Tiresias: The Ancient Mediterranean Religions Source Database

5611

Euripides, Andromache, 1085-1172

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κἀκ τοῦδ' ἐχώρει ῥόθιον ἐν πόλει κακόν:

Thereon there ran an angry murmur through the city, and the magistrates flocked to their council-chamber, while those, who have charge of the god's treasures, had a guard privately placed amongst the colonnades. But we, knowing naught as yet of this, took sheep fed in the pastures of Parnassus, and went our way and stationed ourselves at the altars with proxenoi and Pythian seers. And one said: "What prayer, young warrior, wouldst thou have us offer to the god? Wherefore art thou come?" And he answered: "I wish to make atonement to Phoebus for my past transgression; for once I claimed from him satisfaction for my father's blood." Thereupon the rumour, spread by Orestes, proved to have great weight, suggesting that my master was lying and had come on a shameful errand.

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ἥκων ἐπ' αἰσχροῖς. ἔρχεται δ' ἀνακτόρων

But he crosses the threshold of the anaktoron to pray to Phoebus before his oracle, and was busy with his burnt-offering; when a body of men armed with swords set themselves in ambush against him in the cover of the bay-trees, and Clytemnestra's son, that had contrived the whole plot was one of them. There stood the young man praying to the god in sight of all, when lo! with their sharp swords they stabbed Achilles' unprotected son from behind. But he stepped back, for it was not a mortal wound he had received, and drew his sword, and snatching armour from the pegs where it hung on a pillar

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ἔστη 'πὶ βωμοῦ γοργὸς ὁπλίτης ἰδεῖν

took his stand upon the altar-steps, the picture of a warrior grim; then cried he to the sons of Delphi, and asked them: "Why seek to slay me when I am come on a holy mission? What cause is there why I should die? But of all that throng of bystanders, no man answered him a word, but they set to hurling stones. Then he, though bruised and battered by the showers of missiles from all sides, covered himself behind his mail and tried to ward off the attack, holding his shield first here, then there, at arm's length, but all of no avail; for a storm of darts, arrows and javelins, hurtling spits with double points, and butchers' knives for slaying steers, came flying at his feet; and terrible was the war-dance thou hadst then seen thy grandson dance to avoid their marksmanship. At last, when they were hemming him in on all sides, allowing him no breathing space, he left the shelter of the altar, the hearth where victims are placed, and with one bound was on them as on the Trojans of yore; and they turned and fled like doves when they see the hawk. Many fell in the confusion: some wounded, and others trodden down by one another along the narrow passages; and in that hushed holy house uprose unholy din and echoed back from the rocks. Calm and still my master stood there in his gleaming harness like a flash of light, till from the inmost shrine there came a voice of thrilling horror, stirring the crowd to make a stand.

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παῖς ὀξυθήκτῳ πλευρὰ φασγάνῳ τυπεὶς

Then fell Achilles' son, smitten through the flank by some Delphian's biting blade, some fellow that slew him with a host to help; and as he fell, there was not one that did not stab him, or cast a rock and batter his corpse. So his whole body, once so fair, was marred with savage wounds. At last they cast the lifeless clay, lying near the altar, forth from the fragrant fane. And we gathered up his remains forthwith and are bringing them to thee, old prince, to mourn and weep and honour with a deep-dug tomb. This is how that prince who vouchsafeth oracles to others, that judge of what is right for all the world, hath revenged himself on Achilles' son, remembering his ancient quarrel as a wicked man would. How then can he be wise? (The MESSENGER WITHDRAWS AS THE BODY OF NEOPTOLEMUS IS CARRIED IN ON A BIER. )

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καὶ μὴν ὅδ' ἄναξ ἤδη φοράδην

CHORUS: Lo! e'en now our prince is being carried on a bier from Delphi's land unto his home. Woe for him and his sad fate, and woe for thee, old sire! for this is not the welcome thou wouldst give Achilles' son, the lion's whelp; thyself too by this sad mischance dost share his evil lot. PELEUS: Ah! woe is me! here is a sad sight for me to see and take unto my halls! Ah me! ah me! I am undone, thou city of Thessaly! My line now ends; I have no children left me in my home. Oh! the sorrows seem born to endure! What friend can I look to for relief? Ah, dear lips, and cheeks, and hands! Would thy destiny had slain the 'neath Ilium's walls beside the banks of Simois! CHORUS: Had he so died, my aged lord, he had won him honour thereby, and thine had been the happier lot. PELEUS: O marriage, marriage, woe to thee! thou bane of my home, thou destroyer of my city! Ah my child, my boy, would that the honour of wedding thee, fraught with evil as it was to my children and house, had not thrown o'er thee, my son, Hermione's deadly net! that the thunderbolt had slain her sooner! and that thou, rash mortal, hadst never charged the great god Phoebus with aiming that murderous shaft that spilt thy hero-father's blood! CHORUS: Woe! woe! alas! With due observance of funeral rites will I begin the mourning for my dead master. PELEUS: Alack and well-a-day! I take up the tearful dirge, ah me! old and wretched as I am. CHORUS 'Tis Heaven's decree; God willed this heavy stroke.

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Intertexts (texts cited often on the same page as the searched text):

13 results

1. Homer, Iliad, 20.353 (8th cent. BCE - 7th cent. BCE)

2. Aeschylus, Eumenides, 107-109, 106 (6th cent. BCE - 5th cent. BCE)

106. ἦ πολλὰ μὲν δὴ τῶν ἐμῶν ἐλείξατε

3. Aeschylus, Persians, 203-204, 202 (6th cent. BCE - 5th cent. BCE)

202. ἔψαυσα πηγῆς, σὺν θυηπόλῳ χερὶ

4. Pindar, Nemean Odes, 7.34, 7.44-7.47 (6th cent. BCE - 5th cent. BCE)

5. Euripides, Andromache, 1000-1008, 1032, 1064, 1075, 1086-1172, 1176, 1187, 1211, 1218, 1226-1272, 147-273, 309-319, 32, 320-332, 334-351, 361-363, 381, 41, 43-44, 445-463, 47-48, 518, 53, 547-746, 763, 805, 854, 922-928, 993-999, 10 (5th cent. BCE - 5th cent. BCE)

10. ῥιφθέντα πύργων ̓Αστυάνακτ' ἀπ' ὀρθίων

6. Euripides, Electra, 439 (5th cent. BCE - 5th cent. BCE)

439. κοῦφον ἅλμα ποδῶν ̓Αχιλῆ

7. Euripides, Suppliant Women, 290, 1200 (5th cent. BCE - 5th cent. BCE)

1200. enjoined thee to set up at the Pythian shrine. O’er it cut the throats of three sheep; then grave within the tripod’s hollow belly the oath; this done, deliver it to the god who watches over Delphi to keep, a witness and memorial unto Hellas of the oath.

8. Euripides, Trojan Women, 16-17, 481-483, 15 (5th cent. BCE - 5th cent. BCE)

15. Groves stand forsaken and temples of the gods run down with blood, and at the altar’s very base, before the god who watched his home, Priam lies dead. While to Achaean ships great store of gold and Phrygian spoils are being conveyed

9. Theocritus, Idylls, 15.140 (4th cent. BCE - 3rd cent. BCE)

10. Strabo, Geography, 9.3.9 (1st cent. BCE - 1st cent. BCE)

9.3.9. of the temples, the one with wings must be placed among the myths; the second is said to be the work of Trophonius and Agamedes; and the present temple was built by the Amphictyons. In the sacred precinct is to be seen the tomb of Neoptolemus, which was made in accordance with an oracle, Machaereus, a Delphian, having slain him because, according to the myth, he was asking the god for redress for the murder of his father; but according to all probability it was because he had attacked the sanctuary. Branchus, who presided over the sanctuary at Didyma, is called a descendant of Machaereus.

11. Vergil, Aeneis, 2.501-2.502, 3.330-3.332 (1st cent. BCE - 1st cent. BCE)

2.501. thus, all unchallenged, hailed us as his own : 2.502. “Haste, heroes! Are ye laggards at this hour? 3.330. from every quarter flew, and seized its prey 3.331. with taloned feet and carrion lip most foul. 3.332. I called my mates to arms and opened war

12. Heliodorus, Ethiopian Story, 2.34 (2nd cent. CE - 4th cent. CE)

13. Pausanias, Description of Greece, 10.7.1, 10.25, 10.26.4 (2nd cent. CE - 2nd cent. CE)

10.7.1. It seems that from the beginning the sanctuary at Delphi has been plotted against by a vast number of men. Attacks were made against it by this Euboean pirate, and years afterwards by the Phlegyan nation; furthermore by Pyrrhus, son of Achilles, by a portion of the army of Xerxes, by the Phocian chieftains, whose attacks on the wealth of the god were the longest and fiercest, and by the Gallic invaders. It was fated too that Delphi was to suffer from the universal irreverence of Nero, who robbed Apollo of five hundred bronze statues, some of gods, some of men. 10.26.4. Under those who are administering the oath to Ajax, and in a line with the horse by Nestor, is Neoptolemus, who has killed Elasus, whoever Elasus may be. Elasus is represented as a man only just alive. Astynous, who is also mentioned by Lescheos, has fallen to his knees, and Neoptolemus is striking him with a sword. Neoptolemus is the only one of the Greek army represented by Polygnotus as still killing the Trojans, the reason being that he intended the whole painting to be placed over the grave of Neoptolemus. The son of Achilles is named Neoptolemus by Homer in all his poetry. The epic poem, however, called Cypria says that Lycomedes named him Pyrrhus, but Phoenix gave him the name of Neoptolemus (young soldier) because Achilles was but young when he first went to war.

Subjects of this text:

subject	book bibliographic info
achilles, successors, pyrrhus, king of epirus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
achilles, successors, turnus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
achilles	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172
action (danced)	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165, 173, 174
aeneas, narrator	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aeneas, reader	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aeneas	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aeschylus, local, in panhellenic ritual setting	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
agamemnon	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
aiakos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
aigina, aiginetans	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
ainianes, and neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
altar	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43, 44
amphiktyony, delphic, and neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
amphiktyony, delphic, contested rule	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
amphiktyony, delphic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
andromache	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161; Markantonatos, Brill's Companion to Euripides (2015) 140, 144, 148, 679
apollo	Markantonatos, Brill's Companion to Euripides (2015) 140, 679
apollo pythios (delphi)	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
apollon	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43, 44
artemis	Markantonatos, Brill's Companion to Euripides (2015) 679
ash-altar, relation bomos-eschara-.	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
ash-altar, surface or upper part of	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43, 44
athena, polias	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
athens, and identity	Hesk, Deception and Democracy in Classical Athens (2000) 66
athens	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160; Markantonatos, Brill's Companion to Euripides (2015) 144
aversion	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
bribery	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
characterisation	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 166
chorus, ancient, euripidean	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165, 166, 171, 172
chorus, ancient, greek, tragic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161
dance, round / circular	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165, 171
de jong, i.	Hesk, Deception and Democracy in Classical Athens (2000) 66
death	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
death as a spectacle	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 166, 173
deception, and tragedy	Hesk, Deception and Democracy in Classical Athens (2000) 66
delphi	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161, 164, 165, 166; Markantonatos, Brill's Companion to Euripides (2015) 140, 148, 679
demeter	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
deus ex machina	Markantonatos, Brill's Companion to Euripides (2015) 140
didaskalos (διδάσκαλος)	Markantonatos, Brill's Companion to Euripides (2015) 144
dining, sacrifices not followed by dining	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
dionysia, city (great)	Markantonatos, Brill's Companion to Euripides (2015) 144
dionysus	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160
distance, aesthetic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 170
dithyramb	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161
eleusis	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
empathy, kinesthetic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 163
enactment	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 164
ennius (quintus ennius)	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
erinyes	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
ethical qualities, treachery	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
eumenides	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
euripides, andromache	Hesk, Deception and Democracy in Classical Athens (2000) 66
euripides, contemporary resonances	Hesk, Deception and Democracy in Classical Athens (2000) 66
euripides, on spartans	Hesk, Deception and Democracy in Classical Athens (2000) 66
euripides	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
feasting, and (exclusive) cult community	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
feet	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172
fire	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
funerary, local myth in panhellenic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
furies	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
gaze	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 170
greeks	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
haloa	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
helen	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
hero-cult	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
hero	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
horse, trojan	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172
image	Markantonatos, Brill's Companion to Euripides (2015) 679
insular, panhellenic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
intertextuality	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
kings	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
kitto, h.	Hesk, Deception and Democracy in Classical Athens (2000) 66
klytaimnestra	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
kore	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
language, choreographic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 174
lavinia	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
leaping	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171, 172, 173
lesky, a.	Hesk, Deception and Democracy in Classical Athens (2000) 66
literature, greek, ancient	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 170, 171, 172, 173, 174
locality, and panhellenism	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
lucas, d.	Hesk, Deception and Democracy in Classical Athens (2000) 66
marriage	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
memories, kept alive or evoked in ritual, contested, of conflict	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
menelaus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Hesk, Deception and Democracy in Classical Athens (2000) 66
myth, and unjustly acquired power	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
narrative, dramatic	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174
neoptolemos, and sacred war	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, and shares in delphic (theoric) sacrifice	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, death at and cult delphi	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, sack of delphi	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos, unable to supersede apollos enmity	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemos	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43, 44; Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
neoptolemus	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174; Hesk, Deception and Democracy in Classical Athens (2000) 66
oath, sacrifices at oath-taking	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
odysseus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
orestes	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211; Hesk, Deception and Democracy in Classical Athens (2000) 66
panhellenic sanctuaries, not quite panhellenic	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism, delphi and	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism, expressed in song	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism, panhellenic cult community, forging of	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
panhellenism	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
paris	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
pausanias (author)	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
peleus	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 166, 174; Hesk, Deception and Democracy in Classical Athens (2000) 66
piedmont, and neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
plots	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
poets, creativity in social contexts	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
poseidon, helikonios	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
posture	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 163, 167
priam	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 161, 173
priestess	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
pyrrhichē	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174
pyrrhus/neoptolemus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
quarrel	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
reperformance	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161
romans	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
sacrilege	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
sanctuaries, controversial control of	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
sanctuaries, from local to theoric	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
scharffenberger, e.w.	Markantonatos, Brill's Companion to Euripides (2015) 140, 144, 148
sense	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 170, 174
shape / form	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 165
shares, sacrificial (delphi), defining religious community at theoxenia	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
social change, memory of maintained in religious practice	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
spartans, in euripides andromache	Hesk, Deception and Democracy in Classical Athens (2000) 66
spectatorship, and affect	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 163
spectatorship, of ancient performance	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160, 161, 162, 163, 164, 172, 173, 174
story	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
strabo	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
structure	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
success	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
symposium	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 169, 170
theoxenia, delphi, defining hellenicity (greekness)	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
theoxenia, delphi, neoptolemos	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
theoxenia, delphi	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
tragedy, and deception	Hesk, Deception and Democracy in Classical Athens (2000) 66
tragedy, attic/greek	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 160
tragedy, greek	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
tragedy as source of sacrificial rituals	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 44
trojans	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
troy	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
turnus	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
war, warfare	Farrell, Juno's Aeneid: A Battle for Heroic Identity (2021) 211
whirling	Gianvittorio-Ungar and Schlapbach, Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond (2021) 171
wineless sacrifice'	Ekroth, The Sacrificial Rituals of Greek Hero-Cults in the Archaic to the Early Hellenistic Period (2013) 43
xenia rituals	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199
zeus hellanios	Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 199