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Tiresias: The Ancient Mediterranean Religions Source Database



9596
Plutarch, Philopoemen, 17.5
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Intertexts (texts cited often on the same page as the searched text):

6 results
1. Plutarch, Aemilius Paulus, 1.2 (1st cent. CE - 2nd cent. CE)

2. Plutarch, Alcibiades, 34.5-34.6 (1st cent. CE - 2nd cent. CE)

34.5. When he had determined upon this course and made known his design to the Eumolpidae and Heralds, he stationed sentries on the heights, sent out an advance-guard at break of day, and then took the priests, mystae, and mystagogues, encompassed them with his men-at-arms, and led them over the road to Eleusis in decorous and silent array. So august and devout was the spectacle which, as general he thus displayed, that he was hailed by those who were not unfriendly to him as High Priest, rather, and Mystagogue. 34.6. No enemy dared to attack him, and he conducted the procession safely back to the city. At this he was exalted in spirit himself, and exalted his army with the feeling that it was irresistible and invincible under his command. People of the humbler and poorer sort he so captivated by his leadership that they were filled with an amazing passion to have him for their tyrant, and some proposed it, and actually came to him in solicitation of it. He was to rise superior to envy, abolish decrees and laws, and stop the mouths of the babblers who were so fatal to the life of the city, that he might bear an absolute sway and act without fear of the public informer.
3. Plutarch, Mark Antony, 10.8 (1st cent. CE - 2nd cent. CE)

4. Plutarch, Cicero, 35.4 (1st cent. CE - 2nd cent. CE)

5. Plutarch, Demetrius, 3.3 (1st cent. CE - 2nd cent. CE)

6. Plutarch, Pericles, 5.2 (1st cent. CE - 2nd cent. CE)

5.2. It is, at any rate, a fact that, once on a time when he had been abused and insulted all day long by a certain lewd fellow of the baser sort, he endured it all quietly, though it was in the marketplace, where he had urgent business to transact, and towards evening went away homewards unruffled, the fellow following along and heaping all manner of contumely upon him.


Subjects of this text:

subject book bibliographic info
character (plutarchs and readers concern with) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
cicero, and self in dialogue Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
cicero Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
cognition Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
community, of plutarch, readers, and the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
consciousness Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
cowardice Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
decisions, of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
decisions, scenes of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
dion (of syracuse), and political pragmatism Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
dion (of syracuse), self-communing of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
dion (of syracuse) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
emotions Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
free indirect mode Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
hero Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 110
homer(ic) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
inspiration Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 110
narrative) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
narrative, battle Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 110
narrator Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
novel (ancient) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
omissions Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
perception Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
perspectives, blurring of internal and external Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
perspectives, presentation of different Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
polybius Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 110
reflection, moral Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
reflection, the readers Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
reflection, the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
rome Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 110
self in dialogue Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
silence Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
suspense Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71
theatrical(ity)' Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 71