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Tiresias: The Ancient Mediterranean Religions Source Database



9570
Plutarch, Demosthenes, 7-8
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Intertexts (texts cited often on the same page as the searched text):

11 results
1. Plutarch, Alcibiades, 10.2 (1st cent. CE - 2nd cent. CE)

10.2. Though great doors to public service were opened to him by his birth, his wealth, and his personal bravery in battle; and though he had many friends and followers, he thought that nothing should give him more influence with the people than the charm of his discourse. And that he was a powerful speaker, not only do the comic poets testify, but also the most powerful of orators himself, Dem. 21.145 who says, in his speech Against Meidias, that Alcibiades was a most able speaker in addition to his other gifts.
2. Plutarch, Whether An Old Man Should Engage In Public Affairs, 792 (1st cent. CE - 2nd cent. CE)

3. Plutarch, Cato The Younger, 9.9-9.10 (1st cent. CE - 2nd cent. CE)

4. Plutarch, Cicero, 7.6, 39.7 (1st cent. CE - 2nd cent. CE)

5. Plutarch, Comparison of Demosthenes And Cicero, 1.2 (1st cent. CE - 2nd cent. CE)

6. Plutarch, On Praising Oneself Inoffensively, None (1st cent. CE - 2nd cent. CE)

543b. to request the other not to mention such points but rather to consider whether one is of worthy character, commits no injuries, and leads a useful life. He that does this does not introduce the praise, but transfers it; and he leaves the impression not of delighting in the encomiasts but of being displeased with them for praise that is unbecoming and bestowed for the wrong reasons, using his better points to draw attention from the worse, not from a desire for praise, but to show how to praise aright. Indeed the words "Not with stone didI encircle Athens nor with brick; survey the wall Ibuilt and you will discover arms, cavalry, and allies" appear to reflect such a procedure. Still more does the saying of Pericles.
7. Plutarch, Demetrius, 2.2, 3.2, 6.3, 29.2 (1st cent. CE - 2nd cent. CE)

8. Plutarch, Demosthenes, 2.2, 6.3-6.5, 29.2-29.5 (1st cent. CE - 2nd cent. CE)

9. Plutarch, Precepts of Statecraft, None (1st cent. CE - 2nd cent. CE)

10. Plutarch, Sulla, 17-20, 16 (1st cent. CE - 2nd cent. CE)

11. Plutarch, Tiberius And Gaius Gracchus, 2.4 (1st cent. CE - 2nd cent. CE)



Subjects of this text:

subject book bibliographic info
ambition/ambitious Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
appearance Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
artist Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
as if-constructions Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
audience, plutarchs interaction with his Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 50
audience, the subjects interaction with his Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
caecilius of cale acte Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
chaeronea Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 50
character (plutarchs and readers concern with) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 50
characterisation, of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 50
characterisation, plutarchs self- Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 50
characterisation Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 50
child Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
cicero, and rhetoric vs. action Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
cicero, and self-praise Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
cicero, compared with demosthenes Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
cicero Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
cimon Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 50
closure (endings of biographies) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
contradictions Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46
contrasts, between plutarch and other authors Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
cowardice Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
death, of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
death Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
demosthenes Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
demosthenes (orator), and self-praise Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
demosthenes (orator), and the balance between rhetoric and action Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47
demosthenes (orator), compared with cicero Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
demosthenes (orator) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
dreams Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
examples (i.e. paradigm), the subjects as Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
experience, of characters (individual and collective) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 50
experience, plutarchs personal Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 50
happiness Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 50
history Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 50
isocrates Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
lives Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46
moderation Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
narrator, authority of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 50
orator(y), plutarchs interest in Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 47
orator(y) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 47, 50
orator Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
philosophy/philosophers/philosophical, and politics Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
philosophy/philosophers/philosophical, the subjects acquaintance with Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
politics, plutarchs dealing with Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46
politics, the subjects preoccupation with Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
politics Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 47
prologue (to plutarchs book) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
readers, critical/resistant Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46
rehabilitation Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
rhetoric(al), contrasted with action Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47
rhetoric(al), contrasted with ethics Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 46, 47, 50
rhetoric(al), of plutarch Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47, 50
rhetoric(al), of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47, 50
rhetoric/ rhetorician Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
romans Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
self-praise Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 50
sophists Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45
speech(es) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46
speech impairment Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
statues Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
stutter' Laes Goodey and Rose, Disabilities in Roman Antiquity: Disparate Bodies (2013) 173
style/stylistic (interest in) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 50
synkrisis, formal Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 45, 46, 47
theatrical(ity) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47
tragedy/tragic Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 47