Home About Network of subjects Linked subjects heatmap Book indices included Search by subject Search by reference Browse subjects Browse texts

Tiresias: The Ancient Mediterranean Religions Source Database



111
Aelius Aristides, Orations, 50.41-50.42
NaN
NaN


Intertexts (texts cited often on the same page as the searched text):

8 results
1. Homer, Iliad, 1.197-1.222 (8th cent. BCE - 7th cent. BCE)

1.197. /for in her heart she loved and cared for both men alike.She stood behind him, and seized the son of Peleus by his fair hair, appearing to him alone. No one of the others saw her. Achilles was seized with wonder, and turned around, and immediately recognized Pallas Athene. Terribly her eyes shone. 1.198. /for in her heart she loved and cared for both men alike.She stood behind him, and seized the son of Peleus by his fair hair, appearing to him alone. No one of the others saw her. Achilles was seized with wonder, and turned around, and immediately recognized Pallas Athene. Terribly her eyes shone. 1.199. /for in her heart she loved and cared for both men alike.She stood behind him, and seized the son of Peleus by his fair hair, appearing to him alone. No one of the others saw her. Achilles was seized with wonder, and turned around, and immediately recognized Pallas Athene. Terribly her eyes shone. 1.200. /Then he addressed her with winged words, and said:Why now, daughter of aegis-bearing Zeus, have you come? Is it so that you might see the arrogance of Agamemnon, son of Atreus? One thing I will tell you, and I think this will be brought to pass: through his own excessive pride shall he presently lose his life. 1.201. /Then he addressed her with winged words, and said:Why now, daughter of aegis-bearing Zeus, have you come? Is it so that you might see the arrogance of Agamemnon, son of Atreus? One thing I will tell you, and I think this will be brought to pass: through his own excessive pride shall he presently lose his life. 1.202. /Then he addressed her with winged words, and said:Why now, daughter of aegis-bearing Zeus, have you come? Is it so that you might see the arrogance of Agamemnon, son of Atreus? One thing I will tell you, and I think this will be brought to pass: through his own excessive pride shall he presently lose his life. 1.203. /Then he addressed her with winged words, and said:Why now, daughter of aegis-bearing Zeus, have you come? Is it so that you might see the arrogance of Agamemnon, son of Atreus? One thing I will tell you, and I think this will be brought to pass: through his own excessive pride shall he presently lose his life. 1.204. /Then he addressed her with winged words, and said:Why now, daughter of aegis-bearing Zeus, have you come? Is it so that you might see the arrogance of Agamemnon, son of Atreus? One thing I will tell you, and I think this will be brought to pass: through his own excessive pride shall he presently lose his life. 1.205. / 1.206. / 1.207. / 1.208. / 1.209. / Him then the goddess, bright-eyed Athene, answered:I have come from heaven to stay your anger, if you will obey, The goddess white-armed Hera sent me forth, for in her heart she loves and cares for both of you. But come, cease from strife, and do not grasp the sword with your hand. 1.210. /With words indeed taunt him, telling him how it shall be. For thus will I speak, and this thing shall truly be brought to pass. Hereafter three times as many glorious gifts shall be yours on account of this arrogance. But refrain, and obey us. In answer to her spoke swift-footed Achilles: 1.211. /With words indeed taunt him, telling him how it shall be. For thus will I speak, and this thing shall truly be brought to pass. Hereafter three times as many glorious gifts shall be yours on account of this arrogance. But refrain, and obey us. In answer to her spoke swift-footed Achilles: 1.212. /With words indeed taunt him, telling him how it shall be. For thus will I speak, and this thing shall truly be brought to pass. Hereafter three times as many glorious gifts shall be yours on account of this arrogance. But refrain, and obey us. In answer to her spoke swift-footed Achilles: 1.213. /With words indeed taunt him, telling him how it shall be. For thus will I speak, and this thing shall truly be brought to pass. Hereafter three times as many glorious gifts shall be yours on account of this arrogance. But refrain, and obey us. In answer to her spoke swift-footed Achilles: 1.214. /With words indeed taunt him, telling him how it shall be. For thus will I speak, and this thing shall truly be brought to pass. Hereafter three times as many glorious gifts shall be yours on account of this arrogance. But refrain, and obey us. In answer to her spoke swift-footed Achilles: 1.215. / It is necessary, goddess, to observe the words of you two, however angered a man be in his heart, for is it better so. Whoever obeys the gods, to him do they gladly give ear. He spoke, and stayed his heavy hand on the silver hilt, and back into its sheath thrust the great sword, and did not disobey 1.216. / It is necessary, goddess, to observe the words of you two, however angered a man be in his heart, for is it better so. Whoever obeys the gods, to him do they gladly give ear. He spoke, and stayed his heavy hand on the silver hilt, and back into its sheath thrust the great sword, and did not disobey 1.217. / It is necessary, goddess, to observe the words of you two, however angered a man be in his heart, for is it better so. Whoever obeys the gods, to him do they gladly give ear. He spoke, and stayed his heavy hand on the silver hilt, and back into its sheath thrust the great sword, and did not disobey 1.218. / It is necessary, goddess, to observe the words of you two, however angered a man be in his heart, for is it better so. Whoever obeys the gods, to him do they gladly give ear. He spoke, and stayed his heavy hand on the silver hilt, and back into its sheath thrust the great sword, and did not disobey 1.219. / It is necessary, goddess, to observe the words of you two, however angered a man be in his heart, for is it better so. Whoever obeys the gods, to him do they gladly give ear. He spoke, and stayed his heavy hand on the silver hilt, and back into its sheath thrust the great sword, and did not disobey 1.220. /the word of Athene. She returned to Olympus to the palace of aegis-bearing Zeus, to join the company of the other gods.But the son of Peleus again addressed with violent words the son of Atreus, and in no way ceased from his wrath:Heavy with wine, with the face of a dog but the heart of a deer 1.221. /the word of Athene. She returned to Olympus to the palace of aegis-bearing Zeus, to join the company of the other gods.But the son of Peleus again addressed with violent words the son of Atreus, and in no way ceased from his wrath:Heavy with wine, with the face of a dog but the heart of a deer 1.222. /the word of Athene. She returned to Olympus to the palace of aegis-bearing Zeus, to join the company of the other gods.But the son of Peleus again addressed with violent words the son of Atreus, and in no way ceased from his wrath:Heavy with wine, with the face of a dog but the heart of a deer
2. Pindar, Olympian Odes, 2.1 (6th cent. BCE - 5th cent. BCE)

3. Strabo, Geography, 8.6.15 (1st cent. BCE - 1st cent. BCE)

8.6.15. Epidaurus used to be called Epicarus, for Aristotle says that Carians took possession of it, as also of Hermione, but that after the return of the Heracleidae the Ionians who had accompanied the Heracleidae from the Attic Tetrapolis to Argos took up their abode with these Carians. Epidaurus, too, is an important city, and particularly because of the fame of Asclepius, who is believed to cure diseases of every kind and always has his sanctuary full of the sick, and also of the votive tablets on which the treatments are recorded, just as at Cos and Tricce. The city lies in the recess of the Saronic Gulf, has a circular coast of fifteen stadia, and faces the summer risings of the sun. It is enclosed by high mountains which reach as far as the sea, so that on all sides it is naturally fitted for a stronghold. Between Troezen and Epidaurus there was a stronghold called Methana, and also a peninsula of the same name. In some copies of Thucydides the name is spelled Methone, the same as the Macedonian city in which Philip, in the siege, had his eye knocked out. And it is on this account, in the opinion of Demetrius of Scepsis, that some writers, being deceived, suppose that it was the Methone in the territory of Troezen against which the men sent by Agamemnon to collect sailors are said to have uttered the imprecation that its citizens might never cease from their wall-building, since, in his opinion, it was not these citizens that refused, but those of the Macedonian city, as Theopompus says; and it is not likely, he adds, that these citizens who were near to Agamemnon disobeyed him.
4. Artemidorus, Oneirocritica, 2.35 (1st cent. CE - 2nd cent. CE)

5. Aelius Aristides, Orations, 2.39, 27.2, 37.1, 38.1-38.3, 40.22, 41.1, 42.11, 45.3, 47.6-47.9, 47.11-47.13, 47.15-47.18, 47.21-47.26, 47.28, 47.30-47.33, 47.35-47.52, 47.54, 47.56, 47.58, 47.63-47.66, 47.71, 47.73, 48.1-48.4, 48.7-48.9, 48.18, 48.27, 48.29-48.35, 48.40-48.43, 48.47, 48.51, 48.68-48.70, 49.4, 49.12-49.15, 49.20-49.24, 49.26, 49.37, 49.39, 49.41, 49.45-49.49, 50.1, 50.5, 50.11, 50.14-50.31, 50.34, 50.38-50.40, 50.42-50.62, 50.64-50.66, 50.69-50.102, 50.106, 51.8, 51.16, 51.18, 51.22, 51.24, 51.36, 51.44-51.45, 51.47, 51.49-51.52, 51.57-51.66 (2nd cent. CE - 2nd cent. CE)

6. Apuleius, The Golden Ass, 2.4, 8.30, 11.5-11.6, 11.28, 11.30 (2nd cent. CE - 2nd cent. CE)

11.5. “Behold, Lucius, I have come! Your weeping and prayers have moved me to succor you. I am she who is the natural mother of all things, mistress and governess of all the elements, the initial progeny of worlds, chief of powers divine, queen of heaven! I am the principal of the celestial gods, the light of the goddesses. At my will the planets of the heavens, the wholesome winds of the seas, and the silences of hell are disposed. My name and my divinity is adored throughout all the world in diverse manners. I am worshipped by various customs and by many names. The Phrygians call me the mother of the gods. The Athenians, Minerva. The Cyprians, Venus. The Cretans, Diana. The Sicilians, Proserpina. The Eleusians, Ceres. Some call me Juno, other Bellona, and yet others Hecate. And principally the Aethiopians who dwell in the Orient, and the Aegyptians who are excellent in all kind of ancient doctrine and by their proper ceremonies are accustomed to worship me, call me Queen Isis. Behold, I have come to take pity of your fortune and tribulation. Behold, I am present to favor and aid you. Leave off your weeping and lamentation, put away all your sorrow. For behold, the day which is ordained by my providence is at hand. Therefore be ready to attend to my command. This day which shall come after this night is dedicated to my service by an eternal religion. My priests and ministers are accustomed, after the tempests of the sea have ceased, to offer in my name a new ship as a first fruit of my navigation. I command you not to profane or despise the sacrifice in any way. 11.6. “The great priest shall carry this day, following in procession by my exhortation, a garland of roses next the rattle in his right hand. Follow my procession amongst the people and, when you come to the priest, make as though you would kiss his hand. But snatch at the roses, whereby I will put away the skin and shape of an ass. This kind of beast I have long abhorred and despised. But above all things beware that you do not doubt or fear any of those things as being hard and difficult to bring to pass. For in the same hour as I have come to you, I have commanded the priest, by a vision, of what he shall do. And all the people by my command shall be compelled to give you place and say nothing! Moreover, do not think that, amongst so fair and joyful ceremonies and in so good a company, any person shall abhor your ill-favored and deformed figure, or that any man shall be so hardy as to blame and reprove your sudden restoration to human shape. They will not conceive any sinister opinion about this deed. And know this for certain: for the rest of your life, until the hour of death, you shall be bound and subject to me! And think it not an injury to be always subject to me, since by my means and benefit you shall become a man. You shall live blessed in this world, you shall live gloriously by my guidance and protection. And when you descend to hell, you shall see me shine in that subterranean place, shining (as you see me now) in the darkness of Acheron, and reigning in the deep profundity of Styx. There you shall worship me as one who has been favorable to you. And if I perceive that you are obedient to my command, an adherent to my religion, and worthy my divine grace, know you that I will prolong your days above the time that the fates have appointed, and the celestial planets have ordained.” 11.28. Thus I was initiated into the religion, but my desire was delayed by reason of my poverty. I had spent a great part of my goods in travel and peregrination, but most of all the cost of living in the city of Rome had dwindled my resources. In the end, being often stirred forward with great trouble of mind, I was forced to sell my robe for a little money which was nevertheless sufficient for all my affairs. Then the priest spoke to me saying, “How is it that for a little pleasure you are not afraid to sell your vestments, yet when you enter into such great ceremonies you fear to fall into poverty? Prepare yourself and abstain from all animal meats, beasts and fish.” In the meantime I frequented the sacrifices of Serapis, which were done in the night. This gave me great comfort to my peregrination, and ministered to me more plentiful living since I gained some money by pleading in the courts in the Latin language.
7. Philostratus The Athenian, Lives of The Sophists, 2.9 (2nd cent. CE

8. Epigraphy, Ig Iv ,1, 128



Subjects of this text:

subject book bibliographic info
achelous Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222
aelius aristides, and sarapis Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201
aelius aristides, inspired by asklepios to compose sacred tales Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201
aelius aristides, sacred tales Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (2007) 299
aelius aristides, unsolicited dreams Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201, 202
aelius aristides Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201, 202
apollo, callitecnus Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
apollo, clarius Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
apollo, phoebus Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
apollo Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221, 222; Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174; Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
appearance-and-sensation topic Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
apuleius, golden ass Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (2007) 299
archaeology Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
aristides, aelius, to sarapis Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
aristides, as orator Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
aristides, lost works Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
aristides Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
asclepieum, at pergamum Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
asclepieum Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
asclepius Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222, 223; Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174, 176; Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
asklepieia, written evidence for incubation Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201, 202
asklepios, cults origin at trikka Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
asklepios Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201, 202
athena Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222; Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
chorus Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222, 223
coronis Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
declamation, historical declamation Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
declamation Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
deity, viewed by human Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (2007) 299
delos Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222
dionysus Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222; Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174, 176
dioscuri Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222
divination Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 176
divinities (greek and roman), apollo maleatas Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
divinities (greek and roman), athena Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
divinities (greek and roman), zeus olympios Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201
dramaturgy Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 176
dream books Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
dreams (general), providing inspiration for literary undertaking Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201
dreams (in greek and latin literature), aelius aristides, sacred tales Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201, 202
dreams and visions, dream figures, statues Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 404
dreams and visions, examples, aelius aristides Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 398, 403, 404
dreams and visions, examples, popular, personal, therapeutic Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 398, 403, 404
emotional responses to dreams Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 403
emotional responses within dreams, distress, terror Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 403
emotional responses within dreams, joy Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 403
epic Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
epidauros asklepieion, isyllos hymn Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
epidauros asklepieion, literary sources for incubation Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
epigram Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
epiphany, in golden ass Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (2007) 299
ex-iussu inscription Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
hecate Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222; Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
hera Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
heracles Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
hermes Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222; Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
incubation Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 176
inscriptions Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
inspiration Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 176
isis Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
kos asklepieion, inscribed records of cures Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
kos asklepieion Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
kosmas and damian (saints), at trikka Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
laneium Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
libanius Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
lyric poetry Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
macedonia, macedonian Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
marble Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
mesomedes Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
miletus, milesian Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222
mysticism Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 176
nemeseis, of smyrna Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
nemesis Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
oratory Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
pan Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222; Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
pergamon Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174, 176
pergamum Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222
phidias Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
philostratus Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
pindar Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
prophecy, foretelling the future Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 176
rhosandrus Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
rome Trapp et al., In Praise of Asclepius: Selected Prose Hymns (2016) 12
sacred law Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 404
sacrifice, finger Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 404
sacrifice Moxon, Peter's Halakhic Nightmare: The 'Animal' Vision of Acts 10:9–16 in Jewish and Graeco-Roman Perspective (2017) 404
sarapis, and aelius aristides Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201
sarapis Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
serapis Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
simonides Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222
smyrna, and aelius aristides Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 201
smyrna, smyrnaean Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
sophists, imperial Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221, 222, 223
statue, divine Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
telesphorus Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
thasos Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
tragedy Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 221
trikka asklepieion, apollo maleatas cult Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
trikka asklepieion, isyllos hymn evidence of incubation(?)' Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
trikka asklepieion, literary evidence for incubation Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
trikka asklepieion, original asklepios sanctuary Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
trikka asklepieion, problem of sanctuarys location Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
trikka asklepieion Renberg, Where Dreams May Come: Incubation Sanctuaries in the Greco-Roman World (2017) 202
underworld Lipka, Epiphanies and Dreams in Greek Polytheism: Textual Genres and 'Reality' from Homer to Heliodorus (2021) 174
viewing, of deity by human Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (2007) 299
zeus, olympius Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 223
zeus Bowie, Essays on Ancient Greek Literature and Culture, Volume 2: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels (2023) 222, 223