered to Caesar in Africa, in another? And yet, perhaps, they would have been condemned, if they had taken their lives; for their mode of life had been less austere and their characters more pliable. But Cato had been endowed by nature with an austerity beyond belief, and he himself had strengthened it by unswerving consistency and had remained ever true to his purpose and fixed resolve; and it was for him to die rather than to look upon the face of a tyrant. 1.113.  How much Ulysses endured on those long wanderings, when he submitted to the service even of women (if Circe and Calypso may be called women) and strove in every word to be courteous and complaisant to all! And, arrived at home, he brooked even the insults of his men-servants and maidservants, in order to attain in the end the object of his desire. But Ajax, with the temper he is represented as having, would have chosen to meet death a thousand times rather than suffer such indignities! If we take this into consideration, we shall see that it is each man's duty to weigh well what are his own peculiar traits of character, to regulate these properly, and not to wish to try how another man's would suit him. For the more peculiarly his own a man's character is, the better it fits him. 1.114.  Everyone, therefore, should make a proper estimate of his own natural ability and show himself a critical judge of his own merits and defects; in this respect we should not let actors display more practical wisdom than we have. They select, not the best plays, but the ones best suited to their talents. Those who rely most upon the quality of their voice take the Epigoni and the Medus; those who place more stress upon the action choose the Melanippa and the Clytaemnestra; Rupilius, whom I remember, always played in the Antiope, Aesopus rarely in the Ajax. Shall a player have regard to this in choosing his rôle upon the stage, and a wise man fail to do so in selecting his part in life? We shall, therefore, work to the best advantage in that rôle to which we are best adapted. But if at some time stress of circumstances shall thrust us aside into some uncongenial part, we must devote to it all possible thought, practice, and pains, that we may be able to perform it, if not with propriety, at least with as little impropriety as possible; and we need not strive so hard to attain to points of excellence that have not been vouchsafed to us as to correct the faults we have. 1.115.  To the two above-mentioned characters is added a third, which some chance or some circumstance imposes, and a fourth also, which we assume by our own deliberate choice. Regal powers and military commands, nobility of birth and political office, wealth and influence, and their opposites depend upon chance and are, therefore, controlled by circumstances. But what rôle we ourselves may choose to sustain is decided by our own free choice. And so some turn to philosophy, others to the civil law, and still others to oratory, while in case of the virtues themselves one man prefers to excel in one, another in another.
2. Horace, Ars Poetica, 123, 122 (1st cent. BCE - 1st cent. BCE)

3. Ovid, Metamorphoses, 6.424-6.674 (1st cent. BCE - 1st cent. CE)

4. Seneca The Younger, On Anger, 2.10.6 (1st cent. CE - 1st cent. CE)

5. Seneca The Younger, De Providentia (Dialogorum Liber I), 2.10 (1st cent. CE - 1st cent. CE)

6. Seneca The Younger, Letters, 31.1 (1st cent. CE - 1st cent. CE)

7. Seneca The Younger, Medea, 171, 517, 8-9, 910, 933-934, 976, 1016 (1st cent. CE - 1st cent. CE)

8. Seneca The Younger, Thyestes, 1050-1051, 267, 272-274, 401, 403, 56-57, 703-704, 1006 (1st cent. CE - 1st cent. CE)



Subjects of this text:

subject book bibliographic info
acting, and deception Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37, 53
acting, and selfhood Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 38
atreus, and constantia Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
atreus, and decorum Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
atreus, and the stoic sapiens Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
atreus Harrison, Brill's Companion to Roman Tragedy (2015) 252
audience Harrison, Brill's Companion to Roman Tragedy (2015) 252
behaviour, and decorum Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 35, 36, 37, 38
behaviour, and senecan constantia Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
behaviour, continuity of Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35
behaviour, inconsistency of Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
body, physiognomy, of thyestes Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
cannibal Harrison, Brill's Companion to Roman Tragedy (2015) 252
cato the younger Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 53
character, fictional, and metatheatre Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 35, 36
character, fictional, as textual construct Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36, 87
character, fictional, human qualities of Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36, 37, 38, 53, 87
chorus, in thyestes Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
cicero, and persona theory Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37, 38
constantia Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36, 53, 87
deception, in medea Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 53
decorum, and atreus Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
decorum, and cato the younger Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 53
decorum, in horace Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
emotions, and aesthetic appropriateness Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
euripides, medea Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 35
habit, and literary repetition Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34
horace Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
identity, and acts of recognition Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 93
identity, and habitual conduct Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34
identity, and metapoetics Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36
identity, and self-knowledge Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
identity, and stoic constantia Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36, 37, 38, 53, 87
identity, and stoic persona theory Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37, 38
identity, and theatrical performance Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37
individuality, versus normativity Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37, 38
intertextuality, in medea Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 36
jason Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34
lucilius, in senecas epistles Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36, 87
lucilius (addressee of seneca) Harrison, Brill's Companion to Roman Tragedy (2015) 252
masks Harrison, Brill's Companion to Roman Tragedy (2015) 252
medea, and metatheatre Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 36, 53
medea, and recognition Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35
medea, and self-coherence Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 36, 37, 38, 53
medea, and self-naming Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 35, 36, 37
medea, and the stoic sapiens Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37, 38, 53
metatheatre, in medea Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 36, 53
minotaur, significance of in senecan tragedy Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 35, 36, 37
nero Harrison, Brill's Companion to Roman Tragedy (2015) 252
odrysian Harrison, Brill's Companion to Roman Tragedy (2015) 252
persona, in stoic ethics Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35, 37, 38
philomela Harrison, Brill's Companion to Roman Tragedy (2015) 252
philosophy Harrison, Brill's Companion to Roman Tragedy (2015) 252
power Harrison, Brill's Companion to Roman Tragedy (2015) 252
procne Harrison, Brill's Companion to Roman Tragedy (2015) 252
recognition Harrison, Brill's Companion to Roman Tragedy (2015) 252
recognition scenes, and revelation Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35
repetition, as motif in medea Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34
revenge Harrison, Brill's Companion to Roman Tragedy (2015) 252
soul Harrison, Brill's Companion to Roman Tragedy (2015) 252
spectators' Harrison, Brill's Companion to Roman Tragedy (2015) 252
stoic Harrison, Brill's Companion to Roman Tragedy (2015) 252
stoicism, and atreus Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 87
stoicism, and constantia Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 34, 35
stoicism, and medea Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 53
stoicism, and persona theory Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37, 38, 53
stoicism, and scholarship on senecan tragedy Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
stoicism, and self-fashioning Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 36
stoicism, and theatrical analogies Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 37
stoicism, and thyestes Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
tereus Harrison, Brill's Companion to Roman Tragedy (2015) 252
thrace Harrison, Brill's Companion to Roman Tragedy (2015) 252
thyestes, changeability of Bexley, Seneca's Characters: Fictional Identities and Implied Human Selves (2022) 93
thyestes Harrison, Brill's Companion to Roman Tragedy (2015) 252