Home About Network of subjects Linked subjects heatmap Book indices included Search by subject Search by reference Browse subjects Browse texts

Tiresias: The Ancient Mediterranean Religions Source Database



9495
Plutarch, Cimon, 19.5
NaN


Intertexts (texts cited often on the same page as the searched text):

21 results
1. Aristophanes, Lysistrata, 1144, 1143 (5th cent. BCE - 4th cent. BCE)

1143. ἐλθὼν δὲ σὺν ὁπλίταισι τετρακισχιλίοις
2. Herodotus, Histories, 8.121-8.122, 8.132.2 (5th cent. BCE - 5th cent. BCE)

8.121. As for the Greeks, not being able to take Andros, they went to Carystus. When they had laid it waste, they returned to Salamis. First of all they set apart for the gods, among other first-fruits, three Phoenician triremes, one to be dedicated at the Isthmus, where it was till my lifetime, the second at Sunium, and the third for Ajax at Salamis where they were. ,After that, they divided the spoils and sent the first-fruits of it to Delphi; of this was made a man's image twelve cubits high, holding in his hand the figurehead of a ship. This stood in the same place as the golden statue of Alexander the Macedonian. 8.122. Having sent the first-fruits to Delphi, the Greeks, in the name of the country generally, made inquiry of the god whether the first-fruits which he had received were of full measure and whether he was content. To this he said that he was content with what he had received from all other Greeks, but not from the Aeginetans. From these he demanded the victor's prize for the sea-fight of Salamis. When the Aeginetans learned that, they dedicated three golden stars which are set on a bronze mast, in the angle, nearest to Croesus' bowl. 8.132.2. One of these was Herodotus the son of Basileides. These, who at first were seven, made a faction and conspired to slay Strattis, the tyrant of Chios, but when their conspiracy became known, one of the accomplices having revealed their enterprise, the six who remained got them secretly out of Chios, from where they went to Sparta and now to Aegina, entreating the Greeks to sail to Ionia.
3. Thucydides, The History of The Peloponnesian War, 5.53, 6.32.2 (5th cent. BCE - 4th cent. BCE)

6.32.2. In their prayers joined also the crowds on shore, the citizens and all others that wished them well. The hymn sung and the libations finished, they put out to sea, and first sailing out in column then raced each other as far as Aegina, and so hastened to reach Corcyra where the rest of the allied forces were also assembling.
4. Plutarch, Alexander The Great, 69.4-69.7 (1st cent. CE - 2nd cent. CE)

5. Plutarch, Cicero, 49.2, 49.5-49.6 (1st cent. CE - 2nd cent. CE)

6. Plutarch, Cimon, 6.2, 7.4-7.6, 8.1, 9.1, 10.4-10.7, 14.3-14.4, 16.1, 16.3, 16.9, 19.3-19.4 (1st cent. CE - 2nd cent. CE)

7. Plutarch, Crassus, 33 (1st cent. CE - 2nd cent. CE)

8. Plutarch, Demetrius, 31.4-31.6 (1st cent. CE - 2nd cent. CE)

9. Plutarch, Demosthenes, 31.4-31.6 (1st cent. CE - 2nd cent. CE)

10. Plutarch, Fabius, 27.4 (1st cent. CE - 2nd cent. CE)

11. Plutarch, Lycurgus, 31.2, 31.4 (1st cent. CE - 2nd cent. CE)

31.2. His design for a civil polity was adopted by Plato, Diogenes, Zeno, and by all those who have won approval for their treatises on this subject, although they left behind them only writings and words. Lycurgus, on the other hand, produced not writings and words, but an actual polity which was beyond imitation, and because he gave, to those who maintain that the much talked of natural disposition to wisdom exists only in theory, an example of an entire city given to the love of wisdom, his fame rightly transcended that of all who ever founded polities among the Greeks. 31.4. Some say that Lycurgus died in Cirrha; Apollothemis, that he was brought to Elis and died there; Timaeus and Aristoxenus, that he ended his days in Crete; and Aristoxenus adds that his tomb is shown by the Cretans in the district of Pergamus, near the public highway. It is also said that he left an only son, Antiorus, on whose death without issue, the family became extinct.
12. Plutarch, Lysander, 30.3-30.5 (1st cent. CE - 2nd cent. CE)

13. Plutarch, Marcellus, 30 (1st cent. CE - 2nd cent. CE)

14. Plutarch, Marius, 46.3-46.5 (1st cent. CE - 2nd cent. CE)

15. Plutarch, Numa Pompilius, 20.8-20.12, 22.2 (1st cent. CE - 2nd cent. CE)

20.8. For possibly there is no need of any compulsion or menace in dealing with the multitude, but when they see with their own eyes a conspicuous and shining example of virtue in the life of their ruler, they will of their own accord walk in wisdom’s ways, and unite with him in conforming themselves to a blameless and blessed life of friendship and mutual concord, attended by righteousness and temperance. Such a life is the noblest end of all government, and he is most a king who can inculcate such a life and such a disposition in his subjects. This, then, as it appears, Numa was preeminent in discerning. 22.2. They did not burn his body, because, as it is said, he forbade it; but they made two stone coffins and buried them under the Janiculum. One of these held his body, and the other the sacred books which he had written out with his own hand, as the Greek lawgivers their tablets. But since, while he was still living, he had taught the priests the written contents of the books, and had inculcated in their hearts the scope and meaning of them all, he commanded that they should be buried with his body, convinced that such mysteries ought not to be entrusted to the care of lifeless documents.
16. Plutarch, Pelopidas, 35 (1st cent. CE - 2nd cent. CE)

17. Plutarch, Pericles, 39.3-39.4 (1st cent. CE - 2nd cent. CE)

39.4. The progress of events wrought in the Athenians a swift appreciation of Pericles and a keen sense of his loss. For those who, while he lived, were oppressed by a sense of his power and felt that it kept them in obscurity, straightway on his removal made trial of other orators and popular leaders, only to be led to the confession that a character more moderate than his in its solemn dignity, and more august in its gentleness, had not been created.
18. Plutarch, Phocion, 38.2 (1st cent. CE - 2nd cent. CE)

19. Plutarch, Romulus, 29.1-29.3 (1st cent. CE - 2nd cent. CE)

20. Plutarch, Themistocles, 1.1, 3.5, 5.4-5.5, 6.4, 15.2, 17.4 (1st cent. CE - 2nd cent. CE)

21. Plutarch, Theseus, 36.2-36.3 (1st cent. CE - 2nd cent. CE)



Subjects of this text:

subject book bibliographic info
aeschylus, local, in panhellenic ritual setting Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
aiakos Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
aigina, aiginetans, and athens Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
aigina, aiginetans, economic role of Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
aigina, aiginetans, medism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
aigina, aiginetans, rivalry with athens Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
aigina, aiginetans Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
anecdotes Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
athenian empire, and grain-supply Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
athenian empire, as system of economic dependencies Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
athenian empire, vs. euergetism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
athens, and panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
audience, extra-textual experience of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
audience, plutarchs interaction with his Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
character (plutarchs and readers concern with) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
choregia Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
cimonian monuments Rengakos and Tsakmakis, Brill's Companion to Thucydides (2006) 7
closure (endings of biographies) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
continuance-motif (i.e. references to plutarchs present) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
cross-references Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
death, as closural theme Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
defending greeks and democracies, and economy Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
defending greeks and democracies, and panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
defending greeks and democracies, and thalassocracy Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
descendants Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
divine retribution Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
economy, early fifth-century, and definitions of panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
economy, early fifth-century, and grain supply Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
economy, early fifth-century, athenocentric vs. internationalist Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
elites, and grain-supply Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
elites, caught between aristocracy and democracy Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
elites, in athenian empire Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
elites, maritime and commercial Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
eueteria Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
friends/friendship Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
funerary, local myth in panhellenic Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
general statements (moral) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
grain-supply, and panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
herms Rengakos and Tsakmakis, Brill's Companion to Thucydides (2006) 7
herodotus Rengakos and Tsakmakis, Brill's Companion to Thucydides (2006) 7
history Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
insular, panhellenic Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
judgements, concluding Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
locality, and panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
lévi-strauss, c., λήμη (pus in the eye, preventing vision), for aigina Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
marcellinus Rengakos and Tsakmakis, Brill's Companion to Thucydides (2006) 7
naucrates Rengakos and Tsakmakis, Brill's Companion to Thucydides (2006) 7
nicostratus scambonides Rengakos and Tsakmakis, Brill's Companion to Thucydides (2006) 7
panhellenism, competed over Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism, contested visions of Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism, delphi and Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism, economic dimension of Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism, expressed in song Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism, local claims to Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism, tool in social contexts Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
performances of myth and ritual (also song), and economic patterns' Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
persian wars, and panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
phrynikhos (tragic poet) Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
piraeus Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
plutarch Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
posthumous, honour or dishonour Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
posthumous Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
retribution of opponents Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
series of lives Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
surprise Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
themistokles, athenocentric visions Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
themistokles, hated by greek elites Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
themistokles, panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
theoxenia, delphi, aiginetans and Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
timokreon, of rhodes Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
zeus hellanios, and claims to panhellenism Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217
zeus hellanios Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 217