Tiresias: The Ancient Mediterranean Religions Source Database

5611

Euripides, Andromache, 1103
NaN

Intertexts (texts cited often on the same page as the searched text):

31 results

1. Homer, Iliad, 20.353 (8th cent. BCE - 7th cent. BCE)

2. Homer, Odyssey, 14.434-14.436 (8th cent. BCE - 7th cent. BCE)

3. Aeschylus, Eumenides, 107-109, 806, 106 (6th cent. BCE - 5th cent. BCE)

106. ἦ πολλὰ μὲν δὴ τῶν ἐμῶν ἐλείξατε

4. Aeschylus, Persians, 203-205, 202 (6th cent. BCE - 5th cent. BCE)

202. ἔψαυσα πηγῆς, σὺν θυηπόλῳ χερὶ

5. Pindar, Nemean Odes, 7.34, 7.42-7.47 (6th cent. BCE - 5th cent. BCE)

6. Aristophanes, Acharnians, 246-249, 148 (5th cent. BCE - 4th cent. BCE)

148. ὁ δ' ὤμοσε σπένδων βοηθήσειν ἔχων

7. Aristophanes, Birds, 1231-1233, 1021 (5th cent. BCE - 4th cent. BCE)

1021. ποῦ πρόξενοι; τίς ὁ Σαρδανάπαλλος οὑτοσί;

8. Aristophanes, Clouds, 274 (5th cent. BCE - 4th cent. BCE)

274. ὑπακούσατε δεξάμεναι θυσίαν καὶ τοῖς ἱεροῖσι χαρεῖσαι.

9. Aristophanes, Peace, 1013-1014, 1023-1126, 1172-1178, 1186, 1229, 1253, 1264, 1275, 1290, 433, 976, 1009 (5th cent. BCE - 4th cent. BCE)

1009. τένθαις πολλοῖς: κᾆτα Μελάνθιον

10. Aristophanes, The Rich Man, 1137-1138, 677-678, 820, 1136 (5th cent. BCE - 4th cent. BCE)

1136. εἴ μοι πορίσας ἄρτον τιν' εὖ πεπεμμένον

11. Euripides, Alcestis, 120, 119 (5th cent. BCE - 5th cent. BCE)

12. Euripides, Andromache, 1000-1008, 1032, 1064, 1075, 1085-1102, 1104-1172, 1176, 1187, 1211, 1218, 1226-1272, 147-273, 309-319, 32, 320-332, 334-351, 361-363, 381, 41, 43-44, 445-463, 47-48, 518, 53, 547-746, 763, 805, 854, 922-928, 993-999, 10 (5th cent. BCE - 5th cent. BCE)

10. ῥιφθέντα πύργων ̓Αστυάνακτ' ἀπ' ὀρθίων

13. Euripides, Electra, 1125-1131, 439, 713-726, 783-814, 1124 (5th cent. BCE - 5th cent. BCE)

1124. ἤκουσας, οἶμαι, τῶν ἐμῶν λοχευμάτων:

1124. You have heard, I suppose, that I have given birth;

14. Euripides, Hecuba, 1260 (5th cent. BCE - 5th cent. BCE)

1260. μῶν ναυστολήσῃ γῆς ὅρους ̔Ελληνίδος;

1260. Shall convey me to the shores of Hellas ? Polymestor

15. Euripides, Helen, 1576 (5th cent. BCE - 5th cent. BCE)

1576. βοῆς κελευστοῦ φθέγμαθ' ὡς ἠκούσαμεν.

16. Euripides, Children of Heracles, 127, 341, 121 (5th cent. BCE - 5th cent. BCE)

121. βοηδρομήσας τήνδ' ἐπ' ἐσχάραν Διός

17. Euripides, Hercules Furens, 923-930, 922 (5th cent. BCE - 5th cent. BCE)

922. Victims to purify the house were stationed before the altar of Zeus, for Heracles had slain and cast from his halls the king of the land.

18. Euripides, Hippolytus, 1026-1031, 1055-1059, 1191, 1286-1289, 1298-1300, 1305-1324, 1415, 611-612, 657-658, 887-890, 1025 (5th cent. BCE - 5th cent. BCE)

1025. Now by Zeus, the god of oaths, and by the earth, whereon we stand, I swear to thee I never did lay hand upon thy wife nor would have wished to, or have harboured such a thought Slay me, ye gods! rob me of name and honour, from home and city cast me forth, a wandering exile o’er the earth!

19. Euripides, Ion, 1122-1128, 1132, 1168, 13, 184-189, 196-197, 226-229, 335, 369, 414, 551, 625-626, 665, 1039 (5th cent. BCE - 5th cent. BCE)

1039. Go thou within the house of our public hosts;

20. Euripides, Iphigenia At Aulis, 1260 (5th cent. BCE - 5th cent. BCE)

1260. and the numbers of bronze-clad warriors from Hellas, who can neither make their way to Ilium ’s towers nor raze the far-famed citadel of Troy , unless I offer you according to the word of Calchas the seer. The following passage from 1. 1264-75 is regarded by Dindorf as spurious. Hennig thinks 1. 1269 and ll. 1271-75 are genuine. Some mad desire possesses the army of Hella

21. Euripides, Phoenician Women, 174, 284, 173 (5th cent. BCE - 5th cent. BCE)

173. That, lady, is the prophet Amphiaraus; with him are the victims, earth’s bloodthirsty streams. Antigone

22. Euripides, Suppliant Women, 1195-1202, 290, 1194 (5th cent. BCE - 5th cent. BCE)

23. Euripides, Trojan Women, 16-17, 481-483, 15 (5th cent. BCE - 5th cent. BCE)

15. Groves stand forsaken and temples of the gods run down with blood, and at the altar’s very base, before the god who watched his home, Priam lies dead. While to Achaean ships great store of gold and Phrygian spoils are being conveyed

24. Herodotus, Histories, 8.136, 8.143 (5th cent. BCE - 5th cent. BCE)

8.136. Mardonius read whatever was said in the oracles, and presently he sent a messenger to Athens, Alexander, a Macedonian, son of Amyntas. Him he sent, partly because the Persians were akin to him; Bubares, a Persian, had taken to wife Gygaea Alexander's sister and Amyntas' daughter, who had borne to him that Amyntas of Asia who was called by the name of his mother's father, and to whom the king gave Alabanda a great city in Phrygia for his dwelling. Partly too he sent him because he learned that Alexander was a protector and benefactor to the Athenians. ,It was thus that he supposed he could best gain the Athenians for his allies, of whom he heard that they were a numerous and valiant people, and knew that they had been the chief authors of the calamities which had befallen the Persians at sea. ,If he gained their friendship he thought he would easily become master of the seas, as truly he would have been. On land he supposed himself to be by much the stronger, and he accordingly reckoned that thus he would have the upper hand of the Greeks. This chanced to be the prediction of the oracles which counseled him to make the Athenians his ally. It was in obedience to this that he sent his messenger. 8.143. But to Alexander the Athenians replied as follows: “We know of ourselves that the power of the Mede is many times greater than ours. There is no need to taunt us with that. Nevertheless in our zeal for freedom we will defend ourselves to the best of our ability. But as regards agreements with the barbarian, do not attempt to persuade us to enter into them, nor will we consent. ,Now carry this answer back to Mardonius from the Athenians, that as long as the sun holds the course by which he now goes, we will make no agreement with Xerxes. We will fight against him without ceasing, trusting in the aid of the gods and the heroes whom he has disregarded and burnt their houses and their adornments. ,Come no more to Athenians with such a plea, nor under the semblance of rendering us a service, counsel us to act wickedly. For we do not want those who are our friends and protectors to suffer any harm at Athenian hands.”

25. Menander, Dyscolus, 494 (4th cent. BCE - 3rd cent. BCE)

26. Theocritus, Idylls, 15.140 (4th cent. BCE - 3rd cent. BCE)

27. Strabo, Geography, 9.3.9 (1st cent. BCE - 1st cent. BCE)

9.3.9. of the temples, the one with wings must be placed among the myths; the second is said to be the work of Trophonius and Agamedes; and the present temple was built by the Amphictyons. In the sacred precinct is to be seen the tomb of Neoptolemus, which was made in accordance with an oracle, Machaereus, a Delphian, having slain him because, according to the myth, he was asking the god for redress for the murder of his father; but according to all probability it was because he had attacked the sanctuary. Branchus, who presided over the sanctuary at Didyma, is called a descendant of Machaereus.

28. Vergil, Aeneis, 2.501-2.502, 3.330-3.332 (1st cent. BCE - 1st cent. BCE)

2.501. thus, all unchallenged, hailed us as his own : 2.502. “Haste, heroes! Are ye laggards at this hour? 3.330. from every quarter flew, and seized its prey 3.331. with taloned feet and carrion lip most foul. 3.332. I called my mates to arms and opened war

29. Cassius Dio, Roman History, 59.5 (2nd cent. CE - 3rd cent. CE)

59.5. 1. This was the kind of emperor into whose hands the Romans were then delivered. Hence the deeds of Tiberius, though they were felt to have been very harsh, were nevertheless as far superior to those of Gaius as the deeds of Augustus were to those of his successor.,2. For Tiberius always kept the power in his own hands and used others as agents for carrying out his wishes; whereas Gaius was ruled by the charioteers and gladiators, and was the slave of the actors and others connected with the stage. Indeed, he always kept Apelles, the most famous of the tragedians of that day, with him even in public.,3. Thus he by himself and they by themselves did without let or hindrance all that such persons would naturally dare to do when given power. Everything that pertained to their art he arranged and settled on the slightest pretext in the most lavish manner, and he compelled the praetors and the consuls to do the same, so that almost every day some performance of the kind was sure to be given.,4. At first he was but a spectator and listener at these and would take sides for or against various performers like one of the crowd; and one time, when he was vexed with those of opposing tastes, he did not go to the spectacle. But as time went on, he came to imitate, and to contend in many events,,5. driving chariots, fighting as a gladiator, giving exhibitions of pantomimic dancing, and acting in tragedy. So much for his regular behaviour. And once he sent an urgent summons at night to the leading men of the senate, as if for some important deliberation, and then danced before them.

30. Heliodorus, Ethiopian Story, 2.34 (2nd cent. CE - 4th cent. CE)

31. Pausanias, Description of Greece, 10.7.1, 10.25, 10.26.4 (2nd cent. CE - 2nd cent. CE)

10.7.1. It seems that from the beginning the sanctuary at Delphi has been plotted against by a vast number of men. Attacks were made against it by this Euboean pirate, and years afterwards by the Phlegyan nation; furthermore by Pyrrhus, son of Achilles, by a portion of the army of Xerxes, by the Phocian chieftains, whose attacks on the wealth of the god were the longest and fiercest, and by the Gallic invaders. It was fated too that Delphi was to suffer from the universal irreverence of Nero, who robbed Apollo of five hundred bronze statues, some of gods, some of men. 10.26.4. Under those who are administering the oath to Ajax, and in a line with the horse by Nestor, is Neoptolemus, who has killed Elasus, whoever Elasus may be. Elasus is represented as a man only just alive. Astynous, who is also mentioned by Lescheos, has fallen to his knees, and Neoptolemus is striking him with a sword. Neoptolemus is the only one of the Greek army represented by Polygnotus as still killing the Trojans, the reason being that he intended the whole painting to be placed over the grave of Neoptolemus. The son of Achilles is named Neoptolemus by Homer in all his poetry. The epic poem, however, called Cypria says that Lycomedes named him Pyrrhus, but Phoenix gave him the name of Neoptolemus (young soldier) because Achilles was but young when he first went to war.

Subjects of this text:

subject	book bibliographic info
achilles, successors, pyrrhus, king of epirus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
achilles, successors, turnus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
achilles	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172
acropolis	Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
action (danced)	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165, 173, 174
aegisthus	Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 78
aeneas, narrator	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aeneas, reader	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aeneas	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aeschylus, local, in panhellenic ritual setting	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
agamemnon	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aiakos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
aigina, aiginetans	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
ainianes, and neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
alexander i	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
altar	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 43, 44
amphiktyony, delphic, and neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
amphiktyony, delphic, contested rule	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
amphiktyony, delphic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
andromache	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161; Markantonatos, Brill's Companion to Euripides (2015) 140, 144, 148, 679, 829
animal victim, god's portion at sacrifice"	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
animal victim, treatment of burning of divinity's portion"	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
apollo	Markantonatos, Brill's Companion to Euripides (2015) 140, 679
apollo pythios (delphi)	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
apollon	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 43, 44
aristophanes	Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 78
aristoteles, son of chelonius	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
artemis	Markantonatos, Brill's Companion to Euripides (2015) 679
ash-altar, relation bomos-eschara-.	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 43
ash-altar, surface or upper part of	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43, 44
athena, polias	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
athena	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
athens, and identity	Hesk, Deception and Democracy in Classical Athens (2000) 66
athens	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160; Markantonatos, Brill's Companion to Euripides (2015) 144
atreus	Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 78
aversion	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
bribery	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
character of recipient, decisive of choice of ritual	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
characterisation	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 166
chorus, ancient, euripidean	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165, 166, 171, 172
chorus, ancient, greek, tragic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161
curses	Markantonatos, Brill's Companion to Euripides (2015) 829
dance, round / circular	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165, 171
de jong, i.	Hesk, Deception and Democracy in Classical Athens (2000) 66
death	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
death as a spectacle	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 166, 173
deception, and tragedy	Hesk, Deception and Democracy in Classical Athens (2000) 66
delphi	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161, 164, 165, 166; Markantonatos, Brill's Companion to Euripides (2015) 140, 148, 679, 829; Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
demeter	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 44
deus ex machina	Markantonatos, Brill's Companion to Euripides (2015) 140
didaskalos (διδάσκαλος)	Markantonatos, Brill's Companion to Euripides (2015) 144
dining, sacrifices not followed by dining	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
dionysia, city (great)	Markantonatos, Brill's Companion to Euripides (2015) 144
dionysus	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160
distance, aesthetic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 170
dithyramb	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161
electra	Markantonatos, Brill's Companion to Euripides (2015) 829
eleusis	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
empathy, kinesthetic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 163
enactment	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 164
ennius (quintus ennius)	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
eretria	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
erinyes	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 43
ethical qualities, treachery	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
euergetês, euergetai, title	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
euergetês, euergetai	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
eumenides	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
euripides, andromache	Hesk, Deception and Democracy in Classical Athens (2000) 66
euripides, contemporary resonances	Hesk, Deception and Democracy in Classical Athens (2000) 66
euripides, dramas by\n, hypsipyle	Csapo et al., Theatre and Autocracy in the Ancient World (2022) 204
euripides, dramas by\n, ion	Csapo et al., Theatre and Autocracy in the Ancient World (2022) 204
euripides, on spartans	Hesk, Deception and Democracy in Classical Athens (2000) 66
euripides	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 78; Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
feasting, and (exclusive) cult community	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
feet	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172
fire	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
funerary, local myth in panhellenic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
furies	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
gaze	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 170
greeks	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
haloa	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
hearth	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
hecatomb	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
helen	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
hero-cult	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
hero	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
horse, trojan	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172
image	Markantonatos, Brill's Companion to Euripides (2015) 679
insular, panhellenic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
intertextuality	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
ion	Markantonatos, Brill's Companion to Euripides (2015) 829
iris	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
kings	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
kitto, h.	Hesk, Deception and Democracy in Classical Athens (2000) 66
klytaimnestra	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
kore	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 44
language, choreographic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 174
lavinia	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
leaping	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172, 173
lesky, a.	Hesk, Deception and Democracy in Classical Athens (2000) 66
libation	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
literature, greek, ancient	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 170, 171, 172, 173, 174
locality, and panhellenism	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
lucas, d.	Hesk, Deception and Democracy in Classical Athens (2000) 66
lycurgus (king of nemea)	Csapo et al., Theatre and Autocracy in the Ancient World (2022) 204
marriage	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
meat, eaten	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
meat	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
memories, kept alive or evoked in ritual, contested, of conflict	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
menelaus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Hesk, Deception and Democracy in Classical Athens (2000) 66
murder	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
myth, and unjustly acquired power	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
narrative, dramatic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174
neoptolemos, and sacred war	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, and shares in delphic (theoric) sacrifice	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, death at and cult delphi	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, sack of delphi	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, unable to supersede apollos enmity	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43, 44; Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemus	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174; Hesk, Deception and Democracy in Classical Athens (2000) 66; Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 78
oath, sacrifices at oath-taking	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42, 44
oaths	Markantonatos, Brill's Companion to Euripides (2015) 829
odysseus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
olympian, divinities	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
orestes	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Hesk, Deception and Democracy in Classical Athens (2000) 66
panhellenic sanctuaries, not quite panhellenic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism, delphi and	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism, expressed in song	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism, panhellenic cult community, forging of	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
paris	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
pausanias (author)	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
peleus	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 166, 174; Hesk, Deception and Democracy in Classical Athens (2000) 66
piedmont, and neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
plots	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
poets, creativity in social contexts	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
poseidon, helikonios	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
posture	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 163, 167
priam	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161, 173
priestess	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
priests/priestesses	Csapo et al., Theatre and Autocracy in the Ancient World (2022) 204
proxenia, proxenoi, and euergesia	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
proxenia, proxenoi, and xenia (ritualized friendship)	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
proxenia, proxenoi, as reward	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
proxenia, proxenoi, evolution of	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
pyrrhichē	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174
pyrrhus/neoptolemus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
pythia (oracle)	Csapo et al., Theatre and Autocracy in the Ancient World (2022) 204
quarrel	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
rehm, r. xxv	Markantonatos, Brill's Companion to Euripides (2015) 829
reperformance	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161
ritual	Markantonatos, Brill's Companion to Euripides (2015) 829
romans	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
rutherford, i.	Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
sacrifice	Markantonatos, Brill's Companion to Euripides (2015) 829
sacrilege	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
sanctuaries, controversial control of	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
sanctuaries, from local to theoric	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
scharffenberger, e.w.	Markantonatos, Brill's Companion to Euripides (2015) 140, 144, 148
sense	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 170, 174
shape / form	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165
shares, sacrificial (delphi), defining religious community at theoxenia	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
slaves	Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
social change, memory of maintained in religious practice	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
spartans, in euripides andromache	Hesk, Deception and Democracy in Classical Athens (2000) 66
spectatorship, and affect	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 163
spectatorship, of ancient performance	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 172, 173, 174
story	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
strabo	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
structure	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
success	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
symposium	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 169, 170
theoros (observer)	Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
theoxenia, delphi, defining hellenicity (greekness)	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
theoxenia, delphi, neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
theoxenia, delphi	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
theseus	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
tragedy, and deception	Hesk, Deception and Democracy in Classical Athens (2000) 66
tragedy, attic/greek	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160
tragedy, greek	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
tragedy as source of sacrificial rituals	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
trojans	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
troy	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
turnus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
war, warfare	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
whirling	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171
wineless sacrifice'	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
wineless sacrifice	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
women and traditional theoria	Ward, Searching for the Divine in Plato and Aristotle: Philosophical Theoria and Traditional Practice (2021) 32
xenia (ritualized friendship)	Gygax, Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism (2016) 52
xenia rituals	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
xuthus	Naiden, Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods (2013) 78
zeus	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 42
zeus hellanios	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199