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Tiresias: The Ancient Mediterranean Religions Source Database



9570
Plutarch, Demosthenes, 6.3-6.4
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Intertexts (texts cited often on the same page as the searched text):

9 results
1. Dionysius of Halycarnassus, The Arrangement of Words, 11 (1st cent. BCE - missingth cent. CE)

2. Dionysius of Halycarnassus, The Arrangement of Words, 11 (1st cent. BCE - missingth cent. CE)

3. New Testament, Matthew, 22.7 (1st cent. CE - 1st cent. CE)

22.7. But the king was angry, and he sent his armies, destroyed those murderers, and burned their city.
4. Plutarch, Whether An Old Man Should Engage In Public Affairs, 792 (1st cent. CE - 2nd cent. CE)

5. Plutarch, Demetrius, 6.3, 29.2 (1st cent. CE - 2nd cent. CE)

6. Plutarch, Demosthenes, 6.4-6.5, 11.1, 29.2-29.5 (1st cent. CE - 2nd cent. CE)

7. Plutarch, Sulla, 17-20, 16 (1st cent. CE - 2nd cent. CE)

8. Quintilian, Institutes of Oratory, 4.1.8-4.1.11, 11.1.15 (1st cent. CE - 1st cent. CE)

4.1.8.  But just as the authority of the speaker carries greatest weight, if his undertaking of the case is free from all suspicion of meanness, personal spite or ambition, so also we shall derive some silent support from representing that we are weak, unprepared, and no match for the powerful talents arrayed against us, a frequent trick in the exordia of Messala. 4.1.9.  For men have a natural prejudice in favour of those who are struggling against difficulties, and a scrupulous judge is always specially ready to listen to an advocate whom he does not suspect to have designs on his integrity. Hence arose the tendency of ancient orators to pretend to conceal their eloquence, a practice exceedingly unlike the ostentation of our own times. 4.1.10.  It is also important to avoid giving the impression that we are abusive, maligt, proud or slanderous toward any individual or body of men, especially such as cannot be hurt without exciting the disapproval of the judges. 4.1.11.  As to the judge, it would be folly for me to warn speakers not to say or even hint anything against him, but for the fact that such things do occur. Our opponent's advocate will sometimes provide us with material for our exordium: we may speak of him in honorific terms, pretending to fear his eloquence and influence with a view to rendering them suspect to the judge, or occasionally, though very seldom, we may abuse him, as Asinius did in his speech on behalf of the heirs of Urbinia, where he includes among the proofs of the weakness of the plaintiff's case the fact that he has secured Labienus as his advocate. 11.1.15.  When, however, we are speaking of our own affairs or those of others, we must distinguish between the expedient and the becoming, while recognising that the majority of the points which we have to consider will fall under neither head. In the first place, then, all kinds of boasting are a mistake, above all, it is an error for an orator to praise his own eloquence, and, further, not merely wearies, but in the majority of cases disgusts the audience.
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Subjects of this text:

subject book bibliographic info
appearance Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
artist Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
audience,plutarchs interaction with his Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
audience,the subjects interaction with his Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
chaeronea Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
character (plutarchs and readers concern with) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
characterisation,of the subjects Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
characterisation,plutarchs self- Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
characterisation Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
child Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
cicero,and rhetoric vs. action Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
cicero,compared with demosthenes Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
cicero Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
cimon Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
closure (endings of biographies) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
cowardice Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
death,of the subjects Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
death Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
demosthenes Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
demosthenes (orator),and the balance between rhetoric and action Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
demosthenes (orator),compared with cicero Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
demosthenes (orator) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
dreams Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
experience,of characters (individual and collective) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
experience,plutarchs personal Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
happiness Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
history Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
isocrates Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
narrator,authority of Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
orator(y),plutarchs interest in Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
orator(y) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
orator Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
politics,the subjects preoccupation with Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
politics Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
prologue (to plutarchs book) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
rehabilitation Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
rhetoric(al),contrasted with action Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
rhetoric(al),contrasted with ethics Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
rhetoric(al),of plutarch Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
rhetoric(al),of the subjects Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47, 50
rhetoric,and comparison or competition Keener(2005), First-Second Corinthians, 218
rhetoric,pauls use of Keener(2005), First-Second Corinthians, 34
rhetoric/ rhetorician Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
rhetorical delivery Keener(2005), First-Second Corinthians, 34
rhetorical expectations' Keener(2005), First-Second Corinthians, 218
self-praise Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
speech impairment Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
statues Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
stutter Laes Goodey and Rose (2013), Disabilities in Roman Antiquity: Disparate Bodies, 173
style/stylistic (interest in) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 50
synkrisis,formal Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
theatrical(ity) Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47
tragedy/tragic Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 47