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Tiresias: The Ancient Mediterranean Religions Source Database



9125
Pausanias, Description Of Greece, 7.18.12


πρῶτα μὲν δὴ πομπὴν μεγαλοπρεπεστάτην τῇ Ἀρτέμιδι πομπεύουσι, καὶ ἡ ἱερωμένη παρθένος ὀχεῖται τελευταία τῆς πομπῆς ἐπὶ ἐλάφων ὑπὸ τὸ ἅρμα ἐζευγμένων· ἐς δὲ τὴν ἐπιοῦσαν τηνικαῦτα ἤδη δρᾶν τὰ ἐς τὴν θυσίαν νομίζουσι, δημοσίᾳ τε ἡ πόλις καὶ οὐχ ἧσσον ἐς τὴν ἑορτὴν οἱ ἰδιῶται φιλοτίμως ἔχουσιν. ἐσβάλλουσι γὰρ ζῶντας ἐς τὸν βωμὸν ὄρνιθάς τε τοὺς ἐδωδίμους καὶ ἱερεῖα ὁμοίως ἅπαντα, ἔτι δὲ ὗς ἀγρίους καὶ ἐλάφους τε καὶ δορκάδας, οἱ δὲ καὶ λύκων καὶ ἄρκτων σκύμνους, οἱ δὲ καὶ τὰ τέλεια τῶν θηρίων· κατατιθέασι δὲ ἐπὶ τὸν βωμὸν καὶ δένδρων καρπὸν τῶν ἡμέρων.The festival begins with a most splendid procession in honor of Artemis, and the maiden officiating as priestess rides last in the procession upon a car yoked to deer. It is, however, not till the next day that the sacrifice is offered, and the festival is not only a state function but also quite a popular general holiday. For the people throw alive upon the altar edible birds and every kind of victim as well; there are wild boars, deer and gazelles; some bring wolf-cubs or bear-cubs, others the full-grown beasts. They also place upon the altar fruit of cultivated trees.


Intertexts (texts cited often on the same page as the searched text):

11 results
1. Homer, Iliad, 2.734-2.737, 9.575-9.592 (8th cent. BCE - 7th cent. BCE)

2.734. /and Oechalia, city of Oechalian Eurytus, these again were led by the two sons of Asclepius, the skilled leeches Podaleirius and Machaon. And with these were ranged thirty hollow ships. And they that held Ormenius and the fountain Hypereia 2.735. /and that held Asterium and the white crests of Titanus, these were led by Eurypylus, the glorious son of Euaemon. And with him there followed forty black ships.And they that held Argissa, and dwelt in Gyrtone, Orthe, and Elone, and the white city of Oloösson 2.736. /and that held Asterium and the white crests of Titanus, these were led by Eurypylus, the glorious son of Euaemon. And with him there followed forty black ships.And they that held Argissa, and dwelt in Gyrtone, Orthe, and Elone, and the white city of Oloösson 2.737. /and that held Asterium and the white crests of Titanus, these were led by Eurypylus, the glorious son of Euaemon. And with him there followed forty black ships.And they that held Argissa, and dwelt in Gyrtone, Orthe, and Elone, and the white city of Oloösson 9.575. /of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland 9.576. /of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland 9.577. /of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland 9.578. /of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland 9.579. /of the Aetolians made prayer, sending to him the best of the priests of the gods, that he should come forth and succour them, and they promised him a mighty gift; they bade him, where the plain of lovely Calydon was fattest, there choose a fair tract of fifty acres, the half of it vineland 9.580. /and the half clear plough-land, to be cut from out the plain. 9.581. /and the half clear plough-land, to be cut from out the plain. 9.582. /and the half clear plough-land, to be cut from out the plain. 9.583. /and the half clear plough-land, to be cut from out the plain. 9.584. /and the half clear plough-land, to be cut from out the plain. And earnestly the old horseman Oeneus besought him, standing upon the threshold of his high-roofed chamber, and shaking the jointed doors, in prayer to his son, and earnestly too did his sisters and his honoured mother beseech him 9.585. /—but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.586. /—but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.587. /—but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.588. /—but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.589. /—but he denied them yet more—and earnestly his companions that were truest and dearest to him of all; yet not even so could they persuade the heart in his breast, until at the last his chamber was being hotly battered, and the Curetes were mounting upon the walls and firing the great city. 9.590. /Then verily his fair-girdled wife besought Meleager with wailing, and told him all the woes that come on men whose city is taken; the men are slain and the city is wasted by fire, and their children and low-girdled women are led captive of strangers. 9.591. /Then verily his fair-girdled wife besought Meleager with wailing, and told him all the woes that come on men whose city is taken; the men are slain and the city is wasted by fire, and their children and low-girdled women are led captive of strangers. 9.592. /Then verily his fair-girdled wife besought Meleager with wailing, and told him all the woes that come on men whose city is taken; the men are slain and the city is wasted by fire, and their children and low-girdled women are led captive of strangers.
2. Euripides, Electra, 171 (5th cent. BCE - 5th cent. BCE)

171. ἀγγέλλει δ' ὅτι νῦν τριταί-
3. Herodotus, Histories, 1.60.4-1.60.5, 5.72.3, 6.81, 7.94 (5th cent. BCE - 5th cent. BCE)

1.60.4. There was in the Paeanian deme a woman called Phya, three fingers short of six feet, four inches in height, and otherwise, too, well-formed. This woman they equipped in full armor and put in a chariot, giving her all the paraphernalia to make the most impressive spectacle, and so drove into the city; heralds ran before them, and when they came into town proclaimed as they were instructed: 1.60.5. “Athenians, give a hearty welcome to Pisistratus, whom Athena herself honors above all men and is bringing back to her own acropolis.” So the heralds went about proclaiming this; and immediately the report spread in the demes that Athena was bringing Pisistratus back, and the townsfolk, believing that the woman was the goddess herself, worshipped this human creature and welcomed Pisistratus. 5.72.3. The prophetic voice that Cleomenes heard accordingly had its fulfillment, for when he went up to the acropolis with the intention of taking possession of it, he approached the shrine of the goddess to address himself to her. The priestess rose up from her seat, and before he had passed through the door-way, she said, “Go back, Lacedaemonian stranger, and do not enter the holy place since it is not lawful that Dorians should pass in here. “My lady,” he answered, “I am not a Dorian, but an Achaean.” 6.81. Then Cleomenes sent most of his army back to Sparta, while he himself took a thousand of the best warriors and went to the temple of Hera to sacrifice. When he wished to sacrifice at the altar the priest forbade him, saying that it was not holy for a stranger to sacrifice there. Cleomenes ordered the helots to carry the priest away from the altar and whip him, and he performed the sacrifice. After doing this, he returned to Sparta. 7.94. The Ionians furnished a hundred ships; their equipment was like the Greek. These Ionians, as long as they were in the Peloponnese, dwelt in what is now called Achaia, and before Danaus and Xuthus came to the Peloponnese, as the Greeks say, they were called Aegialian Pelasgians. They were named Ionians after Ion the son of Xuthus.
4. Xenophon, The Education of Cyrus, 8.3.13 (5th cent. BCE - 4th cent. BCE)

5. Plutarch, Agesilaus, 6.8-6.11 (1st cent. CE - 2nd cent. CE)

6. Lucian, The Syrian Goddess, 31-32, 1 (2nd cent. CE - 2nd cent. CE)

1. There is in Syria a city not far from the river Euphrates: it is called “the Sacred City,” and is sacred to the Assyrian Hera. As far as I can judge this name was not conferred upon the city when it was first settled, but originally it bore another name. In course of time the great sacrifices were held therein, and then this title was bestowed upon it. I will speak of this city, and of what it contains. I will speak also of the laws which govern its holy rites, of its popular assemblies and of the sacrifices offered by its citizens. I will speak also of all the traditions attaching to the founders of this holy place: and of the manner of the founding of its temple. I write as an Assyrian born who have witnessed with mine own eyes some of the facts which I am about to narrate: some, again, I learnt from the priests: they occurred before my time, but I narrate them as they were told to me.
7. Pausanias, Description of Greece, 1.27.2-1.27.3, 2.10.4-2.10.5, 2.11.7, 2.12.1, 2.23.1, 2.35.5-2.35.8, 3.19.2, 4.4.2-4.4.3, 4.31.7-4.31.8, 5.13.2-5.13.3, 5.14.5-5.14.10, 5.15.10, 5.16.7, 6.1-6.2, 6.20.2-6.20.4, 7.1.1-7.1.5, 7.18.2, 7.18.8-7.18.11, 7.18.13, 7.20.9, 8.2.3, 8.15.1, 8.37.8, 9.10.4, 9.22.1, 9.39.5-9.39.14, 18.3-18.7 (2nd cent. CE - 2nd cent. CE)

1.27.2. About the olive they have nothing to say except that it was testimony the goddess produced when she contended for their land. Legend also says that when the Persians fired Athens the olive was burnt down, but on the very day it was burnt it grew again to the height of two cubits. Adjoining the temple of Athena is the temple of Pandrosus, the only one of the sisters to be faithful to the trust. 1.27.3. I was much amazed at something which is not generally known, and so I will describe the circumstances. Two maidens dwell not far from the temple of Athena Polias, called by the Athenians Bearers of the Sacred offerings. For a time they live with the goddess, but when the festival comes round they perform at night the following rites. Having placed on their heads what the priestess of Athena gives them to carry—neither she who gives nor they who carry have any knowledge what it is—the maidens descend by the natural underground passage that goes across the adjacent precincts, within the city, of Aphrodite in the Gardens. They leave down below what they carry and receive something else which they bring back covered up. These maidens they henceforth let go free, and take up to the Acropolis others in their place. 2.10.4. Such are the noteworthy things that this enclosure presented to me, and opposite is another enclosure, sacred to Aphrodite. The first thing inside is a statue of Antiope. They say that her sons were Sicyonians, and because of them the Sicyonians will have it that Antiope herself is related to themselves. After this is the sanctuary of Aphrodite, into which enter only a female verger, who after her appointment may not have intercourse with a man, and a virgin, called the Bath-bearer, holding her sacred office for a year. All others are wont to behold the goddess from the entrance, and to pray from that place. 2.10.5. The image, which is seated, was made by the Sicyonian Canachus, who also fashioned the Apollo at Didyma of the Milesians, and the Ismenian Apollo for the Thebans. It is made of gold and ivory, having on its head a polos, A curiously shaped head-gear. and carrying in one hand a poppy and in the other an apple. They offer the thighs of the victims, excepting pigs; the other parts they burn for the goddess with juniper wood, but as the thighs are burning they add to the offering a leaf of the paideros. 2.11.7. There are images also of Alexanor and of Euamerion; to the former they give offerings as to a hero after the setting of the sun; to Euamerion, as being a god, they give burnt sacrifices. If I conjecture aright, the Pergamenes, in accordance with an oracle, call this Euamerion Telesphorus (Accomplisher) while the Epidaurians call him Acesis (Cure). There is also a wooden image of Coronis, but it has no fixed position anywhere in the temple. While to the god are being sacrificed a bull, a lamb, and a pig, they remove Coronis to the sanctuary of Athena and honor her there. The parts of the victims which they offer as a burnt sacrifice, and they are not content with cutting out the thighs, they burn on the ground, except the birds, which they burn on the altar. 2.12.1. In Titane there is also a sanctuary of Athena, into which they bring up the image of Coronis. In it is an old wooden figure of Athena, and I was told that it, too, was struck by lightning. The sanctuary is built upon a hill, at the bottom of which is an Altar of the Winds, and on it the priest sacrifices to the winds one night in every year. He also performs other secret rites at four pits, taming the fierceness of the blasts, and he is said to chant as well charms of Medea. 2.23.1. As you go from here along a road called Hollow there is on the right a temple of Dionysus; the image, they say, is from Euboea . For when the Greeks, as they were returning from Troy, met with the shipwreck at Caphereus, those of the Argives who were able to escape to land suffered from cold and hunger. Having prayed that someone of the gods should prove himself a saviour in their present distress, straightway as they advanced they came upon a cave of Dionysus; in the cave was an image of the god, and on this occasion wild she-goats had gathered there to escape from the storm. These the Argives killed, using the flesh as food and the skins as raiment. When the storm was over and the Argives, having refitted their ships, were returning home, they took with them the wooden image from the cave, and continue to honor it to the present day. 2.35.5. At any rate, the goddess herself is called Chthonia, and Chthonia is the name of the festival they hold in the summer of every year. The manner of it is this. The procession is headed by the priests of the gods and by all those who hold the annual magistracies; these are followed by both men and women. It is now a custom that some who are still children should honor the goddess in the procession. These are dressed in white, and wear wreaths upon their heads. Their wreaths are woven of the flower called by the natives cosmosandalon, which, from its size and color, seems to me to be an iris; it even has inscribed upon it the same letters of mourning. The letters AI, an exclamation of woe supposed to be inscribed on the flower. 2.35.6. Those who form the procession are followed by men leading from the herd a full-grown cow, fastened with ropes, and still untamed and frisky. Having driven the cow to the temple, some loose her from the ropes that she may rush into the sanctuary, others, who hitherto have been holding the doors open, when they see the cow within the temple, close the doors. 2.35.7. Four old women, left behind inside, are they who dispatch the cow. Whichever gets the chance cuts the throat of the cow with a sickle. Afterwards the doors are opened, and those who are appointed drive up a second cow, and a third after that, and yet a fourth. All are dispatched in the same way by the old women, and the sacrifice has yet another strange feature. On whichever of her sides the first cow falls, all the others must fall on the same. 2.35.8. Such is the manner in which the sacrifice is performed by the Hermionians. Before the temple stand a few statues of the women who have served Demeter as her priestess, and on passing inside you see seats on which the old women wait for the cows to be driven in one by one, and images, of no great age, of Athena and Demeter. But the thing itself that they worship more than all else, I never saw, nor yet has any other man, whether stranger or Hermionian. The old women may keep their knowledge of its nature to themselves. 3.19.2. I know of nobody who has measured the height of the image, but at a guess one would estimate it to be as much as thirty cubits. It is not the work of Bathycles, being old and uncouth; for though it has face, feet, and hands, the rest resembles a bronze pillar. On its head it has a helmet, in its hands a spear and a bow. 4.4.2. There is a sanctuary of Artemis called Limnatis (of the Lake) on the frontier of Messenian, in which the Messenians and the Lacedaemonians alone of the Dorians shared. According to the Lacedaemonians their maidens coming to the festival were violated by Messenian men and their king was killed in trying to prevent it. He was Teleclus the son of Archelaus, son of Agesilaus, son of Doryssus, son of Labotas, son of Echestratus, son of Agis. In addition to this they say that the maidens who were violated killed themselves for shame. 4.4.3. The Messenians say that a plot was formed by Teleclus against persons of the highest rank in Messene who had come to the sanctuary, his incentive being the excellence of the Messenian land; in furtherance of his design he selected some Spartan youths, all without beards, dressed them in girls' clothes and ornaments, and providing them with daggers introduced them among the Messenians when they were resting; the Messenians, in defending themselves, killed the beardless youths and Teleclus himself; but the Lacedaemonians, they say, whose king did not plan this without the general consent, being conscious that they had begun the wrong, did not demand justice for the murder of Teleclus. These are the accounts given by the two sides; one may believe them according to one's feelings towards either side. 4.31.7. By Damophon too is the so-called Laphria at Messene . The cult came to be established among them in the following way: Among the people of Calydon, Artemis, who was worshipped by them above all the gods, had the title Laphria, and the Messenians who received Naupactus from the Athenians, being at that time close neighbors of the Aetolians, adopted her from the people of Calydon. I will describe her appearance in another place. Paus. 7.18.8 The name Laphria spread only to the Messenians and to the Achaeans of Patrae . 4.31.8. But all cities worship Artemis of Ephesus, and individuals hold her in honor above all the gods. The reason, in my view, is the renown of the Amazons, who traditionally dedicated the image, also the extreme antiquity of this sanctuary. Three other points as well have contributed to her renown, the size of the temple, surpassing all buildings among men, the eminence of the city of the Ephesians and the renown of the goddess who dwells there. 5.13.2. The entrance is on the west. The sanctuary is said to have been set apart to Pelops by Heracles the son of Amphitryon. Heracles too was a great-grandson of Pelops, and he is also said to have sacrificed to him into the pit. Right down to the present day the magistrates of the year sacrifice to him, and the victim is a black ram. No portion of this sacrifice goes to the sooth-sayer, only the neck of the ram it is usual to give to the “woodman,” as he is called. 5.13.3. The woodman is one of the servants of Zeus, and the task assigned to him is to supply cities and private individuals with wood for sacrifices at a fixed rate, wood of the white poplar, but of no other tree, being allowed. If anybody, whether Elean or stranger, eat of the meat of the victim sacrificed to Pelops, he may not enter the temple of Zeus. The same rule applies to those who sacrifice to Telephus at Pergamus on the river Caicus ; these too may not go up to the temple of Asclepius before they have bathed. 5.14.5. sixthly to the Worker Goddess. The descendants of Pheidias, called Cleansers, have received from the Eleans the privilege of cleaning the image of Zeus from the dirt that settles on it, and they sacrifice to the Worker Goddess before they begin to polish the image. There is another altar of Athena near the temple, and by it a square altar of Artemis rising gently to a height. 5.14.6. After the altars I have enumerated there is one on which they sacrifice to Alpheius and Artemis together. The cause of this Pindar Pind. N. 1, I think, intimates in an ode, and I give it Paus. 6.22 in my account of Letrini . Not far from it stands another altar of Alpheius, and by it one of Hephaestus. This altar of Hephaestus some Eleans call the altar of Warlike Zeus. These same Eleans also say that Oenomaus used to sacrifice to Warlike Zeus on this altar whenever he was about to begin a chariot-race with one of the suitors of Hippodameia. 5.14.7. After this stands an altar of Heracles surnamed Parastates (Assistant); there are also altars of the brothers of Heracles—Epimedes, Idas, Paeonaeus, and Iasus; I am aware, however, that the altar of Idas is called by others the altar of Acesidas. At the place where are the foundations of the house of Oenomaus stand two altars: one is of Zeus of the Courtyard, which Oenomaus appears to have had built himself, and the other of Zeus of the Thunderbolt, which I believe they built later, when the thunderbolt had struck the house of Oenomaus. 5.14.8. An account of the great altar I gave a little way back; it is called the altar of Olympian Zeus. By it is an altar of Unknown Gods, and after this an altar of Zeus Purifier, one of Victory, and another of Zeus—this time surnamed Underground. There are also altars of all gods, and of Hera surnamed Olympian, this too being made of ashes. They say that it was dedicated by Clymenus. After this comes an altar of Apollo and Hermes in common, because the Greeks have a story about them that Hermes invented the lyre and Apollo the lute. 5.14.9. Next come an altar of Concord, another of Athena, and the altar of the Mother of the gods. Quite close to the entrance to the stadium are two altars; one they call the altar of Hermes of the Games, the other the altar of Opportunity. I know that a hymn to Opportunity is one of the poems of Ion of Chios ; in the hymn Opportunity is made out to be the youngest child of Zeus. Near the treasury of the Sicyonians is an altar of Heracles, either one of the Curetes or the son of Alcmena, for both accounts are given. 5.14.10. On what is called the Gaeum (sanctuary of Earth) is an altar of Earth; it too is of ashes. In more ancient days they say that there was an oracle also of Earth in this place. On what is called the Stomium (Mouth) the altar to Themis has been built. All round the altar of Zeus Descender runs a fence; this altar is near the great altar made of the ashes. The reader must remember that the altars have not been enumerated in the order in which they stand, but the order followed by my narrative is that followed by the Eleans in their sacrifices. By the sacred enclosure of Pelops is an altar of Dionysus and the Graces in common; between them is an altar of the Muses, and next to these an altar of the Nymphs. 5.15.10. Each month the Eleans sacrifice once on all the altars I have enumerated. They sacrifice in an ancient manner; for they burn on the altars incense with wheat which has been kneaded with honey, placing also on the altars twigs of olive, and using wine for a libation. Only to the Nymphs and the Mistresses are they not wont to pour wine in libation, nor do they pour it on the altar common to all the gods. The care of the sacrifices is given to a priest, holding office for one month, to soothsayers and libation-bearers, and also to a guide, a flute-player and the woodman. 5.16.7. She mated they say with Dionysus, and bore him a son called Narcaeus. When he grew up he made war against the neighboring folk, and rose to great power, setting up moreover a sanctuary of Athena surnamed Narcaea. They say too that Narcaeus and Physcoa were the first to pay worship to Dionysus. So various honors are paid to Physcoa, especially that of the choral dance, named after her and managed by the Sixteen Women. The Eleans still adhere to the other ancient customs, even though some of the cities have been destroyed. For they are now divided into eight tribes, and they choose two women from each. 6.20.2. At the foot of Mount Cronius, on the north..., Some genitive seems to have fallen out here. τοῦ Ἡραίου and τῆς Ἄλτεως have been suggested. Other conjectures are: (1) to insert τεῖχος after ἄρκτον, to read Ἄλτιν for ἄρκτον . between the treasuries and the mountain, is a sanctuary of Eileithyia, and in it Sosipolis, “Saviour of the State.” a native Elean deity, is worshipped. Now they surname Eileithyia Olympian, and choose a priestess for the goddess every year. The old woman who tends Sosipolis herself too by an Elean custom lives in chastity, bringing water for the god's bath and setting before him barley cakes kneaded with honey. 6.20.3. In the front part of the temple, for it is built in two parts, is an altar of Eileithyia and an entrance for the public; in the inner Part Sosipolis is worshipped, and no one may enter it except the woman who tends the god, and she must wrap her head and face in a white veil. Maidens and matrons wait in the sanctuary of Eileithyia chanting a hymn; they burn all manner of incense to the god, but it is not the custom to pour libations of wine. An oath is taken by Sosipolis on the most important occasions. 6.20.4. The story is that when the Arcadians had invaded the land of Elis, and the Eleans were set in array against them, a woman came to the Elean generals, holding a baby to her breast, who said that she was the mother of the child but that she gave him, because of dreams, to fight for the Eleans. The Elean officers believed that the woman was to be trusted, and placed the child before the army naked. 7.1.1. The land between Elis and Sicyonia, reaching down to the eastern sea, is now called Achaia after the inhabitants, but of old was called Aegialus and those who lived in it Aegialians. According to the Sicyonians the name is derived from Aegialeus, who was king in what is now Sicyonia; others say that it is from the land, the greater part of which is coast ( aigialos). 7.1.2. Later on, after the death of Hellen, Xuthus was expelled from Thessaly by the rest of the sons of Hellen, who charged him with having appropriated some of the ancestral property. But he fled to Athens, where he was deemed worthy to wed the daughter of Erechtheus, by whom he had sons, Achaeus and Ion. On the death of Erechtheus Xuthus was appointed judge to decide which of his sons should succeed him. He decided that Cecrops, the eldest of them, should be king, and was accordingly banished from the land by the rest of the sons of Erechtheus. 7.1.3. He reached Aegialus, made his home there, and there died. of his sons, Achaeus with the assistance of allies from Aegialus and Athens returned to Thessaly and recovered the throne of his fathers: Ion, while gathering an army against the Aegialians and Selinus their king, received a message from Selinus, who offered to give him in marriage Helice, his only child, as well as to adopt him as his son and successor. 7.1.4. It so happened that the proposal found favour with Ion, and on the death of Selinus he became king of the Aegialians. He called the city he founded in Aegialus Helice after his wife, and called the inhabitants Ionians after himself. This, however, was not a change of name, but an addition to it, for the folk were named Aegialian Ionians. The original name clung to the land even longer than to the people; for at any rate in the list of the allies of Agamemnon, Homer Hom. Il. 2.575 is content to mention the ancient name of the land: Throughout all Aegialus and about wide Helice. Hom. Il. 2.575 7.1.5. At that time in the reign of Ion the Eleusinians made war on the Athenians, and these having invited Ion to be their leader in the war, he met his death in Attica, his tomb being in the deme of Potamus. The descendants of Ion became rulers of the Ionians, until they themselves as well as the people were expelled by the Achaeans. The Achaeans at that time had themselves been expelled from Lacedaemon and Argos by the Dorians. 7.18.2. About eighty stades from the river Peirus is the city of Patrae . Not far from Patrae the river Glaucus flows into the sea. The historians of ancient Patrae say that it was an aboriginal, Eumelus, who first settled in the land, and that he was king over but a few subjects. But when Triptolemus came from Attica, he received from him cultivated corn, and, learning how to found a city, named it Aroe from the tilling of the soil. 7.18.8. On the acropolis of Patrae is a sanctuary of Artemis Laphria. The surname of the goddess is a foreign one, and her image too was brought in from elsewhere. For after Calydon with the rest of Aetolia had been laid waste by the Emperor Augustus in order that the Aetolian people might be incorporated into Nicopolis above Actium, the people of Patrae thus secured the image of Laphria. 7.18.9. Most of the images out of Aetolia and from Acaria were brought by Augustus' orders to Nicopolis, but to Patrae he gave, with other spoils from Calydon, the image of Laphria, which even in my time was still worshipped on the acropolis of Patrae . It is said that the goddess was surnamed Laphria after a man of Phocis, because the ancient image of Artemis was set up at Calydon by Laphrius, the son of Castalius, the son of Delphus. 7.18.10. Others say that the wrath of Artemis against Oeneus weighed as time went on more lightly ( elaphroteron) on the Calydonians, and they believe that this was why the goddess received her surname. The image represents her in the guise of a huntress; it is made of ivory and gold, and the artists were Menaechmus and Soldas of Naupactus, who, it is inferred, lived not much later than Canachus of Sicyon and Callon of Aegina . 7.18.11. Every year too the people of Patrae celebrate the festival Laphria in honor of their Artemis, and at it they employ a method of sacrifice peculiar to the place. Round the altar in a circle they set up logs of wood still green, each of them sixteen cubits long. On the altar within the circle is placed the driest of their wood. Just before the time of the festival they construct a smooth ascent to the altar, piling earth upon the altar steps. 7.18.13. Next they set fire to the wood. At this point I have seen some of the beasts, including a bear, forcing their way outside at the first rush of the flames, some of them actually escaping by their strength. But those who threw them in drag them back again to the pyre. It is not remembered that anybody has ever been wounded by the beasts. 7.20.9. Near this precinct the people of Patrae have other sanctuaries. These are not in the open, but there is an entrance to them through the porticoes. The image of Asclepius, save for the drapery, is of stone; Athena is made of ivory and gold. Before the sanctuary of Athena is the tomb of Preugenes. Every year they sacrifice to Preugenes as to a hero, and likewise to Patreus also, when the festival of our Lady is being held. Not far from the theater is a temple of Nemesis, and another of Aphrodite. The images are colossal and of white marble. 8.2.3. For Cecrops was the first to name Zeus the Supreme god, and refused to sacrifice anything that had life in it, but burnt instead on the altar the national cakes which the Athenians still call pelanoi. But Lycaon brought a human baby to the altar of Lycaean Zeus, and sacrificed it, pouring out its blood upon the altar, and according to the legend immediately after the sacrifice he was changed from a man to a wolf (Lycos). 8.15.1. The people of Pheneus have also a sanctuary of Demeter, surnamed Eleusinian, and they perform a ritual to the goddess, saying that the ceremonies at Eleusis are the same as those established among themselves. For Naus, they assert, came to them because of an oracle from Delphi, being a grandson of Eumolpus. Beside the sanctuary of the Eleusinian has been set up Petroma, as it is called, consisting of two large stones fitted one to the other. 8.37.8. When you have gone up a little, beside the temple of the Mistress on the right is what is called the Hall, where the Arcadians celebrate mysteries, and sacrifice to the Mistress many victims in generous fashion. Every man of them sacrifices what he possesses. But he does not cut the throats of the victims, as is done in other sacrifices; each man chops off a limb of the sacrifice, just that which happens to come to hand. 9.10.4. The following custom is, to my knowledge, still carried out in Thebes . A boy of noble family, who is himself both handsome and strong, is chosen priest of Ismenian Apollo for a year. He is called Laurel-bearer, for the boys wear wreaths of laurel leaves. I cannot say for certain whether all alike who have worn the laurel dedicate by custom a bronze tripod to the god; but I do not think that it is the rule for all, because I did not see many votive tripods there. But the wealthier of the boys do certainly dedicate them. Most remarkable both for its age and for the fame of him who dedicated it is a tripod dedicated by Amphitryon for Heracles after he had worn the laurel. 9.22.1. Beside the sanctuary of Dionysus at Tanagra are three temples, one of Themis, another of Aphrodite, and the third of Apollo; with Apollo are joined Artemis and Leto. There are sanctuaries of Hermes Ram-bearer and of Hermes called Champion. They account for the former surname by a story that Hermes averted a pestilence from the city by carrying a ram round the walls; to commemorate this Calamis made an image of Hermes carrying a ram upon his shoulders. Whichever of the youths is judged to be the most handsome goes round the walls at the feast of Hermes, carrying a lamb on his shoulders. 9.39.5. What happens at the oracle is as follows. When a man has made up his mind to descend to the oracle of Trophonius, he first lodges in a certain building for an appointed number of days, this being sacred to the good Spirit and to good Fortune. While he lodges there, among other regulations for purity he abstains from hot baths, bathing only in the river Hercyna. Meat he has in plenty from the sacrifices, for he who descends sacrifices to Trophonius himself and to the children of Trophonius, to Apollo also and Cronus, to Zeus surnamed King, to Hera Charioteer, and to Demeter whom they surname Europa and say was the nurse of Trophonius. 9.39.6. At each sacrifice a diviner is present, who looks into the entrails of the victim, and after an inspection prophesies to the person descending whether Trophonius will give him a kind and gracious reception. The entrails of the other victims do not declare the mind of Trophonius so much as a ram, which each inquirer sacrifices over a pit on the night he descends, calling upon Agamedes. Even though the previous sacrifices have appeared propitious, no account is taken of them unless the entrails of this ram indicate the same; but if they agree, then the inquirer descends in good hope. The procedure of the descent is this. 9.39.7. First, during the night he is taken to the river Hercyna by two boys of the citizens about thirteen years old, named Hermae, who after taking him there anoint him with oil and wash him. It is these who wash the descender, and do all the other necessary services as his attendant boys. After this he is taken by the priests, not at once to the oracle, but to fountains of water very near to each other. 9.39.8. Here he must drink water called the water of Forgetfulness, that he may forget all that he has been thinking of hitherto, and afterwards he drinks of another water, the water of Memory, which causes him to remember what he sees after his descent. After looking at the image which they say was made by Daedalus (it is not shown by the priests save to such as are going to visit Trophonius), having seen it, worshipped it and prayed, he proceeds to the oracle, dressed in a linen tunic, with ribbons girding it, and wearing the boots of the country. 9.39.9. The oracle is on the mountain, beyond the grove. Round it is a circular basement of white marble, the circumference of which is about that of the smallest threshing floor, while its height is just short of two cubits. On the basement stand spikes, which, like the cross-bars holding them together, are of bronze, while through them has been made a double door. Within the enclosure is a chasm in the earth, not natural, but artificially constructed after the most accurate masonry. 9.39.10. The shape of this structure is like that of a bread-oven. Its breadth across the middle one might conjecture to be about four cubits, and its depth also could not be estimated to extend to more than eight cubits. They have made no way of descent to the bottom, but when a man comes to Trophonius, they bring him a narrow, light ladder. After going down he finds a hole between the floor and the structure. Its breadth appeared to be two spans, and its height one span. 9.39.11. The descender lies with his back on the ground, holding barley-cakes kneaded with honey, thrusts his feet into the hole and himself follows, trying hard to get his knees into the hole. After his knees the rest of his body is at once swiftly drawn in, just as the largest and most rapid river will catch a man in its eddy and carry him under. After this those who have entered the shrine learn the future, not in one and the same way in all cases, but by sight sometimes and at other times by hearing. The return upwards is by the same mouth, the feet darting out first. 9.39.12. They say that no one who has made the descent has been killed, save only one of the bodyguard of Demetrius. But they declare that he performed none of the usual rites in the sanctuary, and that he descended, not to consult the god but in the hope of stealing gold and silver from the shrine. It is said that the body of this man appeared in a different place, and was not cast out at the sacred mouth. Other tales are told about the fellow, but I have given the one most worthy of consideration. 9.39.13. After his ascent from Trophonius the inquirer is again taken in hand by the priests, who set him upon a chair called the chair of Memory, which stands not far from the shrine, and they ask of him, when seated there, all he has seen or learned. After gaining this information they then entrust him to his relatives. These lift him, paralyzed with terror and unconscious both of himself and of his surroundings, and carry him to the building where he lodged before with Good Fortune and the Good Spirit. Afterwards, however, he will recover all his faculties, and the power to laugh will return to him. 9.39.14. What I write is not hearsay; I have myself inquired of Trophonius and seen other inquirers. Those who have descended into the shrine of Trophonius are obliged to dedicate a tablet on which is written all that each has heard or seen. The shield also of Aristomenes is still preserved here. Its story I have already given in a former part of my work. See Paus. 4.16.7 to Paus. 4.32.6 .
8. Philostratus The Athenian, Life of Apollonius, 8.15 (2nd cent. CE - missingth cent. CE)

8.15. They then said farewell to Demetrius, who was despondent about them, but they bade him hope for the best, as one brave man should for others as brave as himself, and then they sailed for Sicily with a favorable wind, and having passed Messina they reached Tauromenium on the third day. After that they arrived at Syracuse and put out for the Peloponnese about the beginning of the autumn; and having traversed the gulf they arrived after six days at the mouth of the Alpheus, where that river pours its waters, still sweet, into the Adriatic and Sicilian Sea. Here then they disembarked, and thinking it well worth their while to go to Olympia, they went and stayed there in the sanctuary of Zeus, though without ever going further away than Scillus. A rumor as sudden as insistent now ran through the Hellenic world that the sage was alive and had arrived at Olympia. At first the rumor seemed unreliable; for besides that they were humanly speaking unable to entertain any hope for him inasmuch as they heard that he was cast into prison, they had also heard such rumors as that he had been burnt alive, or dragged about alive with grapnels fixed in his neck, or cast into a deep pit, or into a well. But when the rumor of his arrival was confirmed, they all flocked to see him from the whole of Greece, and never did any such crowd flock to any Olympic festival as then, all full of enthusiasm and expectation. People came straight from Elis and Sparta, and from Corinth away at the limits of the Isthmus; and the Athenians too, although they are outside the Peloponnese; nor were they behind the cities which are at the gates of Pisa, for it was especially the most celebrated of the Athenians that hurried to the sanctuary, together with the young men who flocked to Athens from all over the earth. Moreover there were people from Megara just then staying at Olympia, as well as many from Boeotia, and from Argos, and all the leading people of Phocis and Thessaly. Some of them had already made Apollonius' acquaintance anxious to pick up his wisdom afresh, for they were convinced that there remained much to learn, more striking than what they had so far heard; but those who were not acquainted with him thought it a shame that they should seem never to have heard so great a man discourse. In answer to their questions then, of how he had escaped the clutches of the tyrant, he did not deem it right to say anything boastful; but he merely told them that he had made his defense and got away safely. However when several people arrived from Italy, who bruited abroad the episode of the lawcourt, the attitude of Hellas came near to that of actual worship; the main reason why they thought him divine was this, that he never made the least parade about the matter.
9. Porphyry, On Abstinence, 2.29 (3rd cent. CE - 4th cent. CE)

2.29. 29.For formerly, as we have before observed, when men sacrificed to the Gods fruits and not animals, and did not assume the latter for food, it is said, that a common sacrifice being celebrated at Athens, one Diomus, or Sopater, who was not a native, but cultivated some land in Attica, seizing a sharp axe which was near to him, and being excessively indigt, struck with it an ox, who, coming from his labour, approached to a table, on which were openly placed cakes and other offerings which were to be burnt as a sacrifice to the Gods, and ate some, but trampled on the rest of the offerings. The ox, therefore, being killed, Diomus, whose anger was now appeased, at the same time perceived what kind of deed he had perpetrated. And the ox, indeed, he buried. But embracing a voluntary banishment, as if he had been accused of impiety, he fled to Crete. A great dryness, however, taking place in the Attic land from vehement heat, and a dreadful sterility of fruit, and the Pythian deity being in consequence of it consulted by the general consent, the God answered, that the Cretan exile must expiate the crime; and that, if the murderer was punished, and the statue of the slain ox was erected in the place in which it fell, this would be beneficial both to those who had and those who had not tasted its flesh. An inquiry therefore being made into the affair, and Sopater, together with the deed, having been discovered, he, thinking that he should be liberated from the difficulty in which he was now involved, through the accusation of impiety, if the same thing was done by all men in common, said to those who came to him, that it was necessary an ox should be slain by the city. But, on their being dubious who should strike the ox, he said that he would undertake to do it, if they would make him a citizen, and would be partakers with him of the slaughter. This, therefore, being granted, they returned to the city, and ordered the deed to be accomplished in such a way as it is performed by them at present, [and which was as follows:] SPAN
10. Sidonius Apollinaris, Letters, 2.9, 3.13, 4.24, 9.6 (5th cent. CE - 5th cent. CE)

11. Strabo, Geography, 8.3.30, 8.4.9

8.3.30. It remains for me to tell about Olympia, and how everything fell into the hands of the Eleians. The sanctuary is in Pisatis, less than three hundred stadia distant from Elis. In front of the sanctuary is situated a grove of wild olive trees, and the stadium is in this grove. Past the sanctuary flows the Alpheius, which, rising in Arcadia, flows between the west and the south into the Triphylian Sea. At the outset the sanctuary got fame on account of the oracle of the Olympian Zeus; and yet, after the oracle failed to respond, the glory of the sanctuary persisted none the less, and it received all that increase of fame of which we know, on account both of the festal assembly and of the Olympian Games, in which the prize was a crown and which were regarded as sacred, the greatest games in the world. The sanctuary was adorned by its numerous offerings, which were dedicated there from all parts of Greece. Among these was the Zeus of beaten gold dedicated by Cypselus the tyrant of Corinth. But the greatest of these was the image of Zeus made by Pheidias of Athens, son of Charmides; it was made of ivory, and it was so large that, although the temple was very large, the artist is thought to have missed the proper symmetry, for he showed Zeus seated but almost touching the roof with his head, thus making the impression that if Zeus arose and stood erect he would unroof the temple. Certain writers have recorded the measurements of the image, and Callimachus has set them forth in an iambic poem. Panaenus the painter, who was the nephew and collaborator of Pheidias, helped him greatly in decorating the image, particularly the garments, with colors. And many wonderful paintings, works of Panaenus, are also to be seen round the temple. It is related of Pheidias that, when Panaenus asked him after what model he was going to make the likeness of Zeus, he replied that he was going to make it after the likeness set forth by Homer in these words: Cronion spoke, and nodded assent with his dark brows, and then the ambrosial locks flowed streaming from the lord's immortal head, and he caused great Olympus to quake. A noble description indeed, as appears not only from the brows but from the other details in the passage, because the poet provokes our imagination to conceive the picture of a mighty personage and a mighty power worthy of a Zeus, just as he does in the case of Hera, at the same time preserving what is appropriate in each; for of Hera he says, she shook herself upon the throne, and caused lofty Olympus to quake. What in her case occurred when she moved her whole body, resulted in the case of Zeus when he merely nodded with his brows, although his hair too was somewhat affected at the same time. This, too, is a graceful saying about the poet, that he alone has seen, or else he alone has shown, the likenesses of the gods. The Eleians above all others are to be credited both with the magnificence of the sanctuary and with the honor in which it was held. In the times of the Trojan war, it is true, or even before those times, they were not a prosperous people, since they had been humbled by the Pylians, and also, later on, by Heracles when Augeas their king was overthrown. The evidence is this: The Eleians sent only forty ships to Troy, whereas the Pylians and Nestor sent ninety. But later on, after the return of the Heracleidae, the contrary was the case, for the Aitolians, having returned with the Heracleidae under the leadership of Oxylus, and on the strength of ancient kinship having taken up their abode with the Epeians, enlarged Coele Elis, and not only seized much of Pisatis but also got Olympia under their power. What is more, the Olympian Games are an invention of theirs; and it was they who celebrated the first Olympiads, for one should disregard the ancient stories both of the founding of the sanctuary and of the establishment of the games — some alleging that it was Heracles, one of the Idaean Dactyli, who was the originator of both, and others, that it was Heracles the son of Alcmene and Zeus, who also was the first to contend in the games and win the victory; for such stories are told in many ways, and not much faith is to be put in them. It is nearer the truth to say that from the first Olympiad, in which the Eleian Coroebus won the stadium-race, until the twenty-sixth Olympiad, the Eleians had charge both of the sanctuary and of the games. But in the times of the Trojan War, either there were no games in which the prize was a crown or else they were not famous, neither the Olympian nor any other of those that are now famous. In the first place, Homer does not mention any of these, though he mentions another kind — funeral games. And yet some think that he mentions the Olympian Games when he says that Augeas deprived the driver of four horses, prize-winners, that had come to win prizes. And they say that the Pisatans took no part in the Trojan War because they were regarded as sacred to Zeus. But neither was the Pisatis in which Olympia is situated subject to Augeas at that time, but only the Eleian country, nor were the Olympian Games celebrated even once in Eleia, but always in Olympia. And the games which I have just cited from Homer clearly took place in Elis, where the debt was owing: for a debt was owing to him in goodly Elis, four horses, prize-winners. And these were not games in which the prize was a crown (for the horses were to run for a tripod), as was the case at Olympia. After the twenty-sixth Olympiad, when they had got back their homeland, the Pisatans themselves went to celebrating the games because they saw that these were held in high esteem. But in later times Pisatis again fell into the power of the Eleians, and thus again the direction of the games fell to them. The Lacedemonians also, after the last defeat of the Messenians, cooperated with the Eleians, who had been their allies in battle, whereas the Arcadians and the descendants of Nestor had done the opposite, having joined with the Messenians in war. And the Lacedemonians cooperated with them so effectually that the whole country as far as Messene came to be called Eleia, and the name has persisted to this day, whereas, of the Pisatans, the Triphylians, and the Cauconians, not even a name has survived. Further, the Eleians settled the inhabitants of sandy Pylus itself in Lepreum, to gratify the Lepreatans, who had been victorious in a war, and they broke up many other settlements, and also exacted tribute of as many a they saw inclined to act independently. 8.4.9. The sanctuary of Artemis at Limnae, at which the Messenians are reputed to have outraged the maidens who had come to the sacrifice, is on the boundaries between Laconia and Messenia, where both peoples held assemblies and offered sacrifice in common; and they say that it was after the outraging of the maidens, when the Messenians refused to give satisfaction for the act, that the war took place. And it is after this Limnae, also, that the Limnaion, the sanctuary of Artemis in Sparta, has been named.


Subjects of this text:

subject book bibliographic info
achaeans Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
achaia Bernabe et al. (2013), Redefining Dionysos, 402
agesilaus Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
agrotera,laphria Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
alexander of abonouteichos,fictional pedigree of Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
alexander of abonouteichos Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
anthéia place Bernabe et al. (2013), Redefining Dionysos, 402
apollo Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
aroe Bernabe et al. (2013), Redefining Dionysos, 402
arrival Bernabe et al. (2013), Redefining Dionysos, 402
art discourse,art-historical Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
art discourse,ritualcentered Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
artemis,artemis laphria Bernabe et al. (2013), Redefining Dionysos, 402
artemis,artemis limnatis λιμνάτις Bernabe et al. (2013), Redefining Dionysos, 402
artemis,artemis triklaria Bernabe et al. (2013), Redefining Dionysos, 402
artemis,bargylia Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 115
artemis,laphria Hitch (2017), Animal sacrifice in the ancient Greek world, 92; Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
artemis Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143; Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
atargatis Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
athens Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143; Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
audience Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
aulis Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
birds,sacrifice of Hitch (2017), Animal sacrifice in the ancient Greek world, 92
boeotia Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
bouphonia ritual Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
calymna Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 115
cleisthenes Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
cleomenes Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
comaetho Bernabe et al. (2013), Redefining Dionysos, 402
cos Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 115
critical mode Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
cult,cultic acts for specific cults, the corresponding god or place Bernabe et al. (2013), Redefining Dionysos, 402
cult Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
cult images Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
culture Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
dardanus Bernabe et al. (2013), Redefining Dionysos, 402
delphi,delphian,delphic Bernabe et al. (2013), Redefining Dionysos, 402
delphi Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
diodorus Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
dionysi,dionysoi,dionysoses Bernabe et al. (2013), Redefining Dionysos, 402
dionysos,dionysos aisymnetes Bernabe et al. (2013), Redefining Dionysos, 402
dionysos Bernabe et al. (2013), Redefining Dionysos, 402
divinity,otherness of Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
dura europos,syria,temple of atargatis Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
epiphanization Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
epiphany,divine Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
epiphany-mindedness Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
euaemon Bernabe et al. (2013), Redefining Dionysos, 402
eurypylos Bernabe et al. (2013), Redefining Dionysos, 402
festival Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143; Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 114
festivals Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
fiction Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
hadad Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
hekate,on aegina Hitch (2017), Animal sacrifice in the ancient Greek world, 92
hekate Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
hephaestus Bernabe et al. (2013), Redefining Dionysos, 402
hera Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
heracles Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
hermes Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
hero Bernabe et al. (2013), Redefining Dionysos, 402
hierapolis Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
hipparchus Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
hippias Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
homeric hymns Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
ionia,ionian Bernabe et al. (2013), Redefining Dionysos, 402
ismenios Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
ithome Bernabe et al. (2013), Redefining Dionysos, 402
kouroi,of apollo Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
kyrbissos Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 115
laconia,laconian Bernabe et al. (2013), Redefining Dionysos, 402
laphrae Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
laphria Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 114, 115
leochares Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
lucian,alexander Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
lucian,de dea syria Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
lucian,peregrinus Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
mania μανία,maniacal Bernabe et al. (2013), Redefining Dionysos, 402
melanippe Bernabe et al. (2013), Redefining Dionysos, 402
mesatis Bernabe et al. (2013), Redefining Dionysos, 402
messene Bernabe et al. (2013), Redefining Dionysos, 402
myth,mythical Bernabe et al. (2013), Redefining Dionysos, 402
naturalism,ritual-centered Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
oracle,oracular,oracle of delphi Bernabe et al. (2013), Redefining Dionysos, 402
oracle,oracular Bernabe et al. (2013), Redefining Dionysos, 402
otherness,of divinity Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
palaimom Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
paris alexander Bernabe et al. (2013), Redefining Dionysos, 402
patrae Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 114
patras Bernabe et al. (2013), Redefining Dionysos, 402
patreus spartiate Bernabe et al. (2013), Redefining Dionysos, 402
patroclus Bernabe et al. (2013), Redefining Dionysos, 402
pausanias,and ritual-centered visuality Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
pausanias and sacrificial ritual Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
persia and persians Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
philostratus,life of apollonius Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
phrynichus Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
phye Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
preugenes Bernabe et al. (2013), Redefining Dionysos, 402
priestesses Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
priests adolescent,clothing of Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
priests adolescent,self-identity of Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
procession Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
processions Hitch (2017), Animal sacrifice in the ancient Greek world, 92
proportions,of divine images Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
relief panels,atargatis and hadad (from temple of atargatis,dura europos,syria) Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
richness,of cult images Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
rite,ritual Bernabe et al. (2013), Redefining Dionysos, 402
ritual,as focus of art discourse Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
ritual,described by pausanias Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
ritual,setting for Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19
ritual Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 19; Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
roman sources of greek religion Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
sacrifice,sacrificial,human Bernabe et al. (2013), Redefining Dionysos, 402
sacrifice,sacrificial Bernabe et al. (2013), Redefining Dionysos, 402
sanctuary Bernabe et al. (2013), Redefining Dionysos, 402
situational belief Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
sparta Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
spartiate Bernabe et al. (2013), Redefining Dionysos, 402
statue,divine Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
statue making Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
statues,chryselephantine Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
swans Hitch (2017), Animal sacrifice in the ancient Greek world, 92
theatre,sacred Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
thebes Naiden (2013), Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, 204
theopompos Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100
troy,trojan Bernabe et al. (2013), Redefining Dionysos, 402
victor,u. Dignas Parker and Stroumsa (2013), Priests and Prophets Among Pagans, Jews and Christians, 93
votive reliefs Hitch (2017), Animal sacrifice in the ancient Greek world, 92
war,and hero-cult Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
war dead,at plataiai Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
war dead,sacrifices to the war dead Ekroth (2013), The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period, 125
white,geese' Hitch (2017), Animal sacrifice in the ancient Greek world, 92
women Lipka (2021), Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus, 143
xoanon ξόανον Bernabe et al. (2013), Redefining Dionysos, 402
zeus,polieus Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35
zeus Bernabe et al. (2013), Redefining Dionysos, 402; Elsner (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, 35