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4479
Diogenes Laertius, Lives Of The Philosophers, 3.37


nanNowhere in his writings does Plato mention himself by name, except in the dialogue On the Soul and the Apology. Aristotle remarks that the style of the dialogues is half-way between poetry and prose. And according to Favorinus, when Plato read the dialogue On the Soul, Aristotle alone stayed to the end; the rest of the audience got up and went away. Some say that Philippus of Opus copied out the Laws, which were left upon waxen tablets, and it is said that he was the author of the Epinomis. Euphorion and Panaetius relate that the beginning of the Republic was found several times revised and rewritten, and the Republic itself Aristoxenus declares to have been nearly all of it included in the Controversies of Protagoras.


Intertexts (texts cited often on the same page as the searched text):

4 results
1. Plato, Parmenides, None (5th cent. BCE - 4th cent. BCE)

130b. he said, what an admirable talent for argument you have! Tell me, did you invent this distinction yourself, which separates abstract ideas from the things which partake of them? And do you think there is such a thing as abstract likeness apart from the likeness which we possess, and abstract one and many, and the other abstractions of which you heard Zeno speaking just now?
2. Plato, Philebus, None (5th cent. BCE - 4th cent. BCE)

65a. let us run it down with three—beauty, proportion, and truth, and let us say that these, considered as one, may more properly than all other components of the mixture be regarded as the cause, and that through the goodness of these the mixture itself has been made good. Pro. Quite right. Soc. So now, Protarchus, any one would be able to judge about pleasure and wisdom
3. Aristotle, Politics, None (4th cent. BCE - 4th cent. BCE)

4. Diogenes Laertius, Lives of The Philosophers, 3.1-3.3, 3.5-3.7, 3.9-3.14, 3.24-3.27, 3.35, 3.41-3.42, 3.48-3.49, 3.57, 3.62-3.63, 3.65-3.67, 3.69-3.70, 3.89 (3rd cent. CE - 3rd cent. CE)

3.1. BOOK 3: PLATONPlato was the son of Ariston and a citizen of Athens. His mother was Perictione (or Potone), who traced back her descent to Solon. For Solon had a brother, Dropides; he was the father of Critias, who was the father of Callaeschrus, who was the father of Critias, one of the Thirty, as well as of Glaucon, who was the father of Charmides and Perictione. Thus Plato, the son of this Perictione and Ariston, was in the sixth generation from Solon. And Solon traced his descent to Neleus and Poseidon. His father too is said to be in the direct line from Codrus, the son of Melanthus, and, according to Thrasylus, Codrus and Melanthus also trace their descent from Poseidon. 3.2. Speusippus in the work entitled Plato's Funeral Feast, Clearchus in his Encomium on Plato, and Anaxilaides in his second book On Philosophers, tell us that there was a story at Athens that Ariston made violent love to Perictione, then in her bloom, and failed to win her; and that, when he ceased to offer violence, Apollo appeared to him in a dream, whereupon he left her unmolested until her child was born.Apollodorus in his Chronology fixes the date of Plato's birth in the 88th Olympiad, on the seventh day of the month Thargelion, the same day on which the Delians say that Apollo himself was born. He died, according to Hermippus, at a wedding feast, in the first year of the 108th Olympiad, in his eightyfirst year. 3.3. Neanthes, however, makes him die at the age of eighty-four. He is thus seen to be six years the junior of Isocrates. For Isocrates was born in the archonship of Lysimachus, Plato in that of Ameinias, the year of Pericles' death. He belonged to the deme Collytus, as is stated by Antileon in his second book On Dates. He was born, according to some, in Aegina, in the house of Phidiades, the son of Thales, as Favorinus states in his Miscellaneous History, for his father had been sent along with others to Aegina to settle in the island, but returned to Athens when the Athenians were expelled by the Lacedaemonians, who championed the Aeginetan cause. That Plato acted as choregus at Athens, the cost being defrayed by Dion, is stated by Athenodorus in the eighth book of a work entitled Walks. 3.5. and that he applied himself to painting and wrote poems, first dithyrambs, afterwards lyric poems and tragedies. He had, they say, a weak voice; this is confirmed by Timotheus the Athenian in his book On Lives. It is stated that Socrates in a dream saw a cygnet on his knees, which all at once put forth plumage, and flew away after uttering a loud sweet note. And the next day Plato was introduced as a pupil, and thereupon he recognized in him the swan of his dream.At first he used to study philosophy in the Academy, and afterwards in the garden at Colonus (as Alexander states in his Successions of Philosophers), as a follower of Heraclitus. Afterwards, when he was about to compete for the prize with a tragedy, he listened to Socrates in front of the theatre of Dionysus, and then consigned his poems to the flames, with the words:Come hither, O fire-god, Plato now has need of thee. 3.6. From that time onward, having reached his twentieth year (so it is said), he was the pupil of Socrates. When Socrates was gone, he attached himself to Cratylus the Heraclitean, and to Hermogenes who professed the philosophy of Parmenides. Then at the age of twenty-eight, according to Hermodorus, he withdrew to Megara to Euclides, with certain other disciples of Socrates. Next he proceeded to Cyrene on a visit to Theodorus the mathematician, thence to Italy to see the Pythagorean philosophers Philolaus and Eurytus, and thence to Egypt to see those who interpreted the will of the gods; and Euripides is said to have accompanied him thither. There he fell sick and was cured by the priests, who treated him with sea-water, and for this reason he cited the line:The sea doth wash away all human ills. 3.7. Furthermore he said that, according to Homer, beyond all men the Egyptians were skilled in healing. Plato also intended to make the acquaintance of the Magians, but was prevented by the wars in Asia. Having returned to Athens, he lived in the Academy, which is a gymnasium outside the walls, in a grove named after a certain hero, Hecademus, as is stated by Eupolis in his play entitled Shirkers:In the shady walks of the divine Hecademus.Moreover, there are verses of Timon which refer to Plato:Amongst all of them Plato was the leader, a big fish, but a sweet-voiced speaker, musical in prose as the cicala who, perched on the trees of Hecademus, pours forth a strain as delicate as a lily. 3.9. Some authorities, amongst them Satyrus, say that he wrote to Dion in Sicily instructing him to purchase three Pythagorean books from Philolaus for 100 minae. For they say he was well off, having received from Dionysius over eighty talents. This is stated by Onetor in an essay upon the theme, Whether a wise man will make money. Further, he derived great assistance from Epicharmus the Comic poet, for he transcribed a great deal from him, as Alcimus says in the essays dedicated to Amyntas, of which there are four. In the first of them he writes thus:It is evident that Plato often employs the words of Epicharmus. Just consider. Plato asserts that the object of sense is that which never abides in quality or quantity, but is ever in flux and change. 3.10. The assumption is that the things from which you take away number are no longer equal nor determinate, nor have they quantity or quality. These are the things to which becoming always, and being never, belongs. But the object of thought is something constant from which nothing is subtracted, to which nothing is added. This is the nature of the eternal things, the attribute of which is to be ever alike and the same. And indeed Epicharmus has expressed himself plainly about objects of sense and objects of thought.a. But gods there always were; never at any time were they wanting, while things in this world are always alike, and are brought about through the same agencies.b. Yet it is said that Chaos was the first-born of the gods.a. How so? If indeed there was nothing out of which, or into which, it could come first.b. What! Then did nothing come first after all?a. No, by Zeus, nor second either 3.11. at least of the things which we are thus talking about now; on the contrary, they existed from all eternity. . . .a. But suppose some one chooses to add a single pebble to a heap containing either an odd or an even number, whichever you please, or to take away one of those already there; do you think the number of pebbles would remain the same?b. Not I.a. Nor yet, if one chooses to add to a cubit-measure another length, or cut off some of what was there already, would the original measure still exist?b. of course not.a. Now consider mankind in this same way. One man grows, and another again shrinks; and they are all undergoing change the whole time. But a thing which naturally changes and never remains in the same state must ever be different from that which has thus changed. And even so you and I were one pair of men yesterday, are another to-day, and again will be another to-morrow, and will never remain ourselves, by this same argument. 3.12. Again, Alcimus makes this further statement: There are some things, say the wise, which the soul perceives through the body, as in seeing and hearing; there are other things which it discerns by itself without the aid of the body. Hence it follows that of existing things some are objects of sense and others objects of thought. Hence Plato said that, if we wish to take in at one glance the principles underlying the universe, we must first distinguish the ideas by themselves, for example, likeness, unity and plurality, magnitude, rest and motion; next we must assume the existence of 3.13. beauty, goodness, justice and the like, each existing in and for itself; in the third place we must see how many of the ideas are relative to other ideas, as are knowledge, or magnitude, or ownership, remembering that the things within our experience bear the same names as those ideas because they partake of them; I mean that things which partake of justice are just, things which partake of beauty are beautiful. Each one of the ideas is eternal, it is a notion, and moreover is incapable of change. Hence Plato says that they stand in nature like archetypes, and that all things else bear a resemblance to the ideas because they are copies of these archetypes. Now here are the words of Epicharmus about the good and about the ideas: 3.14. a. Is flute-playing a thing?b. Most certainly.a. Is man then flute-playing?b. By no means.a. Come, let me see, what is a flute-player? Whom do you take him to be? Is he not a man?b. Most certainly.a. Well, don't you think the same would be the case with the good? Is not the good in itself a thing? And does not he who has learnt that thing and knows it at once become good? For, just as he becomes a flute-player by learning flute-playing, or a dancer when he has learnt dancing, or a plaiter when he has learnt plaiting, in the same way, if he has learnt anything of the sort, whatever you like, he would not be one with the craft but he would be the craftsman. 3.24. and that, on this occasion, as he was going up to the Acropolis along with Chabrias, Crobylus the informer met him and said, What, are you come to speak for the defence? Don't you know that the hemlock of Socrates awaits you? To this Plato replied, As I faced dangers when serving in the cause of my country, so I will face them now in the cause of duty for a friend.He was the first to introduce argument by means of question and answer, says Favorinus in the eighth book of his Miscellaneous History; he was the first to explain to Leodamas of Thasos the method of solving problems by analysis; and the first who in philosophical discussion employed the terms antipodes, element, dialectic, quality, oblong number, and, among boundaries, the plane superficies; also divine providence. 3.25. He was also the first philosopher who controverted the speech of Lysias, the son of Cephalus, which he has set out word for word in the Phaedrus, and the first to study the significance of grammar. And, as he was the first to attack the views of almost all his predecessors, the question is raised why he makes no mention of Democritus. Neanthes of Cyzicus says that, on his going to Olympia, the eyes of all the Greeks were turned towards him, and there he met Dion, who was about to make his expedition against Dionysius. In the first book of the Memorabilia of Favorinus there is a statement that Mithradates the Persian set up a statue of Plato in the Academy and inscribed upon it these words: Mithradates the Persian, the son of Orontobates, dedicated to the Muses a likeness of Plato made by Silanion. 3.26. Heraclides declares that in his youth he was so modest and orderly that he was never seen to laugh outright. In spite of this he too was ridiculed by the Comic poets. At any rate Theopompus in his Hedychares says:There is not anything that is truly one, even the number two is scarcely one, according to Plato.Moreover, Anaxandrides in his Theseus says:He was eating olives exactly like Plato.Then there is Timon who puns on his name thus:As Plato placed strange platitudes. 3.27. Alexis again in the Meropis:You have come in the nick of time. For I am at my wits' end and walking up and down, like Plato, and yet have discovered no wise plan but only tired my legs.And in the Ancylion:You don't know what you are talking about: run about with Plato, and you'll know all about soap and onions.Amphis, too, in the Amphicrates says:a. And as for the good, whatever that be, that you are likely to get on her account, I know no more about it, master, than I do of the good of Plato.b. Just attend. 3.35. It is said also that Antisthenes, being about to read publicly something that he had composed, invited Plato to be present. And on his inquiring what he was about to read, Antisthenes replied that it was something about the impossibility of contradiction. How then, said Plato, can you write on this subject? thus showing him that the argument refutes itself. Thereupon he wrote a dialogue against Plato and entitled it Sathon. After this they continued to be estranged from one another. They say that, on hearing Plato read the Lysis, Socrates exclaimed, By Heracles, what a number of lies this young man is telling about me! For he has included in the dialogue much that Socrates never said. 3.41. He was buried in the Academy, where he spent the greatest part of his life in philosophical study. And hence the school which he founded was called the Academic school. And all the students there joined in the funeral procession. The terms of his will were as follows:These things have been left and devised by Plato: the estate in Iphistiadae, bounded on the north by the road from the sanctuary at Cephisia, on the south by the Heracleum in Iphistiadae, on the east by the property of Archestratus of Phrearrhi, on the west by that of Philippus of Chollidae: this it shall be unlawful for anyone to sell or alienate, but it shall be the property of the boy Adeimantus to all intents and purposes: 3.42. the estate in Eiresidae which I bought of Callimachus, bounded on the north by the property of Eurymedon of Myrrhinus, on the south by the property of Demostratus of Xypete, on the east by that of Eurymedon of Myrrhinus, and on the west by the Cephisus; three minae of silver; a silver vessel weighing 165 drachmas; a cup weighing 45 drachmas; a gold signet-ring and earring together weighing four drachmas and three obols. Euclides the lapidary owes me three minae. I enfranchise Artemis. I leave four household servants, Tychon, Bictas, Apollonides and Dionysius. 3.48. They say that Zeno the Eleatic was the first to write dialogues. But, according to Favorinus in his Memorabilia, Aristotle in the first book of his dialogue On Poets asserts that it was Alexamenus of Styra or Teos. In my opinion Plato, who brought this form of writing to perfection, ought to be adjudged the prize for its invention as well as for its embellishment. A dialogue is a discourse consisting of question and answer on some philosophical or political subject, with due regard to the characters of the persons introduced and the choice of diction. Dialectic is the art of discourse by which we either refute or establish some proposition by means of question and answer on the part of the interlocutors. 3.49. of the Platonic dialogues there are two most general types, the one adapted for instruction and the other for inquiry. And the former is further divided into two types, the theoretical and the practical. And of these the theoretical is divided into the physical and logical, and the practical into the ethical and political. The dialogue of inquiry also has two main divisions, the one of which aims at training the mind and the other at victory in controversy. Again, the part which aims at training the mind has two subdivisions, the one akin to the midwife's art, the other merely tentative. And that suited to controversy is also subdivided into one part which raises critical objections, and another which is subversive of the main position. 3.57. Now, says Thrasylus, the genuine dialogues are fifty-six in all, if the Republic be divided into ten and the Laws into twelve. Favorinus, however, in the second book of his Miscellaneous History declares that nearly the whole of the Republic is to be found in a work of Protagoras entitled Controversies. This gives nine tetralogies, if the Republic takes the place of one single work and the Laws of another. His first tetralogy has a common plan underlying it, for he wishes to describe what the life of the philosopher will be. To each of the works Thrasylus affixes a double title, the one taken from the name of the interlocutor, the other from the subject. 3.62. In the first trilogy they place the Republic, Timaeus and Critias; in the second the Sophist, the Statesman and Cratylus; in the third the Laws, Minos and Epinomis; in the fourth Theaetetus, Euthyphro and the Apology; in the fifth Crito, Phaedo and the Epistles. The rest follow as separate compositions in no regular order. Some critics, as has already been stated, put the Republic first, while others start with the greater Alcibiades, and others again with the Theages; some begin with the Euthyphro, others with the Clitophon; some with the Timaeus, others with the Phaedrus; others again with the Theaetetus, while many begin with the Apology. The following dialogues are acknowledged to be spurious: the Midon or Horse-breeder, the Eryxias or Erasistratus, the Alcyon, the Acephali or Sisyphus, the Axiochus, the Phaeacians, the Demodocus, the Chelidon, the Seventh Day, the Epimenides. of these the Alcyon is thought to be the work of a certain Leon, according to Favorinus in the fifth book of his Memorabilia. 3.63. Plato has employed a variety of terms in order to make his system less intelligible to the ignorant. But in a special sense he considers wisdom to be the science of those things which are objects of thought and really existent, the science which, he says, is concerned with God and the soul as separate from the body. And especially by wisdom he means philosophy, which is a yearning for divine wisdom. And in a general sense all experience is also termed by him wisdom, e.g. when he calls a craftsman wise. And he applies the same terms with very different meanings. For instance, the word φαῦλος (slight, plain) is employed by him in the sense of ἁπλοῦς (simple, honest), just as it is applied to Heracles in the Licymnius of Euripides in the following passage:Plain (φαῦλος), unaccomplished, staunch to do great deeds, unversed in talk, with all his store of wisdom curtailed to action. 3.65. The right interpretation of his dialogues includes three things: first, the meaning of every statement must be explained; next, its purpose, whether it is made for a primary reason or by way of illustration, and whether to establish his own doctrines or to refute his interlocutor; in the third place it remains to examine its truth.And since certain critical marks are affixed to his works let us now say a word about these. The cross × is taken to indicate peculiar expressions and figures of speech, and generally any idiom of Platonic usage; the diple ( ) calls attention to doctrines and opinions characteristic of Plato; 3.66. the dotted cross (⨰) denotes select passages and beauties of style; the dotted diple (⋗) editors' corrections of the text; the dotted obelus (÷) passages suspected without reason; the dotted antisigma (Ꜿ) repetitions and proposals for transpositions; the ceraunium the philosophical school; the asterisk (∗) an agreement of doctrine; the obelus (−) a spurious passage. So much for the critical marks and his writings in general. As Antigonus of Carystus says in his Life of Zeno, when the writings were first edited with critical marks, their possessors charged a certain fee to anyone who wished to consult them. 3.67. The doctrines he approved are these. He held that the soul is immortal, that by transmigration it puts on many bodies, and that it has a numerical first principle, whereas the first principle of the body is geometrical; and he defined soul as the idea of vital breath diffused in all directions. He held that it is self-moved and tripartite, the rational part of it having its seat in the head, the passionate part about the heart, while the appetitive is placed in the region of the navel and the liver. 3.69. And the division from the centre to the circumference which is adjusted in harmony with the soul being thus determined, the soul knows that which is, and adjusts it proportionately because she has the elements proportionately disposed in herself. And when the circle of the Other revolves aright, the result is opinion; but from the regular motion of the circle of the Same comes knowledge. He set forth two universal principles, God and matter, and he calls God mind and cause; he held that matter is devoid of form and unlimited, and that composite things arise out of it; and that it was once in disorderly motion but, inasmuch as God preferred order to disorder, was by him brought together in one place. 3.70. This substance, he says, is converted into the four elements, fire, water, air, earth, of which the world itself and all that therein is are formed. Earth alone of these elements is not subject to change, the assumed cause being the peculiarity of its constituent triangles. For he thinks that in all the other elements the figures employed are homogeneous, the scalene triangle out of which they are all put together being one and the same, whereas for earth a triangle of peculiar shape is employed; the element of fire is a pyramid, of air an octahedron, of water an icosahedron, of earth a cube. Hence earth is not transmuted into the other three elements, nor these three into earth. 3.89. The last division includes the man who is himself of a generous and high-minded spirit. He too is said to be noble. And this indeed is the highest form of nobility. Thus, of nobility, one kind depends on excellent ancestors, another on princely ancestors, a third on illustrious ancestors, while the fourth is due to the individual's own beauty and worth.Beauty has three divisions. The first is the object of praise, as of form fair to see. Another is serviceable; thus an instrument, a house and the like are beautiful for use. Other things again which relate to customs and pursuits and the like are beautiful because beneficial. of beauty, then, one kind is matter for praise, another is for use, and another for the benefit it procures.


Subjects of this text:

subject book bibliographic info
academy,disagreements over interpretation of platos dialogues Bryan (2018) 96; Wardy and Warren (2018) 96
aristotle,influenced by plato Bryan (2018) 96; Wardy and Warren (2018) 96
aristotle,platonic source Bryan (2018) 96; Wardy and Warren (2018) 96
aristotle Bartels (2017) 25; Ebrey and Kraut (2022) 37
aristoxenus,reliability as a source Huffman (2019) 81
beauty (kalon) Ebrey and Kraut (2022) 37
brisson,l. and segonds,a. p. Huffman (2019) 336
burkert,w. Huffman (2019) 81, 336
christ Motta and Petrucci (2022) 130
composition,of laws Bartels (2017) 29
demonstration Motta and Petrucci (2022) 130
diogenes laertius Ebrey and Kraut (2022) 37; Motta and Petrucci (2022) 130
eidos Ebrey and Kraut (2022) 37
eusebius of caesarea Motta and Petrucci (2022) 130
form,uniformity of (monoeides) Ebrey and Kraut (2022) 37
goodness Ebrey and Kraut (2022) 37
jews Motta and Petrucci (2022) 130
justice Bartels (2017) 25
lawgiving Bartels (2017) 29
laws,code Bartels (2017) 29
laws Bartels (2017) 29; Ebrey and Kraut (2022) 37
life (βίος) Motta and Petrucci (2022) 130
opposites,compresence of Ebrey and Kraut (2022) 37
pattern (isagogical) Motta and Petrucci (2022) 130
phaedo Ebrey and Kraut (2022) 37
phaedrus Ebrey and Kraut (2022) 37
philebus Ebrey and Kraut (2022) 37
plato,authority in the academy Wardy and Warren (2018) 96
plato,forms Wardy and Warren (2018) 96
plato,influence on aristotle Wardy and Warren (2018) 96
plato,purpose of dialogues Wardy and Warren (2018) 96
plato Motta and Petrucci (2022) 130
preamble Bartels (2017) 25
prophecies Motta and Petrucci (2022) 130
punishment Bartels (2017) 29
reality,degrees of Ebrey and Kraut (2022) 37
rivaud,a. Huffman (2019) 81
schorn,s. Huffman (2019) 336
scripture Motta and Petrucci (2022) 130
socrates,as presented by aristoxenus Huffman (2019) 81
syllogism Motta and Petrucci (2022) 130
thrasyllus Motta and Petrucci (2022) 130
tripartitum Huffman (2019) 336
unity (oneness) Ebrey and Kraut (2022) 37
universals Ebrey and Kraut (2022) 37
virtue,the four Bartels (2017) 25
wehrli,f.,edition of aristoxenus works on the pythagoreans Huffman (2019) 336
wehrli,f.,interpretation of the pythagorean precepts Huffman (2019) 81
zhmud,l.' Huffman (2019) 81