agrippina the younger |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
alexander the great |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
antoninus,emperor |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
architecture and art,roman appreciation |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
armenia |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
art and architecture,roman appreciation |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
authentic versus copy,and pleasure |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
authentic versus copy,ignorance of |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
basilica of maxentius |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
basilicas |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
bathhouses |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
brutus,marcus |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
casa romuli |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
catacombs,pretestato |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
christianity |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
churches,saint paul's,cycle of paintings" |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,saint pauls |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,saint peters,cycle of paintings |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,saint peters |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,san lorenzo in damaso |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,san venanzio |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,santa bibiana |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,santa maria antiqua |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,santa maria in trastevere |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,santa martina |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,santagnese |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
churches,santi cosma e damiano |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
civility |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |
claudius |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
colosseum |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
columns,trajans |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
constantius,emperor |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
constantius |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
constantius ii |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |
cornelius sulla,l. |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
danaë |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
domitian,martial flatters |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
domitian,public architecture |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
domus aurea,adorned with greek plunder |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
emperors,constantius ii |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
encolpius |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
eternity (aeternitas) |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |
eumolpus |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
euphrates river |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
exēgētai |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
forum of peace |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
forum of trajan |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
gallus (caesar) |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |
gold glass |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
greece,nero loots |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
guides |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
hannibal |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
hercules |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
impietas against,viewer response to |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
inscriptions |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
iustitia |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |
marcus aurelius |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
menestratus,his hecate |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
menestratus,his hercules |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
objects,and power |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
objects,viewer understanding of |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
ordo romanus primus |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
ovid,and triumphal processions |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
palimpsestic rome,attitude to authentic antiquity |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
palimpsestic rome |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
pallas |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
periēgetai |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
persia |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
pindar |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
pliny the elder,on ignorance of art |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
pliny the younger,against pallas |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
pompey,theatre of |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
popes (roman),donus |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),felix iv |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),gregory ii |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),honorius |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),innocent i |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),john iv |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),john vii |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),julius i |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),leo i |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),liberius |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),pelagius ii |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
popes (roman),theodore |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
praecepta ad filium,on statuary and imagines |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
rome,forum of peace,and the domus aurea |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum of peace,cosmic significance of spoils in |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum of peace,its collection |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum of peace,its name |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum of peace,josephus describes |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum of peace,spoils of jewish war adorn |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum of peace |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
rome,forum romanum,pictures displayed in |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
romulus |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
sicily |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
stational liturgy |
Dijkstra (2020), The Early Reception and Appropriation of the Apostle Peter (60-800 CE): The Anchors of the Fisherman, 65 |
statuary,equestrian |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
sun,the |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |
temple of venus and rome |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
theatre of pompey |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
thucydides |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
tigris river |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
titus |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
topography of rome,during constantius progress' |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
trajans column |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
trajans forum |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
triumph |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
venus and rome,temple of |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
verginius rufus |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
verres,c.,cicero prosecutes |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
verres,c.,forces sicilians to erect dedications |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
vespasian,emperor |
Jenkyns (2013), God, Space, and City in the Roman Imagination, 263 |
vespasian |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 272 |
viewers,and literacy |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 119 |
viewers,elite versus non-elite |
Rutledge (2012), Ancient Rome as a Museum: Power, Identity, and the Culture of Collecting, 104 |
virtus |
Masterson (2016), Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood. 150 |