2. Dio Chrysostom, Orations, 3.50, 4.43, 12.25-12.27, 12.32-12.34, 12.36, 12.42, 12.44, 12.48, 12.52-12.83, 30.26, 32.36, 33.22, 36.32, 36.36, 40.35, 48.14 (1st cent. CE
| 3.50. but it is my duty to discuss more carefully the happy and god-given polity at present in force. Now there are many close parallels and striking analogies to this form of government to be found in nature, where herds of cattle and swarms of bees indicate clearly that it is natural for the stronger to govern and care for the weaker. However, there could be no more striking or beautiful illustration than that government of the universe which is under the control of the first and best god. 12.26. as the great poet most vividly and convincingly has expressed it in the following verses: He said, and nodded with his shadowy brows; Wav'd on th' immortal head th' ambrosial locks, And all Olympus trembled at his nod. Or, should we somewhat more carefully consider these two topics themselves, I mean the expressions of our poets and the dedications here, and try to ascertain whether there is some sort of influence which in some way actually moulds and gives expression to man's conception of the deity, exactly as if we were in a philosopher's lecture-room at this moment? 12.27. Now concerning the nature of the gods in general, and especially that of the ruler of the universe, first and foremost an idea regarding him and a conception of him common to the whole human race, to the Greeks and to the barbarians alike, a conception that is inevitable and innate in every creature endowed with reason, arising in the course of nature without the aid of human teacher and free from the deceit of any expounding priest, has made its way, and it rendered manifest God's kinship with man and furnished many evidences of the truth, which did not suffer the earliest and most ancient men to doze and grow indifferent to them; 12.33. So it is very much the same as if anyone were to place a man, a Greek or a barbarian, in some mystic shrine of extraordinary beauty and size to be initiated, where he would see many mystic sights and hear many mystic voices, where light and darkness would appear to him alternately, and a thousand other things would occur; and further, if it should be just as in the rite called enthronement, where the inducting priests are wont to seat the novices and then dance round and round them â pray, is it likely that the man in this situation would be no whit moved in his mind and would not suspect that all which was taking place was the result of a more than wise intention and preparation, even if he belonged to the most remote and nameless barbarians and had no guide and interpreter at his side â provided, of course, that he had the mind of a human being? 12.36. Nay, I wonder if we shall be thought exceedingly absurd and hopelessly behind the times in view of this reasoning, if we maintain that this unexpected knowledge is indeed more natural for the beasts and the trees than dullness and ignorance are for us? Why, certain men have shown themselves wiser than all wisdom; yes, they have poured into their ears, not wax, as I believe they say that the sailors from Ithaca did that they might not hear the song of the Sirens, but a substance like lead, soft at once and impenetrable by the human voice, and they also methinks have hung before their eyes a curtain of deep darkness and mist like that which, according to Homer, kept the god from being recognized when he was caught; these men, then, despise all things divine, and having set up the image of one female divinity, depraved and monstrous, representing a kind of wantonness or self-indulgent ease and unrestrained lewdness, to which they gave the name of Pleasure â an effeminate god in very truth â her they prefer in honour and worship with softly tinkling cymbal-like instruments, or with pipes played under cover of darkness â 12.52. Such a wondrous vision did you devise and fashion, one in very truth a Charmer of grief and anger, that from men All the remembrance of their ills could loose! So great the radiance and so great the charm with which your art has clothed it. Indeed it is not reasonable to suppose that even Hephaestus himself would criticize this work if he judged it by the pleasure and delight which it affords the eye of man." "But, on the other hand, was the shape you by your artistry produced appropriate to a god and was its form worthy of the divine nature, when you not only used a material which gives delight but also presented a human form of extraordinary beauty and size; and apart from its being a man's shape, made also all the other attributes as you have made them? that is the question which I invite you to consider now. And if you make a satisfactory defence on these matters before those present and convince them that you have discovered the proper and fitting shape and form for the foremost and greatest god, then you shall receive in addition a second reward, greater and more perfect than the one given by the Eleans. 12.53. For you see that the issue is no small one, nor the danger, for us. Since in times past, because we had no clear knowledge, we formed each his different idea, and each person, according to his capacity and nature, conceived a likeness for every divine manifestation and fashioned such likenesses in his dreams; and if we do perchance collect any small and insignificant likenesses made by the earlier artists, we do not trust them very much nor pay them very much attention. But you by the power of your art first conquered and united Hellas and then all others by means of this wondrous presentment, showing forth so marvellous and dazzling a conception, that none of those who have beheld it could any longer easily form a different one. 12.68. "And, last of all, he showed himself not only a maker of verses but also of words, giving utterance to those of his own invention, in some cases by simply giving his own names to the things and in others adding his new ones to those current, putting, as it were, a bright and more expressive seal upon a seal. He avoided no sound, but in short imitated the voices of rivers and forests, of winds and fire and sea, and also of bronze and of stone, and, in short, of all animals and instruments without exception, whether of wild beasts or of birds or of pipes and reeds. He invented the terms 'clang' (kanache), 'boom' (bombos), 'crash' (ktupos), 'thud' (doupos), 'rattle' (arabos), and spoke of 'roaring rivers,' 'whizzing missiles,' 'thundering waves,' 'raging winds,' and other such terrifying and truly astonishing phenomena, thus filling the mind with great confusion and uproar. 12.69. Consequently he had no lack of fear-inspiring names for things and of pleasant ones, and also of smooth and rough ones, as well as of those which have countless other differences in both their sounds and their meanings. As a result of this epic art of his he was able to implant in the soul any emotion he wished. "But our art, on the other hand, that which is dependent on the workman's hand and the artist's creative touch, by no means attains to such freedom; but first we need a material substance, a material so tough that it will last, yet can be worked without much difficulty and consequently not easy to procure; we need, too, no small number of assistants. 12.70. And then, in addition, the sculptor must have worked out for himself a design that shows each subject in one single posture, and that too a posture that admits of no movement and is unalterable, so perfected that it will comprise within itself the whole of the god's nature and power. But for the poets it is perfectly easy to include very many shapes and all sorts of attitudes in their poetry, adding movements and periods of rest to them according to what they consider fitting at any given time, and actions and spoken words, and they have, I imagine, an additional advantage in the matter of difficulty and that of time. For the poet when moved by one single conception and one single impulse of his soul draws forth an immense volume of verses, as if from a gushing spring of water, before the vision and the conception he had grasped can leave him and flow away. But of our art the execution is laborious and slow, advancing with difficulty a step at a time, the reason being, no doubt, that it must work with a rock-like and hard material. 12.71. "But the most difficult thing of all is that the sculptor must keep the very same image in his mind continuously until he finishes his work, which often takes many years. Indeed, the popular saying that the eyes are more trustworthy than the ears is perhaps true, yet they are much harder to convince and demand much greater clearness; for while the eye agrees exactly with what it sees, it is not impossible to excite and cheat the ear by filling it with representations under the spell of metre and sound. 12.72. Then again, while the measures of our art are enforced upon us by considerations of numbers and magnitude, the poets have the power to increase even these elements to any extent. For this reason it was easy enough for Homer to give the size of Eris by saying, With humble crest at first, anon her head, While yet she treads the earth, affronts the skies. But I must be content, I suppose, merely to fill up the space designated by Eleans or Athenians. 12.78. "As for these attributes, then, I have represented them in so far as it was possible to do so, since I was not able to name them. But the god who continually sends the lightning's flash, portending war and the destruction of many or a mighty downpour of rain, or of hail or of snow, or who stretches the dark blue rainbow across the sky, the symbol of war, or who sends a shooting star, which hurls forth a stream of sparks, a dread portent to sailors or soldiers, or who sends grievous strife upon Greeks and barbarians so as to inspire tired and despairing men with unceasing love for war and battle, and the god who weighed in the balance the fates of the godlike men or of whole armies to be decided by its spontaneous inclination â that god, I say, it was not possible to represent by my art; nor assuredly should I ever have desired to do so even had it been possible. 12.79. For of thunder what sort of soundless image, or of lightning and of the thunderbolt what kind of a likeness without the lightning's flash could by any possibility be made from the metals taken from the subterranean workings of this land at least? Then when the earth was shaken and Olympus was moved by a slight inclination of the eyebrows, or a crown of cloud was about his head, it was easy enough for Homer to describe them, and great was the freedom he enjoyed for all such things; but for our art it is absolutely impossible, for it permits the observer to test it with his eyes from close at hand and in full view. 32.36. For not only does the mighty nation, Egypt, constitute the framework of your city â or more accurately its ')" onMouseOut="nd();"appendage â but the peculiar nature of the river, when compared with all others, defies description with regard to both its marvellous habits and its usefulness; and furthermore, not only have you a monopoly of the shipping of the entire Mediterranean by reason of the beauty of your harbours, the magnitude of your fleet, and the abundance and the marketing of the products of every land, but also the outer waters that lie beyond are in your grasp, both the Red Sea and the Indian Ocean, whose name was rarely heard in former days. The result is that the trade, not merely of islands, ports, a few straits and isthmuses, but of practically the whole world is yours. For Alexandria is situated, as it were, at the cross-roads of the whole world, of even the most remote nations thereof, as if it were a market serving a single city, a market which brings together into one place all manner of men, displaying them to one another and, as far as possible, making them a kindred people. 36.32. And this, indeed, is precisely what the wisest and eldest ruler and law-giver ordains for all, both mortals and immortals, he who is the leader of all the heaven and lord of all being, himself thus expounding the term and offering his own administration as a pattern of the happy and blessed condition, he whom the divine bards, instructed by the Muses, praise in song and call the 'father of gods and men.' 36.36. And trusting to these poets men erect altars to Zeus the King and, what is more, some do not hesitate even to call him Father in their prayers, believing that there exists some such government and organization of the universe as that. Therefore, from that standpoint at least, it seems to me, they would not hesitate to apply the term 'home of Zeus' to the entire universe â if indeed he is father of all who live in it â yes, by Zeus, and his 'city' too, our Stoic similitude, to suggest the greater office of the god. 40.35. Do you not see in the heavens as a whole and in the divine and blessed beings that dwell therein an order and concord and self-control which is eternal, than which it is impossible to conceive of anything either more beautiful or more august? Furthermore, do you not see also the stable, righteous, everlasting concord of the elements, as they are called â air and earth and water and fire â with what reasonableness and moderation it is their nature to continue, not only to be preserved themselves, but also to preserve the entire universe? 48.14. My concern is partly indeed for you, but partly also for myself. For if, when a philosopher has taken a government in hand, he proves unable to produce a united city, this is indeed a shocking state of affairs, one admitting no escape, just as if a shipwright while sailing in a ship should fail to render the ship seaworthy, or as if a man who claimed to be a pilot should swerve toward the wave itself, or as if a builder should obtain a house and, seeing that it was falling to decay, should disregard this fact but, giving it a coat of stucco and a wash of colour, should imagine that he is achieving something. If my purpose on this occasion were to speak in behalf of concord, I should have had a good deal to say about not only human experiences but celestial also, to the effect that these divine and grand creations, as it happens, require concord and friendship; otherwise there is danger of ruin and destruction for this beautiful work of the creator, the universe. |
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