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Tiresias: The Ancient Mediterranean Religions Source Database



9579
Plutarch, Lucullus, 37.2
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Intertexts (texts cited often on the same page as the searched text):

12 results
1. Cicero, In Verrem, 2.4.126 (2nd cent. BCE - 1st cent. BCE)

2. Josephus Flavius, Jewish War, 7.132 (1st cent. CE - 1st cent. CE)

7.132. 5. Now it is impossible to describe the multitude of the shows as they deserve, and the magnificence of them all; such indeed as a man could not easily think of as performed, either by the labor of workmen, or the variety of riches, or the rarities of nature;
3. Martial, Epigrams, 12.15 (1st cent. CE - 2nd cent. CE)

4. Martial, Epigrams, 12.15 (1st cent. CE - 2nd cent. CE)

5. Pliny The Elder, Natural History, 36.26, 36.114 (1st cent. CE - 1st cent. CE)

6. Plutarch, Lucullus, 33.3, 38.2 (1st cent. CE - 2nd cent. CE)

7. Plutarch, Moralia, None (1st cent. CE - 2nd cent. CE)

8. Plutarch, Pompey, 45 (1st cent. CE - 2nd cent. CE)

9. Suetonius, Iulius, 37 (1st cent. CE - 2nd cent. CE)

10. Suetonius, Vespasianus, 12 (1st cent. CE - 2nd cent. CE)

11. Tacitus, Histories, 1.36 (1st cent. CE - 2nd cent. CE)

12. Cassius Dio, Roman History, 43.19 (2nd cent. CE - 3rd cent. CE)

43.19. 1.  After this he conducted the whole festival in a brilliant manner, as was fitting in honour of victories so many and so decisive. He celebrated triumphs for the Gauls, for Egypt, for Pharnaces, and for Juba, in four sections, on four separate days.,2.  Most of it, of course, delighted the spectators, but the sight of Arsinoë of Egypt, whom he led among the captives, and the host of lictors and the symbols of triumph taken from the citizens who had fallen in Africa displeased them exceedingly.,3.  The lictors, on account of their numbers, appeared to them a most offensive multitude, since never before had they beheld so many at one time; and the sight of Arsinoë, a woman and one considered a queen, in chains, — a spectacle which had never yet been seen, at least in Rome, — aroused very great pity,,4.  and with this as an excuse they lamented their private misfortunes. She, to be sure, was released out of consideration for her brothers; but others, including Vercingetorix, were put to death.


Subjects of this text:

subject book bibliographic info
acqua paola Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
aediles Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
aemilius paullus,m.,triumph Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
aemilius scaurus,m. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
alternatives Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
ambracia Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
anonymous interlocutors Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
asia Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
audience,the subjects interaction with his Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
augustus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
character (plutarchs and readers concern with) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
claudius,c. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
cognition Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
community,the subject and his Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
criticism,contemporary to the story narrated,exercised by onlookers Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
criticism,plutarchs Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
criticism Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
cursus honorum Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
damnatio memoriae Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
decisions,of the subjects Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
domitius calvinus,cn. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
fides Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
fulvius nobilior,m.,his triumph Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
gaul Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
gladiators,armour displayed Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
hercules Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 97
impietas against,political use of Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
juba,king Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
judaea Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
julius caesar,c.,his aedileship Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
julius caesar,c.,his triumph Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
junius brutus,m.,image venerated Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
king jr.,martin luther Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
lucullus,philhellenism of Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
lucullus,plutarchs evaluation of the generalship of Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
lucullus,plutarchs evaluation of the retirement of Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
lucullus,within his social environment Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
lucullus Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
luxury Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
manubiae,used for construction Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
marble,hymettean Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
memory,destruction of Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
messania Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
objects,and meaning Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
objects,viewer understanding of Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
parrhasius Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
paul v,pope Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
pharnaces,king of pontus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
politics,the subjects preoccupation with Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
politics Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
pompey,and lucullus Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
pompey Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
pompey the great,his triumph over mithridates Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
porcius cato the elder,m. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
praxiteles,eros Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
psychology,psychological,ability of the subjects to be attuned to others Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
pydna Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
realism Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 97
romans,and lucullus Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
romans Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
rome,campus martius Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
rome,capitoline hill Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
rome,circus flaminius Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156, 221
rome,comitium Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
rome,curia Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,forum of augustus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,forum of nerva,temple of minerva in Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
rome,forum romanum Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
rome,pantheon Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,regia Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
rome,temple of apollo sosianus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of castor and pollux Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of ceres Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of diana on the aventine Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of divus augustus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of divus julius Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of felicitas Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
rome,temple of fides Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
rome,temple of jupiter capitolinus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
rome,temple of liber Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
rome,temple of libera Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
rome,temple of mars in circo Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 97, 156
rome,temple of neptune in circo Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 97, 156
rome,temple of salus Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
rome,temple of venus genetrix Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4, 221
sestius,l. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
social/society,dialogue of individual with Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
social/society,plutarchs interest in Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
social/society,plutarchs reconstruction of Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
social/society Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
sparta Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
triumph,as temporary displays Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156, 221
triumph Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
triumphator Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
tullius cicero,m. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
understand(ing) (as part of the process of moral evaluation)' Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 92
verres,c. Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 156
vespasian,his triumph Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 221
viewers,contingent nature of Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
washington dc Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4
world war two Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 4