4. Augustine, The City of God, 1.32-1.33, 2.18, 4.1, 4.26-4.27, 6.6-6.7 (4th cent. CE - 5th cent. CE)
| 1.32. Know then, you who are ignorant of this, and you who feign ignorance be reminded, while you murmur against Him who has freed you from such rulers, that the scenic games, exhibitions of shameless folly and license, were established at Rome, not by men's vicious cravings, but by the appointment of your gods. Much more pardonably might you have rendered divine honors to Scipio than to such gods as these. The gods were not so moral as their pontiff. But give me now your attention, if your mind, inebriated by its deep potations of error, can take in any sober truth. The gods enjoined that games be exhibited in their honor to stay a physical pestilence; their pontiff prohibited the theatre from being constructed, to prevent a moral pestilence. If, then, there remains in you sufficient mental enlightenment to prefer the soul to the body, choose whom you will worship. Besides, though the pestilence was stayed, this was not because the voluptuous madness of stage-plays had taken possession of a warlike people hitherto accustomed only to the games of the circus; but these astute and wicked spirits, foreseeing that in due course the pestilence would shortly cease, took occasion to infect, not the bodies, but the morals of their worshippers, with a far more serious disease. And in this pestilence these gods find great enjoyment, because it benighted the minds of men with so gross a darkness and dishonored them with so foul a deformity, that even quite recently (will posterity be able to credit it?) some of those who fled from the sack of Rome and found refuge in Carthage, were so infected with this disease, that day after day they seemed to contend with one another who should most madly run after the actors in the theatres. 1.33. Oh infatuated men, what is this blindness, or rather madness, which possesses you? How is it that while, as we hear, even the eastern nations are bewailing your ruin, and while powerful states in the most remote parts of the earth are mourning your fall as a public calamity, you yourselves should be crowding to the theatres, should be pouring into them and filling them; and, in short, be playing a madder part now than ever before? This was the foul plague-spot, this the wreck of virtue and honor that Scipio sought to preserve you from when he prohibited the construction of theatres; this was his reason for desiring that you might still have an enemy to fear, seeing as he did how easily prosperity would corrupt and destroy you. He did not consider that republic flourishing whose walls stand, but whose morals are in ruins. But the seductions of evil-minded devils had more influence with you than the precautions of prudent men. Hence the injuries you do, you will not permit to be imputed to you: but the injuries you suffer, you impute to Christianity. Depraved by good fortune, and not chastened by adversity, what you desire in the restoration of a peaceful and secure state, is not the tranquillity of the commonwealth, but the impunity of your own vicious luxury. Scipio wished you to be hard pressed by an enemy, that you might not abandon yourselves to luxurious manners; but so abandoned are you, that not even when crushed by the enemy is your luxury repressed. You have missed the profit of your calamity; you have been made most wretched, and have remained most profligate. 2.18. I will therefore pause, and adduce the testimony of Sallust himself, whose words in praise of the Romans (that equity and virtue prevailed among them not more by force of laws than of nature) have given occasion to this discussion. He was referring to that period immediately after the expulsion of the kings, in which the city became great in an incredibly short space of time. And yet this same writer acknowledges in the first book of his history, in the very exordium of his work, that even at that time, when a very brief interval had elapsed after the government had passed from kings to consuls, the more powerful men began to act unjustly, and occasioned the defection of the people from the patricians, and other disorders in the city. For after Sallust had stated that the Romans enjoyed greater harmony and a purer state of society between the second and third Punic wars than at any other time, and that the cause of this was not their love of good order, but their fear lest the peace they had with Carthage might be broken (this also, as we mentioned, Nasica contemplated when he opposed the destruction of Carthage, for he supposed that fear would tend to repress wickedness, and to preserve wholesome ways of living), he then goes on to say: Yet, after the destruction of Carthage, discord, avarice, ambition, and the other vices which are commonly generated by prosperity, more than ever increased. If they increased, and that more than ever, then already they had appeared, and had been increasing. And so Sallust adds this reason for what he said. For, he says, the oppressive measures of the powerful, and the consequent secessions of the plebs from the patricians, and other civil dissensions, had existed from the first, and affairs were administered with equity and well-tempered justice for no longer a period than the short time after the expulsion of the kings, while the city was occupied with the serious Tuscan war and Tarquin's vengeance. You see how, even in that brief period after the expulsion of the kings, fear, he acknowledges, was the cause of the interval of equity and good order. They were afraid, in fact, of the war which Tarquin waged against them, after he had been driven from the throne and the city, and had allied himself with the Tuscans. But observe what he adds: After that, the patricians treated the people as their slaves, ordering them to be scourged or beheaded just as the kings had done, driving them from their holdings, and harshly tyrannizing over those who had no property to lose. The people, overwhelmed by these oppressive measures, and most of all by exorbitant usury, and obliged to contribute both money and personal service to the constant wars, at length took arms and seceded to Mount Aventine and Mount Sacer, and thus obtained for themselves tribunes and protective laws. But it was only the second Punic war that put an end on both sides to discord and strife. You see what kind of men the Romans were, even so early as a few years after the expulsion of the kings; and it is of these men he says, that equity and virtue prevailed among them not more by force of law than of nature. Now, if these were the days in which the Roman republic shows fairest and best, what are we to say or think of the succeeding age, when, to use the words of the same historian, changing little by little from the fair and virtuous city it was, it became utterly wicked and dissolute? This was, as he mentions, after the destruction of Carthage. Sallust's brief sum and sketch of this period may be read in his own history, in which he shows how the profligate manners which were propagated by prosperity resulted at last even in civil wars. He says: And from this time the primitive manners, instead of undergoing an insensible alteration as hitherto they had done, were swept away as by a torrent: the young men were so depraved by luxury and avarice, that it may justly be said that no father had a son who could either preserve his own patrimony, or keep his hands off other men's. Sallust adds a number of particulars about the vices of Sylla, and the debased condition of the republic in general; and other writers make similar observations, though in much less striking language. However, I suppose you now see, or at least any one who gives his attention has the means of seeing, in what a sink of iniquity that city was plunged before the advent of our heavenly King. For these things happened not only before Christ had begun to teach, but before He was even born of the Virgin. If, then, they dare not impute to their gods the grievous evils of those former times, more tolerable before the destruction of Carthage, but intolerable and dreadful after it, although it was the gods who by their malign craft instilled into the minds of men the conceptions from which such dreadful vices branched out on all sides, why do they impute these present calamities to Christ, who teaches life-giving truth, and forbids us to worship false and deceitful gods, and who, abominating and condemning with His divine authority those wicked and hurtful lusts of men, gradually withdraws His own people from a world that is corrupted by these vices, and is falling into ruins, to make of them an eternal city, whose glory rests not on the acclamations of vanity, but on the judgment of truth? 4.1. Having begun to speak of the city of God, I have thought it necessary first of all to reply to its enemies, who, eagerly pursuing earthly joys and gaping after transitory things, throw the blame of all the sorrow they suffer in them - rather through the compassion of God in admonishing than His severity in punishing - on the Christian religion, which is the one salutary and true religion. And since there is among them also an unlearned rabble, they are stirred up as by the authority of the learned to hate us more bitterly, thinking in their inexperience that things which have happened unwontedly in their days were not wont to happen in other times gone by; and whereas this opinion of theirs is confirmed even by those who know that it is false, and yet dissemble their knowledge in order that they may seem to have just cause for murmuring against us, it was necessary, from books in which their authors recorded and published the history of bygone times that it might be known, to demonstrate that it is far otherwise than they think; and at the same time to teach that the false gods, whom they openly worshipped, or still worship in secret, are most unclean spirits, and most maligt and deceitful demons, even to such a pitch that they take delight in crimes which, whether real or only fictitious, are yet their own, which it has been their will to have celebrated in honor of them at their own festivals; so that human infirmity cannot be called back from the perpetration of damnable deeds, so long as authority is furnished for imitating them that seems even divine. These things we have proved, not from our own conjectures, but partly from recent memory, because we ourselves have seen such things celebrated, and to such deities, partly from the writings of those who have left these things on record to posterity, not as if in reproach but as in honor of their own gods. Thus Varro, a most learned man among them, and of the weightiest authority, when he made separate books concerning things human and things divine, distributing some among the human, others among the divine, according to the special dignity of each, placed the scenic plays not at all among things human, but among things divine; though, certainly, if only there were good and honest men in the state, the scenic plays ought not to be allowed even among things human. And this he did not on his own authority, but because, being born and educated at Rome, he found them among the divine things. Now as we briefly stated in the end of the first book what we intended afterwards to discuss, and as we have disposed of a part of this in the next two books, we see what our readers will expect us now to take up. 4.26. But, says Cicero, Homer invented these things, and transferred things human to the gods: I would rather transfer things divine to us. The poet, by ascribing such crimes to the gods, has justly displeased the grave man. Why, then, are the scenic plays, where these crimes are habitually spoken of, acted, exhibited, in honor of the gods, reckoned among things divine by the most learned men? Cicero should exclaim, not against the inventions of the poets, but against the customs of the ancients. Would not they have exclaimed in reply, What have we done? The gods themselves have loudly demanded that these plays should be exhibited in their honor, have fiercely exacted them, have menaced destruction unless this was performed, have avenged its neglect with great severity, and have manifested pleasure at the reparation of such neglect. Among their virtuous and wonderful deeds the following is related. It was announced in a dream to Titus Latinius, a Roman rustic, that he should go to the senate and tell them to recommence the games of Rome, because on the first day of their celebration a condemned criminal had been led to punishment in sight of the people, an incident so sad as to disturb the gods who were seeking amusement from the games. And when the peasant who had received this intimation was afraid on the following day to deliver it to the senate, it was renewed next night in a severer form: he lost his son, because of his neglect. On the third night he was warned that a yet graver punishment was impending, if he should still refuse obedience. When even thus he did not dare to obey, he fell into a virulent and horrible disease. But then, on the advice of his friends, he gave information to the magistrates, and was carried in a litter into the senate, and having, on declaring his dream, immediately recovered strength, went away on his own feet whole. The senate, amazed at so great a miracle, decreed that the games should be renewed at fourfold cost. What sensible man does not see that men, being put upon by maligt demons, from whose domination nothing save the grace of God through Jesus Christ our Lord sets free, have been compelled by force to exhibit to such gods as these, plays which, if well advised, they should condemn as shameful? Certain it is that in these plays the poetic crimes of the gods are celebrated, yet they are plays which were re-established by decree of the senate, under compulsion of the gods. In these plays the most shameless actors celebrated Jupiter as the corrupter of chastity, and thus gave him pleasure. If that was a fiction, he would have been moved to anger; but if he was delighted with the representation of his crimes, even although fabulous, then, when he happened to be worshipped, who but the devil could be served? Is it so that he could found, extend, and preserve the Roman empire, who was more vile than any Roman man whatever, to whom such things were displeasing? Could he give felicity who was so infelicitously worshipped, and who, unless he should be thus worshipped, was yet more infelicitously provoked to anger? 4.27. It is recorded that the very learned pontiff Sc vola had distinguished about three kinds of gods - one introduced by the poets, another by the philosophers, another by the statesmen. The first kind he declares to be trifling, because many unworthy things have been invented by the poets concerning the gods; the second does not suit states, because it contains some things that are superfluous, and some, too, which it would be prejudicial for the people to know. It is no great matter about the superfluous things, for it is a common saying of skillful lawyers, Superfluous things do no harm. But what are those things which do harm when brought before the multitude? These, he says, that Hercules, Æsculapius, Castor and Pollux, are not gods; for it is declared by learned men that these were but men, and yielded to the common lot of mortals. What else? That states have not the true images of the gods; because the true God has neither sex, nor age, nor definite corporeal members. The pontiff is not willing that the people should know these things; for he does not think they are false. He thinks it expedient, therefore, that states should be deceived in matters of religion; which Varro himself does not even hesitate to say in his books about things divine. Excellent religion! To which the weak, who requires to be delivered, may flee for succor; and when he seeks for the truth by which he may be delivered, it is believed to be expedient for him that he be deceived. And, truly, in these same books, Sc vola is not silent as to his reason for rejecting the poetic sort of gods - to wit, because they so disfigure the gods that they could not bear comparison even with good men, when they make one to commit theft, another adultery; or, again, to say or do something else basely and foolishly; as that three goddesses contested (with each other) the prize of beauty, and the two vanquished by Venus destroyed Troy; that Jupiter turned himself into a bull or swan that he might copulate with some one; that a goddess married a man, and Saturn devoured his children; that, in fine, there is nothing that could be imagined, either of the miraculous or vicious, which may not be found there, and yet is far removed from the nature of the gods. O chief pontiff Sc vola, take away the plays if you are able; instruct the people that they may not offer such honors to the immortal gods, in which, if they like, they may admire the crimes of the gods, and, so far as it is possible, may, if they please, imitate them. But if the people shall have answered you, You, O pontiff, have brought these things in among us, then ask the gods themselves at whose instigation you have ordered these things, that they may not order such things to be offered to them. For if they are bad, and therefore in no way to be believed concerning the majority of the gods, the greater is the wrong done the gods about whom they are feigned with impunity. But they do not hear you, they are demons, they teach wicked things, they rejoice in vile things; not only do they not count it a wrong if these things are feigned about them, but it is a wrong they are quite unable to bear if they are not acted at their stated festivals. But now, if you would call on Jupiter against them, chiefly for that reason that more of his crimes are wont to be acted in the scenic plays, is it not the case that, although you call him god Jupiter, by whom this whole world is ruled and administered, it is he to whom the greatest wrong is done by you, because you have thought he ought to be worshipped along with them, and have styled him their king? 6.6. O Marcus Varro! You are the most acute, and without doubt the most learned, but still a man, not God - now lifted up by the Spirit of God to see and to announce divine things, you see, indeed, that divine things are to be separated from human trifles and lies, but you fear to offend those most corrupt opinions of the populace, and their customs in public superstitions, which you yourself, when you consider them on all sides, perceive, and all your literature loudly pronounces to be abhorrent from the nature of the gods, even of such gods as the frailty of the human mind supposes to exist in the elements of this world. What can the most excellent human talent do here? What can human learning, though manifold, avail you in this perplexity? You desire to worship the natural gods; you are compelled to worship the civil. You have found some of the gods to be fabulous, on whom you vomit forth very freely what you think, and, whether you will or not, you wet therewith even the civil gods. You say, forsooth, that the fabulous are adapted to the theatre, the natural to the world, and the civil to the city; though the world is a divine work, but cities and theatres are the works of men, and though the gods who are laughed at in the theatre are not other than those who are adored in the temples; and you do not exhibit games in honor of other gods than those to whom you immolate victims. How much more freely and more subtly would you have decided these had you said that some gods are natural, others established by men; and concerning those who have been so established, the literature of the poets gives one account, and that of the priests another - both of which are, nevertheless, so friendly the one to the other, through fellowship in falsehood, that they are both pleasing to the demons, to whom the doctrine of the truth is hostile. That theology, therefore, which they call natural, being put aside for a moment, as it is afterwards to be discussed, we ask if any one is really content to seek a hope for eternal life from poetical, theatrical, scenic gods? Perish the thought! The true God avert so wild and sacrilegious a madness! What, is eternal life to be asked from those gods whom these things pleased, and whom these things propitiate, in which their own crimes are represented? No one, as I think, has arrived at such a pitch of headlong and furious impiety. So then, neither by the fabulous nor by the civil theology does any one obtain eternal life. For the one sows base things concerning the gods by feigning them, the other reaps by cherishing them; the one scatters lies, the other gathers them together; the one pursues divine things with false crimes, the other incorporates among divine things the plays which are made up of these crimes; the one sounds abroad in human songs impious fictions concerning the gods, the other consecrates these for the festivities of the gods themselves; the one sings the misdeeds and crimes of the gods, the other loves them; the one gives forth or feigns, the other either attests the true or delights in the false. Both are base; both are damnable. But the one which is theatrical teaches public abomination, and that one which is of the city adorns itself with that abomination. Shall eternal life be hoped for from these, by which this short and temporal life is polluted? Does the society of wicked men pollute our life if they insinuate themselves into our affections, and win our assent? And does not the society of demons pollute the life, who are worshipped with their own crimes?- if with true crimes, how wicked the demons! If with false, how wicked the worship! When we say these things, it may perchance seem to some one who is very ignorant of these matters that only those things concerning the gods which are sung in the songs of the poets and acted on the stage are unworthy of the divine majesty, and ridiculous, and too detestable to be celebrated, while those sacred things which not stage-players but priests perform are pure and free from all unseemliness. Had this been so, never would any one have thought that these theatrical abominations should be celebrated in their honor, never would the gods themselves have ordered them to be performed to them. But men are in nowise ashamed to perform these things in the theatres, because similar things are carried on in the temples. In short, when the fore-mentioned author attempted to distinguish the civil theology from the fabulous and natural, as a sort of third and distinct kind, he wished it to be understood to be rather tempered by both than separated from either. For he says that those things which the poets write are less than the people ought to follow, while what the philosophers say is more than it is expedient for the people to pry into. Which, says he, differ in such a way, that nevertheless not a few things from both of them have been taken to the account of the civil theology; wherefore we will indicate what the civil theology has in common with that of the poet, though it ought to be more closely connected with the theology of philosophers. Civil theology is therefore not quite disconnected from that of the poets. Nevertheless, in another place, concerning the generations of the gods, he says that the people are more inclined toward the poets than toward the physical theologists. For in this place he said what ought to be done; in that other place, what was really done. He said that the latter had written for the sake of utility, but the poets for the sake of amusement. And hence the things from the poets' writings, which the people ought not to follow, are the crimes of the gods; which, nevertheless, amuse both the people and the gods. For, for amusement's sake, he says, the poets write, and not for that of utility; nevertheless they write such things as the gods will desire, and the people perform. 6.7. That theology, therefore, which is fabulous, theatrical, scenic, and full of all baseness and unseemliness, is taken up into the civil theology; and part of that theology, which in its totality is deservedly judged to be worthy of reprobation and rejection, is pronounced worthy to be cultivated and observed - not at all an incongruous part, as I have undertaken to show, and one which, being alien to the whole body, was unsuitably attached to and suspended from it, but a part entirely congruous with, and most harmoniously fitted to the rest, as a member of the same body. For what else do those images, forms, ages, sexes, characteristics of the gods show? If the poets have Jupiter with a beard and Mercury beardless, have not the priests the same? Is the Priapus of the priests less obscene than the Priapus of the players? Does he receive the adoration of worshippers in a different form from that in which he moves about the stage for the amusement of spectators? Is not Saturn old and Apollo young in the shrines where their images stand as well as when represented by actors' masks? Why are Forculus, who presides over doors, and Limentinus, who presides over thresholds and lintels, male gods, and Cardea between them feminine, who presides over hinges? Are not those things found in books on divine things, which grave poets have deemed unworthy of their verses? Does the Diana of the theatre carry arms, while the Diana of the city is simply a virgin? Is the stage Apollo a lyrist, but the Delphic Apollo ignorant of this art? But these things are decent compared with the more shameful things. What was thought of Jupiter himself by those who placed his wet nurse in the Capitol? Did they not bear witness to Euhemerus, who, not with the garrulity of a fable-teller, but with the gravity of an historian who had diligently investigated the matter, wrote that all such gods had been men and mortals? And they who appointed the Epulones as parasites at the table of Jupiter, what else did they wish for but mimic sacred rites. For if any mimic had said that parasites of Jupiter were made use of at his table, he would assuredly have appeared to be seeking to call forth laughter. Varro said it - not when he was mocking, but when he was commending the gods did he say it. His books on divine, not on human, things testify that he wrote this - not where he set forth the scenic games, but where he explained the Capitoline laws. In a word, he is conquered, and confesses that, as they made the gods with a human form, so they believed that they are delighted with human pleasures. For also malign spirits were not so wanting to their own business as not to confirm noxious opinions in the minds of men by converting them into sport. Whence also is that story about the sacristan of Hercules, which says that, having nothing to do, he took to playing at dice as a pastime, throwing them alternately with the one hand for Hercules, with the other for himself, with this understanding, that if he should win, he should from the funds of the temple prepare himself a supper, and hire a mistress; but if Hercules should win the game, he himself should, at his own expense, provide the same for the pleasure of Hercules. Then, when he had been beaten by himself, as though by Hercules, he gave to the god Hercules the supper he owed him, and also the most noble harlot Larentina. But she, having fallen asleep in the temple, dreamed that Hercules had had intercourse with her, and had said to her that she would find her payment with the youth whom she should first meet on leaving the temple, and that she was to believe this to be paid to her by Hercules. And so the first youth that met her on going out was the wealthy Tarutius, who kept her a long time, and when he died left her his heir. She, having obtained a most ample fortune, that she should not seem ungrateful for the divine hire, in her turn made the Roman people her heir, which she thought to be most acceptable to the deities; and, having disappeared, the will was found. By which meritorious conduct they say that she gained divine honors. Now had these things been feigned by the poets and acted by the mimics, they would without any doubt have been said to pertain to the fabulous theology, and would have been judged worthy to be separated from the dignity of the civil theology. But when these shameful things - not of the poets, but of the people; not of the mimics, but of the sacred things; not of the theatres, but of the temples, that is, not of the fabulous, but of the civil theology, - are reported by so great an author, not in vain do the actors represent with theatrical art the baseness of the gods, which is so great; but surely in vain do the priests attempt, by rites called sacred, to represent their nobleness of character, which has no existence. There are sacred rites of Juno; and these are celebrated in her beloved island, Samos, where she was given in marriage to Jupiter. There are sacred rites of Ceres, in which Proserpine is sought for, having been carried off by Pluto. There are sacred rites of Venus, in which, her beloved Adonis being slain by a boar's tooth, the lovely youth is lamented. There are sacred rites of the mother of the gods, in which the beautiful youth Atys, loved by her, and castrated by her through a woman's jealousy, is deplored by men who have suffered the like calamity, whom they call Galli. Since, then, these things are more unseemly than all scenic abomination, why is it that they strive to separate, as it were, the fabulous fictions of the poet concerning the gods, as, forsooth, pertaining to the theatre, from the civil theology which they wish to belong to the city, as though they were separating from noble and worthy things, things unworthy and base? Wherefore there is more reason to thank the stage-actors, who have spared the eyes of men and have not laid bare by theatrical exhibition all the things which are hid by the walls of the temples. What good is to be thought of their sacred rites which are concealed in darkness, when those which are brought forth into the light are so detestable? And certainly they themselves have seen what they transact in secret through the agency of mutilated and effeminate men. Yet they have not been able to conceal those same men miserably and vile enervated and corrupted. Let them persuade whom they can that they transact anything holy through such men, who, they cannot deny, are numbered, and live among their sacred things. We know not what they transact, but we know through whom they transact; for we know what things are transacted on the stage, where never, even in a chorus of harlots, has one who is mutilated or an effeminate appeared. And, nevertheless, even these things are acted by vile and infamous characters; for, indeed, they ought not to be acted by men of good character. What, then, are those sacred rites, for the performance of which holiness has chosen such men as not even the obscenity of the stage has admitted? |
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