Tiresias: The Ancient Mediterranean Religions Source Database

9486

Plutarch, Aristides, 8.1
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Intertexts (texts cited often on the same page as the searched text):

11 results
1. Aristophanes, Acharnians, 653-655, 652 (5th cent. BCE - 4th cent. BCE) 652. διὰ ταῦθ' ὑμᾶς Λακεδαιμόνιοι τὴν εἰρήνην προκαλοῦνται
2. Thucydides, The History of The Peloponnesian War, 1.128.3-1.128.7, 3.62.3-3.62.4 (5th cent. BCE - 4th cent. BCE) 1.128.3. After Pausanias the Lacedaemonian had been recalled by the Spartans from his command in the Hellespont (this is his first recall), and had been tried by them and acquitted, not being again sent out in a public capacity, he took a galley of Hermione on his own responsibility, without the authority of the Lacedaemonians, and arrived as a private person in the Hellespont . He came ostensibly for the Hellenic war, really to carry on his intrigues with the king, which he had begun before his recall, being ambitious of reigning over Hellas . 1.128.4. The circumstance which first enabled him to lay the king under an obligation, and to make a beginning of the whole design was this. 1.128.5. Some connections and kinsmen of the king had been taken in Byzantium, on its capture from the Medes, when he was first there, after the return from Cyprus . These captives he sent off to the king without the knowledge of the rest of the allies, the account being that they had escaped from him. 1.128.6. He managed this with the help of Gongylus, an Eretrian, whom he had placed in charge of Byzantium and the prisoners. He also gave Gongylus a letter for the king, the contents of which were as follows, as was afterwards discovered: 1.128.7. ‘Pausanias, the general of Sparta, anxious to do you a favour, sends you these his prisoners of war. I propose also, with your approval, to marry your daughter, and to make Sparta and the rest of Hellas subject to you. I may say that I think I am able to do this, with your co-operation. Accordingly if any of this please you, send a safe man to the sea through whom we may in future conduct our correspondence.’ 3.62.3. And yet consider the forms of our respective governments when we so acted. Our city at that juncture had neither an oligarchical constitution in which all the nobles enjoyed equal rights nor a democracy, but that which is most opposed to law and good government and nearest a tyranny—the rule of a close cabal. 3.62.4. These, hoping to strengthen their individual power by the success of the Mede, kept down by force the people, and brought him into the town. The city as a whole was not its own mistress when it so acted, and ought not to be reproached for the errors that it committed while deprived of its constitution.
3. Plutarch, Agesilaus, 15 (1st cent. CE - 2nd cent. CE)
4. Plutarch, Sayings of The Spartans, 8.1 (1st cent. CE - 2nd cent. CE) 8.1. Acrotatus, when his parents claimed it was his duty to co-operate with them in some unjust action, spoke in opposition up to a certain limit. But when they insisted, he said, While I was with you, I had not the slightest idea of justice; but since you have surrendered me to our country and its laws, and, besides, have had me instructed in justice and honourable conduct so far as lay in your power, I shall try to follow these rather than you. And since your wish is for me to do what is best, and since what is just is best both for a private citizen, and much more so for a ruler, I will do what you wish; but as for what you propose I shall beg to be excused. Cf. a similar remark of Agesilaus, Moralia, 534 D.
5. Plutarch, Aristides, 10.7, 11.8, 17.8, 18.6-18.7, 19.5, 19.7, 21.4-21.5 (1st cent. CE - 2nd cent. CE)
6. Plutarch, Cimon, 16.1, 16.3, 16.9-16.10, 19.3 (1st cent. CE - 2nd cent. CE)
7. Plutarch, Oracles At Delphi No Longer Given In Verse, None (1st cent. CE - 2nd cent. CE)
8. Plutarch, Dion, 1.1 (1st cent. CE - 2nd cent. CE)
9. Plutarch, Pericles, 39.2 (1st cent. CE - 2nd cent. CE) 39.2. And it seems to me that his otherwise puerile and pompous surname is rendered unobjectionable and becoming by this one circumstance, that it was so gracious a nature and a life so pure and undefiled in the exercise of sovereign power which were called Olympian, inasmuch as we do firmly hold that the divine rulers and kings of the universe are capable only of good, and incapable of evil. In this we are not like the poets, who confuse us with their ignorant fancies, and are convicted of inconsistency by their own stories
10. Plutarch, Themistocles, 3.5, 8.2, 11.1, 17.4 (1st cent. CE - 2nd cent. CE)
11. Plutarch, Flaminius, 11.6 (1st cent. CE - 2nd cent. CE)

Subjects of this text:

subject	book bibliographic info
aeschylus,local,in panhellenic ritual setting	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aiakos	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aigina,aiginetans,and athens	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aigina,aiginetans,and delian league	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aigina,aiginetans,economic role of	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aigina,aiginetans,panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aigina,aiginetans,rivalry with athens	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aigina,aiginetans	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
antony (mark antony)	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
aristeides	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
aristides	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
athenian empire,and grain-supply	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
athenian empire,as system of economic dependencies	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
athenians,and cimon	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
athenians	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
athens,and panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
audience,plutarchs contemporary	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1, 52
cimon,compared with lucullus	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
cimon	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
community,of plutarch and readers	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
community	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
complicity (between plutarch and readers)	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
criticism	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
damon	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
defending greeks and democracies,and economy	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
defending greeks and democracies,and panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
defending greeks and democracies,and thalassocracy	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
demetrius i (poliorcetes)	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
economy,early fifth-century,and definitions of panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
economy,early fifth-century,and grain supply	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
economy,early fifth-century,athenocentric vs. internationalist	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
education	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
elites,caught between aristocracy and democracy	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
elites,in athenian empire	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
elites,maritime and commercial	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
eueteria	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
examples (i.e. paradigm),the subjects as	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
examples (i.e. paradigm)	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
funerary,local myth in panhellenic	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
grain-supply,and panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
hero	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
humanity	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
insular,panhellenic	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
learning	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
locality,and panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
lucullus,compared with cimon	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
lucullus,philhellenism of	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
lucullus	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
mirrors	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
moralism,descriptive and exploratory	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
moralism,in the lives	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
moralism,protreptic and expository	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
moralism	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
panhellenic ritual,featuring local myth	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,competed over	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,contested visions of	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,delphi and	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,economic dimension of	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,expressed in song	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,kimon vs. themistokles	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,local claims to	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism,tool in social contexts	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
performances of myth and ritual (also song),and economic patterns'	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
persian wars,and panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
persian wars	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
philhellenism	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
philosophy/philosophers/philosophical,the subjects acquaintance with	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
philosophy/philosophers/philosophical	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
plutarchs lives,life of aristides	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
plutarchs lives,life of themistocles	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
politics,the subjects preoccupation with	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
politics	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
prologue (to plutarchs book)	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
readers,critical/resistant	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
readers,ideal	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
readers,real-life	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
reflection,moral	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
reflection,the readers	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
romans,and greeks	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
romans	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
sikyon	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
sparta(ns)	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
statues	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 52
themistocles	Leão and Lanzillotta (2019), A Man of Many Interests: Plutarch on Religion, Myth, and Magic, 95
tragedy/tragic	Chrysanthou (2018), Plutarch's 'Parallel Lives': Narrative Technique and Moral Judgement. 1
zeus hellanios,and claims to panhellenism	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214
zeus hellanios	Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 214