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Tiresias: The Ancient Mediterranean Religions Source Database



8584
Ovid, Epistulae Ex Ponto, 2.1
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Intertexts (texts cited often on the same page as the searched text):

9 results
1. Horace, Letters, 2.1 (1st cent. BCE - 1st cent. BCE)

2.1. 1. After the death of Isaac, his sons divided their habitations respectively; nor did they retain what they had before; but Esau departed from the city of Hebron, and left it to his brother, and dwelt in Seir, and ruled over Idumea. He called the country by that name from himself, for he was named Adom; which appellation he got on the following occasion:— 2.1. This affection of his father excited the envy and the hatred of his brethren; as did also his dreams which he saw, and related to his father, and to them, which foretold his future happiness, it being usual with mankind to envy their very nearest relations such their prosperity. Now the visions which Joseph saw in his sleep were these:— 2.1. 3. Now these brethren of his were under distraction and terror, and thought that very great danger hung over them; yet not at all reflecting upon their brother Joseph, and standing firm under the accusations laid against them, they made their defense by Reubel, the eldest of them, who now became their spokesman:
2. Ovid, Amores, 1.1.19, 1.2 (1st cent. BCE - 1st cent. CE)

3. Ovid, Ars Amatoria, 1.209-1.228 (1st cent. BCE - 1st cent. CE)

4. Ovid, Epistulae Ex Ponto, 2.5 (1st cent. BCE - 1st cent. CE)

5. Ovid, Fasti, 2.138-2.144 (1st cent. BCE - 1st cent. CE)

2.138. Caesar possesses all beneath Jupiter’s heavens. 2.139. You raped married women: under Caesar they are ordered 2.140. To be chaste: you permitted the guilty your grove: he forbids them. 2.141. Force was acceptable to you: under Caesar the laws flourish. 2.142. You had the title Master: he bears the name of Prince. 2.143. Remus accused you, while he pardons his enemies. 2.144. Your father deified you: he deified his father.
6. Ovid, Metamorphoses, 1.199, 1.205-1.206, 11.22, 15.852-15.870, 15.877-15.879 (1st cent. BCE - 1st cent. CE)

7. Ovid, Tristia, 3.1, 4.2, 4.4.15 (1st cent. BCE - 1st cent. CE)

8. Vergil, Georgics, 3.1-3.48 (1st cent. BCE - 1st cent. BCE)

3.1. Thee too, great Pales, will I hymn, and thee 3.2. Amphrysian shepherd, worthy to be sung 3.3. You, woods and waves Lycaean. All themes beside 3.4. Which else had charmed the vacant mind with song 3.5. Are now waxed common. of harsh Eurystheus who 3.6. The story knows not, or that praiseless king 3.7. Busiris, and his altars? or by whom 3.8. Hath not the tale been told of Hylas young 3.9. Latonian Delos and Hippodame 3.10. And Pelops for his ivory shoulder famed 3.11. Keen charioteer? Needs must a path be tried 3.12. By which I too may lift me from the dust 3.13. And float triumphant through the mouths of men. 3.14. Yea, I shall be the first, so life endure 3.15. To lead the Muses with me, as I pa 3.16. To mine own country from the Aonian height; 3.17. I, placeName key= 3.18. of Idumaea, and raise a marble shrine 3.19. On thy green plain fast by the water-side 3.20. Where Mincius winds more vast in lazy coils 3.21. And rims his margent with the tender reed. 3.22. Amid my shrine shall Caesar's godhead dwell. 3.23. To him will I, as victor, bravely dight 3.24. In Tyrian purple, drive along the bank 3.25. A hundred four-horse cars. All placeName key= 3.26. Leaving Alpheus and Molorchus' grove 3.27. On foot shall strive, or with the raw-hide glove; 3.28. Whilst I, my head with stripped green olive crowned 3.29. Will offer gifts. Even 'tis present joy 3.30. To lead the high processions to the fane 3.31. And view the victims felled; or how the scene 3.32. Sunders with shifted face, and placeName key= 3.33. Inwoven thereon with those proud curtains rise. 3.34. of gold and massive ivory on the door 3.35. I'll trace the battle of the Gangarides 3.36. And our Quirinus' conquering arms, and there 3.37. Surging with war, and hugely flowing, the placeName key= 3.38. And columns heaped on high with naval brass. 3.39. And placeName key= 3.40. And quelled Niphates, and the Parthian foe 3.41. Who trusts in flight and backward-volleying darts 3.42. And trophies torn with twice triumphant hand 3.43. From empires twain on ocean's either shore. 3.44. And breathing forms of Parian marble there 3.45. Shall stand, the offspring of Assaracus 3.46. And great names of the Jove-descended folk 3.47. And father Tros, and placeName key= 3.48. of Cynthus. And accursed Envy there
9. Josephus Flavius, Jewish War, 7.37-7.38, 7.139-7.140, 7.142-7.143, 7.146 (1st cent. CE - 1st cent. CE)

7.37. For we had arms, and walls, and fortresses so prepared as not to be easily taken, and courage not to be moved by any dangers in the cause of liberty, which encouraged us all to revolt from the Romans. 7.37. 1. While Titus was at Caesarea, he solemnized the birthday of his brother [Domitian] after a splendid manner, and inflicted a great deal of the punishment intended for the Jews in honor of him; 7.38. But since we had a generous hope that deluded us, as if we might perhaps have been able to avenge ourselves on our enemies on that account, though it be now become vanity, and hath left us alone in this distress, let us make haste to die bravely. Let us pity ourselves, our children, and our wives while it is in our own power to show pity to them; 7.38. for the number of those that were now slain in fighting with the beasts, and were burnt, and fought with one another, exceeded two thousand five hundred. Yet did all this seem to the Romans, when they were thus destroyed ten thousand several ways, to be a punishment beneath their deserts. 7.139. But what afforded the greatest surprise of all was the structure of the pageants that were borne along; for indeed he that met them could not but be afraid that the bearers would not be able firmly enough to support them, such was their magnitude; 7.142. and many resemblances of the war, and those in several ways, and variety of contrivances, affording a most lively portraiture of itself. 7.143. For there was to be seen a happy country laid waste, and entire squadrons of enemies slain; while some of them ran away, and some were carried into captivity; with walls of great altitude and magnitude overthrown and ruined by machines; with the strongest fortifications taken, and the walls of most populous cities upon the tops of hills seized on 7.146. Now the workmanship of these representations was so magnificent and lively in the construction of the things, that it exhibited what had been done to such as did not see it, as if they had been there really present.


Subjects of this text:

subject book bibliographic info
aetiology Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
ahl, frederick m. Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
animals, human consciousness retained after transformation into Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
apollo Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
audience, augustus as Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
audience, the transformed as Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
audiences, popular Pandey, The Poetics of Power in Augustan Rome (2018) 234
augustus, as audience Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
augustus/octavian, as collective construction Pandey, The Poetics of Power in Augustan Rome (2018) 233
augustus/octavian, as object of public gaze Pandey, The Poetics of Power in Augustan Rome (2018) 233
authorial intention Pandey, The Poetics of Power in Augustan Rome (2018) 234
authority, poetic Pandey, The Poetics of Power in Augustan Rome (2018) 236
autocracy Pandey, The Poetics of Power in Augustan Rome (2018) 226
belatedness Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
center Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
civic participation Pandey, The Poetics of Power in Augustan Rome (2018) 226
concordia Pandey, The Poetics of Power in Augustan Rome (2018) 233, 236
consensus Pandey, The Poetics of Power in Augustan Rome (2018) 233
consent, conventions, solidification of Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226, 236
cosmopolis Pandey, The Poetics of Power in Augustan Rome (2018) 225
costs of war Pandey, The Poetics of Power in Augustan Rome (2018) 236
cyparissus Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
daphne Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
democracy Pandey, The Poetics of Power in Augustan Rome (2018) 226
ekphrasis/ecphrasis Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
empire, of the imagination Pandey, The Poetics of Power in Augustan Rome (2018) 233
enargeia Pandey, The Poetics of Power in Augustan Rome (2018) 225
eurydice Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
exile Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
fama Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226, 233, 234; Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
fictionality Pandey, The Poetics of Power in Augustan Rome (2018) 225
foreigners Pandey, The Poetics of Power in Augustan Rome (2018) 236
germanicus Keith and Myers, Vergil and Elegy (2023) 189
heliades Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
ideology Pandey, The Poetics of Power in Augustan Rome (2018) 234
imagination Pandey, The Poetics of Power in Augustan Rome (2018) 225, 233
inconsistency Pandey, The Poetics of Power in Augustan Rome (2018) 234
indeterminacy, hindsight Pandey, The Poetics of Power in Augustan Rome (2018) 236
indeterminacy, historical narratives Pandey, The Poetics of Power in Augustan Rome (2018) 236
information, scarcity Pandey, The Poetics of Power in Augustan Rome (2018) 226, 234
information, transmission across distance Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
intertextuality Pandey, The Poetics of Power in Augustan Rome (2018) 236
io Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
jupiter Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
libertas Pandey, The Poetics of Power in Augustan Rome (2018) 233
licinius Ando, Imperial Ideology and Provincial Loyalty in the Roman Empire (2013) 256
livy Pandey, The Poetics of Power in Augustan Rome (2018) 235
lotus Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
makowski, john f. Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
marcellus Pandey, The Poetics of Power in Augustan Rome (2018) 235
margins and marginality Pandey, The Poetics of Power in Augustan Rome (2018) 233
metamorphosis Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
names and naming Pandey, The Poetics of Power in Augustan Rome (2018) 234, 235
orpheus, erotic content in songs of Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
orpheus, ovids characterization of Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
orpheus, vergils characterization of Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
ovid Keith and Myers, Vergil and Elegy (2023) 189
paintings Ando, Imperial Ideology and Provincial Loyalty in the Roman Empire (2013) 256
patronage Pandey, The Poetics of Power in Augustan Rome (2018) 234
pederasty Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
performance Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110; Pandey, The Poetics of Power in Augustan Rome (2018) 233
performance settings, pastoral Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
performance settings, theatrical Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
performance settings Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
phanocles Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
pietas Pandey, The Poetics of Power in Augustan Rome (2018) 233
poets, on reader response Pandey, The Poetics of Power in Augustan Rome (2018) 226
poets, service to empire Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
politics Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
pompey Pandey, The Poetics of Power in Augustan Rome (2018) 235
power, disciplinary Pandey, The Poetics of Power in Augustan Rome (2018) 234
presence/absence Pandey, The Poetics of Power in Augustan Rome (2018) 226, 234, 235
propaganda Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
prophecy Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226, 236
provinces Pandey, The Poetics of Power in Augustan Rome (2018) 234
public and private lives Pandey, The Poetics of Power in Augustan Rome (2018) 233
relation with reality Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
res publica, of readers Pandey, The Poetics of Power in Augustan Rome (2018) 233
res publica Pandey, The Poetics of Power in Augustan Rome (2018) 233
ritual Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226, 233
role reversal Pandey, The Poetics of Power in Augustan Rome (2018) 235
romanitas Pandey, The Poetics of Power in Augustan Rome (2018) 226
rome, empire Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
rome, global sway Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
rome Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
sexual subjects in art, eroticdidacticism Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
sexual subjects in art, homoeroticism Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
sexual subjects in art, orpheus and Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
sexual subjects in art, pederasty Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
signs and semiotics Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
spoils Pandey, The Poetics of Power in Augustan Rome (2018) 225
succession Pandey, The Poetics of Power in Augustan Rome (2018) 234, 235
surveillance Pandey, The Poetics of Power in Augustan Rome (2018) 234
symmachus Ando, Imperial Ideology and Provincial Loyalty in the Roman Empire (2013) 256
temple, as metaliterary devices Pandey, The Poetics of Power in Augustan Rome (2018) 225
temple Pandey, The Poetics of Power in Augustan Rome (2018) 236
tiberius Pandey, The Poetics of Power in Augustan Rome (2018) 225, 234, 235, 236
titus Ando, Imperial Ideology and Provincial Loyalty in the Roman Empire (2013) 256
transformations, audience as composed of the transformed Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
transformations, grief and Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
transformations, human consciousness retained after Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
transformations, into trees Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
transience Pandey, The Poetics of Power in Augustan Rome (2018) 235, 236
triumph, of poets and fame Pandey, The Poetics of Power in Augustan Rome (2018) 225, 226
triumph, servus publicus Pandey, The Poetics of Power in Augustan Rome (2018) 235
triumph Skempis and Ziogas, Geography, Topography, Landscape: Configurations of Space in Greek and Roman Epic (2014) 339
triumphs, artwork of Ando, Imperial Ideology and Provincial Loyalty in the Roman Empire (2013) 256
vegetation, transformations into Johnson, Ovid before Exile: Art and Punishment in the Metamorphoses (2008) 110
vergil, aeneid Keith and Myers, Vergil and Elegy (2023) 189
vespasian, triumph of Ando, Imperial Ideology and Provincial Loyalty in the Roman Empire (2013) 256
world' Pandey, The Poetics of Power in Augustan Rome (2018) 225