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Tiresias: The Ancient Mediterranean Religions Source Database



9495
Plutarch, Cimon, 19.4


ὅτι μὲν οὖν εἰς τὴν Ἀττικὴν ἀπεκομίσθη τὰ λείψανα αὐτοῦ, μαρτυρεῖ τῶν μνημάτων τὰ μέχρι νῦν Κιμώνεια προσαγορευόμενα· τιμῶσι δὲ καὶ Κιτιεῖς τάφον τινὰ Κίμωνος, ὡς Ναυσικράτης ὁ ῥήτωρ φησίν, ἐν λοιμῷ καὶ γῆς ἀφορίᾳ τοῦ θεοῦ προστάξαντος αὐτοῖς μὴ ἀμελεῖν Κίμωνος, ἀλλʼ ὡς κρείττονα σέβεσθαι καὶ γεραίρειν. τοιοῦτος μὲν ὁ Ἑλληνικὸς ἡγεμών. That his remains were brought home to Attica, there is testimony in the funeral monuments to this day called Cimonian. But the people of Citium also pay honours to a certain tomb of Cimon, as Nausicrates the rhetorician says, because in a time of pestilence and famine the god enjoined upon them not to neglect Cimon, but to revere and honour him as a superior being. Such was the Greek leader.


Intertexts (texts cited often on the same page as the searched text):

27 results
1. Euripides, Trojan Women, 764 (5th cent. BCE - 5th cent. BCE)

2. Herodotus, Histories, 8.110 (5th cent. BCE - 5th cent. BCE)

8.110. Thus spoke Themistocles with intent to deceive, and the Athenians obeyed him; since he had always been esteemed wise and now had shown himself to be both wise and prudent, they were ready to obey whatever he said. ,Having won them over, Themistocles straightway sent men in a boat whom he could trust not to reveal under any question the message which he charged them to deliver to the king; one of these was his servant Sicinnus. When these men came to Attica, the rest remained with the boat, and Sicinnus went up to Xerxes; ,“Themistocles son of Neocles,” he said, “who is the Athenian general and of all the allies the worthiest and wisest, has sent me to tell you this: Themistocles the Athenian has out of his desire to do you a service stayed the Greeks when they wanted to pursue your ships and break the bridges of the Hellespont. Now he bids you go your way, none hindering you.” With that message, the men returned in their boat.
3. Plutarch, Agesilaus, 15.4 (1st cent. CE - 2nd cent. CE)

4. Plutarch, Alexander The Great, 69.4-69.7 (1st cent. CE - 2nd cent. CE)

5. Plutarch, Aristides, 20.2 (1st cent. CE - 2nd cent. CE)

6. Plutarch, Cato The Younger, 67.3, 68.2-68.4 (1st cent. CE - 2nd cent. CE)

7. Plutarch, Cicero, 49.2, 49.5-49.6 (1st cent. CE - 2nd cent. CE)

8. Plutarch, Cimon, 2.3-2.5, 4.4, 4.6, 6.2, 6.6, 8.1-8.2, 14.3-14.4, 15.3, 16.3, 17.3-17.7, 18.7, 19.3, 19.5 (1st cent. CE - 2nd cent. CE)

9. Plutarch, Crassus, 33 (1st cent. CE - 2nd cent. CE)

10. Plutarch, Oracles At Delphi No Longer Given In Verse, None (1st cent. CE - 2nd cent. CE)

11. Plutarch, Demetrius, 31.4-31.6 (1st cent. CE - 2nd cent. CE)

12. Plutarch, Demosthenes, 31.4-31.6 (1st cent. CE - 2nd cent. CE)

13. Plutarch, Fabius, 27.4 (1st cent. CE - 2nd cent. CE)

14. Plutarch, Lycurgus, 31.2, 31.4 (1st cent. CE - 2nd cent. CE)

31.2. His design for a civil polity was adopted by Plato, Diogenes, Zeno, and by all those who have won approval for their treatises on this subject, although they left behind them only writings and words. Lycurgus, on the other hand, produced not writings and words, but an actual polity which was beyond imitation, and because he gave, to those who maintain that the much talked of natural disposition to wisdom exists only in theory, an example of an entire city given to the love of wisdom, his fame rightly transcended that of all who ever founded polities among the Greeks. 31.4. Some say that Lycurgus died in Cirrha; Apollothemis, that he was brought to Elis and died there; Timaeus and Aristoxenus, that he ended his days in Crete; and Aristoxenus adds that his tomb is shown by the Cretans in the district of Pergamus, near the public highway. It is also said that he left an only son, Antiorus, on whose death without issue, the family became extinct.
15. Plutarch, Lysander, 30.3-30.5 (1st cent. CE - 2nd cent. CE)

16. Plutarch, Marcellus, 30 (1st cent. CE - 2nd cent. CE)

17. Plutarch, Marius, 46.3-46.5 (1st cent. CE - 2nd cent. CE)

18. Plutarch, Numa Pompilius, 20.8-20.12, 22.2 (1st cent. CE - 2nd cent. CE)

20.8. For possibly there is no need of any compulsion or menace in dealing with the multitude, but when they see with their own eyes a conspicuous and shining example of virtue in the life of their ruler, they will of their own accord walk in wisdom’s ways, and unite with him in conforming themselves to a blameless and blessed life of friendship and mutual concord, attended by righteousness and temperance. Such a life is the noblest end of all government, and he is most a king who can inculcate such a life and such a disposition in his subjects. This, then, as it appears, Numa was preeminent in discerning. 22.2. They did not burn his body, because, as it is said, he forbade it; but they made two stone coffins and buried them under the Janiculum. One of these held his body, and the other the sacred books which he had written out with his own hand, as the Greek lawgivers their tablets. But since, while he was still living, he had taught the priests the written contents of the books, and had inculcated in their hearts the scope and meaning of them all, he commanded that they should be buried with his body, convinced that such mysteries ought not to be entrusted to the care of lifeless documents.
19. Plutarch, Pelopidas, 35 (1st cent. CE - 2nd cent. CE)

20. Plutarch, Pericles, 39.3-39.4 (1st cent. CE - 2nd cent. CE)

39.4. The progress of events wrought in the Athenians a swift appreciation of Pericles and a keen sense of his loss. For those who, while he lived, were oppressed by a sense of his power and felt that it kept them in obscurity, straightway on his removal made trial of other orators and popular leaders, only to be led to the confession that a character more moderate than his in its solemn dignity, and more august in its gentleness, had not been created.
21. Plutarch, Phocion, 38.2, 38.5 (1st cent. CE - 2nd cent. CE)

22. Plutarch, Precepts of Statecraft, None (1st cent. CE - 2nd cent. CE)

824c. But the best thing is to see to it in advance that factional discord shall never arise among them and to regard this as the greatest and noblest function of what may be called the art of statesmanship. For observe that of the greatest blessings which States can enjoy, — peace, liberty, plenty, abundance of men, and concord, — so far as peace is concerned the peoples have no need of statesmanship at present; for all war, both Greek and foreign, has been banished from among us and has disappeared; and of liberty the peoples have as great a share as our rulers grant them, and perhaps more would not be better for them; but bounteous productiveness of the soil, kindly tempering of the seasons, that wives may bear
23. Plutarch, Romulus, 29.1-29.3 (1st cent. CE - 2nd cent. CE)

24. Plutarch, Themistocles, 24.7 (1st cent. CE - 2nd cent. CE)

25. Plutarch, Theseus, 36.2-36.3 (1st cent. CE - 2nd cent. CE)

26. Plutarch, Flaminius, 11.6-11.7 (1st cent. CE - 2nd cent. CE)

27. Tacitus, Annals, 15.60-15.64, 16.34-16.35 (1st cent. CE - 2nd cent. CE)

15.60.  The next killing, that of the consul designate Plautius Lateranus, was added by Nero to the list with such speed that he allowed him neither to embrace his children nor the usual moment's respite in which to choose his death. Dragged to the place reserved for the execution of slaves, he was slaughtered by the hand of the tribune Statius, resolutely silent and disdaining to reproach the tribune with his complicity in the same affair. There followed the murder of Annaeus Seneca, a joyful event to the sovereign: not that he had established his connection with the plot, but, as poison had not worked, he was anxious to proceed by the sword. Only Natalis, in fact, mentioned Seneca; nor did his statement go further than that he had been sent to visit him when sick and to make a complaint:— "Why did he close his door on Piso? It would be better if they cultivated their friendship by meeting on intimate terms." Seneca's answer had been that "spoken exchanges and frequent interviews were to the advantage of neither; still, his own existence depended on the safety of Piso." Gavius Silvanus, tribune of a praetorian cohort, was instructed to take this report and ask Seneca if he admitted Natalis' words and his own reply. By accident or design, Seneca that day had returned from Campania and broke his journey at one of his country-houses four miles out of Rome. Evening was near when the tribune arrived and surrounded the villa with pickets of soldiers: then he delivered the imperial message to the owner, who was dining with his wife Pompeia Paulina and two friends. 15.61.  Seneca rejoined that "Natalis had been sent to him, and had remonstrated in Piso's name against his refusal to receive his visits. By way of excuse, he had pleaded considerations of health and love of quiet. He had had no reason for ranking the security of a private person higher than his own safety, and his temper was not one which was quick to flattery: no one was better aware of that than Nero, who had more often experienced the frankness of Seneca than his servility." When the tribune made his report in the presence of Poppaea and Tigellinus — the emperor's privy council in his ferocious moods — Nero demanded if Seneca was preparing for a voluntary death. The officer then assured him that there were no evidences of alarm, and that he had not detected any sadness in his words or looks. He was therefore directed to go back and pronounce the death-sentence. Fabius Rusticus states that, instead of returning by the road he had come, the tribune went out of his way to the prefect Faenius, and, after recapitulating the Caesar's orders, asked if he should obey them; only to be advised by Faenius to carry them out. Fate had made cowards of them all. For Silvanus, too, was numbered with the plotters; and now he was engaged in adding to the crimes he had conspired to avenge. However, he was so far considerate of his voice and his eyes as to send one of his centurions in to Seneca, to announce the last necessity. 15.62.  Seneca, nothing daunted, asked for the tablets containing his will. The centurion refusing, he turned to his friends, and called them to witness that "as he was prevented from showing his gratitude for their services, he left them his sole but fairest possession — the image of his life. If they bore it in mind, they would reap the reward of their loyal friendship in the credit accorded to virtuous accomplishments." At the same time, he recalled them from tears to fortitude, sometimes conversationally, sometimes in sterner, almost coercive tones. "Where," he asked, "were the maxims of your philosophy? Where that reasoned attitude towards impending evils which they had studied through so many years? For to whom had Nero's cruelty been unknown? Nor was anything left him, after the killing of his mother and his brother, but to add the murder of his guardian and preceptor. 15.63.  After these and some similar remarks, which might have been meant for a wider audience, he embraced his wife, and, softening momentarily in view of the terrors at present threatening her, begged her, conjured her, to moderate her grief — not to take it upon her for ever, but in contemplating the life he had spent in virtue to find legitimate solace for the loss of her husband. Paulina replied by assuring him that she too had made death her choice, and she demanded her part in the executioner's stroke. Seneca, not wishing to stand in the way of her glory, and influenced also by his affection, that he might not leave the woman who enjoyed his whole-hearted love exposed to outrage, now said: "I had shown you the mitigations of life, you prefer the distinction of death: I shall not grudge your setting that example. May the courage of this brave ending be divided equally between us both, but may more of fame attend your own departure!" Aforesaid, they made the incision in their arms with a single cut. Seneca, since his aged body, emaciated further by frugal living, gave slow escape to the blood, severed as well the arteries in the leg and behind the knee. Exhausted by the racking pains, and anxious lest his sufferings might break down the spirit of his wife, and he himself lapse into weakness at the sight of her agony, he persuaded her to withdraw into another bedroom. And since, even at the last moment his eloquence remained at command, he called his secretaries, and dictated a long discourse, which has been given to the public in his own words, and which I therefore refrain from modifying. 15.64.  Nero, however, who had no private animosity against Paulina, and did not wish to increase the odium of his cruelty, ordered her suicide to be arrested. Under instructions from the military, her slaves and freedmen bandaged her arms and checked the bleeding — whether without her knowledge is uncertain. For, with the usual readiness of the multitude to think the worst, there were those who believed that, so long as she feared an implacable Nero, she had sought the credit of sharing her husband's fate, and then, when a milder prospect offered itself, had succumbed to the blandishments of life. To that life she added a few more years — laudably faithful to her husband's memory and blanched in face and limb to a pallor which showed how great had been the drain upon her vital powers. Seneca, in the meantime, as death continued to be protracted and slow, asked Statius Annaeus, who had long held his confidence as a loyal friend and a skilful doctor, to produce the poison — it had been provided much earlier — which was used for despatching prisoners condemned by the public tribunal of Athens. It was brought, and he swallowed it, but to no purpose; his limbs were already cold, and his system closed to the action of the drug. In the last resort, he entered a vessel of heated water, sprinkling some on the slaves nearest, with the remark that he offered the liquid as a drink-offering to Jove the Liberator. He was then lifted into a bath, suffocated by the vapour, and cremated without ceremony. It was the order he had given in his will, at a time when, still at the zenith of his wealth and power, he was already taking thought for his latter end. 16.34.  The consul's quaestor was then sent to Thrasea: he was spending the time in his gardens, and the day was already closing in for evening. He had brought together a large party of distinguished men and women, his chief attention been given to Demetrius, a master of the Cynic creed; with whom — to judge from his serious looks and the few words which caught the ear, when they chanced to raise their voices — he was debating the nature of the soul and the divorce of spirit and body. At last, Domitius Caecilianus, an intimate friend, arrived, and informed him of the decision reached by the senate. Accordingly, among the tears and expostulations of the company, Thrasea urged them to leave quickly, without linking their own hazardous lot to the fate of a condemned man. Arria, who aspired to follow her husband's ending and the precedent set by her mother and namesake, he advised to keep her life and not deprive the child of their union of her one support. 16.35.  He now walked on to the colonnade; where the quaestor found him nearer to joy than to sorrow, because he had ascertained that Helvidius, his son-in‑law, was merely debarred from Italy. Then, taking the decree of the senate, he led Helvidius and Demetrius into his bedroom, offered the arteries of both arms to the knife, and, when the blood had begun to flow, sprinkled it upon the ground, and called the quaestor nearer: "We are making a libation," he said, "to Jove the Liberator. Look, young man, and — may Heaven, indeed, avert the omen, but you have been born into times now it is expedient to steel the mind with instances of firmness." Soon, as the slowness of his end brought excruciating pain, turning his gaze upon Demetrius . . .


Subjects of this text:

subject book bibliographic info
aftermath of cities Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
agesilaus Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 97
alexander iii of macedon Athanassaki and Titchener, Plutarch's Cities (2022) 121
allusions, closural Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
allusions, literary Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
allusions Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
anecdotes Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
aristides Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96
athenians, and cimon Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
athenians, and phocion Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
athenians Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 114
athens, athenians Athanassaki and Titchener, Plutarch's Cities (2022) 121
athens Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
athlete Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
audience, extra-textual experience of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
audience, plutarchs interaction with his Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
audience, the subjects interaction with his Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
barbarian Athanassaki and Titchener, Plutarch's Cities (2022) 121
character (plutarchs and readers concern with) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 104, 114
characterisation, of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
cimon, athenians criticism of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
cimon, compared with lucullus Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
cimon Athanassaki and Titchener, Plutarch's Cities (2022) 121; Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143; Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96, 97
closure (endings of biographies) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 104, 114, 143
cognition Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
community, the subject and his Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
continuance-motif (i.e. references to plutarchs present) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
contrasts, as narrative technique Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
contrasts Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
corinth, corinthian Athanassaki and Titchener, Plutarch's Cities (2022) 121
coronea, coronea, battle of Athanassaki and Titchener, Plutarch's Cities (2022) 121
coronea Athanassaki and Titchener, Plutarch's Cities (2022) 121
counterfactuals Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
criticism, and counter-suggestibility Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
criticism, contemporary to the story narrated, exercised by onlookers Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
cross-references Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
darius Athanassaki and Titchener, Plutarch's Cities (2022) 121
death, and posthumous conversion of people Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
death, as closural theme Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104, 114
death, of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
death Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
decisions, concerning moral judgement Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
decisions, of the subjects Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
demagoguery, demagogues Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
demaratus Athanassaki and Titchener, Plutarch's Cities (2022) 121
descendants Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
divine retribution Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
education/educational/educative Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
envy Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
equality (in moral evaluation) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
euripides Athanassaki and Titchener, Plutarch's Cities (2022) 121
examples (i.e. paradigm), comparative/parallel Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114, 143
flamininus, t. quinctius Athanassaki and Titchener, Plutarch's Cities (2022) 121
flattery, flatterers Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
fortune, mis- Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
freedom Athanassaki and Titchener, Plutarch's Cities (2022) 121
friends/friendship Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
future (allusions to/evocation of) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
general statements (moral) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104, 143
generals Athanassaki and Titchener, Plutarch's Cities (2022) 121
god(dess) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
herodotus Athanassaki and Titchener, Plutarch's Cities (2022) 121
history, greek Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
history, roman Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
history Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 104, 143
humanity Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
impersonal constructions Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
judgements, concluding Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104, 143
leuctra, battle of Athanassaki and Titchener, Plutarch's Cities (2022) 121
leuctra Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 97
lives, within the synkrisis Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
lives Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
lucullus, compared with cimon Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
lucullus, plutarchs evaluation of the generalship of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
lucullus, plutarchs evaluation of the retirement of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
lucullus, within his social environment Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
lucullus Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
moral turnaround Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
onlookers Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 114
philonikia / φιλονικία\u200e Athanassaki and Titchener, Plutarch's Cities (2022) 121
philosophy/philosophers/philosophical, and plutarch Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
philosophy/philosophers/philosophical, and politics Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
philosophy/philosophers/philosophical, the subjects acquaintance with Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
philosophy/philosophers/philosophical Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
philotimia / φιλοτιμία\u200e Athanassaki and Titchener, Plutarch's Cities (2022) 121
phocion Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
plato, platonic Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
plutarchs lives, life of aristides Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96
plutarchs lives, life of cimon Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96
plutarchs lives, life of themistocles Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96
posthumous, honour or dishonour Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
posthumous, material Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114, 143
posthumous Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104, 114
prologue (to plutarchs book) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94, 143
readers, critical/resistant Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
reflection, the readers Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
retribution of opponents Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
romans, and lucullus Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
romans Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
rome, political power Athanassaki and Titchener, Plutarch's Cities (2022) 121
rome Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96
series of lives Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
social/society, dialogue of individual with Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
social/society, plutarchs interest in Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
social/society, plutarchs reconstruction of Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
social/society Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
socrates Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
sparta(ns) Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 94
sparta, spartan Athanassaki and Titchener, Plutarch's Cities (2022) 121
stoicism Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 114
surprise' Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
surprise Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 104
synkrisis, formal Chrysanthou, Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement (2018) 143
themistocles Leão and Lanzillotta, A Man of Many Interests: Plutarch on Religion, Myth, and Magic (2019) 96
thucydides Athanassaki and Titchener, Plutarch's Cities (2022) 121