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68 results for "execution"
1. Cicero, Republic, 4.12 (2nd cent. BCE - 1st cent. BCE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25, 225
4.12. Nostrae contra duo decim tabulae cum perpaucas res capite sanxissent, in his hanc quoque sanciendam putaverunt, si quis occentavisset sive carmen condidisset, quod infamiam faceret flagitiumve alteri. Praeclare; iudiciis enim magistratuum, disceptationibus legitimis propositam vitam, non poetarum ingeniis, habere debemus nec probrum audire nisi ea lege, ut respondere liceat et iudicio defendere. veteribus displicuisse Romanis vel laudari quemquam in scaena vivum hominem vel vituperari.
2. Cicero, Tusculan Disputations, 4.2.3 (2nd cent. BCE - 1st cent. BCE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25
3. Livy, History, 1.20.4, 1.45.5 (1st cent. BCE - missingth cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25
4. Lucretius Carus, On The Nature of Things, 1.149 (1st cent. BCE - 1st cent. BCE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 189
1.149. Principium cuius hinc nobis exordia sumet,
5. Tacitus, Histories, 2.62 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 77
2.62.  No other severe measures were taken against the rebels; there were no further confiscations. The wills of those who fell in Otho's ranks were allowed to stand, and if the soldiers died intestate, the law took its regular course. In fact, if Vitellius had only moderated his luxurious mode of life, there would have been no occasion to fear his avarice. But his passion for elaborate banquets was shameful and insatiate. Dainties to tempt his palate were constantly brought from Rome and all Italy, while the roads from both the Adriatic and Tyrrhenian seas hummed with hurrying vehicles. The preparation of banquets for him ruined the leading citizens of the communities through which he passed; the communities themselves were devastated; and his soldiers lost their energy and their valour as they became accustomed to pleasure and learned to despise their leader. Vitellius sent a proclamation to Rome in advance of his arrival, deferring the title Augustus and declining the name Caesar, although he rejected none of an emperor's powers. The astrologers were banished from Italy; strict measures were taken to prevent Roman knights from degrading themselves in gladiatorial schools and the arena. Former emperors had driven knights to such actions by money or more often by force; and most municipal towns and colonies were in the habit of rivalling the emperors in bribing the worst of their young men to take up these disgraceful pursuits.
6. Pliny The Elder, Natural History, 17.267, 28.9, 30.1 (1st cent. CE - 1st cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25
7. Suetonius, De Poetis, None (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 284
8. Suetonius, Domitianus, 8.3 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 32
9. Suetonius, Tiberius, 36 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 26, 77
10. Suetonius, Vitellius, 14.4 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 77
11. Tacitus, Annals, 2.32, 4.34, 12.52 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 26, 77
2.32. Bona inter accusatores dividuntur, et praeturae extra ordinem datae iis qui senatorii ordinis erant. tunc Cotta Messalinus, ne imago Libonis exequias posterorum comitaretur, censuit, Cn. Lentulus, ne quis Scribonius cognomentum Drusi adsumeret. supplicationum dies Pomponii Flacci sententia constituti, dona Iovi, Marti, Concordiae, utque iduum Septembrium dies, quo se Libo interfecerat, dies festus haberetur, L. Piso et Gallus Asinius et Papius Mutilus et L. Apronius decrevere; quorum auctoritates adulationesque rettuli ut sciretur vetus id in re publica malum. facta et de mathematicis magisque Italia pellendis senatus consulta; quorum e numero L. Pituanius saxo deiectus est, in P. Marcium consules extra portam Esquilinam, cum classicum canere iussissent, more prisco advertere. 4.34. Cornelio Cosso Asinio Agrippa consulibus Cremutius Cordus postulatur novo ac tunc primum audito crimine, quod editis annalibus laudatoque M. Bruto C. Cassium Romanorum ultimum dixisset. accusabant Satrius Secundus et Pinarius Natta, Seiani clientes. id perniciabile reo et Caesar truci vultu defensionem accipiens, quam Cremutius relinquendae vitae certus in hunc modum exorsus est: 'verba mea, patres conscripti, arguuntur: adeo factorum innocens sum. sed neque haec in principem aut principis parentem, quos lex maiestatis amplectitur: Brutum et Cassium laudavisse dicor, quorum res gestas cum plurimi composuerint, nemo sine honore memoravit. Titus Livius, eloquentiae ac fidei praeclarus in primis, Cn. Pompeium tantis laudibus tulit ut Pompeianum eum Augustus appellaret; neque id amicitiae eorum offecit. Scipionem, Afranium, hunc ipsum Cassium, hunc Brutum nusquam latrones et parricidas, quae nunc vocabula imponuntur, saepe ut insignis viros nominat. Asinii Pollionis scripta egregiam eorundem memoriam tradunt; Messala Corvinus imperatorem suum Cassium praedicabat: et uterque opibusque atque honoribus perviguere. Marci Ciceronis libro quo Catonem caelo aequavit, quid aliud dictator Caesar quam rescripta oratione velut apud iudices respondit? Antonii epistulae Bruti contiones falsa quidem in Augustum probra set multa cum acerbitate habent; carmina Bibaculi et Catulli referta contumeliis Caesarum leguntur: sed ipse divus Iulius, ipse divus Augustus et tulere ista et reliquere, haud facile dixerim, moderatione magis an sapientia. namque spreta exolescunt: si irascare, adgnita videntur. 12.52. Fausto Sulla Salvio Othone consulibus Furius Scribonianus in exilium agitur, quasi finem principis per Chaldaeos scrutaretur. adnectebatur crimini Vibia mater eius, ut casus prioris (nam relegata erat) impatiens. pater Scriboniani Camillus arma per Dalmatiam moverat; idque ad clementiam trahebat Caesar, quod stirpem hostilem iterum conservaret. neque tamen exuli longa posthac vita fuit: morte fortuita an per venenum extinctus esset, ut quisque credidit, vulgavere. de mathematicis Italia pellendis factum senatus consultum atrox et inritum. laudati dehinc oratione principis qui ob angustias familiaris ordine senatorio sponte cederent, motique qui remanendo impudentiam paupertati adicerent. 2.32.  His estate was parcelled out among the accusers, and extraordinary praetorships were conferred on those of senatorial status. Cotta Messalinus then moved that the effigy of Libo should not accompany the funeral processions of his descendants; Gnaeus Lentulus, that no member of the Scribonian house should adopt the surname of Drusus. Days of public thanksgiving were fixed at the instance of Pomponius Flaccus. Lucius Piso, Asinius Gallus, Papius Mutilus, and Lucius Apronius procured a decree that votive offerings should be made to Jupiter, Mars, and Concord; and that the thirteenth of September, the anniversary of Libo's suicide, should rank as a festival. This union of sounding names and sycophancy I have recorded as showing how long that evil has been rooted in the State. â€” Other resolutions of the senate ordered the expulsion of the astrologers and magic-mongers from Italy. One of their number, Lucius Pituanius, was flung from the Rock; another — Publius Marcius — was executed by the consuls outside the Esquiline Gate according to ancient usage and at sound of trumpet. 4.34.  The consulate of Cornelius Cossus and Asinius Agrippa opened with the prosecution of Cremutius Cordus upon the novel and till then unheard-of charge of publishing a history, eulogizing Brutus, and styling Cassius the last of the Romans. The accusers were Satrius Secundus and Pinarius Natta, clients of Sejanus. That circumstance sealed the defendant's fate — that and the lowering brows of the Caesar, as he bent his attention to the defence; which Cremutius, resolved to take his leave of life, began as follows:— "Conscript Fathers, my words are brought to judgement — so guiltless am I of deeds! Nor are they even words against the sole persons embraced by the law of treason, the sovereign or the parent of the sovereign: I am said to have praised Brutus and Cassius, whose acts so many pens have recorded, whom not one has mentioned save with honour. Livy, with a fame for eloquence and candour second to none, lavished such eulogies on Pompey that Augustus styled him 'the Pompeian': yet it was without prejudice to their friendship. Scipio, Afranius, this very Cassius, this Brutus — not once does he describe them by the now fashionable titles of brigand and parricide, but time and again in such terms as he might apply to any distinguished patriots. The works of Asinius Pollio transmit their character in noble colours; Messalla Corvinus gloried to have served under Cassius: and Pollio and Corvinus lived and died in the fulness of wealth and honour! When Cicero's book praised Cato to the skies, what did it elicit from the dictator Caesar but a written oration as though at the bar of public opinion? The letters of Antony, the speeches of Brutus, contain invectives against Augustus, false undoubtedly yet bitter in the extreme; the poems — still read — of Bibaculus and Catullus are packed with scurrilities upon the Caesars: yet even the deified Julius, the divine Augustus himself, tolerated them and left them in peace; and I hesitate whether to ascribe their action to forbearance or to wisdom. For things contemned are soon things forgotten: anger is read as recognition. 12.52.  In the consulate of Faustus Sulla and Salvius Otho, Furius Scribonianus was driven into exile, on a charge of inquiring into the end of the sovereign by the agency of astrologers: his mother Vibidia was included in the arraignment, on the ground that she had not acquiesced in her former misadventure — she had been sentenced to relegation. Camillus, the father of Scribonianus, had taken arms in Dalmatia: a point placed by the emperor to the credit of his clemency, since he was sparing this hostile stock for a second time. The exile, however, did not long survive: the question whether he died by a natural death or from poison was answered by the gossips according to their various beliefs. The expulsion of the astrologers from Italy was ordered by a drastic and impotent decree of the senate. Then followed a speech by the emperor, commending all who voluntarily renounced senatorial rank owing to straitened circumstances: those who, by remaining, added impudence to poverty were removed.
12. Tacitus, Dialogus De Oratoribus, 29.3-29.4, 35.4-35.5 (1st cent. CE - 2nd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 129
13. Petronius Arbiter, Satyricon, 1.1-1.3 (1st cent. CE - 1st cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 129
14. Petronius Arbiter, Satyricon, 1.1-1.3 (1st cent. CE - 1st cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 129
15. Cassius Dio, Roman History, None (2nd cent. CE - 3rd cent. CE)  Tagged with subjects: •nan Found in books: Rohmann (2016) 26, 77
57.15.9.  In fact, all the citizens would have been acquitted even contrary to his wish, had not a certain tribune prevented it. Here was a particularly good illustration of the democratic form of government, inasmuch as the senate, agreeing with the motion of Gnaeus Calpurnius Piso, overruled Drusus and Tiberius, only to be thwarted in its turn by the tribune.
16. Philostratus The Athenian, Life of Apollonius, 1.7 (2nd cent. CE - missingth cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 32
1.7. προϊὼν δὲ ἐς ἡλικίαν, ἐν ᾗ γράμματα, μνήμης τε ἰσχὺν ἐδήλου καὶ μελέτης κράτος, καὶ ἡ γλῶττα ̓Αττικῶς εἶχεν, οὐδ' ἀπήχθη τὴν φωνὴν ὑπὸ τοῦ ἔθνους, ὀφθαλμοί τε πάντες ἐς αὐτὸν ἐφέροντο, καὶ γὰρ περίβλεπτος ἦν τὴν ὥραν. γεγονότα δὲ αὐτὸν ἔτη τεσσαρεσκαίδεκα ἄγει ἐς Ταρσοὺς ὁ πατὴρ παρ' Εὐθύδημον τὸν ἐκ Φοινίκης. ὁ δὲ Εὐθύδημος ῥήτωρ τε ἀγαθὸς ἦν καὶ ἐπαίδευε τοῦτον, ὁ δὲ τοῦ μὲν διδασκάλου εἴχετο, τὸ δὲ τῆς πόλεως ἦθος ἄτοπόν τε ἡγεῖτο καὶ οὐ χρηστὸν ἐμφιλοσοφῆσαι, τρυφῆς τε γὰρ οὐδαμοῦ μᾶλλον ἅπτονται σκωπτόλαι τε καὶ ὑβρισταὶ πάντες καὶ δεδώκασι τῇ ὀθόνῃ μᾶλλον ἢ τῇ σοφίᾳ ̓Αθηναῖοι, ποταμός τε αὐτοὺς διαρρεῖ Κύδνος, ᾧ παρακάθηνται, καθάπερ τῶν ὀρνίθων οἱ ὑγροί. τό τοι“ παύσασθε μεθύοντες τῷ ὕδατι” ̓Απολλωνίῳ πρὸς αὐτοὺς ἐν ἐπιστολῇ εἴρηται. μεθίστησιν οὖν τὸν διδάσκαλον δεηθεὶς τοῦ πατρὸς ἐς Αἰγὰς τὰς πλησίον, ἐν αἷς ἡσυχία τε πρόσφορος τῷ φιλοσοφήσοντι καὶ σπουδαὶ νεανικώτεραι καὶ ἱερὸν ̓Ασκληπιοῦ καὶ ὁ ̓Ασκληπιὸς αὐτὸς ἐπίδηλος τοῖς ἀνθρώποις. ἐνταῦθα ξυνεφιλοσόφουν μὲν αὐτῷ Πλατώνειοί τε καὶ Χρυσίππειοι καὶ οἱ ἀπὸ τοῦ περιπάτου, διήκουε δὲ καὶ τῶν ̓Επικούρου λόγων, οὐδὲ γὰρ τούτους ἀπεσπούδαζε, τοὺς δέ γε Πυθαγορείους ἀρρήτῳ τινὶ σοφίᾳ ξυνέλαβε: διδάσκαλος μὲν γὰρ ἦν αὐτῷ τῶν Πυθαγόρου λόγων οὐ πάνυ σπουδαῖος, οὐδὲ ἐνεργῷ τῇ φιλοσοφίᾳ χρώμενος, γαστρός τε γὰρ ἥττων ἦν καὶ ἀφροδισίων καὶ κατὰ τὸν ̓Επίκουρον ἐσχημάτιστο: ἦν δὲ οὗτος Εὔξενος ὁ ἐξ ̔Ηρακλείας τοῦ Πόντου, τὰς δὲ Πυθαγόρου δόξας ἐγίγνωσκεν, ὥσπερ οἱ ὄρνιθες ἃ μανθάνουσι παρὰ τῶν ἀνθρώπων, τὸ γὰρ “χαῖρε” καὶ τὸ “εὖ πρᾶττε” καὶ τὸ “Ζεὺς ἵλεως” καὶ τὰ τοιαῦτα οἱ ὄρνιθες εὔχονται οὔτε εἰδότες ὅ τι λέγουσιν οὔτε διακείμενοι πρὸς τοὺς ἀνθρώπους, ἀλλὰ ἐρρυθμισμένοι τὴν γλῶτταν: ὁ δέ, ὥσπερ οἱ νέοι τῶν ἀετῶν ἐν ἁπαλῷ μὲν τῷ πτερῷ παραπέτονται τοῖς γειναμένοις αὐτοὺς μελετώμενοι ὑπ' αὐτῶν τὴν πτῆσιν, ἐπειδὰν δὲ αἴρεσθαι δυνηθῶσιν, ὑπερπέτονται τοὺς γονέας ἄλλως τε κἂν λίχνους αἴσθωνται καὶ κνίσης ἕνεκα πρὸς τῇ γῇ πετομένους, οὕτω καὶ ὁ ̓Απολλώνιος προσεῖχέ τε τῷ Εὐξένῳ παῖς ἔτι καὶ ἤγετο ὑπ' αὐτοῦ βαίνων ἐπὶ τοῦ λόγου, προελθὼν δὲ ἐς ἔτος δέκατον καὶ ἕκτον ὥρμησεν ἐπὶ τὸν τοῦ Πυθαγόρου βίον, πτερωθεὶς ἐπ' αὐτὸν ὑπό τινος κρείττονος. οὐ μὴν τόν γε Εὔξενον ἐπαύσατο ἀγαπῶν, ἀλλ' ἐξαιτήσας αὐτῷ προάστειον παρὰ τοῦ πατρός, ἐν ᾧ κῆποί τε ἁπαλοὶ ἦσαν καὶ πηγαί, “σὺ μὲν ζῆθι τὸν σεαυτοῦ τρόπον” ἔφη “ἐγὼ δὲ τὸν Πυθαγόρου ζήσομαι”. 1.7. ON reaching the age when children are taught their letters, he showed great strength of memory and power of application; and his tongue affected the Attic dialect, nor was his accent corrupted by the race he lived among. All eyes were turned upon him, for he was, moreover, conspicuous for his beauty. When he reached his fourteenth year, his father brought him to Tarsus, to Euthydemus the teacher from Phoenicia. Now Euthydemus was a good rhetor, and began his education; but, though he was attached to his teacher, he found the atmosphere of the city harsh and strange and little conducive to the philosophic life, for nowhere are men more addicted than here to luxury; jesters and full of insolence are they all; and they attend more to their fine linen than the Athenians did to wisdom; and a stream called the Cydnus runs through their city, along the banks of which they sit like so many water-fowl. Hence the words which Apollonius addresses to them in his letter: Be done with getting drunk upon your water. He therefore transferred his teacher, with his father's consent, to the town of Aegae, which was close by, where he found a peace congenial to one who would be a philosopher, and a more serious school of study and a sanctuary of Asclepius, where that god reveals himself in person to men. There he had as his companions in philosophy followers of Plato and Chrysippus and peripatetic philosophers. And he diligently attended also to the discourses of Epicurus, for he did not despise these either, although it was to those of Pythagoras that he applied himself with unspeakable wisdom and ardor. However, his teacher of the Pythagorean system was not a very serious person, nor one who practiced in his conduct the philosophy he taught; for he was the slave of his belly and appetites, and modeled himself upon Epicurus. And this man was Euxenus from the town of Heraclea in Pontus, and he knew the principles of Pythagoras just as birds know what they learn from men; for the birds will wish you farewell, and say Good day or Zeus help you, and such like, without understanding what they say and without any real sympathy for mankind, merely because they have been trained to move their tongue in a certain manner. Apollonius, however, was like the young eagles who, as long as they are not fully fledged, fly alongside of their parents and are trained by them in flight, but who, as soon as they are able to rise in the air, outsoar the parent birds, especially when they perceive the latter to be greedy and to be flying along the ground in order to snuff the quarry; like them Apollonius attended Euxenus as long as he was a child and was guided by him in the path of argument, but when he reached his sixteenth year he indulged his impulse towards the life of Pythagoras, being fledged and winged thereto by some higher power. Notwithstanding he did not cease to love Euxenus, nay, he persuaded his father to present him with a villa outside the town, where there were tender groves and fountains, and he said to him: Now you live there your own life, but I will live that of Pythagoras.
17. Hippolytus, Refutation of All Heresies, 4.28 (2nd cent. CE - 3rd cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25
4.28. ... And (the sorcerer), taking (a paper), directs the inquirer to write down with water whatever questions he may desire to have asked from the demons. Then, folding up the paper, and delivering it to the attendant, he sends him away to commit it to the flames, that the ascending smoke may waft the letters to demons. While, however, the attendant is executing this order, (the sorcerer) first removes equal portions of the paper, and on some more parts of it he pretends that demons write in Hebrew characters. Then burning an incense of the Egyptian magicians, termed Cyphi, he takes these (portions of paper) away, and places them near the incense. But (that paper) which the inquirer happens to have written (upon), having placed on the coals, he has burned. Then (the sorcerer), appearing to be borne away under divine influence, (and) hurrying into a corner (of the house), utters a loud and harsh cry, and unintelligible to all, ... and orders all those present to enter, crying out (at the same time), and invoking Phryn, or some other demon. But after passing into the house, and when those that were present stood side by side, the sorcerer, flinging the attendant upon a bed, utters to him several words, partly in the Greek, and partly, as it were, the Hebrew language, (embodying) the customary incantations employed by the magicians. (The attendant), however, goes away to make the inquiry. And within (the house), into a vessel full of water (the sorcerer) infusing copperas mixture, and melting the drug, having with it sprinkled the paper that forsooth had (the characters upon it) obliterated, he forces the latent and concealed letters to come once more into light; and by these he ascertains what the inquirer has written down. And if one write with copperas mixture likewise, and having ground a gall nut, use its vapour as a fumigator, the concealed letters would become plain. And if one write with milk, (and) then scorch the paper, and scraping it, sprinkle and rub (what is thus scraped off) upon the letters traced with the milk, these will become plain. And urine likewise, and sauce of brine, and juice of euphorbia, and of a fig, produce a similar result. But when (the sorcerer) has ascertained the question in this mode, he makes provision for the manner in which be ought to give the reply. And next he orders those that are present to enter, holding laurel branches and shaking them, and uttering cries, and invoking the demon Phryn. For also it becomes these to invoke him; and it is worthy that they make this request from demons, which they do not wish of themselves to put forward, having lost their minds. The confused noise, however, and the tumult, prevent them directing attention to those things which it is supposed (the sorcerer) does in secret. But what these are, the present is a fair opportunity for us to declare. Considerable darkness, then, prevails. For the (sorcerer) affirms that it is impossible for mortal nature to behold divine things, for that to hold converse (with these mysteries) is sufficient. Making, however, the attendant lie down (upon the couch), head foremost, and placing by each side two of those little tablets, upon which had been inscribed in, forsooth, Hebrew characters, as it were names of demons, he says that (a demon) will deposit the rest in their ears. But this (statement) is requisite, in order that some instrument may be placed beside the ears of the attendant, by which it is possible that he signify everything which he chooses. First, however, he produces a sound that the (attendant) youth may be terrified; and secondly, he makes a humming noise; then, thirdly, he speaks through the instrument what he wishes the youth to say, and remains in expectation of the issue of the affair; next, he makes those present remain still, and directs the (attendant) to signify, what he has heard from the demons. But the instrument that is placed beside his ears is a natural instrument, viz., the windpipe of long-necked cranes, or storks, or swans. And if none of these is at hand, there are also some different artificial instruments (employed); for certain pipes of brass, ten in number, (and) fitting into one another, terminating in a narrow point, are adapted (for the purpose), and through these is spoken into the ear whatsoever the (magician) wishes. And the youth hearing these (words) with terror as uttered by demons, when ordered, speaks them out. If any one, however, putting around a stick a moist hide, and having dried it and drawn it together, close it up, and by removing the rod fashion the hide into the form of a pipe, he attains a similar end. Should any of these, however, be not at hand, he takes a book, and, opening it inside, stretches it out as far as he think requisite, (and thus) achieves the same result. But if he knows beforehand that one is present who is about to ask a question, he is the more ready for all (contingencies). If, however, he may also previously ascertain the question, he writes (it) with the drug, and, as being prepared, he is considered more skilful, on account of having clearly written out what is (about) being asked. If, however, he is ignorant of the question, he forms conjectures, and puts forth something capable of a doubtful and varied interpretation, in order that the oracular response, being originally unintelligible, may serve for numerous purposes, and in the issue of events the prediction may be considered correspondent with what actually occurs. Next, having filled a vessel with water, he puts down (into it) the paper, as if uninscribed, at the same time infusing along with it copperas mixture. For in this way the paper written upon floats upwards (to the surface), bearing the response. Accordingly there ensue frequently to the attendant formidable fancies for also he strikes blows plentifully on the terrified (bystanders). For, casting incense into the fire, he again operates after the following method. Covering a lump of what are called fossil salts with Etruscan wax, and dividing the piece itself of incense into two parts, he throws in a grain of salt; and again joining (the piece) together, and placing it on the burning coals, he leaves it there. And when this is consumed, the salts, bounding upwards, create the impression of, as it were, a strange vision taking place. And the dark-blue dye which has been deposited in the incense produces a blood-red flame, as we have already declared. But (the sorcerer) makes a scarlet liquid, by mixing wax with alkanet, and, as I said, depositing the wax in the incense. And he makes the coals be moved, placing underneath powdered alum; and when this is dissolved and swells up like bubbles, the coals are moved.
18. Lactantius, Divine Institutes, 5.3.23 (3rd cent. CE - 4th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 67
19. Socrates Scholasticus, Ecclesiastical History, 4.19 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 68
20. Philostorgius, Historia Ecclesiastica, 9.15, 11.5 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 68, 76
21. Libanius, Orations, 1.158-1.159 (4th cent. CE - 4th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 69
22. Eunapius, Lives of The Philosophers, 480-481 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •nan Found in books: Rohmann (2016) 69
23. Prudentius, Contra Symmachum, 1.8, 2.743 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 76
24. Augustine, The City of God, 2.8-2.9, 2.11, 2.13, 5.26, 6.5-6.8, 7.26, 10.9 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25, 225
2.8. But, some one will interpose, these are the fables of poets, not the deliverances of the gods themselves. Well, I have no mind to arbitrate between the lewdness of theatrical entertainments and of mystic rites; only this I say, and history bears me out in making the assertion, that those same entertainments, in which the fictions of poets are the main attraction, were not introduced in the festivals of the gods by the ignorant devotion of the Romans, but that the gods themselves gave the most urgent commands to this effect, and indeed extorted from the Romans these solemnities and celebrations in their honor. I touched on this in the preceding book, and mentioned that dramatic entertainments were first inaugurated at Rome on occasion of a pestilence, and by authority of the pontiff. And what man is there who is not more likely to adopt, for the regulation of his own life, the examples that are represented in plays which have a divine sanction, rather than the precepts written and promulgated with no more than human authority? If the poets gave a false representation of Jove in describing him as adulterous, then it were to be expected that the chaste gods should in anger avenge so wicked a fiction, in place of encouraging the games which circulated it. of these plays, the most inoffensive are comedies and tragedies, that is to say, the dramas which poets write for the stage, and which, though they often handle impure subjects, yet do so without the filthiness of language which characterizes many other performances; and it is these dramas which boys are obliged by their seniors to read and learn as a part of what is called a liberal and gentlemanly education. 2.9. The opinion of the ancient Romans on this matter is attested by Cicero in his work De Republica, in which Scipio, one of the interlocutors, says, The lewdness of comedy could never have been suffered by audiences, unless the customs of society had previously sanctioned the same lewdness. And in the earlier days the Greeks preserved a certain reasonableness in their license, and made it a law, that whatever comedy wished to say of any one, it must say it of him by name. And so in the same work of Cicero's, Scipio says, Whom has it not aspersed? Nay, whom has it not worried? Whom has it spared? Allow that it may assail demagogues and factions, men injurious to the commonwealth - a Cleon, a Cleophon, a Hyperbolus. That is tolerable, though it had been more seemly for the public censor to brand such men, than for a poet to lampoon them; but to blacken the fame of Pericles with scurrilous verse, after he had with the utmost dignity presided over their state alike in war and in peace, was as unworthy of a poet, as if our own Plautus or N vius were to bring Publius and Cneius Scipio on the comic stage, or as if C cilius were to caricature Cato. And then a little after he goes on: Though our Twelve Tables attached the penalty of death only to a very few offenses, yet among these few this was one: if any man should have sung a pasquinade, or have composed a satire calculated to bring infamy or disgrace on another person. Wisely decreed. For it is by the decisions of magistrates, and by a well-informed justice, that our lives ought to be judged, and not by the flighty fancies of poets; neither ought we to be exposed to hear calumnies, save where we have the liberty of replying, and defending ourselves before an adequate tribunal. This much I have judged it advisable to quote from the fourth book of Cicero's De Republica; and I have made the quotation word for word, with the exception of some words omitted, and some slightly transposed, for the sake of giving the sense more readily. And certainly the extract is pertinent to the matter I am endeavoring to explain. Cicero makes some further remarks, and concludes the passage by showing that the ancient Romans did not permit any living man to be either praised or blamed on the stage. But the Greeks, as I said, though not so moral, were more logical in allowing this license which the Romans forbade; for they saw that their gods approved and enjoyed the scurrilous language of low comedy when directed not only against men, but even against themselves; and this, whether the infamous actions imputed to them were the fictions of poets, or were their actual iniquities commemorated and acted in the theatres. And would that the spectators had judged them worthy only of laughter, and not of imitation! Manifestly it had been a stretch of pride to spare the good name of the leading men and the common citizens, when the very deities did not grudge that their own reputation should be blemished. 2.11. It was a part of this same reasonableness of the Greeks which induced them to bestow upon the actors of these same plays no inconsiderable civic honors. In the above-mentioned book of the De Republica, it is mentioned that Aeschines, a very eloquent Athenian, who had been a tragic actor in his youth, became a statesman, and that the Athenians again and again sent another tragedian, Aristodemus, as their plenipotentiary to Philip. For they judged it unbecoming to condemn and treat as infamous persons those who were the chief actors in the scenic entertainments which they saw to be so pleasing to the gods. No doubt this was immoral of the Greeks, but there can be as little doubt they acted in conformity with the character of their gods; for how could they have presumed to protect the conduct of the citizens from being cut to pieces by the tongues of poets and players, who were allowed, and even enjoined by the gods, to tear their divine reputation to tatters? And how could they hold in contempt the men who acted in the theatres those dramas which, as they had ascertained, gave pleasure to the gods whom they worshipped? Nay, how could they but grant to them the highest civic honors? On what plea could they honor the priests who offered for them acceptable sacrifices to the gods, if they branded with infamy the actors who in behalf of the people gave to the gods that pleasure or honour which they demanded, and which, according to the account of the priests, they were angry at not receiving. Labeo, whose learning makes him an authority on such points, is of opinion that the distinction between good and evil deities should find expression in a difference of worship; that the evil should be propitiated by bloody sacrifices and doleful rites, but the good with a joyful and pleasant observance, as, e.g. (as he says himself), with plays, festivals, and banquets. All this we shall, with God's help, hereafter discuss. At present, and speaking to the subject on hand, whether all kinds of offerings are made indiscriminately to all the gods, as if all were good (and it is an unseemly thing to conceive that there are evil gods; but these gods of the pagans are all evil, because they are not gods, but evil spirits), or whether, as Labeo thinks, a distinction is made between the offerings presented to the different gods the Greeks are equally justified in honoring alike the priests by whom the sacrifices are offered, and the players by whom the dramas are acted, that they may not be open to the charge of doing an injury to all their gods, if the plays are pleasing to all of them, or (which were still worse) to their good gods, if the plays are relished only by them. 2.13. But Scipio, were he alive, would possibly reply: How could we attach a penalty to that which the gods themselves have consecrated? For the theatrical entertainments in which such things are said, and acted, and performed, were introduced into Roman society by the gods, who ordered that they should be dedicated and exhibited in their honor. But was not this, then, the plainest proof that they were no true gods, nor in any respect worthy of receiving divine honours from the republic? Suppose they had required that in their honor the citizens of Rome should be held up to ridicule, every Roman would have resented the hateful proposal. How then, I would ask, can they be esteemed worthy of worship, when they propose that their own crimes be used as material for celebrating their praises? Does not this artifice expose them, and prove that they are detestable devils? Thus the Romans, though they were superstitious enough to serve as gods those who made no secret of their desire to be worshipped in licentious plays, yet had sufficient regard to their hereditary dignity and virtue, to prompt them to refuse to players any such rewards as the Greeks accorded them. On this point we have this testimony of Scipio, recorded in Cicero: They [the Romans] considered comedy and all theatrical performances as disgraceful, and therefore not only debarred players from offices and honors open to ordinary citizens, but also decreed that their names should be branded by the censor, and erased from the roll of their tribe. An excellent decree, and another testimony to the sagacity of Rome; but I could wish their prudence had been more thorough-going and consistent. For when I hear that if any Roman citizen chose the stage as his profession, he not only closed to himself every laudable career, but even became an outcast from his own tribe, I cannot but exclaim: This is the true Roman spirit, this is worthy of a state jealous of its reputation. But then some one interrupts my rapture, by inquiring with what consistency players are debarred from all honors, while plays are counted among the honors due to the gods? For a long while the virtue of Rome was uncontaminated by theatrical exhibitions; and if they had been adopted for the sake of gratifying the taste of the citizens, they would have been introduced hand in hand with the relaxation of manners. But the fact is, that it was the gods who demanded that they should be exhibited to gratify them. With what justice, then, is the player excommunicated by whom God is worshipped? On what pretext can you at once adore him who exacts, and brand him who acts these plays? This, then, is the controversy in which the Greeks and Romans are engaged. The Greeks think they justly honor players, because they worship the gods who demand plays; the Romans, on the other hand, do not suffer an actor to disgrace by his name his own plebeian tribe, far less the senatorial order. And the whole of this discussion may be summed up in the following syllogism. The Greeks give us the major premise: If such gods are to be worshipped, then certainly such men may be honored. The Romans add the minor: But such men must by no means be honoured. The Christians draw the conclusion: Therefore such gods must by no means be worshipped. 5.26. And on this account, Theodosius not only preserved during the lifetime of Gratian that fidelity which was due to him, but also, after his death, he, like a true Christian, took his little brother Valentinian under his protection, as joint emperor, after he had been expelled by Maximus, the murderer of his father. He guarded him with paternal affection, though he might without any difficulty have got rid of him, being entirely destitute of all resources, had he been animated with the desire of extensive empire, and not with the ambition of being a benefactor. It was therefore a far greater pleasure to him, when he had adopted the boy, and preserved to him his imperial dignity, to console him by his very humanity and kindness. Afterwards, when that success was rendering Maximus terrible, Theodosius, in the midst of his perplexing anxieties, was not drawn away to follow the suggestions of a sacrilegious and unlawful curiosity, but sent to John, whose abode was in the desert of Egypt - for he had learned that this servant of God (whose fame was spreading abroad) was endowed with the gift of prophecy - and from him he received assurance of victory. Immediately the slayer of the tyrant Maximus, with the deepest feelings of compassion and respect, restored the boy Valentinianus to his share in the empire from which he had been driven. Valentinianus being soon after slain by secret assassination, or by some other plot or accident, Theodosius, having again received a response from the prophet, and placing entire confidence in it, marched against the tyrant Eugenius, who had been unlawfully elected to succeed that emperor, and defeated his very powerful army, more by prayer than by the sword. Some soldiers who were at the battle reported to me that all the missiles they were throwing were snatched from their hands by a vehement wind, which blew from the direction of Theodosius' army upon the enemy; nor did it only drive with greater velocity the darts which were hurled against them, but also turned back upon their own bodies the darts which they themselves were throwing. And therefore the poet Claudian, although an alien from the name of Christ, nevertheless says in his praises of him, O prince, too much beloved by God, for you Æolus pours armed tempests from their caves; for you the air fights, and the winds with one accord obey your bugles. But the victor, as he had believed and predicted, overthrew the statues of Jupiter, which had been, as it were, consecrated by I know not what kind of rites against him, and set up in the Alps. And the thunderbolts of these statues, which were made of gold, he mirthfully and graciously presented to his couriers who (as the joy of the occasion permitted) were jocularly saying that they would be most happy to be struck by such thunderbolts. The sons of his own enemies, whose fathers had been slain not so much by his orders as by the vehemence of war, having fled for refuge to a church, though they were not yet Christians, he was anxious, taking advantage of the occasion, to bring over to Christianity, and treated them with Christian love. Nor did he deprive them of their property, but, besides allowing them to retain it, bestowed on them additional honors. He did not permit private animosities to affect the treatment of any man after the war. He was not like Cinna, and Marius, and Sylla, and other such men, who wished not to finish civil wars even when they were finished, but rather grieved that they had arisen at all, than wished that when they were finished they should harm any one. Amid all these events, from the very commencement of his reign, he did not cease to help the troubled church against the impious by most just and merciful laws, which the heretical Valens, favoring the Arians, had vehemently afflicted. Indeed, he rejoiced more to be a member of this church than he did to be a king upon the earth. The idols of the Gentiles he everywhere ordered to be overthrown, understanding well that not even terrestrial gifts are placed in the power of demons, but in that of the true God. And what could be more admirable than his religious humility, when, compelled by the urgency of certain of his intimates, he avenged the grievous crime of the Thessalonians, which at the prayer of the bishops he had promised to pardon, and, being laid hold of by the discipline of the church, did pece in such a way that the sight of his imperial loftiness prostrated made the people who were interceding for him weep more than the consciousness of offense had made them fear it when enraged? These and other similar good works, which it would be long to tell, he carried with him from this world of time, where the greatest human nobility and loftiness are but vapor. of these works the reward is eternal happiness, of which God is the giver, though only to those who are sincerely pious. But all other blessings and privileges of this life, as the world itself, light, air, earth, water, fruits, and the soul of man himself, his body, senses, mind, life, He lavishes on good and bad alike. And among these blessings is also to be reckoned the possession of an empire, whose extent He regulates according to the requirements of His providential government at various times. Whence, I see, we must now answer those who, being confuted and convicted by the most manifest proofs, by which it is shown that for obtaining these terrestrial things, which are all the foolish desire to have, that multitude of false gods is of no use, attempt to assert that the gods are to be worshipped with a view to the interest, not of the present life, but of that which is to come after death. For as to those who, for the sake of the friendship of this world, are willing to worship vanities, and do not grieve that they are left to their puerile understandings, I think they have been sufficiently answered in these five books; of which books, when I had published the first three, and they had begun to come into the hands of many, I heard that certain persons were preparing against them an answer of some kind or other in writing. Then it was told me that they had already written their answer, but were waiting a time when they could publish it without danger. Such persons I would advise not to desire what cannot be of any advantage to them; for it is very easy for a man to seem to himself to have answered arguments, when he has only been unwilling to be silent. For what is more loquacious than vanity? And though it be able, if it like, to shout more loudly than the truth, it is not, for all that, more powerful than the truth. But let men consider diligently all the things that we have said, and if, perchance, judging without party spirit, they shall clearly perceive that they are such things as may rather be shaken than torn up by their most impudent garrulity, and, as it were, satirical and mimic levity, let them restrain their absurdities, and let them choose rather to be corrected by the wise than to be lauded by the foolish. For if they are waiting an opportunity, not for liberty to speak the truth, but for license to revile, may not that befall them which Tully says concerning some one, Oh, wretched man! Who was at liberty to sin? Wherefore, whoever he be who deems himself happy because of license to revile, he would be far happier if that were not allowed him at all; for he might all the while, laying aside empty boast, be contradicting those to whose views he is opposed by way of free consultation with them, and be listening, as it becomes him, honorably, gravely, candidly, to all that can be adduced by those whom he consults by friendly disputation. 6.5. Now what are we to say of this proposition of his, namely, that there are three kinds of theology, that is, of the account which is given of the gods; and of these, the one is called mythical, the other physical, and the third civil? Did the Latin usage permit, we should call the kind which he has placed first in order fabular, but let us call it fabulous, for mythical is derived from the Greek μῦθος, a fable; but that the second should be called natural, the usage of speech now admits; the third he himself has designated in Latin, call ing it civil. Then he says, they call that kind mythical which the poets chiefly use; physical, that which the philosophers use; civil, that which the people use. As to the first I have mentioned, says he, in it are many fictions, which are contrary to the dignity and nature of the immortals. For we find in it that one god has been born from the head, another from the thigh, another from drops of blood; also, in this we find that gods have stolen, committed adultery, served men; in a word, in this all manner of things are attributed to the gods, such as may befall, not merely any man, but even the most contemptible man. He certainly, where he could, where he dared, where he thought he could do it with impunity, has manifested, without any of the haziness of ambiguity, how great injury was done to the nature of the gods by lying fables; for he was speaking, not concerning natural theology, not concerning civil, but concerning fabulous theology, which he thought he could freely find fault with. Let us see, now, what he says concerning the second kind. The second kind which I have explained, he says, is that concerning which philosophers have left many books, in which they treat such questions as these: what gods there are, where they are, of what kind and character they are, since what time they have existed, or if they have existed from eternity; whether they are of fire, as Heraclitus believes; or of number, as Pythagoras; or of atoms, as Epicurus says; and other such things, which men's ears can more easily hear inside the walls of a school than outside in the Forum. He finds fault with nothing in this kind of theology which they call physical, and which belongs to philosophers, except that he has related their controversies among themselves, through which there has arisen a multitude of dissentient sects. Nevertheless he has removed this kind from the Forum, that is, from the populace, but he has shut it up in schools. But that first kind, most false and most base, he has not removed from the citizens. Oh, the religious ears of the people, and among them even those of the Romans, that are not able to bear what the philosophers dispute concerning the gods! But when the poets sing and stage-players act such things as are derogatory to the dignity and the nature of the immortals, such as may befall not a man merely, but the most contemptible man, they not only bear, but willingly listen to. Nor is this all, but they even consider that these things please the gods, and that they are propitiated by them. But some one may say, Let us distinguish these two kinds of theology, the mythical and the physical - that is, the fabulous and the natural - from this civil kind about which we are now speaking. Anticipating this, he himself has distinguished them. Let us see now how he explains the civil theology itself. I see, indeed, why it should be distinguished as fabulous, even because it is false, because it is base, because it is unworthy. But to wish to distinguish the natural from the civil, what else is that but to confess that the civil itself is false? For if that be natural, what fault has it that it should be excluded? And if this which is called civil be not natural, what merit has it that it should be admitted? This, in truth, is the cause why he wrote first concerning human things, and afterwards concerning divine things; since in divine things he did not follow nature, but the institution of men. Let us look at this civil theology of his. The third kind, says he, is that which citizens in cities, and especially the priests, ought to know and to administer. From it is to be known what god each one may suitably worship, what sacred rites and sacrifices each one may suitably perform. Let us still attend to what follows. The first theology, he says, is especially adapted to the theatre, the second to the world, the third to the city. Who does not see to which he gives the palm? Certainly to the second, which he said above is that of the philosophers. For he testifies that this pertains to the world, than which they think there is nothing better. But those two theologies, the first and the third - to wit, those of the theatre and of the city - has he distinguished them or united them? For although we see that the city is in the world, we do not see that it follows that any things belonging to the city pertain to the world. For it is possible that such things may be worshipped and believed in the city, according to false opinions, as have no existence either in the world or out of it. But where is the theatre but in the city? Who instituted the theatre but the state? For what purpose did it constitute it but for scenic plays? And to what class of things do scenic plays belong but to those divine things concerning which these books of Varro's are written with so much ability? 6.6. O Marcus Varro! You are the most acute, and without doubt the most learned, but still a man, not God - now lifted up by the Spirit of God to see and to announce divine things, you see, indeed, that divine things are to be separated from human trifles and lies, but you fear to offend those most corrupt opinions of the populace, and their customs in public superstitions, which you yourself, when you consider them on all sides, perceive, and all your literature loudly pronounces to be abhorrent from the nature of the gods, even of such gods as the frailty of the human mind supposes to exist in the elements of this world. What can the most excellent human talent do here? What can human learning, though manifold, avail you in this perplexity? You desire to worship the natural gods; you are compelled to worship the civil. You have found some of the gods to be fabulous, on whom you vomit forth very freely what you think, and, whether you will or not, you wet therewith even the civil gods. You say, forsooth, that the fabulous are adapted to the theatre, the natural to the world, and the civil to the city; though the world is a divine work, but cities and theatres are the works of men, and though the gods who are laughed at in the theatre are not other than those who are adored in the temples; and you do not exhibit games in honor of other gods than those to whom you immolate victims. How much more freely and more subtly would you have decided these had you said that some gods are natural, others established by men; and concerning those who have been so established, the literature of the poets gives one account, and that of the priests another - both of which are, nevertheless, so friendly the one to the other, through fellowship in falsehood, that they are both pleasing to the demons, to whom the doctrine of the truth is hostile. That theology, therefore, which they call natural, being put aside for a moment, as it is afterwards to be discussed, we ask if any one is really content to seek a hope for eternal life from poetical, theatrical, scenic gods? Perish the thought! The true God avert so wild and sacrilegious a madness! What, is eternal life to be asked from those gods whom these things pleased, and whom these things propitiate, in which their own crimes are represented? No one, as I think, has arrived at such a pitch of headlong and furious impiety. So then, neither by the fabulous nor by the civil theology does any one obtain eternal life. For the one sows base things concerning the gods by feigning them, the other reaps by cherishing them; the one scatters lies, the other gathers them together; the one pursues divine things with false crimes, the other incorporates among divine things the plays which are made up of these crimes; the one sounds abroad in human songs impious fictions concerning the gods, the other consecrates these for the festivities of the gods themselves; the one sings the misdeeds and crimes of the gods, the other loves them; the one gives forth or feigns, the other either attests the true or delights in the false. Both are base; both are damnable. But the one which is theatrical teaches public abomination, and that one which is of the city adorns itself with that abomination. Shall eternal life be hoped for from these, by which this short and temporal life is polluted? Does the society of wicked men pollute our life if they insinuate themselves into our affections, and win our assent? And does not the society of demons pollute the life, who are worshipped with their own crimes?- if with true crimes, how wicked the demons! If with false, how wicked the worship! When we say these things, it may perchance seem to some one who is very ignorant of these matters that only those things concerning the gods which are sung in the songs of the poets and acted on the stage are unworthy of the divine majesty, and ridiculous, and too detestable to be celebrated, while those sacred things which not stage-players but priests perform are pure and free from all unseemliness. Had this been so, never would any one have thought that these theatrical abominations should be celebrated in their honor, never would the gods themselves have ordered them to be performed to them. But men are in nowise ashamed to perform these things in the theatres, because similar things are carried on in the temples. In short, when the fore-mentioned author attempted to distinguish the civil theology from the fabulous and natural, as a sort of third and distinct kind, he wished it to be understood to be rather tempered by both than separated from either. For he says that those things which the poets write are less than the people ought to follow, while what the philosophers say is more than it is expedient for the people to pry into. Which, says he, differ in such a way, that nevertheless not a few things from both of them have been taken to the account of the civil theology; wherefore we will indicate what the civil theology has in common with that of the poet, though it ought to be more closely connected with the theology of philosophers. Civil theology is therefore not quite disconnected from that of the poets. Nevertheless, in another place, concerning the generations of the gods, he says that the people are more inclined toward the poets than toward the physical theologists. For in this place he said what ought to be done; in that other place, what was really done. He said that the latter had written for the sake of utility, but the poets for the sake of amusement. And hence the things from the poets' writings, which the people ought not to follow, are the crimes of the gods; which, nevertheless, amuse both the people and the gods. For, for amusement's sake, he says, the poets write, and not for that of utility; nevertheless they write such things as the gods will desire, and the people perform. 6.7. That theology, therefore, which is fabulous, theatrical, scenic, and full of all baseness and unseemliness, is taken up into the civil theology; and part of that theology, which in its totality is deservedly judged to be worthy of reprobation and rejection, is pronounced worthy to be cultivated and observed - not at all an incongruous part, as I have undertaken to show, and one which, being alien to the whole body, was unsuitably attached to and suspended from it, but a part entirely congruous with, and most harmoniously fitted to the rest, as a member of the same body. For what else do those images, forms, ages, sexes, characteristics of the gods show? If the poets have Jupiter with a beard and Mercury beardless, have not the priests the same? Is the Priapus of the priests less obscene than the Priapus of the players? Does he receive the adoration of worshippers in a different form from that in which he moves about the stage for the amusement of spectators? Is not Saturn old and Apollo young in the shrines where their images stand as well as when represented by actors' masks? Why are Forculus, who presides over doors, and Limentinus, who presides over thresholds and lintels, male gods, and Cardea between them feminine, who presides over hinges? Are not those things found in books on divine things, which grave poets have deemed unworthy of their verses? Does the Diana of the theatre carry arms, while the Diana of the city is simply a virgin? Is the stage Apollo a lyrist, but the Delphic Apollo ignorant of this art? But these things are decent compared with the more shameful things. What was thought of Jupiter himself by those who placed his wet nurse in the Capitol? Did they not bear witness to Euhemerus, who, not with the garrulity of a fable-teller, but with the gravity of an historian who had diligently investigated the matter, wrote that all such gods had been men and mortals? And they who appointed the Epulones as parasites at the table of Jupiter, what else did they wish for but mimic sacred rites. For if any mimic had said that parasites of Jupiter were made use of at his table, he would assuredly have appeared to be seeking to call forth laughter. Varro said it - not when he was mocking, but when he was commending the gods did he say it. His books on divine, not on human, things testify that he wrote this - not where he set forth the scenic games, but where he explained the Capitoline laws. In a word, he is conquered, and confesses that, as they made the gods with a human form, so they believed that they are delighted with human pleasures. For also malign spirits were not so wanting to their own business as not to confirm noxious opinions in the minds of men by converting them into sport. Whence also is that story about the sacristan of Hercules, which says that, having nothing to do, he took to playing at dice as a pastime, throwing them alternately with the one hand for Hercules, with the other for himself, with this understanding, that if he should win, he should from the funds of the temple prepare himself a supper, and hire a mistress; but if Hercules should win the game, he himself should, at his own expense, provide the same for the pleasure of Hercules. Then, when he had been beaten by himself, as though by Hercules, he gave to the god Hercules the supper he owed him, and also the most noble harlot Larentina. But she, having fallen asleep in the temple, dreamed that Hercules had had intercourse with her, and had said to her that she would find her payment with the youth whom she should first meet on leaving the temple, and that she was to believe this to be paid to her by Hercules. And so the first youth that met her on going out was the wealthy Tarutius, who kept her a long time, and when he died left her his heir. She, having obtained a most ample fortune, that she should not seem ungrateful for the divine hire, in her turn made the Roman people her heir, which she thought to be most acceptable to the deities; and, having disappeared, the will was found. By which meritorious conduct they say that she gained divine honors. Now had these things been feigned by the poets and acted by the mimics, they would without any doubt have been said to pertain to the fabulous theology, and would have been judged worthy to be separated from the dignity of the civil theology. But when these shameful things - not of the poets, but of the people; not of the mimics, but of the sacred things; not of the theatres, but of the temples, that is, not of the fabulous, but of the civil theology, - are reported by so great an author, not in vain do the actors represent with theatrical art the baseness of the gods, which is so great; but surely in vain do the priests attempt, by rites called sacred, to represent their nobleness of character, which has no existence. There are sacred rites of Juno; and these are celebrated in her beloved island, Samos, where she was given in marriage to Jupiter. There are sacred rites of Ceres, in which Proserpine is sought for, having been carried off by Pluto. There are sacred rites of Venus, in which, her beloved Adonis being slain by a boar's tooth, the lovely youth is lamented. There are sacred rites of the mother of the gods, in which the beautiful youth Atys, loved by her, and castrated by her through a woman's jealousy, is deplored by men who have suffered the like calamity, whom they call Galli. Since, then, these things are more unseemly than all scenic abomination, why is it that they strive to separate, as it were, the fabulous fictions of the poet concerning the gods, as, forsooth, pertaining to the theatre, from the civil theology which they wish to belong to the city, as though they were separating from noble and worthy things, things unworthy and base? Wherefore there is more reason to thank the stage-actors, who have spared the eyes of men and have not laid bare by theatrical exhibition all the things which are hid by the walls of the temples. What good is to be thought of their sacred rites which are concealed in darkness, when those which are brought forth into the light are so detestable? And certainly they themselves have seen what they transact in secret through the agency of mutilated and effeminate men. Yet they have not been able to conceal those same men miserably and vile enervated and corrupted. Let them persuade whom they can that they transact anything holy through such men, who, they cannot deny, are numbered, and live among their sacred things. We know not what they transact, but we know through whom they transact; for we know what things are transacted on the stage, where never, even in a chorus of harlots, has one who is mutilated or an effeminate appeared. And, nevertheless, even these things are acted by vile and infamous characters; for, indeed, they ought not to be acted by men of good character. What, then, are those sacred rites, for the performance of which holiness has chosen such men as not even the obscenity of the stage has admitted? 6.8. But all these things, they say, have certain physical, that is, natural interpretations, showing their natural meaning; as though in this disputation we were seeking physics and not theology, which is the account, not of nature, but of God. For although He who is the true God is God, not by opinion, but by nature, nevertheless all nature is not God; for there is certainly a nature of man, of a beast, of a tree, of a stone, - none of which is God. For if, when the question is concerning the mother of the gods, that from which the whole system of interpretation starts certainly is, that the mother of the gods is the earth, why do we make further inquiry? Why do we carry our investigation through all the rest of it? What can more manifestly favor them who say that all those gods were men? For they are earth-born in the sense that the earth is their mother. But in the true theology the earth is the work, not the mother, of God. But in whatever way their sacred rites may be interpreted, and whatever reference they may have to the nature of things, it is not according to nature, but contrary to nature, that men should be effeminates. This disease, this crime, this abomination, has a recognized place among those sacred things, though even depraved men will scarcely be compelled by torments to confess they are guilty of it. Again, if these sacred rites, which are proved to be fouler than scenic abominations, are excused and justified on the ground that they have their own interpretations, by which they are shown to symbolize the nature of things, why are not the poetical things in like manner excused and justified? For many have interpreted even these in like fashion, to such a degree that even that which they say is the most monstrous and most horrible - namely, that Saturn devoured his own children - has been interpreted by some of them to mean that length of time, which is signified by the name of Saturn, consumes whatever it begets; or that, as the same Varro thinks, Saturn belongs to seeds which fall back again into the earth from whence they spring. And so one interprets it in one way, and one in another. And the same is to be said of all the rest of this theology. And, nevertheless, it is called the fabulous theology, and is censured, cast off, rejected, together with all such interpretations belonging to it. And not only by the natural theology, which is that of the philosophers, but also by this civil theology, concerning which we are speaking, which is asserted to pertain to cities and peoples, it is judged worthy of repudiation, because it has invented unworthy things concerning the gods. of which, I know, this is the secret: that those most acute and learned men, by whom those things were written, understood that both theologies ought to be rejected - to wit, both that fabulous and this civil one - but the former they dared to reject, the latter they dared not; the former they set forth to be censured, the latter they showed to be very like it; not that it might be chosen to be held in preference to the other, but that it might be understood to be worthy of being rejected together with it. And thus, without danger to those who feared to censure the civil theology, both of them being brought into contempt, that theology which they call natural might find a place in better disposed minds; for the civil and the fabulous are both fabulous and both civil. He who shall wisely inspect the vanities and obscenities of both will find that they are both fabulous; and he who shall direct his attention to the scenic plays pertaining to the fabulous theology in the festivals of the civil gods, and in the divine rites of the cities, will find they are both civil. How, then, can the power of giving eternal life be attributed to any of those gods whose own images and sacred rites convict them of being most like to the fabulous gods, which are most openly reprobated, in forms, ages, sex, characteristics, marriages, generations, rites; in all which things they are understood either to have been men, and to have had their sacred rites and solemnities instituted in their honor according to the life or death of each of them, the demons suggesting and confirming this error, or certainly most foul spirits, who, taking advantage of some occasion or other, have stolen into the minds of men to deceive them? 7.26. Concerning the effeminates consecrated to the same Great Mother, in defiance of all the modesty which belongs to men and women, Varro has not wished to say anything, nor do I remember to have read anywhere anything concerning them. These effeminates, no later than yesterday, were going through the streets and places of Carthage with anointed hair, whitened faces, relaxed bodies, and feminine gait, exacting from the people the means of maintaining their ignominious lives. Nothing has been said concerning them. Interpretation failed, reason blushed, speech was silent. The Great Mother has surpassed all her sons, not in greatness of deity, but of crime. To this monster not even the monstrosity of Janus is to be compared. His deformity was only in his image; hers was the deformity of cruelty in her sacred rites. He has a redundancy of members in stone images; she inflicts the loss of members on men. This abomination is not surpassed by the licentious deeds of Jupiter, so many and so great. He, with all his seductions of women, only disgraced heaven with one Ganymede; she, with so many avowed and public effeminates, has both defiled the earth and outraged heaven. Perhaps we may either compare Saturn to this Magna Mater, or even set him before her in this kind of abominable cruelty, for he mutilated his father. But at the festivals of Saturn, men could rather be slain by the hands of others than mutilated by their own. He devoured his sons, as the poets say, and the natural theologists interpret this as they list. History says he slew them. But the Romans never received, like the Carthaginians, the custom of sacrificing their sons to him. This Great Mother of the gods, however, has brought mutilated men into Roman temples, and has preserved that cruel custom, being believed to promote the strength of the Romans by emasculating their men. Compared with this evil, what are the thefts of Mercury, the wantonness of Venus, and the base and flagitious deeds of the rest of them, which we might bring forward from books, were it not that they are daily sung and danced in the theatres? But what are these things to so great an evil - an evil whose magnitude was only proportioned to the greatness of the Great Mother, - especially as these are said to have been invented by the poets? As if the poets had also invented this that they are acceptable to the gods. Let it be imputed, then, to the audacity and impudence of the poets that these things have been sung and written of. But that they have been incorporated into the body of divine rites and honors, the deities themselves demanding and extorting that incorporation, what is that but the crime of the gods? Nay more, the confession of demons and the deception of wretched men? But as to this that the Great Mother is considered to be worshipped in the appropriate form when she is worshipped by the consecration of mutilated men, this is not an invention of the poets, nay, they have rather shrunk from it with horror than sung of it. Ought any one, then, to be consecrated to these select gods, that he may live blessedly after death, consecrated to whom he could not live decently before death, being subjected to such foul superstitions, and bound over to unclean demons? But all these things, says Varro, are to be referred to the world. Let him consider if it be not rather to the unclean. But why not refer that to the world which is demonstrated to be in the world? We, however, seek for a mind which, trusting to true religion, does not adore the world as its god, but for the sake of God praises the world as a work of God, and, purified from mundane defilements, comes pure to God Himself who founded the world. 10.9. These miracles, and many others of the same nature, which it were tedious to mention, were wrought for the purpose of commending the worship of the one true God, and prohibiting the worship of a multitude of false gods. Moreover, they were wrought by simple faith and godly confidence, not by the incantations and charms composed under the influence of a criminal tampering with the unseen world, of an art which they call either magic, or by the more abominable title necromancy, or the more honorable designation theurgy; for they wish to discriminate between those whom the people call magicians, who practise necromancy, and are addicted to illicit arts and condemned, and those others who seem to them to be worthy of praise for their practice of theurgy - the truth, however, being that both classes are the slaves of the deceitful rites of the demons whom they invoke under the names of angels. For even Porphyry promises some kind of purgation of the soul by the help of theurgy, though he does so with some hesitation and shame, and denies that this art can secure to any one a return to God; so that you can detect his opinion vacillating between the profession of philosophy and an art which he feels to be presumptuous and sacrilegious. For at one time he warns us to avoid it as deceitful, and prohibited by law, and dangerous to those who practise it; then again, as if in deference to its advocates, he declares it useful for cleansing one part of the soul, not, indeed, the intellectual part, by which the truth of things intelligible, which have no sensible images, is recognized, but the spiritual part, which takes cognizance of the images of things material. This part, he says, is prepared and fitted for intercourse with spirits and angels, and for the vision of the gods, by the help of certain theurgic consecrations, or, as they call them, mysteries. He acknowledges, however, that these theurgic mysteries impart to the intellectual soul no such purity as fits it to see its God, and recognize the things that truly exist. And from this acknowledgment we may infer what kind of gods these are, and what kind of vision of them is imparted by theurgic consecrations, if by it one cannot see the things which truly exist. He says, further, that the rational, or, as he prefers calling it, the intellectual soul, can pass into the heavens without the spiritual part being cleansed by theurgic art, and that this art cannot so purify the spiritual part as to give it entrance to immortality and eternity. And therefore, although he distinguishes angels from demons, asserting that the habitation of the latter is in the air, while the former dwell in the ether and empyrean, and although he advises us to cultivate the friendship of some demon, who may be able after our death to assist us, and elevate us at least a little above the earth - for he owns that it is by another way we must reach the heavenly society of the angels - he at the same time distinctly warns us to avoid the society of demons, saying that the soul, expiating its sin after death, execrates the worship of demons by whom it was entangled. And of theurgy itself, though he recommends it as reconciling angels and demons, he cannot deny that it treats with powers which either themselves envy the soul its purity, or serve the arts of those who do envy it. He complains of this through the mouth of some Chald an or other: A good man in Chald a complains, he says, that his most strenuous efforts to cleanse his soul were frustrated, because another man, who had influence in these matters, and who envied him purity, had prayed to the powers, and bound them by his conjuring not to listen to his request. Therefore, adds Porphyry, what the one man bound, the other could not loose. And from this he concludes that theurgy is a craft which accomplishes not only good but evil among gods and men; and that the gods also have passions, and are perturbed and agitated by the emotions which Apuleius attributed to demons and men, but from which he preserved the gods by that sublimity of residence, which, in common with Plato, he accorded to them.
25. Ammianus Marcellinus, History, 19.12.14, 28.1.19-28.1.20, 28.1.26, 29.1.5, 29.2.1-29.2.4, 29.2.23-29.2.28 (4th cent. CE - 4th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 64, 66, 67, 69
19.12.14. For if anyone wore on his neck an amulet against the quartan ague or any other complaint, or was accused by the testimony of the evil-disposed of passing by a grave in the evening, on the ground that he was a dealer in poisons, or a gatherer of the horrors of tombs and the vain illusions of the ghosts that walk there, he was condemned to capital punishment and so perished. 28.1.19. To add to his calamity, this also had happened at that same time, which was not less fatal. The soothsayer Amantius, at that time especially notorious, was betrayed on secret evidence of having been employed by the said Hymetius, for the purpose of committing certain criminal acts, to perform a sacrifice; but when brought to trial, although he stood bent double upon the rack, Tortured until he was permanently disfigured. For sub eculeo see xxvi. 10, 13, note. he denied it with obstinate insistence. 28.1.20. Upon his denial, his secret papers were brought from his house and a memorandum in the handwriting of Hymetius was found, begging him that by carrying out a solemn sacrifice he should prevail upon the deity to make the emperors Valentinian and Gratian. milder towards him; and at the end of the document were read some reproaches of Valentinian as avaricious and cruel. 28.1.26. At about that same time Lollianus, a youth just growing his first beard, son of the ex-prefect Lampadius, Cf. xxvii. 3, 5. as the result of a strict examination by Maximinus, was convicted of having written a book on destructive magic arts, when adult age had not yet endowed him with sound judgment. And when it was feared that he would be exiled, by his father’s advice he appealed to the emperor and was ordered to be taken to his court; but he went from the smoke (as the saying is) Cf. from the frying-pan into the fire and xiv. 11, 12. into the fire; for he was handed over to Phalangius, consular governor of Baetica, and died at the hand of the dread executioner. 29.1.5. A certain Procopius, a turbulent man, always 371–2 A.D. given over to a lust for disturbances, had charged two courtiers named Anatolias and Spudasius, about whom orders had been given that money of which they had defrauded the treasury be exacted of them, with having attempted the life of Count Fortunatianus, notorious as being a tiresome dunner. He, being hot-tempered, was immediately aroused to a mad degree of wrath, and by the authority of the office which he held, He was comes rei privatae in charge of the privy-purse. handed over a certain Palladius, a man of low birth, as one who had been hired as a poisoner by the afore-mentioned courtiers, and an interpreter of the fates by horoscope, Heliodorus by name, to the court of the praetorian prefecture, in order that they might be forced to tell what they knew about the matter. 29.2.1. During all this time, the notorious Palladius, the fomenter Or curdler. Literally the rennet. of all these troubles, who, as we said at first, 1, 5. was taken in custody by Fortunatianus, being by the very lowness of his condition ready to plunge into anything, by heaping disaster on disaster, had drenched the whole empire with grief and tears. 29.2.2. For having gained leave to name all whom he desired, without distinction of fortune, as dabbling in forbidden practices, like a hunter skilled in observing the secret tracks of wild beasts, he entangled many persons in his lamentable nets, some of them on the ground of having stained themselves with the knowledge of magic, others as accomplices of those who were aiming at treason. 29.2.3. And in order that even wives should have no time to weep over the misfortunes of their husbands, men were immediately sent to put the seal Until the owner should be acquitted or condemned; in the latter case his house and property went to the fiscus. on the houses, and during the examination of the furniture of the householder who had been condemned, to introduce privily old-wives’ incantations or unbecoming love-potions, contrived for the ruin of innocent people. And when these were read in a court where there was no law or scruple or justice to distinguish truth from falsehood, without opportunity for defence young and old without discrimination were robbed of their goods and, although they were found stained by no fault, after being maimed in all their limbs were carried off in litters to execution. 29.2.4. As a result, throughout the oriental provinces owners of books, through fear of a like fate, burned their entire libraries; so great was the terror that had seized upon all. Cf. also Zos. iv. 14. In this way Valens greatly diminished our knowledge of the ancient writers, in particular of the philosophers. Indeed, to speak briefly, at that time we all crept about as if in Cimmerian darkness, See xxviii. 4, 18, note. feeling the same fears as the guests of the Sicilian Dionysius, who, while filled to repletion with banquets more terrible than any possible hunger, saw with a shudder the swords hanging over their heads from the ceilings of the rooms in which they reclined and held only by single horsehairs. Cf. Cic., Tusc. Disp. v. 21, 61 f. 29.2.23. But hearing that Maximinus planned to wipe out all decent men, from that time on he decried his actions as dangerous and shameful. But when he learned that Maximinus, merely through the recommendation of the deaths of those whom he had impiously slain, had attained the honour of prefect contrary to his deserts, he was aroused to similar deeds and hopes. Like an actor, suddenly changing his mask, he conceived the desire of doing harm and stalked about with intent and cruel eyes, imagining that the prefecture would soon be his if he also should have stained himself with the punishment of the innocent. 29.2.24. And although many of the various acts which he committed were very harsh, to express it mildly, yet it will suffice to mention a few which are familiar and generally known, and done in emulation of those which had taken place in Rome. For the principle of good or bad deeds is the same everywhere, even if the greatness of the situation is not the same. That is, whether the place, the circumstances, and even the deeds themselves are unlike. 29.2.25. He executed a philosopher called Coeranius, a man of no slight merit, after he had resisted tortures of savage cruelty, because in a letter to his wife of a personal nature he had added in Greek: But do you take note and crown the house door, which is a common proverbial expression, used in order that the hearer may know that something of greater importance than usual is to be done. 29.2.26. There was a simple-minded old woman who was in the habit of curing intermittent fevers with a harmless charm. He caused her to be put to death as a criminal, after she had been called in with his own knowledge and had treated his daughter. 29.2.27. Among the papers of a distinguished townsman, of which an examination had been ordered for some business reason, the horoscope of a certain Valens was found; when the person concerned was asked why he had cast the nativity of the emperor, he defended himself against the false charge by saying that he had had a brother named Valens, and that he had died long ago. He promised to show this by proofs of full credibility, but they did not wait for the truth to be discovered, and he was tortured and butchered. 29.2.28. In the bath a young man was seen to touch alternately with the fingers of either hand first the marble of the wall or perhaps the floor of the bath. and then his breast, and to count the seven vowels, of the Greek alphabet. thinking it a helpful remedy for a stomach trouble. He was haled into court, tortured and beheaded.
26. Augustine, Confessions, 1.14 (4th cent. CE - 5th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 225
1.14. 23. But why, then, did I dislike Greek learning which was full of like tales? For Homer also was skilled in inventing similar stories, and is most sweetly vain, yet was he disagreeable to me as a boy. I believe Virgil, indeed, would be the same to Grecian children, if compelled to learn him, as I was Homer. The difficulty, in truth, the difficulty of learning a foreign language mingled as it were with gall all the sweetness of those fabulous Grecian stories. For not a single word of it did I understand, and to make me do so, they vehemently urged me with cruel threatenings and punishments. There was a time also when (as an infant) I knew no Latin; but this I acquired without any fear or tormenting, by merely taking notice, amid the blandishments of my nurses, the jests of those who smiled on me, and the sportiveness of those who toyed with me. I learned all this, indeed, without being urged by any pressure of punishment, for my own heart urged me to bring forth its own conceptions, which I could not do unless by learning words, not of those who taught me, but of those who talked to me; into whose ears, also, I brought forth whatever I discerned. From this it is sufficiently clear that a free curiosity has more influence in our learning these things than a necessity full of fear. But this last restrains the overflowings of that freedom, through Your laws, O God - Your laws, from the ferule of the schoolmaster to the trials of the martyr, being effective to mingle for us a salutary bitter, calling us back to Yourself from the pernicious delights which allure us from You.
27. Gelasius of Cyzicus, Historia Ecclesiastica, 2.36.1-2.36.2 (5th cent. CE - 5th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 35
28. Theodosius Ii Emperor of Rome, Theodosian Code, None (5th cent. CE - 5th cent. CE)  Tagged with subjects: •nan Found in books: Rohmann (2016) 70
29. Justinian, Codex Justinianus, 9.18.2 (5th cent. CE - 6th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 26
30. Isidore of Seville, Etymologies, 8.3.7, 8.6.15-8.6.16, 8.7.1-8.7.2, 8.7.9, 8.11.2, 8.11.11, 18.45, 18.51 (6th cent. CE - 7th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 284
31. Isidore of Seville, Sententiae, 3.13.1 (6th cent. CE - 7th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 284
32. Procopius, Historia Arcana (Anecdota), 11.31, 11.37, 18.34 (6th cent. CE - 6th cent. CE)  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 107
33. Augustine, Letters, 101, 120, 119 (7th cent. CE - 7th cent. CE)  Tagged with subjects: •nan Found in books: Rohmann (2016) 225
34. Anon., Martyrium Victoris, 4  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 53
35. Anon., Passio Alexandri, 14  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 53
36. Anon., Passio Facundi Et Primitivi, 14, 13  Tagged with subjects: •nan Found in books: Rohmann (2016) 53
37. Anon., Passio Firmi, 9  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 53
38. Anon., Passio Gordii Caesariensis Cappadoc., 2  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 53
39. Anon., Passio S. Victoris Mauri, 6  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 53
40. Various, Anthologia Latina, 9.171, 10.82, 10.90  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 247
41. Paulus Julius, Digesta, 5.4, 5.4.6, 5.4.15, 5.23.17-5.23.18  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 25, 26, 32
42. Zacharias of Mytilene, Life of Severus, 69, 73, 70  Tagged with subjects: •nan Found in books: Rohmann (2016) 129
43. John Malalas, History, 14.16, 18.42-18.43, 18.54, 18.119, 18.136  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 94, 107, 108
44. Suidas Thessalius, Fragments, None  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 94
45. Sozomenus, Ecclesiastical History, 1.21.4, 6.35.1-6.35.2, 7.15.2-7.15.6  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 35, 68, 247
46. Cedrenus, Synopsis Historion, 1.621-1.622, 1.675  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 94, 107
47. Johannes of Ephesus, Historiae Beatorum Orientalium, 43, 51, 40  Tagged with subjects: •nan Found in books: Rohmann (2016) 108
48. Johannes of Ephesus, Historia Ecclesiastica, 2.482, 3.2.44, 3.36-3.37  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 108
49. John Chrysostom, In Inarnationem Domini, 4  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 189
51. Anon., Fontes Iuris Romani Anteiustiniani, 2.389-2.391  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 32
55. Anon., Passio Paphnutii Et Sociorum, 17  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 53
56. Gregorius of Nazianzus, Orationes, 4.3, 4.31, 4.43, 4.55, 4.70, 4.72, 4.100-4.109, 4.116-4.124, 5.5, 5.31-5.32, 5.38, 5.41  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 58
57. Theophanes, Theophanes, 5983, 6022, 6048, 5982  Tagged with subjects: •nan Found in books: Rohmann (2016) 94
61. Zosimus, Epitome Historiarum, 4.14.2-15.3  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 69
63. Anon., Vita Symeonis Stylitae Iunioris, 157-158, 160-161, 164  Tagged with subjects: •nan Found in books: Rohmann (2016) 106
64. Johannes Malalas, Fr., 48  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 107
65. Michael Syrus, Chronicon, 9.24, 9.31, 9.33  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 107, 108
66. Pseudo-Dionysianum, Chronicon, 2.128  Tagged with subjects: •execution, capital punishment, death penalty Found in books: Rohmann (2016) 107