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Tiresias: The Ancient Mediterranean Religions Source Database



11515
Scriptores Historiae Augustae, Commodus, 17.10
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Intertexts (texts cited often on the same page as the searched text):

16 results
1. Aristophanes, Frogs, 48 (5th cent. BCE - 4th cent. BCE)

48. ποῖ γῆς ἀπεδήμεις; ἐπεβάτευον Κλεισθένει-
2. Varro, On The Latin Language, 5.46 (2nd cent. BCE - 1st cent. BCE)

3. Livy, History, 39.5.14 (1st cent. BCE - 1st cent. BCE)

4. Ovid, Amores, 3.2.31 (1st cent. BCE - 1st cent. CE)

5. Propertius, Elegies, 4.2.3-4.2.4 (1st cent. BCE

6. Dio Chrysostom, Orations, 3.93 (1st cent. CE

7. Pliny The Elder, Natural History, 34.22, 34.34, 35.133, 36.32 (1st cent. CE - 1st cent. CE)

8. Plutarch, Demetrius, 41.5-41.6 (1st cent. CE - 2nd cent. CE)

9. Plutarch, Greek Questions, None (1st cent. CE - 2nd cent. CE)

10. Suetonius, Iulius, 13 (1st cent. CE - 2nd cent. CE)

11. Cassius Dio, Roman History, 60.5.4 (2nd cent. CE - 3rd cent. CE)

60.5.4.  Besides his moderation in this respect, he further forbade any one to worship him or to offer him any sacrifice; he checked the many excessive acclamations accorded him; and he accepted, at first, only one image, and that a silver one, and two statues, of bronze and marble, that had been voted to him.
12. Herodian, History of The Empire After Marcus, 1.15.9 (2nd cent. CE - 3rd cent. CE)

13. Lucian, How To Write History, 10 (2nd cent. CE - 2nd cent. CE)

14. Pausanias, Description of Greece, 5.11.10-5.11.11 (2nd cent. CE - 2nd cent. CE)

5.11.10. All the floor in front of the image is paved, not with white, but with black tiles. In a circle round the black stone runs a raised rim of Parian marble, to keep in the olive oil that is poured out. For olive oil is beneficial to the image at Olympia, and it is olive oil that keeps the ivory from being harmed by the marshiness of the Altis. On the Athenian Acropolis the ivory of the image they call the Maiden is benefited, not by olive oil, but by water. For the Acropolis, owing to its great height, is over-dry, so that the image, being made of ivory, needs water or dampness. 5.11.11. When I asked at Epidaurus why they pour neither water nor olive oil on the image of Asclepius, the attendants at the sanctuary informed me that both the image of the god and the throne were built over a cistern.
15. Scriptores Historiae Augustae, Commodus, 1.7, 9.6, 10.8-10.9, 17.9-17.10 (4th cent. CE - 5th cent. CE)

16. Scriptores Historiae Augustae, Commodus, 1.7, 9.6, 10.8-10.9, 17.9 (4th cent. CE - 5th cent. CE)



Subjects of this text:

subject book bibliographic info
alban mount Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
alexander the great Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
ambracia Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
athena Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
auctoritas Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
avianius evander, c. Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
claudius marcellus, m., ciceros portrayal of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
claudius marcellus, m., his ovatio Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
claudius marcellus, m. Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
commodus Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
curius dentatus, m. Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
diana Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
dominus et deus, equestrian statue of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
evocatio Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
falerii Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
fulvius flaccus, m. Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
fulvius nobilior, m., conquers ambracia Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
greek, art Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
greek, luxury imports Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
imagines Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
julius caesar, c., respects pompeys statues Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
luxury, importation of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
miles, m. Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
nero, colossus of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
objects, restoration of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
phidias, athena parthenus Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
pyrrhus, war with Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
rapilius serapio, m. Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
rome, capitoline hill Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
rome, temple of divus augustus, victoria in Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
rome, temple of mater matuta Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
rome, temple of saturn, cult statue of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, chryselephantine Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, colossal Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, equestrian Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, gilding of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, painted Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, preservation of Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
statuary, restoration of' Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
tarentum Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
tarquinius priscus Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
timotheus, his diana restored Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298
verres, c., cicero prosecutes Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
volsinii Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
vortumnus Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 36
zeus, olympian Rutledge, Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting (2012) 298