1. Hebrew Bible, Deuteronomy, 16.14 (9th cent. BCE - 3rd cent. BCE)
| 16.14. וְשָׂמַחְתָּ בְּחַגֶּךָ אַתָּה וּבִנְךָ וּבִתֶּךָ וְעַבְדְּךָ וַאֲמָתֶךָ וְהַלֵּוִי וְהַגֵּר וְהַיָּתוֹם וְהָאַלְמָנָה אֲשֶׁר בִּשְׁעָרֶיךָ׃ | 16.14. And thou shalt rejoice in thy feast, thou, and thy son, and thy daughter, and thy man-servant, and thy maid-servant, and the Levite, and the stranger, and the fatherless, and the widow, that are within thy gates." |
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2. Hebrew Bible, Psalms, 128.6, 134.1 (9th cent. BCE - 3rd cent. BCE)
| 128.6. וּרְאֵה־בָנִים לְבָנֶיךָ שָׁלוֹם עַל־יִשְׂרָאֵל׃ 134.1. שִׁיר הַמַּעֲלוֹת הִנֵּה בָּרֲכוּ אֶת־יְהוָה כָּל־עַבְדֵי יְהוָה הָעֹמְדִים בְּבֵית־יְהוָה בַּלֵּילוֹת׃ | 128.6. And see thy children's children. Peace be upon Israel!" 134.1. A Song of Ascents. Behold, bless ye the LORD, all ye servants of the LORD, That stand in the house of the LORD in the night seasons." |
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3. Hebrew Bible, 1 Kings, 7.21 (8th cent. BCE - 5th cent. BCE)
| 7.21. וַיָּקֶם אֶת־הָעַמֻּדִים לְאֻלָם הַהֵיכָל וַיָּקֶם אֶת־הָעַמּוּד הַיְמָנִי וַיִּקְרָא אֶת־שְׁמוֹ יָכִין וַיָּקֶם אֶת־הָעַמּוּד הַשְּׂמָאלִי וַיִּקְרָא אֶת־שְׁמוֹ בֹּעַז׃ | 7.21. And he set up the pillars at the porch of the temple; and he set up the right pillar, and called the name thereof Jachin; and he set up the left pillar, and called the name thereof Boaz." |
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4. Hebrew Bible, Isaiah, 12.3 (8th cent. BCE - 5th cent. BCE)
| 12.3. וּשְׁאַבְתֶּם־מַיִם בְּשָׂשׂוֹן מִמַּעַיְנֵי הַיְשׁוּעָה׃ | 12.3. Therefore with joy shall ye draw water Out of the wells of salvation." |
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5. Septuagint, Judith, 15.12 (2nd cent. BCE - 0th cent. CE)
| 15.12. Then all the women of Israel gathered to see her, and blessed her, and some of them performed a dance for her; and she took branches in her hands and gave them to the women who were with her; |
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6. Mishnah, Arakhin, 2.6 (1st cent. CE - 3rd cent. CE)
| 2.6. There were never less than twelve levites standing on the platform and their number could be increased into infinity. No minor could enter the court of the sanctuary to take part in the service except when the Levites stood up to sing. Nor did they join in the singing with harp and lyre, but with the mouth alone, to add flavor to the music. Rabbi Eliezer ben Jacob said: they did not count in the required number, nor did they stand on the platform. Rather they would stand on the ground, so that their heads were between the feet of the levites. And they were called the youth of the Levites." |
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7. Mishnah, Berachot, 5.5 (1st cent. CE - 3rd cent. CE)
| 5.5. One who is praying and makes a mistake, it is a bad sign for him. And if he is the messenger of the congregation (the prayer leader) it is a bad sign for those who have sent him, because one’s messenger is equivalent to one’s self. They said about Rabbi Hanina ben Dosa that he used to pray for the sick and say, “This one will die, this one will live.” They said to him: “How do you know?” He replied: “If my prayer comes out fluently, I know that he is accepted, but if not, then I know that he is rejected.”" |
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8. Mishnah, Middot, 2.5 (1st cent. CE - 3rd cent. CE)
| 2.5. The courtyard of the women was a hundred and thirty-five cubits long by a hundred and thirty-five wide. It had four chambers in its four corners, each of which was forty cubits. They were not roofed, and so they will be in the time to come, as it says, “Then he brought me forth into the outer court, and caused me to pass by the four corners of the court, and behold in every corner of the court there was a court. In the four corners of the court there were keturot courts” (Ezekiel 46:21-22) and keturot means that they were not roofed. For what were they used? The southeastern one was the chamber of the Nazirites where the Nazirites used to boil their shelamim and shave their hair and throw it under the pot. The northeastern one was the wood chamber where priests with physical defects used to pick out the wood which had worms, every piece with a worm in it being unfit for use on the altar. The northwestern one was the chamber of those with skin disease. The southwestern one: Rabbi Eliezer ben Jacob said: I forget what it was used for. Abba Shaul says: they used to store there wine and oil, and it was called the chamber of oil. It [the courtyard of the women] had originally been smooth [without protrusions in the walls] but subsequently they surrounded it with a balcony so that the women could look on from above while the men were below, and they should not mix together. Fifteen steps led up from it to the courtyard of Israel, corresponding to the fifteen [songs of] ascents mentioned in the Book of Psalms, and upon which the Levites used to sing. They were not rectangular but circular like the half of a threshing floor." |
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9. Mishnah, Sotah, 9.15 (1st cent. CE - 3rd cent. CE)
| 9.15. When Rabbi Meir died, the composers of fables ceased. When Ben Azzai died, the diligent students [of Torah] ceased. When Ben Zoma died, the expounders ceased. When Rabbi Joshua died, goodness ceased from the world. When Rabban Shimon ben Gamaliel died, locusts come and troubles multiplied. When Rabbi Elazar ben Azaryah died, the sages ceased to be wealthy. When Rabbi Akiba died, the glory of the Torah ceased. When Rabbi Hanina ben Dosa died, men of wondrous deeds ceased. When Rabbi Yose Katnuta died, the pious men (hasidim) ceased and why was his name called Katnuta? Because he was the youngest of the pious men. When Rabban Yoha ben Zakkai died, the splendor of wisdom ceased. When Rabban Gamaliel the elder died, the glory of the torah ceased, and purity and separateness perished. When Rabbi Ishmael ben Fabi died, the splendor of the priesthood ceased. When Rabbi died, humility and fear of sin ceased. Rabbi Phineas ben Yair says: when Temple was destroyed, scholars and freemen were ashamed and covered their head, men of wondrous deeds were disregarded, and violent men and big talkers grew powerful. And nobody expounds, nobody seeks, and nobody asks. Upon whom shall we depend? Upon our father who is in heaven. Rabbi Eliezer the Great says: from the day the Temple was destroyed, the sages began to be like scribes, scribes like synagogue-attendants, synagogue-attendants like common people, and the common people became more and more debased. And nobody seeks. Upon whom shall we depend? Upon our father who is in heaven. In the footsteps of the messiah insolence (hutzpah) will increase and the cost of living will go up greatly; the vine will yield its fruit, but wine will be expensive; the government will turn to heresy, and there will be no one to rebuke; the meeting-place [of scholars] will be used for licentiousness; the Galilee will be destroyed, the Gablan will be desolated, and the dwellers on the frontier will go about [begging] from place to place without anyone to take pity on them; the wisdom of the learned will rot, fearers of sin will be despised, and the truth will be lacking; youths will put old men to shame, the old will stand up in the presence of the young, “For son spurns father, daughter rises up against mother, daughter-in-law against mother-in-law a man’s own household are his enemies” (Micah 7:6). The face of the generation will be like the face of a dog, a son will not feel ashamed before his father. Upon whom shall we depend? Upon our father who is in heaven. Rabbi Pinchas ben Yair says, “Heedfulness leads to cleanliness, cleanliness leads to purity, purity leads to separation, separation leads to holiness, holiness leads to modesty, modesty leads to fear of sin, fear of sin leads to piety, piety leads to the Holy Spirit, The Holy Spirit leads to the resurrection of the dead, and the resurrection of the dead comes from Elijah, blessed be his memory, Amen.”" |
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10. Mishnah, Sukkah, 4.4-4.6, 4.9-4.10, 5.2-5.5 (1st cent. CE - 3rd cent. CE)
| 4.4. The mitzvah of the lulav how was it carried out? If the first day of the festival fell on Shabbat, they brought their lulavim to the Temple Mount, and the attendants would receive them and arrange them on top of the portico, and the elders laid theirs in the chamber. And they would teach the people to say, “Whoever gets my lulav in his hand, let it be his as a gift.” The next day they got up early, and came [to the Temple Mount] and the attendants threw down [their lulavim] before them, and they snatched at them, and so they used to come to blows with one another. When the court saw that they reached a state of danger, they instituted that each man should take [his lulav] in his own home." 4.5. The mitzvah of the aravah how was it [performed]?There was a place below Jerusalem called Moza. They went down there and gathered tall branches of aravot and then they came and stood them up at the sides of the altar, and their tops were bent over the altar. They then sounded a teki’ah [long blast], a teru’ah [staccato blast] and again a teki’ah. Every day they went round the altar once, saying, “O Lord, save us, O Lord, make us prosper” (Psalms 118:. Rabbi Judah says: “Ani vaho, save us.” On that day they went round the altar seven times. When they departed, what did they say? “O altar, beauty is to you! O altar, beauty is to you!” Rabbi Eliezer said: [they would say,] “To the Lord and to you, O altar, to the Lord and to you, O altar.”" 4.6. As was its performance on a weekday, so was its performance on Shabbat, except that they would gather them on the eve of Shabbat and place them in golden basins so that they would not become wilted. Rabbi Yoha ben Beroka says: they used to bring palm branches and they would beat them on the ground at the sides of the altar, and that day was called “[the day of] the beating of the palm branches.”" 4.9. How was the water libation [performed]? A golden flask holding three logs was filled from the Shiloah. When they arrived at the water gate, they sounded a teki'ah [long blast], a teru'ah [a staccato note] and again a teki'ah. [The priest then] went up the ascent [of the altar] and turned to his left where there were two silver bowls. Rabbi Judah says: they were of plaster [but they looked silver] because their surfaces were darkened from the wine. They had each a hole like a slender snout, one being wide and the other narrow so that both emptied at the same time. The one on the west was for water and the one on the east for wine. If he poured the flask of water into the bowl for wine, or that of wine into that for water, he has fulfilled his obligation. Rabbi Judah says: with one log he performed the ceremony of the water-libation all eight days. To [the priest] who performed the libation they used to say, “Raise your hand”, for one time, a certain man poured out the water over his feet, and all the people pelted him with their etrogs." 4.10. As it was performed on weekdays, so was it was performed on Shabbat, save that on the eve of Shabbat he would fill a non-sanctified golden barrel from the Shiloah, and place it in the chamber. If it was poured away or uncovered, he would refill it from the laver, for wine or water which has become uncovered is invalid for the altar." 5.2. At the conclusion of the first festival day of Sukkot they descended to the Women’s Court (Ezrat Nashim) and they would make there a great enactment. And golden candlesticks were there, and four golden bowls on the top of each of them and four ladders to each, and four youths drawn from the young priests, and in their hands there were jars of oil containing one hundred and twenty logs which they poured into the bowls." 5.3. From the worn-out pants and belts of the priests they made wicks and with them they kindled the lamps. And there was not a courtyard in Jerusalem that was not illuminated by the light of the Bet Hashoevah." 5.4. Men of piety and good deeds used to dance before them with lighted torches in their hands, and they would sing songs and praises. And Levites with innumerable harps, lyres, cymbals and trumpets and other musical instruments stood upon the fifteen steps leading down from the Court of the Israelites to the Court of the Women, corresponding to the fifteen songs of ascents in the Psalms, and it was on these [steps] that the Levites stood with their musical instruments and sang their songs. Two priests stood by the upper gate which leads down from the Court of the Israelites to the Court of the Women, with two trumpets in their hands. When the cock crowed they sounded a teki'ah [drawn-out blast], a teru'ah [staccato note] and again a teki'ah. When they reached the tenth step they sounded a teki'ah, a teru'ah and again a teki'ah. When they reached the Court [of the Women] they sounded a teki'ah, a teru'ah and again a teki'ah. They would sound their trumpets and proceed until they reached the gate which leads out to the east. When they reached the gate which leads out to the east, they turned their faces from east to west and said, “Our fathers who were in this place ‘their backs were toward the Temple of the Lord, and their faces toward the east, and they worshipped the sun toward the east’, but as for us, our eyes are turned to the Lord.” Rabbi Judah said: they used to repeat [the last words] and say “We are the Lord’s and our eyes are turned to the Lord.”" 5.5. They never have less than twenty-one blasts in the Temple, and never more than forty-eight. Every day there were twenty-one blasts in the Temple, three at the opening of the gates, nine at the morning tamid sacrifice, and nine at the evening tamid sacrifice. At the musafim (additional sacrifices) they would add another nine. And on the eve of Shabbat they would add another six, three as a sign to the people to stop working and three to mark a distinction between the holy and the profane. On the eve of Shabbat in the intermediate days of the [Sukkoth] festival, there were [therefore] forty-eight blasts: three at the opening of the gates, three at the upper gate, three at the lower gate, three at the water-drawing, three at the altar, nine at the daily morning sacrifice, nine at the daily evening sacrifice, nine at the additional sacrifices, three as a sign to the people to cease from work, and three to mark a distinction between the holy and the profane." |
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11. Mishnah, Taanit, 4.8 (1st cent. CE - 3rd cent. CE)
| 4.8. Section one: Rabbi Shimon ben Gamaliel said: There were no days of joy in Israel greater than the fifteenth of Av and Yom Kippur. Section two: On these days the daughters of Jerusalem would go out in borrowed white garments in order not to shame any one who had none. All these garments required immersion. The daughters of Jerusalem come out and dance in the vineyards. What would they say? Young man, lift up your eyes and see what you choose for yourself. Do not set your eyes on beauty but set your eyes on the family. “Grace is deceitful, and beauty is vain, but a woman that fears the Lord, she shall be praised” (Proverbs 31:30). And it further says, “Give her of the fruit of her hands; and let her works praise her in the gates” (ibid, 31:31). Section three: Similarly it says, “O maidens of Zion, go forth and gaze upon King Solomon wearing the crown that his mother gave him on his wedding day, on the day of the gladness of his heart” (Song of Songs 3:11). “On his wedding day”: this refers to Matan Torah (the Giving of the Torah). “And on the day of the gladness of his heart”: this refers to the building of the Temple; may it be rebuilt speedily in our days, Amen." |
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12. Mishnah, Tamid, 7.4 (1st cent. CE - 3rd cent. CE)
| 7.4. The following are the psalms that were chanted in the Temple.On the first day they used to say, “The earth is the Lord's and the fullness thereof, the world and they that dwell therein” (Psalms. On the second day they used to say: “Great is the Lord and highly to be praised, in the city of our God. His holy mountain” (Psalms. On the third day they used to say: “God stands in the congregation of God, in the midst of the judges he judges” (Psalms. On the fourth day they used to say: “O Lord, God to whom vengeance belongs. God to whom vengeance belongs, shine forth” (Psalms. On the fifth day they used to say: “Sing aloud unto God our strength, shout unto the God of Jacob” (Psalms. On the sixth day they used to say: “The lord reigns, he is clothed in majesty, the Lord is clothed, He has girded himself with strength” (Psalms. On Shabbat they used to say: “A psalm, a song for the Sabbath day” (Psalms. A psalm, a song for the time to come, for the day that will be all Shabbat and rest for everlasting life. Congratulations! We have finished Tractate Tamid! It is a tradition at this point to thank God for helping us finish learning the tractate and to commit ourselves to going back and relearning it, so that we may not forget it and so that its lessons will stay with us for all of our lives. Tamid may have been one of the more unusual tractates that we have ever learned. Instead of disputes between sages, heaps of logic and laws, we get an intricate description of the Temple service. Indeed, although the language is clearly rabbinic Hebrew, its descriptive style is more characteristic of the Bible than of rabbinic literature. It is likely that these descriptions, or at least parts thereof, come from Temple times. They were preserved because the rabbis fervently hoped that the Temple would be rebuilt during their own lifetimes. While we may or may not share in this wish, I think we can all appreciate the respect in which they held this ceremony. Despite the fact that it was performed each and every day, twice every day, they don’t seem to have lost their sense of wonder at the intimate connection that they received with God through the sacrificial process. I hope you have enjoyed Tamid. Tomorrow we begin Tractate Middot (the last tractate in Seder Kodashim!)." |
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13. Mishnah, Shekalim, 5.1 (1st cent. CE - 3rd cent. CE)
| 5.1. These were the officers in the Temple:Yoha the son of Pinchas was over the seals. Ahiyah over the libations. Mattityah the son of Shmuel over the lots. Petahiah over the bird-offering. (Petahiah was Mordecai. Why was his name called Petahiah? Because he ‘opened’ matters and expounded them, and he understood the seventy tongues). The son of Ahijah over the sickness of the bowels. Nehuniah, the digger of ditches. Gevini, the crier. The son of Gever over the locking of the gates. The son of Bevai over the strips [for lighting the menorah]. The son of Arza over the cymbal. Hugras the son of Levi over the song. The house of Garmu over the making of the showbread. The house of Avtinas over the preparing of the frankincense. Elazar over the curtains. And Pinchas over the priestly vestments." |
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14. Tosefta, Sukkah, 4.1 (1st cent. CE - 2nd cent. CE)
| 4.1. Formerly when they were beholding the joy at the ceremony of the water drawing, the men were beholding it from within the Temple precincts and the women from without. But when the supreme court saw that they behaved in a frivolous manner they erected three balconies in the court, facing the three sides, that from them the women might behold the rejoicing at the ceremony. So when they were beholding the rejoicing at the ceremony the sexes were not mixed up together." |
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15. Babylonian Talmud, Sukkah, None (3rd cent. CE - 6th cent. CE)
| 51a. כתנאי (דתניא) עבדי כהנים היו דברי ר' מאיר רבי יוסי אומר משפחת בית הפגרים ומשפחת בית ציפריא ומאמאום היו שהיו משיאין לכהונה,ר' חנינא בן אנטיגנוס אומר לוים היו מאי לאו בהא קא מיפלגי דמאן דאמר עבדים היו קסבר עיקר שירה בפה ומאן דאמר לוים היו קסבר עיקר שירה בכלי,ותסברא רבי יוסי מאי קסבר אי קסבר עיקר שירה בפה אפילו עבדים נמי אי קסבר עיקר שירה בכלי לוים אין ישראלים לא,אלא דכולי עלמא עיקר שירה בפה ובהא קא מיפלגי דמר סבר הכי הוה מעשה ומר סבר הכי הוה מעשה,למאי נפקא מינה למעלין מדוכן ליוחסין ולמעשר קא מיפלגי,מאן דאמר עבדים היו קסבר אין מעלין מדוכן ליוחסין ולא למעשר ומאן דאמר ישראל היו קסבר מעלין מדוכן ליוחסין אבל לא למעשר ומאן דאמר לוים היו קסבר מעלין מדוכן בין ליוחסין בין למעשר,ורבי ירמיה בר אבא אמר מחלוקת בשיר של שואבה דרבי יוסי בר יהודה סבר שמחה יתירה נמי דוחה את השבת ורבנן סברי שמחה יתירה אינה דוחה את השבת אבל בשיר של קרבן דברי הכל עבודה היא ודוחה את השבת,מיתיבי שיר של שואבה דוחה את השבת דברי רבי יוסי בר יהודה וחכמים אומרים אף יום טוב אינו דוחה תיובתא דרב יוסף תיובתא,לימא בשיר של שואבה הוא דפליגי אבל בשיר של קרבן דברי הכל דוחה את השבת לימא תיהוי תיובתא דרב יוסף בתרתי,אמר לך רב יוסף פליגי בשיר של שואבה והוא הדין לקרבן והאי דקמיפלגי בשיר של שואבה להודיעך כחו דרבי יוסי בר יהודה דאפילו דשואבה נמי דחי,והא קתני זהו חליל של בית השואבה שאינו דוחה לא את השבת ולא את יום טוב זהו דאינו דוחה אבל דקרבן דוחה מני אי נימא רבי יוסי בר יהודה האמר שיר של שואבה נמי דוחה אלא לאו רבנן ותיובתא דרב יוסף בתרתי תיובתא,מאי טעמא דמאן דאמר עיקר שירה בכלי דכתיב (דברי הימים ב כט, כז) ויאמר חזקיהו להעלות העולה להמזבח ובעת החל העולה החל שיר ה' והחצוצרות ועל ידי כלי דויד מלך ישראל,מ"ט דמאן דאמר עיקר שירה בפה דכתיב (דברי הימים ב ה, יג) ויהי כאחד למחצצרים ולמשוררים להשמיע קול אחד,ואידך נמי הא כתיב ויאמר חזקיהו הכי קאמר החל שיר ה' בפה על ידי כלי דויד מלך ישראל לבסומי קלא,ואידך נמי הא כתיב ויהי כאחד למחצצרים ולמשוררים הכי קאמר משוררים דומיא דמחצצרים מה מחצצרים בכלי אף משוררים בכלי:, big strongמתני׳ /strong /big מי שלא ראה שמחת בית השואבה לא ראה שמחה מימיו במוצאי יום טוב הראשון של חג ירדו לעזרת נשים ומתקנין שם תיקון גדול מנורות של זהב היו שם וארבעה ספלים של זהב בראשיהם וארבעה סולמות לכל אחד ואחד וארבעה ילדים מפירחי כהונה ובידיהם כדים של מאה ועשרים לוג שהן מטילין לכל ספל וספל מבלאי מכנסי כהנים ומהמייניהן מהן היו מפקיעין ובהן היו מדליקין ולא היה חצר בירושלים שאינה מאירה מאור בית השואבה,חסידים ואנשי מעשה היו מרקדין בפניהם | 51a. This dispute is bparallelto another dispute between itanna’im /i, as it is taughtin a mishna in tractate iArakhin /i: The Temple musicians bwere slaves of priests;this is bthe statement of Rabbi Meir. Rabbi Yosei says:The musicians were not slaves; they were Israelites from bthe family of the House of Happegarim and the family of the House of Tzipperaya. And they were fromthe city of bEmma’um,and their lineage was sufficiently distinguished bthat they would marrytheir daughters btomembers of bthe priesthood. /b, bRabbi Ḥanina ben Antigonus says: They were Levites. What, is it not that they disagree with regard to this; that the one who saidthat the musicians bwere slaves holdsthat the bprimaryessence of bsongis singing bwith the mouth.Since the instrumental music is mere accompaniment, it could be performed by slaves. bAnd the one who said thatthe musicians bwere Levites holdsthat the bprimaryessence of bsongis accompaniment bbymusical binstruments.Therefore, the musicians were Levites, who were tasked with the song that was part of the Temple service.,The Gemara asks: bAndhow can byou understandthe mishna that way? According to that explanation, bwhat does Rabbi Yosei hold? If he holdsthat the bprimaryessence of bsongis singing bwith the mouth,then beven slavescan balsoplay the instruments. Why then does he require that the musicians be from Israelite families of distinguished lineage? bIf he holdsthat the bprimaryessence of bsongis accompaniment bbymusical binstruments,he should have said: bLevites, yes,they may play the instruments, but bIsraelites, no,they may not., bRather,the explanation of the dispute is bthat everyone agreesthat the bprimaryessence of bsongis singing bwith the mouthand the musical instruments are merely for accompaniment. bAndit is bwith regard to this that they disagree:It is bthatone bSage holdsthat the beventtook place in bthismanner, i.e., slaves played the instruments, bandone bSage holdsthat the beventtook place in bthismanner, i.e., Israelite families of distinguished lineage played the instruments.,The Gemara asks: bWhatpractical halakhic bdifference is therewhether one group or another played the instruments? The Gemara answers: It is with regard btowhether bone elevatesa Levite bfrom the platform tothe presumptive status of distinguished blineage andeligibility btoreceive btithes that they disagree.Is it possible to draw the conclusion that a family is of distinguished lineage or eligible to receive tithes based on the fact that a member or ancestor of that family played a musical instrument on the Temple platform?, bThe one who said thatthe musicians bwere slaves holdsthat bone does not elevate from the platform tothe presumptive status of distinguished blineage andeligibility btoreceive btithes. And the one who said thatthe musicians bwere Israelites holdsthat bone elevatesa Levite bfrom the platformto the presumptive status of distinguished blineage but noteligibility btoreceive btithes. And the one who said thatthe musicians bwere Levites holdsthat bone elevatesa Levite bfrom the platform tothe presumptive status of distinguished blineageand eligibility btoreceive btithes. /b,§ The Gemara cites an opinion that disagrees with that of Rav Yosef. bAnd Rabbi Yirmeya bar Abba said: The disputebetween Rabbi Yosei bar Yehuda and the Rabbis bis with regard to the song ofthe bDrawingof the Water. bRabbi Yosei bar Yehuda holdsthat bextra rejoicing also overrides Shabbat, and the Rabbis holdthat bextra rejoicing does not override Shabbat. However, with regard tothe bsong thatthe Levites sang accompanying ban offering, everyone agreesthat it is part of the Temple bservice, and overrides Shabbat. /b,The Gemara braises an objectionto the opinion of Rav Yosef that the dispute is with regard to the song that the Levites sang accompanying the daily offering: bThe song ofthe bDrawingof the Water boverrides Shabbat;this is bthe statement of Rabbi Yosei bar Yehuda. And the Rabbis say: It does not override even the Festival.Apparently, their dispute is with regard to the song of the Drawing of the Water. Say that this is ba conclusive refutationof the opinion bof Rav Yosef.The Gemara concludes: Indeed, it is ba conclusive refutation. /b,The Gemara suggests: bLet us say,based on this ibaraita /i, that bit is with regard to the song ofthe bDrawingof the Water alone bthat they disagree; however, with regard to the song thatthe Levites sang accompanying bthedaily boffering, everyone saysthat bit overrides Shabbat.If so, blet us saythat bthis will be a conclusive refutation ofthe opinion bof Rav Yosef on twocounts. According to Rav Yosef, the dispute is with regard to the song of the Drawing of the Water, and not with regard to the song the Levites sang accompanying the daily offering. The above suggestion refutes both aspects of his opinion., bRav Yosefcould have bsaid to you: They disagree with regard to the song ofthe bDrawingof the Water band the same is true forthe song that the Levites sang accompanying ban offering. Andthe fact bthat they disagreespecifically bwith regard to the song ofthe bDrawingof the Water and do not specifically mention the song that the Levites sang accompanying the daily offering bis to convey to you the far-reachingnature of the opinion bof Rabbi Yosei bar Yehuda, that even thesong bofthe bDrawingof the Water balso overridesShabbat.,The Gemara asks: bBut isn’t it taughtin the mishna: bThis isthe bflute of the Place of the Drawingof the Water, bwhich overrides neither Shabbat northe bFestival.By inference, bthis isthe flute bthat does not overrideShabbat; bhowever,the flute that accompanies bthedaily boffering overridesShabbat. The Gemara asks: bWho isthe itannaof the mishna? bIf we sayit is bRabbi Yosei bar Yehuda, didn’t he say that the song ofthe bDrawingof the Water balso overridesShabbat? bRather, is it not the Rabbis, andsay that this is ba conclusive refutationof bRav Yosef on twocounts. The Gemara concludes: Indeed, it is ba conclusive refutation. /b,The Gemara asks: bWhat is the rationalefor the opinion bof the one who said:The bprimaryessence of bsongis singing accompanied bbymusical binstruments?The Gemara answers: It is bas it is written: “And Hezekiah commanded to sacrifice the burnt-offering upon the altar. And when the burnt-offering began, the song of the Lord began also, and the trumpets, together with the instruments of David, king of Israel”(II Chronicles 29:27), indicating that the song of God that accompanies the offering is played by trumpets and other instruments.,The Gemara asks: bWhat is the rationalefor the opinion bof the one who said:The bprimaryessence of bsongis singing bwith the mouth?The Gemara answers: It is bas it is written: “And it came to pass, when the trumpeters and the singers were as one to make one sound”(II Chronicles 5:13). Since the verse does not mention any musical instrument played with the singing other than the trumpets, and the trumpets were not sounded as accompaniment for the singers, apparently the primary essence of song is singing with the mouth. The trumpets were sounded in order to accompany the sacrifice of the daily and additional offerings with the requisite sounds of itekiaand iterua /i.,The Gemara asks: bAndaccording to bthe other itanna btoo,who holds that the primary essence of song is singing with the mouth, bisn’t it written: “And Hezekiah commanded /b…the song of the Lord began also, and the trumpets, together with the instruments,” indicating that the instruments are the primary essence? The Gemara answers: bThis is whatthe verse bis saying: “The song of the Lord began,”indicates that the primary essence is bwith the mouth; “with the instruments of David, King of Israel,”is bto sweeten the sound,as the instruments are merely to accompany and enhance the singing.,The Gemara asks: bAndaccording to bthe other itanna btoo,who holds that the primary essence of song is singing accompanied by musical instruments, bisn’t it written: “And it came to pass, when the trumpeters and the singers were as one,”indicating that the primary essence is with the mouth? The Gemara answers: bThis is whatthe verse bis saying:Through their juxtaposition, one derives that the bsingersare bsimilar to the trumpeters; just as trumpetersproduce their sound bwith an instrument, so toothe bsingersproduce their song bwith an instrument. /b, strongMISHNA: /strong bOne who did not see the Celebration of the Place of the Drawingof the Water bnever saw celebration in his days.This was the sequence of events: bAt the conclusion of the first Festivalday the priests and the Levites bdescendedfrom the Israelites’ courtyard bto the Women’s Courtyard, where they would introduce a significant repair,as the Gemara will explain. bThere were golden candelabraatop poles btherein the courtyard. bAndthere were bfour basinsmade bof gold at the topof each candelabrum. bAndthere were bfour ladders for each and everypole bandthere were bfour children from the priesthood trainees, and in their handswere bpitcherswith a capacity bof 120 ilog /iof oil bthat they would pour into each and every basin. From the worn trousers of the priests and their belts they would loosenand tear strips to use as wicks, band with them they would lightthe candelabra. bAndthe light from the candelabra was so bright that bthere was not a courtyard in Jerusalem that was not illuminated from the light of the Place of the Drawingof the Water.,The bpious andthe bmen of action would dance beforethe people who attended the celebration |
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16. Anon., Avot Derabbi Nathan A, 12 (6th cent. CE - 8th cent. CE)
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