aetiology,origins,causae |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
antiquarian literature |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
arachne,contest with minerva |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
arachne |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
artists and gods |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
astronomy,stars |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
audience,nymphs as judges and |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
audiences,power of |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
augustan religious innovations |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
augustus/octavian,as reader |
Pandey (2018), The Poetics of Power in Augustan Rome, 22 |
augustus/octavian,relation with the gods |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
autocracy |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |
barber,elizabeth j. w. |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
calendar |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
concordia,concord |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
discrepancies in the imperial discourse |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
doubt |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
dynastic strife |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
ekphrasis,,artistic process and |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
epic |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |
eulogy |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
fasti praenestini |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
gender,weaving as womens activity |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
heffernan,james a. w. |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
hermeneutic,alibi |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |
hubris,,artistic arrogance |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
hyperbole |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
immortality |
Pandey (2018), The Poetics of Power in Augustan Rome, 22 |
imperial family |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
inventions,of aetiologies |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
irony,ironic |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
judgment |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
literary genre |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
morality,moralistic language,immoral behaviour |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
morality |
Pandey (2018), The Poetics of Power in Augustan Rome, 22 |
nymphs,as audience and judges |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
ovids poems,metamorphoses |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
performance |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |
playfulness |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
poets,rivalry with the princeps |
Pandey (2018), The Poetics of Power in Augustan Rome, 22 |
power,arbitrary |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |
power,of audiences |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
propaganda |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |
relation with reality |
Pandey (2018), The Poetics of Power in Augustan Rome, 22 |
religious-political legitimisation |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
religious innovations |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
revisionary |
Pandey (2018), The Poetics of Power in Augustan Rome, 22 |
rosati,gianpiero |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
sexuality |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
sharrock,alison |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
verrius flaccus |
Erker (2023), Ambiguity and Religion in Ovid’s Fasti: Religious Innovation and the Imperial Family, 56 |
visual texts |
Pandey (2018), The Poetics of Power in Augustan Rome, 21, 22 |
weaving,as gendered activity |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
weaving,ekphrasis and |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
weaving,process and techniques described |
Johnson (2008), Ovid before Exile: Art and Punishment in the Metamorphoses, 77 |
women' |
Pandey (2018), The Poetics of Power in Augustan Rome, 21 |