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Tiresias: The Ancient Mediterranean Religions Source Database



1202
Aristophanes, Knights, 927-940
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Intertexts (texts cited often on the same page as the searched text):

10 results
1. Archilochus, Fragments, 109 (8th cent. BCE - 7th cent. BCE)

2. Archilochus, Fragments, 109 (8th cent. BCE - 7th cent. BCE)

3. Aristophanes, Acharnians, 371-378, 634-635, 370 (5th cent. BCE - 4th cent. BCE)

370. καίτοι δέδοικα πολλά: τούς τε γὰρ τρόπους
4. Aristophanes, Women of The Assembly, 883, 918-920, 882 (5th cent. BCE - 4th cent. BCE)

882. παίζουσα. πῶς ἂν περιλάβοιμ' αὐτῶν τινὰ
5. Aristophanes, Knights, 1001-1110, 1340-1344, 252, 285-299, 304-312, 368-374, 702-704, 766-768, 781, 788, 792-794, 797-800, 802-819, 832-840, 844-859, 862, 877-880, 891, 928-940, 944, 956-958, 960-1000 (5th cent. BCE - 4th cent. BCE)

1000. καὶ νὴ Δί' ἔτι γέ μοὔστι κιβωτὸς πλέα.
6. Aristophanes, Clouds, 576-580, 575 (5th cent. BCE - 4th cent. BCE)

575. ὦ σοφώτατοι θεαταὶ δεῦρο τὸν νοῦν προσέχετε.
7. Aristophanes, Peace, 170-172, 363-364, 43-48, 169 (5th cent. BCE - 4th cent. BCE)

169. καὶ μύρον ἐπιχεῖς; ὡς ἤν τι πεσὼν
8. Aristophanes, The Women Celebrating The Thesmophoria, 160-170, 159 (5th cent. BCE - 4th cent. BCE)

159. ἄλλως τ' ἄμουσόν ἐστι ποιητὴν ἰδεῖν
9. Plato, Gorgias, None (5th cent. BCE - 4th cent. BCE)

463a. whether this is the rhetoric which Gorgias practices, for from our argument just now we got no very clear view as to how he conceives it; but what I call rhetoric is a part of a certain business which has nothing fine about it. Gorg. What is that, Socrates? Tell us, without scruple on my account. Soc. It seems to me then, Gorgias, to be a pursuit that is not a matter of art, but showing a shrewd, gallant spirit which has a natural bent for clever dealing with mankind, and I sum up its substance in the name flattery.
10. Thucydides, The History of The Peloponnesian War, 2.65.8-2.65.10 (5th cent. BCE - 4th cent. BCE)

2.65.8. The causes of this are not far to seek. Pericles indeed, by his rank, ability, and known integrity, was enabled to exercise an independent control over the multitude—in short, to lead them instead of being led by them; for as he never sought power by improper means, he was never compelled to flatter them, but, on the contrary, enjoyed so high an estimation that he could afford to anger them by contradiction. 2.65.9. Whenever he saw them unseasonably and insolently elated, he would with a word reduce them to alarm; on the other hand, if they fell victims to a panic, he could at once restore them to confidence. In short, what was nominally a democracy became in his hands government by the first citizen. 2.65.10. With his successors it was different. More on a level with one another, and each grasping at supremacy, they ended by committing even the conduct of state affairs to the whims of the multitude.


Subjects of this text:

subject book bibliographic info
abuse Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
aegean sea, floating configuration of islands in Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
aischrologia Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
alkibiades Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
antiphon, anti-rhetoric Hesk, Deception and Democracy in Classical Athens (2000) 218
apollo delios/dalios (delos) Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
aristophanes Hesk, Deception and Democracy in Classical Athens (2000) 218; Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
aristotle, and rhetoric Hesk, Deception and Democracy in Classical Athens (2000) 218
arkhilokhos Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
athenian empire, and local identities Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
athenian empire, as myth-ritual network Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
athenian empire, as theoric worshipping group Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
athenian empire, finances Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
athenian empire, ionian policies Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
athenian empire Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
bribery, dorian stigma Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
bribery, ionians Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
bribery, kleon Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
catchment area, of cults, constant (re)forging of Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
choregia, and community building Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
chorus, cf. choregia, choregos Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
chorus, khoros, athenian empire as Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
chorus, khoros, flexible metaphor Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
chorus, khoros, of islands Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
cleon Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
community, religious, not identical with political Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
deception, and sophistry Hesk, Deception and Democracy in Classical Athens (2000) 218
deception, association with rhetoric Hesk, Deception and Democracy in Classical Athens (2000) 218
democracy, athenian, and noble lies, and its oratory Hesk, Deception and Democracy in Classical Athens (2000) 218
demosthenes, representation of deceit Hesk, Deception and Democracy in Classical Athens (2000) 218
demosthenes Hesk, Deception and Democracy in Classical Athens (2000) 218
ethnic, stereotyping Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
hero, comic hero Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
imperial Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
injustice Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
insult, cf. offense Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
islands, in the aegean, stereotyping of Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
islands, in the aegean Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
miletus, and athens Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
naxos, naxians, almonds Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
naxos, naxians, trade-ship Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
ober, j. Hesk, Deception and Democracy in Classical Athens (2000) 218
paphlagon Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
peace, and religious activity Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
peloponnesian war, athens and delian theoria in Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
phrynondas (stock ionian villain) Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
plato, and rhetoric Hesk, Deception and Democracy in Classical Athens (2000) 218
poets, creativity in social contexts Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
rhetoric, in aristotle Hesk, Deception and Democracy in Classical Athens (2000) 218
rhetoric, in plato Hesk, Deception and Democracy in Classical Athens (2000) 218
rhetoric, of anti-rhetoric Hesk, Deception and Democracy in Classical Athens (2000) 218
rhetoric, theory of Hesk, Deception and Democracy in Classical Athens (2000) 218
samos, athens and Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
sausage-seller Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
siphnos, music Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
song-culture, epichoric Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
song-culture, forum for debate of contemporary issues Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
space, religious, malleable and constantly changing Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
syros Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
theatricality/staginess (of life) Riess, Performing interpersonal violence: court, curse, and comedy in fourth-century BCE Athens (2012) 238
theoria, and local identities Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
theoria, as economic network Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
theoria, choral polis-theoria Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
theoria, sense of community Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
thucydides, and ionians Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
tribute, to athens, blurring of religious and monetary in choral dance Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113
tribute, to athens, problematic ionikos prosodos' Kowalzig, Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece (2007) 113