1. Homer, Iliad, 1.399-1.401, 1.528-1.530, 3.408-3.409, 5.7, 5.385-5.391, 6.288-6.295, 11.531-11.537, 13.18-13.19, 13.29-13.30, 18.518-18.519 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 97, 98, 106, 108, 157, 158, 161, 162, 163, 164, 179 | 1.399. / For often I have heard you glorying in the halls of my father, and declaring that you alone among the immortals warded off shameful ruin from the son of Cronos, lord of the dark clouds, on the day when the other Olympians wished to put him in bonds, even Hera and Poseidon and Pallas Athene. 1.400. / But you came, goddess, and freed him from his bonds, when you had quickly called to high Olympus him of the hundred hands, whom the gods call Briareus, but all men Aegaeon; for he is mightier than his father. He sat down by the side of the son of Cronos, exulting in his glory, 1.401. / But you came, goddess, and freed him from his bonds, when you had quickly called to high Olympus him of the hundred hands, whom the gods call Briareus, but all men Aegaeon; for he is mightier than his father. He sat down by the side of the son of Cronos, exulting in his glory, 1.528. / no word of mine may be recalled, nor is false, nor unfulfilled, to which I bow my head. The son of Cronos spoke, and bowed his dark brow in assent, and the ambrosial locks waved from the king's immortal head; and he made great Olympus quake. 1.529. / no word of mine may be recalled, nor is false, nor unfulfilled, to which I bow my head. The son of Cronos spoke, and bowed his dark brow in assent, and the ambrosial locks waved from the king's immortal head; and he made great Olympus quake. 1.530. / 3.408. / It is for this cause that thou art now come hither with guileful thought. Go thou, and sit by his side, and depart from the way of the gods, neither let thy feet any more bear thee back to Olympus; but ever be thou troubled for him, and guard him, until he make thee his wife, or haply his slave. 3.409. / It is for this cause that thou art now come hither with guileful thought. Go thou, and sit by his side, and depart from the way of the gods, neither let thy feet any more bear thee back to Olympus; but ever be thou troubled for him, and guard him, until he make thee his wife, or haply his slave. 5.7. / like to the star of harvesttime that shineth bright above all others when he hath bathed him in the stream of Ocean. Even such flame did she kindle from his head and shoulders; and she sent him into the midst where men thronged the thickest.Now there was amid the Trojans one Dares, a rich man and blameless, 5.385. / So suffered Ares, when Otus and mighty Ephialtes, the sons of Aloeus, bound him in cruel bonds, and in a brazen jar he lay bound for thirteen months; and then would Ares, insatiate of war, have perished, had not the stepmother of the sons of Aloeus, the beauteous Eëriboea, 5.386. / So suffered Ares, when Otus and mighty Ephialtes, the sons of Aloeus, bound him in cruel bonds, and in a brazen jar he lay bound for thirteen months; and then would Ares, insatiate of war, have perished, had not the stepmother of the sons of Aloeus, the beauteous Eëriboea, 5.387. / So suffered Ares, when Otus and mighty Ephialtes, the sons of Aloeus, bound him in cruel bonds, and in a brazen jar he lay bound for thirteen months; and then would Ares, insatiate of war, have perished, had not the stepmother of the sons of Aloeus, the beauteous Eëriboea, 5.388. / So suffered Ares, when Otus and mighty Ephialtes, the sons of Aloeus, bound him in cruel bonds, and in a brazen jar he lay bound for thirteen months; and then would Ares, insatiate of war, have perished, had not the stepmother of the sons of Aloeus, the beauteous Eëriboea, 5.389. / So suffered Ares, when Otus and mighty Ephialtes, the sons of Aloeus, bound him in cruel bonds, and in a brazen jar he lay bound for thirteen months; and then would Ares, insatiate of war, have perished, had not the stepmother of the sons of Aloeus, the beauteous Eëriboea, 5.390. / brought tidings unto Hermes; and he stole forth Ares, that was now sore distressed, for his grievous bonds were overpowering him. So suffered Hera, when the mighty son of Amphitryon smote her on the right breast with a three-barbed arrow; then upon her too came pain that might in no wise be assuaged. 5.391. / brought tidings unto Hermes; and he stole forth Ares, that was now sore distressed, for his grievous bonds were overpowering him. So suffered Hera, when the mighty son of Amphitryon smote her on the right breast with a three-barbed arrow; then upon her too came pain that might in no wise be assuaged. 6.288. / then might I deem that my heart had forgotten its woe. So spake he, and she went to the hall and called to her handmaidens; and they gathered together the aged wives throughout the city. But the queen herself went down to the vaulted treasurechamber wherein were her robes, richly broidered, the handiwork of Sidonian women, 6.289. / then might I deem that my heart had forgotten its woe. So spake he, and she went to the hall and called to her handmaidens; and they gathered together the aged wives throughout the city. But the queen herself went down to the vaulted treasurechamber wherein were her robes, richly broidered, the handiwork of Sidonian women, 6.290. / whom godlike Alexander had himself brought from Sidon, as he sailed over the wide sea on that journey on the which he brought back high-born Helen. of these Hecabe took one, and bare it as an offering for Athene, the one that was fairest in its broiderings and amplest, 6.291. / whom godlike Alexander had himself brought from Sidon, as he sailed over the wide sea on that journey on the which he brought back high-born Helen. of these Hecabe took one, and bare it as an offering for Athene, the one that was fairest in its broiderings and amplest, 6.292. / whom godlike Alexander had himself brought from Sidon, as he sailed over the wide sea on that journey on the which he brought back high-born Helen. of these Hecabe took one, and bare it as an offering for Athene, the one that was fairest in its broiderings and amplest, 6.293. / whom godlike Alexander had himself brought from Sidon, as he sailed over the wide sea on that journey on the which he brought back high-born Helen. of these Hecabe took one, and bare it as an offering for Athene, the one that was fairest in its broiderings and amplest, 6.294. / whom godlike Alexander had himself brought from Sidon, as he sailed over the wide sea on that journey on the which he brought back high-born Helen. of these Hecabe took one, and bare it as an offering for Athene, the one that was fairest in its broiderings and amplest, 6.295. / and shone like a star, and lay undermost of all. Then she went her way, and the throng of aged wives hastened after her. 11.531. / are slaying one another, and the cry goes up unquenchable. 11.532. / are slaying one another, and the cry goes up unquenchable. 11.533. / are slaying one another, and the cry goes up unquenchable. 11.534. / are slaying one another, and the cry goes up unquenchable. So saying he smote the fair-maned horses with the shrill-sounding lash, and they, feeling the blow, fleetly bare the swift car amid the Trojans and Achaeans, trampling on the dead and on the shields, and with blood was all the axle 11.535. / sprinkled beneath, and the rims round about the car, with the drops that smote upon them from the horses' hooves and from the tires. And Hector was eager to enter the throng of muen, to leap in and shatter it, and an evil din of war he sent among the Danaans, and scant rest did he give his spear. 11.536. / sprinkled beneath, and the rims round about the car, with the drops that smote upon them from the horses' hooves and from the tires. And Hector was eager to enter the throng of muen, to leap in and shatter it, and an evil din of war he sent among the Danaans, and scant rest did he give his spear. 11.537. / sprinkled beneath, and the rims round about the car, with the drops that smote upon them from the horses' hooves and from the tires. And Hector was eager to enter the throng of muen, to leap in and shatter it, and an evil din of war he sent among the Danaans, and scant rest did he give his spear. 13.18. / There he sat, being come forth from the sea, and he had pity on the Achaeans that they were overcome by the Trojans, and against Zeus was he mightily wroth.Forthwith then he went down from the rugged mount, striding forth with swift footsteps, and the high mountains trembled and the woodland beneath the immortal feet of Poseidon as he went. 13.19. / There he sat, being come forth from the sea, and he had pity on the Achaeans that they were overcome by the Trojans, and against Zeus was he mightily wroth.Forthwith then he went down from the rugged mount, striding forth with swift footsteps, and the high mountains trembled and the woodland beneath the immortal feet of Poseidon as he went. 13.29. / and with gold he clad himself about his body, and grasped the well-wrought whip of gold, and stepped upon his car, and set out to drive over the waves. Then gambolled the sea-beasts beneath him on every side from out the deeps, for well they knew their lord, and in gladness the sea parted before him; 13.30. / right swiftly sped they on, and the axle of bronze was not wetted beneath; and unto the ships of the Achaeans did the prancing steeds bear their lord. 18.518. / as they stood thereon, and therewithal the men that were holden of old age; but the rest were faring forth, led of Ares and Pallas Athene, both fashioned in gold, and of gold was the raiment wherewith they were clad. Goodly were they and tall in their harness, as beseemeth gods, clear to view amid the rest, and the folk at their feet were smaller. 18.519. / as they stood thereon, and therewithal the men that were holden of old age; but the rest were faring forth, led of Ares and Pallas Athene, both fashioned in gold, and of gold was the raiment wherewith they were clad. Goodly were they and tall in their harness, as beseemeth gods, clear to view amid the rest, and the folk at their feet were smaller. |
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2. Hesiod, Works And Days, None (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 98 | 65. of men and gods laughed. Famed Hephaistus he |
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| 3. Hesiod, Fragments, None (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 97 |
| 4. Homer, Odyssey, 3.405-3.408, 6.229-6.235, 6.243, 8.296-8.298, 8.330-8.332, 8.339-8.342, 8.364-8.365, 13.312-13.313, 16.174, 18.191-18.194, 18.196, 18.354-18.355, 19.33-19.40 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •cult images, external manipulation of •regeneration, of cult images •cult images •cult images, and mobility •hobbling, of cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 80, 97, 98, 99, 112, 162, 163, 166 |
5. Hesiod, Theogony, 501-502, 522, 617-620, 626, 640-641, 652, 699, 716-718, 797-798, 824, 842-843, 851, 858, 698 (8th cent. BCE - 7th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 172 | 698. And those who grant mortals advantages, |
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6. Aeschylus, Agamemnon, 418-419, 519-520 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 175| 520. εἴ που πάλαι, φαιδροῖσι τοισίδʼ ὄμμασι | 520. For he comes bringing light in night-time to you, |
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| 7. Pindar, Pythian Odes, 4.289 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 161 |
8. Aeschylus, Suppliant Women, None (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95| 102. αὐτόθεν ἐξέπραξεν ἔμπας | |
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| 9. Xenophanes, Fragments, None (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 90 |
10. Aeschylus, Prometheus Bound, 76 (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 161| 76. ἐρρωμένως νῦν θεῖνε διατόρους πέδας· | 76. Now hammer the piercing fetters with your full force; for the appraiser of our work is severe. Hephaestus |
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| 11. Xenophanes, Fragments, None (6th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 90 |
| 12. Euripides, Children of Heracles, 1340, 1342-1346, 1341 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95 |
| 13. Euripides, Hippolytus, 1440-1441, 1339 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95 |
14. Euripides, Electra, 1255-1257, 1254 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 176| 1254. ἐλθὼν δ' ̓Αθήνας Παλλάδος σεμνὸν βρέτας | |
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15. Euripides, Bacchae, 1021, 107-108, 113-114, 1264-1280, 438-439, 447-448, 498, 615, 633-634, 643, 1348 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95| 1348. ὀργὰς πρέπει θεοὺς οὐχ ὁμοιοῦσθαι βροτοῖς. Διόνυσος | |
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| 16. Euripides, Antiope (Fragmenta Antiopes ), 203 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 84 |
17. Euripides, Andromache, 1117 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 105| 1117. χὠ μὲν κατ' ὄμμα στὰς προσεύχεται θεῷ: | |
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| 18. Euripides, Ion, 1550, 211 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 94 |
| 19. Plato, Republic, None (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 77 |
20. Plato, Symposium, None (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 89| 216e. ὅσον οὐδʼ ἂν εἷς οἰηθείη, οὔτʼ εἴ τις πλούσιος, οὔτʼ εἰ ἄλλην τινὰ τιμὴν ἔχων τῶν ὑπὸ πλήθους μακαριζομένων· ἡγεῖται δὲ πάντα ταῦτα τὰ κτήματα οὐδενὸς ἄξια καὶ ἡμᾶς οὐδὲν εἶναι—λέγω ὑμῖν—εἰρωνευόμενος δὲ καὶ παίζων πάντα τὸν βίον πρὸς τοὺς ἀνθρώπους διατελεῖ. σπουδάσαντος δὲ αὐτοῦ καὶ ἀνοιχθέντος οὐκ οἶδα εἴ τις ἑώρακεν τὰ ἐντὸς ἀγάλματα· ἀλλʼ ἐγὼ ἤδη ποτʼ εἶδον, καί μοι ἔδοξεν οὕτω θεῖα καὶ | 216e. more than any of you can believe; nor does wealth attract him, nor any sort of honor that is the envied prize of the crowd. All these possessions he counts as nothing worth, and all of us as nothing, I assure you; he spends his whole life in chaffing and making game of his fellow-men. Whether anyone else has caught him in a serious moment and opened him, and seen the images inside, I know not; but I saw them one day, and thought them so |
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| 21. Plato, Timaeus, None (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 77 |
| 22. Euripides, Iphigenia Among The Taurians, 1166-1167, 1199, 1165 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 159 |
23. Herodotus, Histories, 1.31.4-1.31.5, 1.60.4-1.60.5, 4.14-4.15, 5.82, 5.86.3, 6.61, 8.64 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •cult images •richness, of cult images •gaze, of cult images •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 7, 100, 105, 159, 160, 177 | 1.31.4. She was overjoyed at the feat and at the praise, so she stood before the image and prayed that the goddess might grant the best thing for man to her children Cleobis and Biton, who had given great honor to the goddess. 1.31.5. After this prayer they sacrificed and feasted. The youths then lay down in the temple and went to sleep and never rose again; death held them there. The Argives made and dedicated at Delphi statues of them as being the best of men.” 1.60.4. There was in the Paeanian deme a woman called Phya, three fingers short of six feet, four inches in height, and otherwise, too, well-formed. This woman they equipped in full armor and put in a chariot, giving her all the paraphernalia to make the most impressive spectacle, and so drove into the city; heralds ran before them, and when they came into town proclaimed as they were instructed: 1.60.5. “Athenians, give a hearty welcome to Pisistratus, whom Athena herself honors above all men and is bringing back to her own acropolis.” So the heralds went about proclaiming this; and immediately the report spread in the demes that Athena was bringing Pisistratus back, and the townsfolk, believing that the woman was the goddess herself, worshipped this human creature and welcomed Pisistratus. 4.14. Where Aristeas who wrote this came from, I have already said; I will tell the story that I heard about him at Proconnesus and Cyzicus . It is said that this Aristeas, who was as well-born as any of his townsfolk, went into a fuller's shop at Proconnesus and there died; the owner shut his shop and went away to tell the dead man's relatives, ,and the report of Aristeas' death being spread about in the city was disputed by a man of Cyzicus , who had come from the town of Artace, and said that he had met Aristeas going toward Cyzicus and spoken with him. While he argued vehemently, the relatives of the dead man came to the fuller's shop with all that was necessary for burial; ,but when the place was opened, there was no Aristeas there, dead or alive. But in the seventh year after that, Aristeas appeared at Proconnesus and made that poem which the Greeks now call the title Arimaspea /title , after which he vanished once again. 4.15. Such is the tale told in these two towns. But this, I know, happened to the Metapontines in Italy , two hundred and forty years after the second disappearance of Aristeas, as reckoning made at Proconnesus and Metapontum shows me: ,Aristeas, so the Metapontines say, appeared in their country and told them to set up an altar to Apollo, and set beside it a statue bearing the name of Aristeas the Proconnesian; for, he said, Apollo had come to their country alone of all Italian lands, and he—the man who was now Aristeas, but then when he followed the god had been a crow—had come with him. ,After saying this, he vanished. The Metapontines, so they say, sent to Delphi and asked the god what the vision of the man could mean; and the Pythian priestess told them to obey the vision, saying that their fortune would be better. ,They did as instructed. And now there stands beside the image of Apollo a statue bearing the name of Aristeas; a grove of bay-trees surrounds it; the image is set in the marketplace. Let it suffice that I have said this much about Aristeas. 5.82. This was the beginning of the Aeginetans' long-standing debt of enmity against the Athenians. The Epidaurians' land bore no produce. For this reason they inquired at Delphi concerning this calamity, and the priestess bade them set up images of Damia and Auxesia, saying that if they so did their luck would be better. The Epidaurians then asked in addition whether they should make the images of bronze or of stone, and the priestess bade them do neither, but make them of the wood of the cultivated olive. ,So the men of Epidaurus asked the Athenians to permit them to cut down some olive trees, supposing the olives there to be the holiest. Indeed it is said that at that time there were no olives anywhere save at Athens. ,The Athenians consented to give the trees, if the Epidaurians would pay yearly sacred dues to Athena, the city's goddess, and to Erechtheus. The Epidaurians agreed to this condition, and their request was granted. When they set up images made of these olive trees, their land brought forth fruit, and they fulfilled their agreement with the Athenians. 5.86.3. When, as the Aeginetans say, no man came out to fight with them, the Athenians disembarked from their ships and turned their attention to the images. Unable to drag them from the bases, they fastened cords on them and dragged them until they both—this I cannot believe, but another might—fell on their knees. Both have remained in this position ever since. 6.61. While Cleomenes was in Aegina working for the common good of Hellas, Demaratus slandered him, not out of care for the Aeginetans, but out of jealousy and envy. Once Cleomenes returned home from Aegina, he planned to remove Demaratus from his kingship, using the following affair as a pretext against him: Ariston, king of Sparta, had married twice but had no children. ,He did not admit that he himself was responsible, so he married a third time. This is how it came about: he had among the Spartans a friend to whom he was especially attached. This man's wife was by far the most beautiful woman in Sparta, but she who was now most beautiful had once been the ugliest. ,Her nurse considered her inferior looks and how she was of wealthy people yet unattractive, and, seeing how the parents felt her appearance to be a great misfortune, she contrived to carry the child every day to the sacred precinct of Helen, which is in the place called Therapne, beyond the sacred precinct of Phoebus. Every time the nurse carried the child there, she set her beside the image and beseeched the goddess to release the child from her ugliness. ,Once as she was leaving the sacred precinct, it is said that a woman appeared to her and asked her what she was carrying in her arms. The nurse said she was carrying a child and the woman bade her show it to her, but she refused, saying that the parents had forbidden her to show it to anyone. But the woman strongly bade her show it to her, ,and when the nurse saw how important it was to her, she showed her the child. The woman stroked the child's head and said that she would be the most beautiful woman in all Sparta. From that day her looks changed, and when she reached the time for marriage, Agetus son of Alcidas married her. This man was Ariston's friend. 8.64. After this skirmish of words, since Eurybiades had so resolved, the men at Salamis prepared to fight where they were. At sunrise on the next day there was an earthquake on land and sea, ,and they resolved to pray to the gods and summon the sons of Aeacus as allies. When they had so resolved, they did as follows: they prayed to all the gods, called Ajax and Telamon to come straight from Salamis, and sent a ship to Aegina for Aeacus and his sons. |
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| 24. Euripides, Fragments, 1440-1441, 1339 (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95 |
| 25. Protagoras, Fragments, None (5th cent. BCE - 5th cent. BCE) Tagged with subjects: •cult images •cult images, iconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95 |
| 26. Aristophanes, Fragments, 591.84-591.86 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •cult images, external manipulation of Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 113 |
27. Thucydides, The History of The Peloponnesian War, 1.134-1.135, 2.13.3-2.13.5, 2.53.4, 3.38.4 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •cult images •sacredness, of cult images •cult images, iconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 7, 95, 104| 2.13.3. θαρσεῖν τε ἐκέλευε προσιόντων μὲν ἑξακοσίων ταλάντων ὡς ἐπὶ τὸ πολὺ φόρου κατ᾽ ἐνιαυτὸν ἀπὸ τῶν ξυμμάχων τῇ πόλει ἄνευ τῆς ἄλλης προσόδου, ὑπαρχόντων δὲ ἐν τῇ ἀκροπόλει ἔτι τότε ἀργυρίου ἐπισήμου ἑξακισχιλίων ταλάντων ʽτὰ γὰρ πλεῖστα τριακοσίων ἀποδέοντα μύρια ἐγένετο, ἀφ’ ὧν ἔς τε τὰ προπύλαια τῆς ἀκροπόλεως καὶ τἆλλα οἰκοδομήματα καὶ ἐς Ποτείδαιαν ἀπανηλώθἠ, 2.13.4. χωρὶς δὲ χρυσίου ἀσήμου καὶ ἀργυρίου ἔν τε ἀναθήμασιν ἰδίοις καὶ δημοσίοις καὶ ὅσα ἱερὰ σκεύη περί τε τὰς πομπὰς καὶ τοὺς ἀγῶνας καὶ σκῦλα Μηδικὰ καὶ εἴ τι τοιουτότροπον, οὐκ ἐλάσσονος [ἦν] ἢ πεντακοσίων ταλάντων. 2.13.5. ἔτι δὲ καὶ τὰ ἐκ τῶν ἄλλων ἱερῶν προσετίθει χρήματα οὐκ ὀλίγα, οἷς χρήσεσθαι αὐτούς, καὶ ἢν πάνυ ἐξείργωνται πάντων, καὶ αὐτῆς τῆς θεοῦ τοῖς περικειμένοις χρυσίοις: ἀπέφαινε δ’ ἔχον τὸ ἄγαλμα τεσσαράκοντα τάλαντα σταθμὸν χρυσίου ἀπέφθου, καὶ περιαιρετὸν εἶναι ἅπαν. χρησαμένους τε ἐπὶ σωτηρίᾳ ἔφη χρῆναι μὴ ἐλάσσω ἀντικαταστῆσαι πάλιν. 2.53.4. θεῶν δὲ φόβος ἢ ἀνθρώπων νόμος οὐδεὶς ἀπεῖργε, τὸ μὲν κρίνοντες ἐν ὁμοίῳ καὶ σέβειν καὶ μὴ ἐκ τοῦ πάντας ὁρᾶν ἐν ἴσῳ ἀπολλυμένους, τῶν δὲ ἁμαρτημάτων οὐδεὶς ἐλπίζων μέχρι τοῦ δίκην γενέσθαι βιοὺς ἂν τὴν τιμωρίαν ἀντιδοῦναι, πολὺ δὲ μείζω τὴν ἤδη κατεψηφισμένην σφῶν ἐπικρεμασθῆναι, ἣν πρὶν ἐμπεσεῖν εἰκὸς εἶναι τοῦ βίου τι ἀπολαῦσαι. 3.38.4. αἴτιοι δ’ ὑμεῖς κακῶς ἀγωνοθετοῦντες, οἵτινες εἰώθατε θεαταὶ μὲν τῶν λόγων γίγνεσθαι, ἀκροαταὶ δὲ τῶν ἔργων, τὰ μὲν μέλλοντα ἔργα ἀπὸ τῶν εὖ εἰπόντων σκοποῦντες ὡς δυνατὰ γίγνεσθαι, τὰ δὲ πεπραγμένα ἤδη, οὐ τὸ δρασθὲν πιστότερον ὄψει λαβόντες ἢ τὸ ἀκουσθέν, ἀπὸ τῶν λόγῳ καλῶς ἐπιτιμησάντων: | 2.13.3. Here they had no reason to despond. Apart from other sources of income, an average revenue of six hundred talents of silver was drawn from the tribute of the allies; and there were still six thousand talents of coined silver in the Acropolis, out of nine thousand seven hundred that had once been there, from which the money had been taken for the porch of the Acropolis, the other public buildings, and for Potidaea . 2.13.4. This did not include the uncoined gold and silver in public and private offerings, the sacred vessels for the processions and games, the Median spoils, and similar resources to the amount of five hundred talents. 2.13.5. To this he added the treasures of the other temples. These were by no means inconsiderable, and might fairly be used. Nay, if they were ever absolutely driven to it, they might take even the gold ornaments of Athena herself; for the statue contained forty talents of pure gold and it was all removable. This might be used for self-preservation, and must every penny of it be restored. 2.53.4. Fear of gods or law of man there was none to restrain them. As for the first, they judged it to be just the same whether they worshipped them or not, as they saw all alike perishing; and for the last, no one expected to live to be brought to trial for his offences, but each felt that a far severer sentence had been already passed upon them all and hung ever over their heads, and before this fell it was only reasonable to enjoy life a little. 3.38.4. The persons to blame are you who are so foolish as to institute these contests; who go to see an oration as you would to see a sight, take your facts on hearsay, judge of the practicability of a project by the wit of its advocates, and trust for the truth as to past events not to the fact which you saw more than to the clever strictures which you heard; |
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| 28. Xenophon, Agesilaus, 2.9-2.16 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 105 |
| 29. Xenophon, Hellenica, 4.3.16, 4.3.19-4.3.20 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 105, 145 |
30. Aristophanes, Knights, 30-32, 34, 33 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95| 33. ἔγωγε. ποίῳ χρώμενος τεκμηρίῳ; | |
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31. Aristophanes, The Women Celebrating The Thesmophoria, 449-452, 448 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95| 448. στεφανηπλοκοῦς' ἔβοσκον ἐν ταῖς μυρρίναις. | |
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32. Aristophanes, Peace, 277-279, 661, 682-683, 923, 1073 (5th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 108| 1073. οὔπω θέσφατον ἦν Εἰρήνης δέσμ' ἀναλῦσαι, | |
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| 33. Theophrastus, Characters, 16.5 (4th cent. BCE - 3rd cent. BCE) Tagged with subjects: •cult images, external manipulation of •regeneration, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 112 |
| 34. Hyperides, Pro Euxenippo, 24-25 (4th cent. BCE - 4th cent. BCE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 91 |
35. Polybius, Histories, 4.3.5, 4.25.2, 9.34.11 (2nd cent. BCE - 2nd cent. BCE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 145| 4.3.5. Δωρίμαχος ὁ Τριχωνεὺς ἦν μὲν υἱὸς Νικοστράτου τοῦ παρασπονδήσαντος τὴν τῶν Παμβοιωτίων πανήγυριν, νέος δʼ ὢν καὶ πλήρης Αἰτωλικῆς ὁρμῆς καὶ πλεονεξίας ἐξαπεστάλη κατὰ κοινὸν εἰς τὴν τῶν Φιγαλέων πόλιν, 4.25.2. ἐγκαλούντων δὲ Βοιωτῶν μὲν ὅτι συλήσαιεν τὸ τῆς Ἀθηνᾶς τῆς Ἰτωνίας ἱερὸν εἰρήνης ὑπαρχούσης, Φωκέων δὲ διότι στρατεύσαντες ἐπʼ Ἄμβρυσον καὶ Δαύλιον ἐπιβάλοιντο καταλαβέσθαι τὰς πόλεις, 9.34.11. τί δαὶ Λάτταβος καὶ Νικόστρατος; οὐ τὴν τῶν Παμβοιωτίων πανήγυριν εἰρήνης οὔσης παρεσπόνδησαν, Σκυθῶν ἔργα καὶ Γαλατῶν ἐπιτελοῦντες; ὧν οὐδὲν πέπρακται τοῖς διαδεξαμένοις. | 4.3.5. Dorimachus of Trichonium was the son of that Nicostratus who broke the solemn truce at the Pamboeotian congress. He was a young man full of the violent and aggressive spirit of the Aetolians and was sent on a public mission to Phigalea, a city in the Peloponnese near the Messenian border and at that time in alliance with the Aetolian League; professedly to guard the city and its territory, but really to act as a spy on Peloponnesian affairs. When a recently formed band of brigands came to join him there, and he could not provide them with any legitimate pretext for plundering, as the general peace in Greece established by Antigonus still continued, he finally, finding himself at a loss, gave them leave to make forays on the cattle of the Messenians who were friends and allies of the Aetolians. At first, then, they only raided the flocks on the border, but later, growing ever more insolent, they took to breaking into the country houses, surprising the unsuspecting inmates by night. 4.25.2. The Boeotians accused the Aetolians of having plundered the temple of Athene Itonia in time of peace, the Phocians of having marched upon Ambrysus and Daulium and attempted to seize both cities, |
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| 36. Cicero, On The Haruspices, 62-63, 10 (2nd cent. BCE - 1st cent. BCE) Tagged with subjects: •nan Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 94 |
| 37. Cicero, On Laws, 1.24-1.28, 1.32, 1.59, 2.4, 2.15-2.16 (2nd cent. BCE - 1st cent. BCE) Tagged with subjects: •cult images of the gods Found in books: Wynne (2019), Horace and the Gift Economy of Patronage, 77 |
38. Cicero, On The Nature of The Gods, 2.7, 2.61, 2.63, 2.75, 2.98-2.153 (2nd cent. BCE - 1st cent. BCE) Tagged with subjects: •cult images of the gods Found in books: Wynne (2019), Horace and the Gift Economy of Patronage, 138, 147, 152 | 2.7. "Again, prophecies and premonitions of future events cannot but be taken as proofs that the future may appear or be foretold as a warning or portended or predicted to mankind — hence the very words 'apparition,' 'warning,' 'portent,' 'prodigy.' Even if we think that the stories of Mopsus, Tiresias, Amphiaraus, Calchas and Helenus are mere baseless fictions of romance (though their powers of divination would not even have been incorporated in the legends had they been entirely repugt to fact), shall not even the instances from our own native history teach us to acknowledge the divine power? shall we be unmoved by the story of the recklessness of Publius Claudius in the first Punic War? Claudius merely in jest mocked at the gods: when the chickens on being released from their cage refused to feed, he ordered them to be thrown into the water, so that as they would not eat they might drink; but the joke cost the jester himself many tears and the Roman people a great disaster, for the fleet was severely defeated. Moreover did not his colleague Junius during the same war lose his fleet in a storm after failing to comply with the auspices? In consequence of these disasters Claudius was tried and condemned for high treason and Junius committed suicide. 2.61. In other cases some exceptionally potent force is itself designated by a title of convey, for example Faith and Mind; we see the shrines on the Capitol lately dedicated to them both by Marcus Aemilius Scaurus, and Faith had previously been deified by Aulus Atilius Calatinus. You see the temple of Virtue, restored as the temple of Honour by Marcus Marcellus, but founded many years before by Quintus Maximus in the time of the Ligurian war. Again, there are the temples of Wealth, Safety, Concord, Liberty and Victory, all of which things, being so powerful as necessarily to imply divine goverce, were themselves designated as gods. In the same class the names of Desire, Pleasure and Venus Lubentina have been deified — things vicious and unnatural (although Velleius thinks otherwise), yet the urge of these vices often overpowers natural instinct. 2.63. "Another theory also, and that a scientific one, has been the source of a number of deities, who clad in human form have furnished the poets legends and have filled man's life with superstitions of all sorts. This subject was handled by Zeno and was later explained more fully by Cleanthes and Chrysippus. For example, an ancient belief prevailed throughout Greece that Caelus was mutilated by his son Saturn, and Saturn himself thrown into bondage by his son Jove: 2.75. I therefore declare that the world and all its parts were set in order at the beginning and have been governed for all time by converse providence: a thesis which our school usually divides into three sections. The first is based on the argument proving that the gods exist; if this be granted, it must be admitted that the world is governed by their wisdom. The second proves that all things are under the sway of sentient nature, and that by it the universe is carried on in the most beautiful manner; and this proved, it follows that the universe was generated from living first causes. The third topic is the argument from the wonder that we feel at the marvel of creation, celestial and terrestrial. 2.98. "For we may now put aside elaborate argument and gaze as it were with our eyes upon the beauty of the creations of divine providence, as we declare them to be. And first let us behold the whole earth, situated in the centre of the world, a solid spherical mass gathered into a globe by the natural gravitation of all its parts, clothed with flowers and grass and trees and corn,º forms of vegetation all of them incredibly numerous and inexhaustibly varied and diverse. Add to these cool fountains ever flowing, transparent streams and rivers, their banks clad in brightest verdure, deep vaulted caverns, craggy rocks, sheer mountain heights and plains of immeasurable extent; add also the hidden veins of gold and silver, and marble in unlimited quantity. 2.99. Think of all the various species of animals, both tame and wild! think of the flights and songs of birds! of the pastures filled with cattle, and the teeming life of the woodlands! Then why need I speak of the race of men? who are as it were the appointed tillers of the soil, and who suffer it not to become a savage haunt of monstrous beasts of prey nor a barren waste of thickets and brambles, and whose industry diversifies and adorns the lands and islands and coasts with houses and cities. Could we but behold these things with our eyes as we can picture them in our minds, no one taking in the whole earth at one view could doubt the divine reason. 2.100. Then how great is the beauty of the sea! how glorious the aspect of its vast expanse! him many and how diverse its islands! how lovely the scenery of its coasts and shores! how numerous and how different the species of marine animals, some dwelling in the depths, some floating and swimming on the surface, some clinging in their own shells to the rocks! And the sea itself, yearning for the earth, sports against her shores in such a fashion that the two elements appear to be fused into one. 2.101. Next the air bordering on the sea undergoes the alternates of day and night, and now rises upward melt down rarefied, now is condensed and compressed into clouds and gathering mixture enriches the earth with rain, now flows forth in currents thenceforth and produces winds. Likewise it causes the yearly variations of cold and heat, and it also both supports the flight of birds and inhaled by breathing nourishes and sustains the animal race. There remains the element that is most distant and highest removed from our abodes, the all‑engirdling, all‑confining circuit of the sky, also named the aether, the farthest coast and frontier of the world, wherein those fiery shapes most marvellously trace out their ordered courses. 2.102. of these the sun, which many times surpasses the earth in magnitude, revolves about her, and by his rising and setting causes day and night, and now approaching, then again retiring, twice each year makes returns in opposite directions from his farthest point, and in the period of those returns at one time causes the face of the earth as it were to contract with a gloomy frown, and at another restores her to gladness til she seems to smile in sympathy with the sky. 2.103. Again the moon, which is, as the mathematicians prove, more than half the size of the earth, roams in the same courses as the sun, but at one time converging with the sun and at another diverging from it, both bestows upon the light that it has borrowed from the sun and itself undergoes divers changes of its light, and also at one time is in conjunction and hides the sun, darken ut light of its rays, at another itself comes into the shadow of the earth, being opposite to the sun, and owing to the interpose and interference of the earth is suddenly extinguished. And the so‑called wandering stars (planets) travel in the same courses round the earth, and rise and set in the same way, with motions now accelerated, now retarded, and sometimes even ceasing altogether. 2.104. Nothing can be more marvellous or more beautiful than this spectacle. Next comes the vast multitude of the fixed stars, grouped in constellations so clearly defined that they have received names derived from their resemblance to familiar objects." Here he looked at me and said, "I will make use of the poems of Aratus, as translated by yourself when quite a young man, which because of their Latin dress give me such pleasure that I retain many of them in memory. Well then, as we continually see with our own eyes, without any change or variation Swiftly the other heavenly bodies glide, All day and night travelling with the sky, 2.105. and no one who loves to contemplate the uniformity of nature can ever be tired of gazing at them. The furthest tip of either axle‑end Is called the pole. Round the poel circle the two Bears, which never set; One of these twain the Greeks call Cynosure, The other Helicē is named; and the latter's extremely bright stars, visible to us all night long, Our countrymen the Seven Triones call; 2.106. and the little Cynosure consists of an equal number of stars similarly grouped, and revolves round the same pole: Phoenician sailors place in this their trust To guide their course by night; albeit the other Shines out before and with more radiant stars At earliest night-fall far and wide is seen, Yet small though this one is, the mariner On this relies, since it revolves upon An inner circle and a shorter path. Also the further to enhance the beauty of those constellations, Between them, like a river flowing swift, The fierce-eyed Serpent winds; in sinuous coils Over and under twines his snaky frame. 2.107. His whole appearance is very remarkable, but the most striking part of him is the shape of his head and the brilliance of his eyes: No single hindering star his head adorns, His brows are by a double radiance marked, And from his cruel eyes two lights flash out, The while his chin gleams with one flashing star; His graceful neck is bent, his head reclined, As if at gaze upon the Great Bear's tail. 2.108. And while the rest of the Serpent's body is visible all night long, This head a moment sinks beneath the sea, Where meet its setting and its rise in one. Next to its head however The weary figure of a man in sorrow Revolts, which the Greeks Engónasin call, as travelling "on his knees." Here is the Crown, of radiance supreme. This is in the rear of the Serpent, while at its head is the Serpent-holder, 2.109. By Greeks called Ophiúchus, famous name! Firm between both his hands he "holds the Snake," Himself in bondage by its body held, For serpent round the waist engirdles men, Yet treads he firm and presses all his weight, Trampling upon the Scorpion's eyes and breast. After the Septentriones comes The Bear-ward, commonly Boötes called, Because he drives the Bear yoked to a pole. 2.110. And then the following lines: for with this Boötes beneath his bosom fixed appears A glittering star, Arcturus, famous name, and below his feet moves The Virgin bright, holding her ear of corn Resplendent. And the constellations are so accurately spaced out that their vast and ordered array clearly displays the skill of a divine creator: By the Bear's head you will descry the Twins, Beneath its belly the Crab, and in its claws The Lion's bulk emits a twinkling ray. The Charioteer Hidden beneath the Twins' left flank will glide; Him Helicē confronts with aspect fierce; At his left shoulder the bright She‑goat stands. [And then the following:] A constellation vast and brilliant she, Whereas the Kids emit a scanty light Upon mankind. Beneath her feet Crouches the hornéd Bull, a mighty frame. 2.111. His head is bespangled with a multitude of stars: The Greeks were wont to call them Hyades, from their bringing rain, the Greek for which is hyein, while our nation stupidly names them the Sucking-pigs, as though the name Hyades were derived from the word for 'pig' and not from 'rain.' Behind the Lesser Septentrio follows Cepheus, with open hands outstretched; For close behind the Bear, the Cynosure, He wheels. Before him comes Cassiepia with her darkling stars, And next to her roams a bright shape, the sad Andromeda, shunning her mother's sight. The belly of the Horse touches her head, Proudly he tosses high his glittering mane; One common star holds their twin shapes conjoint And constellations linked indissolubly. Close by them stands the Ram with wreathéd horns: and next to him The Fishes gliding, one some space in front And nearer to the North Wind's shuddering breath. 2.112. At the feet of Andromeda Perseus is outlined, Assailed by all the zenith's northern blasts; and by him at his left knee placed on every side The tiny Pleiads dim you will descry. And, slightly sloping, next the Lyre is seen, Next the winged Bird 'neath heaven's wide canopy. Close to the Horse's head is the right hand Aquarius, and then his whole figure. Next in the mighty zone comes capricorn, Half-brute, half‑man; his mighty bosom breathes An icy chill; and when the Titans sun Arrayeth him with never-ceasing light, He turns his car to climb the wintry sky. 2.113. Here we behold How there appears the Scorpion rising high, His mighty tail trailing the bended Bow; Near which on soaring pinions wheels the Bird And near to this the burning Eagle flies. Then the Dolphin, And then Orion slopes his stooping frame. 2.114. Following him The glowing Dog‑star radiantly shines. After this follows the Hare, What never resteth weary from her race; At the Dog's tail meandering Argo glides. Her the Ram covers, and the scaly Fishes, And her bright breast touches the River's banks. Its long winding current you will observe, And in the zenith you will see the Chains That bind the Fishes, hanging at their tails. . . . Then you'll descry, near the bright Scorpion's sting, The Altar, fanned by Auster's gentle breath. And by it the Centaur Proceeds, in haste to join the Horse's parts Unto the Claws; extending his right hand, That grasps the mighty beast, he marches on And grimly strides towards the Altar bright. Here Hydra rises from the nether realms, her body widely outstretched; And in her midmost coil the Wine-bowl gleams, While pressing at her tail the feathered Crow Pecks with his beak; and here, hard by the Twins, The Hound's Forerunner, in Greek named Prokyon. 2.115. Can any sane person believe that all this array of stars and this vast celestial adornment could have been created out of atoms rushing thenceforth fortuitously and at random? or could any other being devoid of intelligence and reason have created them? Not merely did their creation postulate intelligence, but it is impossible to understand their nature without intelligence of a high order. "but not only are these things marvellous, but nothing is more remarkable than the stability and coherence of the world, which is such that it is impossible even to imagine anything better adapted to endure. For all its parts in every direction gravitate with a uniform pressure towards the centre. Moreover busy conjoined maintain their union most permanently when they have some bond encompassing them to bind them together; and this function is fulfilled by that rational and intelligent substance which pervades the whole world as the efficient cause of all things and which draws and collects the outermost particles towards the centre. 2.116. Hence if the world is round and therefore all its parts are held together by and with each other in universal equilibrium, the same must be the case with the earth, so that all its parts must converge towards the centre (which in a sphere is the lowest point) without anything to break the continuity and so threaten its Bast complex of gravitational forces and masses with dissolution. And on the same principle the sea, although above the earth, nevertheless seeks the earth's centre and so is massed into a sphere uniform on all sides, and never floods its bounds and overflows. 2.117. Its neighbour the air travels upward it is true in virtue of its lightness, but at the same time spreads horizontally in all directions; and thus while contiguous and conjoined with the sea it has a natural tendency to rise to the sky, and by receiving an admixture of the sky's tenuity and heat furnishes to living creatures the breath of life and health. The air is enfolded by the highest part of the sky, termed the ethereal part; this both retains its own tenuous warmth uncongealed by any admixture and unites with the outer surface of the air. In the aether the stars revolve in their courses; these maintain their spherical form by their own install gravitation, and also sustain their motions by virtue of their very shape and conformation; for they are round, and this is the shape, as I believe I remarked before, that is least capable of receiving injury. 2.118. But the stars are of a fiery substance, and for this reason they are nourished by the vapours of the earth, the sea and the waters, which are raised up by the sun out of the fields which it warms and out of the waters; and when nourished and renewed by these vapours the stars and the whole aether shed them back again, and then once more draw them up from the same source, with the loss of none of their matter, or only of an extremely small part which is consumed by the fire of the stars and the flame of the aether. As a consequence of this, so our school believe, though it used to be said that Panaetius questioned the doctrine, there will ultimately occur a conflagration of the whole while, because when the moisture has been used up neither can the earth be nourished nor will the air continue to flow, being unable to rise upward after it has drunk up all the water; thus nothing will remain but fire, by which, as a living being and a god, once again a new world may be created and the ordered universe be restored as before. 2.119. I would not have you think that I with too long upon astronomy, and particularly upon the system of the stars called planets; these with the most diverse movements work in such mutual harmony that the uppermost, that of Saturn, has a cooling influence, the middle planet, that of Mars, imparts heat, the one between them, that of Jove, gives light and a moderate warmth, while two beneath Mars obey the sun, and the sun itself fills all the world with light, and also illuminates the moon, which is the source of conception and birth and of growth and maturity. If any man is not impressed by this co‑ordination of things and this harmonious combination of nature to secure the preservation of the world, I know for certain that he has never given any consideration to these matters. 2.120. "To come now from things celestial to things terrestrial, which is there among these latter which does not clearly display the rational design of an intelligent being? In the first place, with the vegetation that springs from the earth, the stocks both give stability to the parts which they sustain and draw from the ground the sap to nourish the parts upheld by the roots; and the trunks are covered with bark or rind, the better to protect them against cold and heat. Again the vines cling to their props with their tendrils as with hands, and thus raise themselves erect like animals. Nay more, it is said that if planted near cabbages they shun them like pestle and noxious things, and will not touch them at any point. 2.121. Again what a variety tio animals, and what capacity they possess of persisting true to their various kinds! Some of them are protected by hides, others are clothed with fleeces, others bristle with spines; some we see covered with feathers, some with scales, some armed with horns, some equipped with wings to escape their foes. Nature, however, has provided with bounteous plenty for each species of animal that food which is suited to it. I might show in detail what provision has been made in the forms of the animals for appropriating and assimilating this food, how skilful and exact is the disposition of the various parts, how marvellous the structure of the limbs. For all the organs, at least those contained within the body, are so formed and so placed that none of them is superfluous or not necessary for the preservation of life. 2.122. But nature has also bestowed upon the beasts both sensation and desire, the one to arouse in them the impulse to appropriate their natural foods, the other to enable them to distinguish things harmful from things wholesome. Again, some animals approach their food by walking, some by crawling, some by flying, some by swimming; and some seize their nutriment with their gaping mouth and with the teeth themselves, others snatch it in the grasp of their claws, others with their curved beaks, some suck, others graze, some swallow it whole, others chew it. Also some are of such lately stature that they easily reach their food upon the ground with their jaws; 2.123. whereas the taller species, such as geese, swans, cranes and camels, are aided by the length of their necks; the elephant is even provided with a hand, because his body is so large that it was difficult for him to reach his food. Those beasts on the other hand whose mode of sustece was to feed on animals of another species received from nature the gift either of strength or swiftness. Upon certain creatures there was bestowed even a sort of craft or cunning: for instance, one species of the spider tribe weaves a kind of net, in order to dispatch anything that is caught in it; another in order to . . . steadily corps watch, and, snatching anything that falls into it, devours it. The mussel, or pina as it is called in Greek, is a large bivalve which enters into a sort of Penelope with the tiny shrimp to procure food, and so, when little fishes swim into the gaping shell, the shrimp draws the attention of the mussel and the mussel shuts up its shells with a snap; thus two very dissimilar creatures obtain their food in common. 2.124. In this case we are curious to know whether their association is due to a sort of mutual compact, or whether it was brought about by nature herself and goes back to the moment of their birth. Our wonder is also considerably excited by those aquatic animals which are born on land — crocodiles, for instance, and water-tortoises and certain snakes, which are born on dry land but as soon as they can first crawl make for the water. Again we often place ducks' eggs beneath hens, and the chicks that spring from the eggs are at first fed and mothered by the hens that hatched and reared them, but later on they leave their foster-mothers, and run away when they put up them, as soon as they have had the opportunity of seeing the water, their natural home. So powerful an instinct of self-preservation has nature implanted in living creatures. I have even read in a book that there is a bird called the spoonbill, which porticus its food by flying after those birds which dive in the sea, and upon their coming to the surface with a fish that they have caught, pressing their heads down with its beak until they drop their prey, which it pounces on for itself. It is also recorded of this bird that it is in the habit of gorging itself with shell-fish, which it digests by means of the heat of its stomach and then brings up again, and so picks out from them the parts that are good to eat. 2.125. Sea‑frogs again are said to be in the habit of covering themselves with sand and creeping along at the water's edge, and then when fishes approach them thinking they are something to eat, these are killed and devoured by the frogs. The kite and the crow live in a state of natural war as it were with one another, and therefore each destroys the other's eggs wherever it finds them. Another fact (observed by Aristotle, from whom most of these cases are cited) cannot but awaken our supper, namely that cranes when crossing the seas on the way to warmer climates fly in a triangular formation. With the apex of the triangle they force aside the air in front of them, and then gradually on either side by means of their wings acting as oars the birds' on which flight is sustained, with the base of the triangle formed by the cranes gets the assistance of the wind when it is so to speak astern. The birds rest their necks and heads on the backs of those flying in front of them; and the leader, being himself unable to do this as he has no one to lean on, flies to the rear that he himself also may have a rest, while one of those already rested takes his place, and so they keep turns throughout the journey. 2.126. I could adduce a number of similar instances, but you see the general idea. Another even better known classes of story illustrates the precautions taken by animals for their security, the watch they keep while feeding, their skill in hiding in their lairs. Other remarkable facts are that dogs cure themselves by vomiting and ibises in Egypt by purging — modes of treatment only recently, that is, a few generations ago, discovered by the talent of the medical profession. It has been reported that panthers, which in foreign countries are caught by means of poisoned meat, have a remedy which they employ to save themselves from dying; and that wild goats in Crete, when pierced with poisoned arrows, seek a herb called dittany, and on their swallowing this the arrows, it is said, drop out of their busy. 2.127. Does, shortly before giving birth to their young, thoroughly purge themselves with a herb called hartwort. Again we observe how various species defend themselves against violence and danger with their own weapons, bulls with their horns, boars with their tusks, lions with their bite; some species protect themselves by flight, some by hiding, the cuttle-fish by emitting an inky fluid, the sting‑ray by causing cramp, and also a number of creatures drive away their pursuers by their insufferably disgusting odour. "In order to secure the everlasting duration of the world-order, divine providence has made most careful provision to ensure the perpetuation of the families of animals and of trees and all the vegetable species. The latter all contain within them seed possessing the proprietor of multiplying the species; this seed is enclosed in the innermost part of the fruits that grow from each plant; and the same seeds supply mankind with an abundance of food, besides replenishing the earth with a fresh stock of plants of the same kind. 2.128. Why should I speak of the amount of rational design displayed in animals to secure the perpetual preservation of their kind? To begin with some are male and some female, a device of nature to perpetuate the species. Then parts of their busy are most skilfully contrived to serve the purposes of procreation and of conception, and both male and female possess marvellous desires for copulation. And when the seed has settled in its place, it draws almost all the nutriment to itself and hedged within it fashions a living creature; when this has been dropped from the womb and has emerged, in the mammalian species almost all the nourishment received by the mother turns to milk, and the young just born, untaught and by nature's guidance, seek for the teats and satisfy their cravings with their bounty. And to show to us that none of these things merely happens by chance and that all are the work of nature's providence and skill, species that produce large litters of offspring, such as swine and dogs, have bestowed upon them a large number of teats, while those animals which bear only a few young have only a few teats. 2.129. Why should I describe the affection shown by animals in rearing and protecting the offspring to which they have given birth, up to the point when they are able to defend themselves? although fishes, it is said, abandon their eggs when they have laid them, since these easily float and hatch out in the water. Turtles and crocodiles are said to lay their eggs on land and bury them and then go away, leaving their young to hatch and rear themselves. Hens and other birds find a quiet place in which to lay, and build themselves nests to sit on, covering these with the softest possible bedding in order to preserve the eggs most easily; and when they have hatched out their chicks they protect them by cherishing them with their wings so that they may not be injured by cold, and by shading them against the heat of the sun. When the young birds are able to use their sprouting wings, their mothers escort them in their flights, but are released from any further tendance upon them. 2.130. Moreover the skill and industry of man also contribute to the preservation and security of certain animals and plants. For there are many species of both which could not survive without man's care. "Also a plentiful variety of conveniences is found in different regions for the productive cultivation of the soil by man. Egypt is watered by the Nile, which corps the land completely flooded all the summer and afterwards retires leaving the soil soft and covered with mud, in readiness for sowing. Mesopotamia is fertilized by the Euphrates, which as it were imports into it new fields every year. The Indus, the largest river in the world, not only manures and softens the soil but actually sows it with seed, for it is said to bring down with it a great quantity of seeds resembling corn. 2.131. And I could produce a number of other remarkable examples in a variety of places, and instance a variety of lands each prolific in a different kind of produce. But how great is the benevolence of nature, in giving birth to such an abundance and variety of delicious articles of food, and that not at one season only of the year, so that we have continually the delights of both novelty and plenty! How seasonable moreover and how some not for the human race alone but also for the animal and the various vegetable species is her gift of the Etesian winds! their breath moderates the excessive heat of summer, entirely also guide our ships across the sea upon a swift and steady course. Many instances must be passed over [and yet many are given]. 2.132. For it is impossible to recount the conveniences afforded by rivers, the ebb and flow . . . of the tides of the sea, the mountains clothed with forests, the salt-beds lying far inland from the sea‑coast, the copious stores of health-giving medicines that the earth contains, and all the countless arts necessary for livelihood and for life. Again the alternation of day and night contributes to the preservation of living creatures by affording one time for activity and another for repose. Thus every line of reasoning goes to prove that all things in this world of ours are marvellously governed by divine intelligence and wisdom for the safety and preservation of all. 2.133. "Here somebody will ask, for whose sake was all this vast system contrived? For the sake of the trees and plants, for these, though without sensation, have their sustece from nature? But this at any rate is absurd. Then for the sake of the animals? It is no more likely that the gods took all this trouble for the sake of dumb, irrational creatures/ For whose sake then shall one pronounce the world to have been created? Doubtless for the sake of those living beings which have the use of reason; these are the gods and mankind, who assuredly surpass all other things in excellence, since the most excellent of all things is reason. Thus we are led to believe that the world and all the things that it contains were made for the sake of gods and men. "And that man has been cared for by divine providence will be more readily understood if we survey the whole structure of man and all the conformation and perfection of human nature. 2.134. There are three things requisite for the maintece of animal life, food, drink and breath; and for the reception of all of these the mouth is most consummately adapted, receiving as it does an abundant supply of breath through the nostrils which communicate with it. The structure of the teeth within the mouth serves to chew the food, and it is divided up and softened by them. The front teeth are sharp, and bite our viands into pieces; the back teeth, called molars, masticate them, the process of mastication apparently being assisted also by the tongue. 2.135. Next to the tongue comes the gullet, which is attached to its roots, and into which in the first place pass that substances that have been received in the mouth. The gullet is adjacent to the tonsils on either side of it, and reaches as far as the back or innermost part of the palate. The action and movements of the tongue drive and thrust the food down into the gullet, which receives it and drives it further down, the parts of the gullet below the food that is being swallowed dilating and the parts above it contracting. 2.136. The windpipe, or trachea as it is termed by physicians, has an orifice attached to the roots of the tongue a little above the point where the tongue is joined to the gullet; it reaches to the lungs, and receives the air inhaled by breathing, and also exhales it and passes it out from the lungs; it is covered by a sort of lid, provided for the purpose of preventing a morsel of food from accidentally falling into it and impeding the breath. Below the gullet lies the stomach, which is constructed as the receptacle of food and drink, whereas breath is inhaled by the lungs and heart. The stomach performs a number of remarkable operations; its structure consists principally of muscular fibres, and it is manifold and twisted; it compresses and contains the dry or moist nutriment that it receives, enabling it to be assimilated and digested; at one moment is astricted and at another relaxed, thus pressing and mixing together all that is passed into it, so that by means of the abundant heat which it possesses, and by its crushing the food, and also by the op of the breath, everything is digested and worked up so as to be easily distributed throughout the rest of the body. The lungs on the contrary are soft and of a loose and spongy consistency, well adapted to absorb the breath; which they inhale and exhale by alternately contracting and expanding, to provide frequent draughts of that aerial nutriment which is the chief support of animal life. 2.137. The alimentary juice secreted from the rest of the food by the stomach flows from the bowels to the liver through certain ducts or channels reaching to the liver, to which they are attached, and connecting up what are called the doorways of the liver with the middle intestine. From the liver different channels pass in different directions, and through these falls the food passed down from the liver. From this food is secreted bile, and the liquids excreted by the kidneys; the residue turns into blood be flows to the aforesaid doorways of the liver, to which all its channels lead. Flowing through these doorways the food at this very point pours into the so‑called vena cava or hollow vein, and through this, being now completely worked up and digested, flows to the heart, and from the heart is distributed all over the body through a rather large number of veins that reach to every part of the frame. 2.138. It would not be difficult to indicate the way in which the residue of the food is excreted by the alternate astriction and relaxation of the bowels; however this topic must be passed over lest my discourse should be somewhat offensive. Rather let me unfold the following instance of the incredible skilfulness of nature's handiwork. The air drawn into the lungs by breathing is warmed in the first instance by the breath itself and then by contact with the lungs; part of it is returned by the act of respiration, and part is received by a certain part of the heart called the cardiac ventricle, adjacent to which is a second similar vessel into which the blood flows from the liver three the vena cava mentioned above; and in this manner from these organs both the blood is diffused through the veins and the breath through the arteries all over the body. Both of these sets of vessels are very numerous and are closely interwoven with the tissues of the entire body; they testify to an extraordinary degree of skilful and divine craftsmanship. 2.139. Why need I speak about the bones, which are the framework of the body? their marvellous cartilages are nicely adapted to secure stability, and fitted to end off the joints and to allow of movement and bodily activity of every sort. Add thereto the nerves or sinews which hold the joints together and whose ramifications pervade the entire body; like the veins and arteries these lead from the heart as their starting-point and pass to all parts of the body. 2.140. "Many further illustrations could be given of this wise and careful providence of nature, to illustrate the lavishness and splendour of the gifts bestowed by the gods on men. First, she has raised them from the ground to stand tall and upright, so that they might be able to behold the sky and so gain a knowledge of the gods. For men are sprung from the earth not as its inhabitants and denizens, but to be as it were the spectators of things supernal and heavenly, in the contemplation whereof no other species of animal participates. Next, the senses, posted in the citadel of the head as the reporters and messengers of the outer world, both in structure and position are marvellously adapted to their necessary services. The eyes as the watchmen have the highest station, to give them the widest outlook for the performance of their function. 2.141. The ears also, having the duty of perceiving sound, the nature of which is to rise, are rightly placed in the upper part of the body. The nostrils likewise are rightly placed high inasmuch as all smells travel upwards, but also, because they have much to do with discriminating food and drink, they have with good reason been brought into the neighbourhood of the mouth. Taste, which has the function of distinguishing the flavors of our various viands, is situated in that part of the face where nature has made an aperture for the passage of food and drink. The sense of touch is evenly diffused over all the body, to enable us to perceive all sorts of contacts and even the minutest impacts of both cold and heat. And just as architects relegate the drains of houses to the rear, away from the eyes and nose of the masters, since otherwise they would inevitably be somewhat offensive, so nature has banished the corresponding organs of the body far away from the neighbourhood of the senses. 2.142. "Again what artificer but nature, who is unsurpassed in her cunning, could have attained such skilfulness in the construction of the senses? First, she has clothed and walled the eyes with membranes of the finest texture, which she has made on the one hand transparent so that we may be able to see through them, and on the other hand firm of substance, to serve as the outer cover of the eye. The eyes she has made mobile and smoothly turning, so as both to avoid any threatened injury and to direct their gaze easily in any direction they desire. The actually organ of vision, called the pupil or 'little doll,' is so small as easily to avoid objects that might injure it; and the lids, which are the covers of the eyes, are very soft to the touch so as not to hurt the pupil, and very neatly constructed as to be able both to shut the eyes in order that nothing may impinge upon them and to open them; and nature has provided that this process can be repeated again and again with extreme rapidity. 2.143. The eyelids are furnished with a palisade of hairs, whereby to ward off any impinging object while the eyes are open, and so that while they are closed in sleep, when we do not need the eyes for seeing, they may be as it were tucked up for repose. Moreover the eyes are in advantageously retired position, and shielded on all sides by surrounding prominences; for first the parts above them are covered by the eyebrows which prevent sweat from flowing down from the scalp and forehead; then the cheeks, which are placed beneath them and which slightly project, protect them from below; and the hose is so placed as to seem to be a wall separating the eyes from one another. 2.144. The organ of hearing on the other hand is always open, since we require this sense even when asleep, and when it receives a sound, we are aroused even from sleep. The auditory passage is winding, to prevent anything from being able to enter, as it might if the passage were clear and straight; it has further been provided that even the tiniest insect that may attempt to intrude may be caught in the sticky wax of the ears. On the outside project the organs which we call ears, which are constructed both to cover and protect the sense-organ and to prevent the sounds that reach them from sliding past and being lost before they strike the sense. The apertures of the ears are hard and gristly, and much convoluted, because things with these qualities reflect and amplify sound; this is why tortoise-shell or horn gives resoce to a lyre, and always why winding passages and enclosures have an echo which is louder than the original sound. 2.145. Similarly the nostrils, which to serve the purposes required of them have to be always open, have narrower apertures, to prevent the entrance of anything that may harm them; and they are always moist, which is useful to guard them against dust and many other things. The sense of taste is admirably shielded, being enclosed in the mouth in a manner well suited for the performance of its function and for its protection against harm. "And all the senses of man far excel those of the lower animals. In the first place our eyes have a finer perception of many things in the arts which appeal to the sense of sight, painting, modelling and sculpture, and also in bodily movements and gestures; since the eyes judge beauty and arrangement and so to speak propriety of colour and shape; and also other more important matters, for they also recognize virtues and vices, the angry and the friendly, the joyful and the sad, the brave man and the coward, the bold and the craven. 2.146. The ears are likewise marvellously skilful organs of discrimination; they judge differences of tone, of pitch and of key in the music of the voice and of wind and stringed instruments, and many different qualities of voice, sonorous and dull, smooth and rough, bass and treble, flexible and hard, distinctions discriminated by the human ear alone. Likewise the nostrils, the taste and in some measure the touch have highly sensitive faculties of discrimination. And the arts invented to appeal to and indulge these senses are even more numerous than I could wish. The developments of perfumery and of the meretricious adornment of the person are obvious examples. 2.147. "Coming now to the actual mind and intellect of man, his reason, wisdom and foresight, one who cannot see that these owe their perfection to divine providence must in my view himself be devoid of these very faculties. While discussing this topic I could wish, Cotta, that I had the gift of your eloquence. How could not you describe first our powers of understanding, and then our faculty of conjoining premisses and consequences in a single act of apprehension, the faculty I mean that enables us to judge what conclusion follows from any given propositions and to put the inference in syllogistic form, and also to delimit particular terms in a succinct definition; whence we arrive at an understanding of the potency and the nature of knowledge, which is the most excellent part even of the divine nature. Again, how remarkable are the faculties which you Academics invalidate and abolish, our sensory and intellectual perception and comprehension of external objects; 2.148. it is by collating and comparing our precepts that we also create the arts that serve either practical necessities or the purpose of amusement. Then take the gift of speech, the queen of arts as you are fond of calling it — what a glorious, what a divine faculty it is! In the first place it enables us both to learn things we do not know and to teach things we do know to others; secondly it is our instrument for exhortation and persuasion, for consoling the afflicted and assuaging the fears of the terrified, for curbing passion and quenching appetite and anger; it is this that has united us in the bonds of justice, law and civil order, this that has sped us from savagery and barbarism. 2.149. Now careful consideration will show that the mechanism of speech displays a skill on nature's part that surpasses belief. In the first place there is an artery passing from the lugns to the back of the mouth, which is the channel by which the voice, originating from the mind, is caught and uttered. Next, the tongue is placed in the mouth and confined by the teeth; it modulates and defines the inarticulate flow of the voice and renders its sounds district and clear by striking the teeth and other parts of the mouth. Accordingly my school is fond of comparing the tongue to the quill of a lyre, the teeth to the strings, and the nostrils to the horns which echo the notes of the strings when the instrument is played. 2.150. "Then what clever servants for a great variety of arts are the hands which nature has bestowed on man! The flexibility of the joints enables the fingers to close and open with equal ease, and to perform every motion without difficulty. Thus by the manipulation of the fingers the hand is enabled to paint, to model, to carve, and to draw forth the notes of the lyre and of the flute. And beside these arts of recreation there are those of utility, I mean agriculture and building, the weaving and stitching of garments, and the various modes of working bronze and iron; hence we realize that it was by applying the hand of the artificer to the discoveries of thought and observations of the senses that all our conveniences were attained, and we were enabled to have shelter, clothing and protection, and possessed cities, fortifications, houses and temples. 2.151. Moreover men's industry, that is to say the work of their hands, porticus us also our food in variety and abundance. It is the hand that gathers the divers products of the fields, whether to be consumed immediately or to be stored in repositories for the days to come; and our diet also includes flesh, fish and fowl, obtained partly by the chase and partly by breeding. We also tame the four-footed animals to carry us on their backs, their swiftness and strength bestowing strength and swiftness upon ourselves. We cause certain beasts to bear our burdens or to carry a yoke, we divert to our service the marvellously acute senses of elephants and the keen scent of hounds; we collect from the caves of the earth the iron which we need for tilling the land, we discover the deeply hidden veins of copper, silver and gold which serve us both for use and for adornment; we cut up a multitude of trees both wild and cultivated for timber which we employ partly by setting fire to it to warm our busy and cook our food, partly for building so as to shelter ourselves with houses and banish heat and cold. 2.152. Timber moreover is of great value for constructing ships, whose voyages supply an abundance of sustece of all sorts from all parts of the earth; and we alone have the power of controlling the most violent of nature's offspring, the sea and the winds, thanks to the science of navigation, and we use and enjoy many products of the sea. Likewise the entire command of the commodities produced on land is vested in mankind. We enjoy the fruits of the plains and of the mountains, the rivers and the lakes are ours, we sow corn, we plant trees, we fertilize the soil by irrigation, we confine the rivers and straighten or divert their courses. In fine, by means of our hands we essay to create as it were a second world within the world of nature. 2.153. "Then moreover hasn't man's reason penetrated even to the sky? We alone of living creatures know the risings and settings and the courses of the stars, the human race has set limits to the day, the month and the year, and has learnt the eclipses of the sun and moon and foretold for all future time their occurrence, their extent and their dates. And contemplating the heavenly bodies the mind arrives at a knowledge of the gods, from which arises piety, with its comrades justice and the rest of the virtues, the sources of a life of happiness that vies with and resembles the divine existence and leaves us inferior to the celestial beings in nothing else save immortality, which is immaterial for happiness. I think that my exposition of these matters has been sufficient to prove how widely man's nature surpasses all other living creatures; and this should make it clear that neither such a conformation and arrangement of the members nor such power of mind and intellect can possibly have been created by chance. |
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39. Ovid, Metamorphoses, 10.250-10.251 (1st cent. BCE - missingth cent. CE) Tagged with subjects: •cult, images •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13| 10.250. Virginis est verae facies, quam vivere credas, 10.251. et, si non obstet reverentia, velle moveri: | |
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40. Diodorus Siculus, Historical Library, 4.67.7 (1st cent. BCE - 1st cent. BCE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 134 | 4.67.7. And Itonus, the son of Boeotus, begat four sons, Hippalcimus, Electryon, Archilycus, and Alegenor. of these sons Hippalcimus begat Penelos, Electryon begat Leïtus, Alegenor begat Clonius, and Archilycus begat Prothoënor and Arcesilaüs, who were the leaders of all the Boeotians in the expedition against Troy. |
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41. Dionysius of Halycarnassus, Roman Antiquities, 8.56.2-8.56.4, 13.3.2 (1st cent. BCE - missingth cent. CE) Tagged with subjects: •cult images, and speech Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 182 | 8.56.2. It is related, then, that when the senate had ordered that the whole expense both of the temple and of the statue should be defrayed from the public treasury, and the women had caused another statue to be made with the money they themselves had contributed, and both statues had been set up together on the first day of the dedication of the temple, one of them, the one which the women had provided, uttered some words in Latin in a voice both distinct and loud, when many were present. The meaning of the words when translated is as follows: "You have conformed to the holy law of the city, matrons, in dedicating me." 8.56.3. The women who were present were very incredulous, as usually happens in the case of unusual voices and sights, believing that it was not the statue that had spoken, but some human voice; and those particularly who happened at the moment to have their mind on something else and did not see what it was that spoke, showed this incredulity toward those who had seen it. Later, on a second occasion, when the temple was full and there chanced to be a profound silence, the same statue pronounced the same words in a louder voice, so that there was no longer any doubt about it. 8.56.4. The senate, upon hearing what had passed, ordered other sacrifices and rites to be performed every year, such as the interpreters of religious rites should direct. And the women upon the advice of their priestess established it as a custom that no women who had been married a second time should crown this statue with garlands or touch it with their hands, but that all the honour and worship paid to it should be committed to the newly-married women. But concerning these matters it was fitting that I should neither omit the native account nor dwell too long upon it. I now return to the point from which I digressed. 13.3.2. Upon the capture of the city, accordingly, he sent the most distinguished of the knights to remove the statue from its pedestal; and when those who had been sent came into the temple and one of them, either in jest and sport or desiring an omen, asked whether the goddess wished to remove to Rome, the statue answered in a loud voice that she did. This happened twice; for the young men, doubting whether it was the statue that had spoken, asked the same question again and heard the same reply. |
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42. Lucretius Carus, On The Nature of Things, 6.535-6.607 (1st cent. BCE - 1st cent. BCE) Tagged with subjects: •cult, images Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 94| 6.535. Nunc age, quae ratio terrai motibus extet 6.536. percipe. et in primis terram fac ut esse rearis 6.537. supter item ut supera ventosis undique plenam 6.538. speluncis multosque lacus multasque lucunas 6.539. in gremio gerere et rupes deruptaque saxa; 6.540. multaque sub tergo terrai flumina tecta 6.541. volvere vi fluctus summersos cae ca putandumst; 6.542. undique enim similem esse sui res postulat ipsa. 6.543. his igitur rebus subiunctis suppositisque 6.544. terra superne tremit magnis concussa ruinis, 6.545. subter ubi ingentis speluncas subruit aetas; 6.546. quippe cadunt toti montes magnoque repente 6.547. concussu late disserpunt inde tremores. 6.548. et merito, quoniam plaustris concussa tremescunt 6.549. tecta viam propter non magno pondere tota, 6.550. nec minus exultant, si quidvis cumque viai 6.551. ferratos utrimque rotarum succutit orbes. 6.552. Fit quoque, ubi in magnas aquae vastasque lucunas 6.553. gleba vetustate e terra provolvitur ingens, 6.554. ut iactetur aquae fluctu quoque terra vacillans; 6.555. ut vas inter aquas non quit constare, nisi umor 6.556. destitit in dubio fluctu iactarier intus. 6.557. Praeterea ventus cum per loca subcava terrae 6.558. collectus parte ex una procumbit et urget 6.559. obnixus magnis speluncas viribus altas, 6.560. incumbit tellus quo venti prona premit vis. 6.561. tum supera terram quae sunt extructa domorum 6.562. ad caelumque magis quanto sunt edita quaeque, 6.563. inclinata minent in eandem prodita partem 6.564. protractaeque trabes inpendent ire paratae. 6.565. et metuunt magni naturam credere mundi 6.566. exitiale aliquod tempus clademque manere, 6.567. cum videant tantam terrarum incumbere molem! 6.568. quod nisi respirent venti, vis nulla refrenet 6.569. res neque ab exitio possit reprehendere euntis; 6.570. nunc quia respirant alternis inque gravescunt 6.571. et quasi collecti redeunt ceduntque repulsi, 6.572. saepius hanc ob rem minitatur terra ruinas 6.573. quam facit; inclinatur enim retroque recellit 6.574. et recipit prolapsa suas in pondere sedes. 6.575. hac igitur ratione vacillant omnia tecta, 6.576. summa magis mediis, media imis, ima perhilum. 6.577. Est haec eiusdem quoque magni causa tremoris. 6.578. ventus ubi atque animae subito vis maxima quaedam 6.579. aut extrinsecus aut ipsa tellure coorta 6.580. in loca se cava terrai coniecit ibique 6.581. speluncas inter magnas fremit ante tumultu 6.582. versabunda QUE portatur, post incita cum vis 6.583. exagitata foras erumpitur et simul altam 6.584. diffindens terram magnum concinnat hiatum. 6.585. in Syria Sidone quod accidit et fuit Aegi 6.586. in Peloponneso, quas exitus hic animai 6.587. disturbat urbes et terrae motus obortus. 6.588. multaque praeterea ceciderunt moenia magnis 6.589. motibus in terris et multae per mare pessum 6.590. subsedere suis pariter cum civibus urbes. 6.591. quod nisi prorumpit, tamen impetus ipse animai 6.592. et fera vis venti per crebra foramina terrae 6.593. dispertitur ut horror et incutit inde tremorem; 6.594. frigus uti nostros penitus cum venit in artus, 6.595. concutit invitos cogens tremere atque movere. 6.596. ancipiti trepidant igitur terrore per urbis, 6.597. tecta superne timent, metuunt inferne cavernas 6.598. terrai ne dissoluat natura repente, 6.599. neu distracta suum late dispandat hiatum 6.600. idque suis confusa velit complere ruinis. 6.601. proinde licet quamvis caelum terramque reantur 6.602. incorrupta fore aeternae mandata saluti: 6.603. et tamen inter dum praesens vis ipsa pericli 6.604. subdit et hunc stimulum quadam de parte timoris, 6.605. ne pedibus raptim tellus subtracta feratur 6.606. in barathrum rerumque sequatur prodita summa 6.607. funditus et fiat mundi confusa ruina. | |
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| 43. Livy, History, 36.20.3 (1st cent. BCE - missingth cent. CE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 105, 145 |
44. Plutarch, Mark Antony, 32.2 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •cult images, external manipulation of •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 107, 178| 32.2. καὶ συνῆλθον εἰς ταὐτὸν κατὰ τὴν ἐν Μισηνοῖς ἄκραν καὶ τὸ χῶμα, Πομπηΐῳ μὲν τοῦ στόλου παρορμοῦντος, Ἀντωνίῳ δὲ καὶ Καίσαρι τῶν πεζῶν παρακεκριμένων. ἐπεὶ δὲ συνέθεντο Πομπήϊον ἔχοντα Σαρδόνα καὶ Σικελίαν καθαράν τε λῃστηρίων παρέχειν τὴν θάλατταν καὶ σίτου τι τεταγμένον ἀποστέλλειν εἰς Ῥώμην, ἐκάλουν ἐπὶ δεῖπνον ἀλλήλους. | 32.2. |
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| 45. Pliny The Elder, Natural History, 35.95, 36.13-36.14, 36.32 (1st cent. CE - 1st cent. CE) Tagged with subjects: •cult, images •gods/goddesses, cult images of •gaze, of cult images •cult images •cult images, aniconic Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13, 90; Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 87, 176, 178 |
| 46. Petronius Arbiter, Satyricon, 52.1 (1st cent. CE - 1st cent. CE) Tagged with subjects: •cult, images •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13, 90 |
47. Plutarch, Coriolanus, 37.3-37.38 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •cult images, and speech Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 182| 37.3. ἐπεὶ δὲ ἡ βουλὴ τὴν μὲν φιλοτιμίαν ἐπῄνεσε, δημοσίαις δὲ δαπάναις ἐποιήσατο τὸν νεὼν καί τὸ ἕδος, οὐδὲν ἧττον αὐταὶ χρήματα συνεισενεγκοῦσαι δεύτερον ἄγαλμα κατεσκεύασαν, ὃ δὴ καί φασι Ῥωμαῖοι καθιστάμενον ἐν τῷ ἱερῷ φθέγξασθαί τι τοιοῦτον· θεοφιλεῖ με θεσμῷ γυναῖκες δεδώκατε. | 37.3. but they none the less contributed money themselves and set up a second image of the goddess, and this, the Romans say, as it was placed in the temple, uttered some such words as these: Dear to the gods, O women, is your pious gift of me. Cf. Dionysius, viii. 56. |
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48. Plutarch, Alexander The Great, 24.5-24.8 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 160| 24.5. σάτυρος αὐτῷ φανεὶς ἐδόκει προσπαίζειν πόρρωθεν, εἶτα βουλομένου λαβεῖν ὑπεξέφευγε· τέλος δὲ πολλὰ λιπαρήσαντος καὶ περιδραμόντος ἦλθεν εἰς χεῖρας. οἱ δὲ μάντεις τοὔνομα διαιροῦντες οὐκ ἀπιθάνως ἔφασαν αὐτῷ· σὴ γενήσεται Τύρος. καὶ κρήνην δέ τινα δεικνύουσι, πρὸς ἣν κατὰ τοὺς ὕπνους ἰδεῖν ἔδοξε τὸν Σάτυρον. 24.6. διὰ μέσου δὲ τῆς πολιορκίας ἐπὶ τοὺς Ἄραβας τοὺς προσοικοῦντας τῷ Ἀντιλιβάνῳ στρατεύσας ἐκινδύνευσε διὰ τὸν παιδαγωγὸν Λυσίμαχον· ἐξηκολούθησε γὰρ αὐτῷ λέγων τοῦ Φοίνικος οὐκ εἶναι χείρων οὐδὲ πρεσβύτερος, ἐπεὶ δὲ πλησιάσας τοῖς ὀρεινοῖς καὶ τοὺς ἵππους ἀπολιπὼν πεζὸς ἐβάδιζεν, οἱ μὲν ἄλλοι πολὺ προῆλθον, 24.7. αὐτὸς δὲ τὸν Λυσίμαχον, ἑσπέρας ἤδη καταλαμβανούσης καὶ τῶν πολεμίων ἐγγὺς ὄντων, ἀπαγορεύοντα καὶ βαρυνόμενον οὐχ ὑπομένων ἀπολιπεῖν, ἀλλʼ ἀνακαλούμενος καὶ παρακομίζων, ἔλαθε τοῦ στρατεύματος ἀποσπασθεὶς μετʼ ὀλίγων καὶ σκότους ἅμα καὶ ῥίγους σφοδροῦ νυκτερεύων ἐν χωρίοις χαλεποῖς. 24.8. εἶδεν οὖν πόρρω πυρὰ πολλὰ καιόμενα σποράδην τῶν πολεμίων, θαρρῶν δὲ τοῦ σώματος τῇ κουφότητι, καὶ τῷ πονεῖν αὐτὸς ἀεὶ παραμυθούμενος τὴν ἀπορίαν τῶν Μακεδόνων, προσέδραμε τοῖς ἔγγιστα πῦρ καίουσι· καὶ περικαθημένους τῇ πυρᾷ δύο βαρβάρους πατάξας τῷ ἐγχειριδίῳ καὶ δαλὸν ἁρπάσας ἧκε πρὸς τοὺς ἑαυτοῦ κομίζων, ἐγκαύσαντες δὲ πῦρ πολύ τοὺς μὲν εὐθὺς ἐφόβησαν ὥστε φυγεῖν, τοὺς δʼ ἐπιόντας ἐτρέψαντο, καὶ κατηυλίσθησαν ἀκινδύνως, ταῦτα μὲν οὖν Χάρης ἱστόρηκεν. | 24.5. In another dream, too, Alexander thought he saw a satyr who mocked him at a distance, and eluded his grasp when he tried to catch him, but finally, after much coaxing and chasing, surrendered. The seers, dividing the word satyros into two parts, said to him, plausibly enough, Tyre is to be thine. And a spring is pointed out, near which Alexander dreamed he saw the satyr. 24.6. While the siege of the city was in progress, he made an expedition against the Arabians who dwelt in the neighbourhood of Mount Antilibanus. On this expedition he risked his life to save his tutor, Lysimachus, who insisted on following him, declaring himself to be neither older nor weaker than Phoenix. Cf. chapter v. 5 . But when the force drew near the mountains, they abandoned their horses and proceeded on foot, and most of them got far on in advance. 24.7. Alexander himself, however, would not consent to abandon the worn and weary Lysimachus, since evening was already coming on and the enemy were near, but sought to encourage him and carry him along. Before he was aware of it, therefore, he was separated from his army with a few followers, and had to spend a night of darkness and intense cold in a region that was rough and difficult. 24.8. In this plight, he saw far off a number of scattered fires which the enemy were burning. So, since he was confident in his own agility, and was ever wont to cheer the Macedonians in their perplexities by sharing their toils, he ran to the nearest camp-fire. Two Barbarians who were sitting at the fire he despatched with his dagger, and snatching up a fire-brand, brought it to his own party. These kindled a great fire and at once frightened some of the enemy into flight, routed others who came up against them, and spent the night without further peril. Such, then, is the account we have from Chares. |
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49. Plutarch, Alcibiades, 20.5, 34.1 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •cult images, and speech •gaze, of cult images •cult images •cult images, external manipulation of Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 108, 181| 20.5. καίτοι βέβαιον οὐδὲν οὐδʼ ἰσχυρὸν οἱ μηνύοντες ἐδείκνυσαν. εἷς δʼ αὐτῶν ἐρωτώμενος ὅπως τὰ πρόσωπα τῶν Ἑρμοκοπιδῶν γνωρίσειε, καὶ ἀποκρινάμενος ὅτι πρὸς τὴν σελήνην, ἐσφάλη τοῦ παντός, ἕνης καὶ νέας οὔσης ὅτε ταῦτʼ ἐδρᾶτο· ὃ ὃ supplied by Coraës and Sint. 2 ; Bekker supplies καὶ , after Bryan. θόρυβον μὲν παρέσχε τοῖς νοῦν ἔχουσι, τὸν δῆμον δʼ οὐδὲ τοῦτο μαλακώτερον ἐποίησε πρὸς τὰς διαβολάς, ἀλλʼ ὥσπερ ὥρμησεν ἐξ ἀρχῆς, οὐκ ἐπαύσατο φέρων καὶ ἐμβάλλων εἰς τὸ δεσμωτήριον οὗ τις κατείποι. 34.1. οὕτω δὲ τοῦ Ἀλκιβιάδου λαμπρῶς εὐημεροῦντος ὑπέθραττεν ἐνίους ὅμως ὁ τῆς καθόδου καιρός. ᾗ γὰρ ἡμέρᾳ κατέπλευσεν, ἐδρᾶτο τὰ Πλυντήρια τῇ θεῷ. δρῶσι δὲ τὰ ὄργια Πραξιεργίδαι Θαργηλιῶνος ἕκτῃ φθίνοντος ἀπόρρητα, τόν τε κόσμον καθελόντες καὶ τὸ ἕδος κατακαλύψαντες. ὅθεν ἐν ταῖς μάλιστα τῶν ἀποφράδων τὴν ἡμέραν ταύτην ἄπρακτον Ἀθηναῖοι νομίζουσιν. | 20.5. And yet there was nothing sure or steadfast in the statements of the informers. One of them, indeed, was asked how he recognized the faces of the Hermae-defacers, and replied, By the light of the moon. This vitiated his whole story, since there was no moon at all when the deed was done. Sensible men were troubled thereat, but even this did not soften the people’s feeling towards the slanderous stories. As they had set out to do in the beginning, so they continued, haling and casting into prison any one who was denounced. 34.1. But while Alcibiades was thus prospering brilliantly, some were nevertheless disturbed at the particular season of his return. For he had put into harbor on the very day when the Plynteria of the goddess Athena were being celebrated. The Praxiergidae celebrate these rites on the twenty-fifth day of Thargelion in strict secrecy, removing the robes of the goddess and covering up her image. Wherefore the Athenians regard this day as the unluckiest of all days for business of any sort. |
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| 50. Plutarch, Moralia, None (1st cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 162 |
| 51. Plutarch, Themistocles, 10.4 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •cult images •sacredness, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 104 |
| 52. Plutarch, Agesilaus, 18.1-19.1, 19.1 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 105 |
53. Plutarch, Aratus, 32.2 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •cult images, external manipulation of •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 107, 178| 32.2. ὡς ἔστη πρὸ τῶν θυρῶν τοῦ ἱεροῦ καὶ κατέβλεψεν εἰς τοὺς μαχομένους ἄνωθεν ἔχουσα τὴν τριλοφίαν, αὐτοῖς τε τοῖς πολίταις θέαμα σεμνότερον ἢ κατʼ ἄνθρωπον ἐφάνη, καὶ τοῖς πολεμίοις φάσμα θεῖον ὁρᾶν δοκοῦσι φρίκην ἐνέβαλε καὶ θάμβος, ὥστε μηδένα τρέπεσθαι πρὸς ἀλκήν. αὐτοὶ δὲ Πελληνεῖς λέγουσι τὸ βρέτας τῆς θεοῦ τὸν μὲν ἄλλον ἀποκεῖσθαι χρόνον ἄψαυστον, ὅταν δὲ κινηθὲν ὑπὸ τῆς ἱερείας ἐκφέρηται, μηδένα προσβλέπειν ἐναντίον, ἀλλʼ ἀποτρέπεσθαι πάντας οὐ γὰρ ἀνθρώποις μόνον ὅραμα φρικτὸν εἶναι καὶ χαλεπόν, ἀλλά καὶ δένδρα ποιεῖν ἄφορα καὶ καρποὺς ἀπαμβλίσκειν, διʼ ὧν ἂν κομίζηται. | 32.2. |
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54. Plutarch, Camillus, 6.3 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 159, 175| 6.3. οὐ μὴν ἀλλὰ καὶ συνάγουσιν ὁμοειδῆ τινα, τοῦτο μὲν ἱδρῶτας ἀγαλμάτων πολλάκις ἐκχυθέντας, τοῦτο δὲ στεναγμοὺς ἀκουσθέντας ἀποστροφάς τε δεικνύντες καὶ καταμύσεις ξοάνων, ἃς ἱστορήκασιν οὐκ ὀλίγοι τῶν πρότερον. πολλὰ δὲ καὶ τῶν καθʼ ἡμᾶς ἀκηκοότες ἀνθρώπων λέγειν ἔχομεν ἄξια θαύματος, ὧνοὐκ ἄν τις εἰκῇ καταφρονήσειεν. | 6.3. Moreover, they adduce other occurrences of a kindred sort, such as statues often dripping with sweat, images uttering audible groans, turning away their faces, and closing their eyes, as not a few historians in the past have written. And we ourselves might make mention of many astonishing things which we have heard from men of our own time,—things not lightly to be despised. But in such matters eager credulity and excessive incredulity are alike dangerous, because of the weakness of our human nature, which sets no limits and has no mastery over itself, but is carried away now into vain superstition, and now into contemptuous neglect of the gods. Caution is best, and to go to no extremes. |
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55. Apollodorus, Bibliotheca, 2.2.2 (1st cent. CE - 2nd cent. CE) Tagged with subjects: •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 178| 2.2.2. καὶ γίνεται Ἀκρισίῳ μὲν ἐξ Εὐρυδίκης τῆς Λακεδαίμονος Δανάη, Προίτῳ δὲ ἐκ Σθενεβοίας Λυσίππη καὶ Ἰφινόη καὶ Ἰφιάνασσα. αὗται δὲ ὡς ἐτελειώθησαν, ἐμάνησαν, ὡς μὲν Ἡσίοδός φησιν, ὅτι τὰς Διονύσου τελετὰς οὐ κατεδέχοντο, ὡς δὲ Ἀκουσίλαος λέγει, διότι τὸ τῆς Ἥρας ξόανον ἐξηυτέλισαν. γενόμεναι δὲ ἐμμανεῖς ἐπλανῶντο ἀνὰ τὴν Ἀργείαν ἅπασαν, αὖθις δὲ τὴν Ἀρκαδίαν καὶ τὴν Πελοπόννησον 1 -- διελθοῦσαι μετʼ ἀκοσμίας ἁπάσης διὰ τῆς ἐρημίας ἐτρόχαζον. Μελάμπους δὲ ὁ Ἀμυθάονος καὶ Εἰδομένης τῆς Ἄβαντος, μάντις ὢν καὶ τὴν διὰ φαρμάκων καὶ καθαρμῶν θεραπείαν πρῶτος εὑρηκώς, ὑπισχνεῖται θεραπεύειν τὰς παρθένους, εἰ λάβοι τὸ τρίτον μέρος τῆς δυναστείας. οὐκ ἐπιτρέποντος δὲ Προίτου θεραπεύειν ἐπὶ μισθοῖς τηλικούτοις, ἔτι μᾶλλον ἐμαίνοντο αἱ παρθένοι καὶ προσέτι μετὰ τούτων αἱ λοιπαὶ γυναῖκες· καὶ γὰρ αὗται τὰς οἰκίας ἀπολιποῦσαι τοὺς ἰδίους ἀπώλλυον παῖδας καὶ εἰς τὴν ἐρημίαν ἐφοίτων. προβαινούσης δὲ ἐπὶ πλεῖστον τῆς συμφορᾶς, τοὺς αἰτηθέντας μισθοὺς ὁ Προῖτος ἐδίδου. ὁ δὲ ὑπέσχετο θεραπεύειν ὅταν ἕτερον τοσοῦτον τῆς γῆς ὁ ἀδελφὸς αὐτοῦ λάβῃ Βίας. Προῖτος δὲ εὐλαβηθεὶς μὴ βραδυνούσης τῆς θεραπείας αἰτηθείη καὶ πλεῖον, θεραπεύειν συνεχώρησεν ἐπὶ τούτοις. Μελάμπους δὲ παραλαβὼν τοὺς δυνατωτάτους τῶν νεανιῶν μετʼ ἀλαλαγμοῦ καί τινος ἐνθέου χορείας ἐκ τῶν ὀρῶν αὐτὰς εἰς Σικυῶνα συνεδίωξε. κατὰ δὲ τὸν διωγμὸν ἡ πρεσβυτάτη τῶν θυγατέρων Ἰφινόη μετήλλαξεν· ταῖς δὲ λοιπαῖς τυχούσαις καθαρμῶν σωφρονῆσαι συνέβη. καὶ ταύτας μὲν ἐξέδοτο Προῖτος Μελάμποδι καὶ Βίαντι, παῖδα δʼ ὕστερον ἐγέννησε Μεγαπένθην. | |
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56. Pausanias, Description of Greece, 1.8.2, 1.14.6, 1.18.7, 1.23.7, 1.26.6, 1.27.1, 1.28.8, 1.40.4, 1.43.5, 2.2.6-2.2.7, 2.4.5, 2.9.6, 2.10.4-2.10.5, 2.11.3, 2.17.4, 2.35.11, 3.9.13, 3.15.7, 3.15.10-3.15.11, 3.16.1-3.16.3, 3.16.7-3.16.11, 3.19.2, 3.22.12, 5.11.10, 5.14.5, 5.18.1, 5.21.1, 5.25.1, 6.20.3, 7.9.6-7.9.9, 7.18.8-7.18.13, 7.19.6, 7.19.9, 7.20.1, 7.22.4, 7.42.3, 8.37.7, 8.39.6, 8.42.3-8.42.8, 9.1.1, 9.34.1, 10.19.3, 10.24.6, 10.37.1 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •cult images •display, of cult images •sacredness, of cult images •gaze, of cult images •statues, cult images, xoanon •cult images, aniconic •richness, of cult images •cult images, and mobility •cult images, iconic •cult images, external manipulation of •regeneration, of cult images •hobbling, of cult images Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 134, 145, 159, 257; Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 17, 81, 82, 83, 84, 85, 86, 87, 88, 91, 100, 101, 102, 103, 105, 111, 112, 113, 160, 163, 165, 173, 174, 175, 176, 177, 178, 180| 1.8.2. μετὰ δὲ τὰς εἰκόνας τῶν ἐπωνύμων ἐστὶν ἀγάλματα θεῶν, Ἀμφιάραος καὶ Εἰρήνη φέρουσα Πλοῦτον παῖδα. ἐνταῦθα Λυκοῦργός τε κεῖται χαλκοῦς ὁ Λυκόφρονος καὶ Καλλίας, ὃς πρὸς Ἀρταξέρξην τὸν Ξέρξου τοῖς Ἕλλησιν, ὡς Ἀθηναίων οἱ πολλοὶ λέγουσιν, ἔπραξε τὴν εἰρήνην· ἔστι δὲ καὶ Δημοσθένης, ὃν ἐς Καλαυρείαν Ἀθηναῖοι τὴν πρὸ Τροιζῆνος νῆσον ἠνάγκασαν ἀποχωρῆσαι, δεξάμενοι δὲ ὕστερον διώκουσιν αὖθις μετὰ τὴν ἐν Λαμίᾳ πληγήν. 1.14.6. ὑπὲρ δὲ τὸν Κεραμεικὸν καὶ στοὰν τὴν καλουμένην Βασίλειον ναός ἐστιν Ἡφαίστου. καὶ ὅτι μὲν ἄγαλμά οἱ παρέστηκεν Ἀθηνᾶς, οὐδὲν θαῦμα ἐποιούμην τὸν ἐπὶ Ἐριχθονίῳ ἐπιστάμενος λόγον· τὸ δὲ ἄγαλμα ὁρῶν τῆς Ἀθηνᾶς γλαυκοὺς ἔχον τοὺς ὀφθαλμοὺς Λιβύων τὸν μῦθον ὄντα εὕρισκον· τούτοις γάρ ἐστιν εἰρημένον Ποσειδῶνος καὶ λίμνης Τριτωνίδος θυγατέρα εἶναι καὶ διὰ τοῦτο γλαυκοὺς εἶναι ὥσπερ καὶ τῷ Ποσειδῶνι τοὺς ὀφθαλμούς. 1.18.7. ἔστι δὲ ἀρχαῖα ἐν τῷ περιβόλῳ Ζεὺς χαλκοῦς καὶ ναὸς Κρόνου καὶ Ῥέας καὶ τέμενος Γῆς τὴν ἐπίκλησιν Ὀλυμπίας. ἐνταῦθα ὅσον ἐς πῆχυν τὸ ἔδαφος διέστηκε, καὶ λέγουσι μετὰ τὴν ἐπομβρίαν τὴν ἐπὶ Δευκαλίωνος συμβᾶσαν ὑπορρυῆναι ταύτῃ τὸ ὕδωρ, ἐσβάλλουσί τε ἐς αὐτὸ ἀνὰ πᾶν ἔτος ἄλφιτα πυρῶν μέλιτι μίξαντες. 1.23.7. καὶ ἄλλα ἐν τῇ Ἀθηναίων ἀκροπόλει θεασάμενος οἶδα, Λυκίου τοῦ Μύρωνος χαλκοῦν παῖδα, ὃς τὸ περιρραντήριον ἔχει, καὶ Μύρωνος Περσέα τὸ ἐς Μέδουσαν ἔργον εἰργασμένον. καὶ Ἀρτέμιδος ἱερόν ἐστι Βραυρωνίας, Πραξιτέλους μὲν τέχνη τὸ ἄγαλμα, τῇ θεῷ δέ ἐστιν ἀπὸ Βραυρῶνος δήμου τὸ ὄνομα καὶ τὸ ἀρχαῖον ξόανόν ἐστιν ἐν Βραυρῶνι, Ἄρτεμις ὡς λέγουσιν ἡ Ταυρική. 1.26.6. ἱερὰ μὲν τῆς Ἀθηνᾶς ἐστιν ἥ τε ἄλλη πόλις καὶ ἡ πᾶσα ὁμοίως γῆ—καὶ γὰρ ὅσοις θεοὺς καθέστηκεν ἄλλους ἐν τοῖς δήμοις σέβειν, οὐδέν τι ἧσσον τὴν Ἀθηνᾶν ἄγουσιν ἐν τιμῇ—, τὸ δὲ ἁγιώτατον ἐν κοινῷ πολλοῖς πρότερον νομισθὲν ἔτεσιν ἢ συνῆλθον ἀπὸ τῶν δήμων ἐστὶν Ἀθηνᾶς ἄγαλμα ἐν τῇ νῦν ἀκροπόλει, τότε δὲ ὀνομαζομένῃ πόλει· φήμη δὲ ἐς αὐτὸ ἔχει πεσεῖν ἐκ τοῦ οὐρανοῦ. καὶ τοῦτο μὲν οὐκ ἐπέξειμι εἴτε οὕτως εἴτε ἄλλως ἔχει, λύχνον δὲ τῇ θεῷ χρυσοῦν Καλλίμαχος ἐποίησεν· 1.27.1. κεῖται δὲ ἐν τῷ ναῷ τῆς Πολιάδος Ἑρμῆς ξύλου, Κέκροπος εἶναι λεγόμενον ἀνάθημα, ὑπὸ κλάδων μυρσίνης οὐ σύνοπτον. ἀναθήματα δὲ ὁπόσα ἄξια λόγου, τῶν μὲν ἀρχαίων δίφρος ὀκλαδίας ἐστὶ Δαιδάλου ποίημα, λάφυρα δὲ ἀπὸ Μήδων Μασιστίου θώραξ, ὃς εἶχεν ἐν Πλαταιαῖς τὴν ἡγεμονίαν τῆς ἵππου, καὶ ἀκινάκης Μαρδονίου λεγόμενος εἶναι. Μασίστιον μὲν δὴ τελευτήσαντα ὑπὸ τῶν Ἀθηναίων οἶδα ἱππέων· Μαρδονίου δὲ μαχεσαμένου Λακεδαιμονίοις ἐναντία καὶ ὑπὸ ἀνδρὸς Σπαρτιάτου πεσόντος οὐδʼ ἂν ὑπεδέξαντο ἀρχὴν οὐδὲ ἴσως Ἀθηναίοις παρῆκαν φέρεσθαι Λακεδαιμόνιοι τὸν ἀκινάκην. 1.28.8. ἔστι δὲ Ἀθηναίοις καὶ ἄλλα δικαστήρια οὐκ ἐς τοσοῦτο δόξης ἥκοντα. τὸ μὲν οὖν καλούμενον παράβυστον καὶ τρίγωνον, τὸ μὲν ἐν ἀφανεῖ τῆς πόλεως ὂν καὶ ἐπʼ ἐλαχίστοις συνιόντων ἐς αὐτό, τὸ δὲ ἀπὸ τοῦ σχήματος ἔχει τὰ ὀνόματα· βατραχιοῦν δὲ καὶ φοινικιοῦν ἀπὸ χρωμάτων τὸ δὲ καὶ ἐς τόδε διαμεμένηκεν ὀνομάζεσθαι. τὸ δὲ μέγιστον καὶ ἐς ὃ πλεῖστοι συνίασιν, ἡλιαίαν καλοῦσιν. ὁπόσα δὲ ἐπὶ τοῖς φονεῦσιν, ἔστιν ἄλλα· καὶ ἐπὶ Παλλαδίῳ καλοῦσι καὶ τοῖς ἀποκτείνασιν ἀκουσίως κρίσις καθέστηκε. καὶ ὅτι μὲν Δημοφῶν πρῶτος ἐνταῦθα ὑπέσχε δίκας, ἀμφισβητοῦσιν οὐδένες· 1.40.4. μετὰ ταῦτα ἐς τὸ τοῦ Διὸς τέμενος ἐσελθοῦσι καλούμενον Ὀλυμπιεῖον ναός ἐστι θέας ἄξιος· τὸ δὲ ἄγαλμα οὐκ ἐξειργάσθη τοῦ Διός, ἐπιλαβόντος τοῦ Πελοποννησίων πολέμου πρὸς Ἀθηναίους, ἐν ᾧ καὶ ναυσὶν ἀνὰ πᾶν ἔτος καὶ στρατῷ φθείροντες Μεγαρεῦσιν Ἀθηναῖοι τὴν χώραν τά τε κοινὰ ἐκάκωσαν καὶ ἰδίᾳ τοὺς οἴκους ἤγαγον ἐς τὸ ἔσχατον ἀσθενείας. τῷ δὲ ἀγάλματι τοῦ Διὸς πρόσωπον ἐλέφαντος καὶ χρυσοῦ, τὰ δὲ λοιπὰ πηλοῦ τέ ἐστι καὶ γύψου· ποιῆσαι δὲ αὐτὸ Θεόκοσμον λέγουσιν ἐπιχώριον, συνεργάσασθαι δέ οἱ Φειδίαν . ὑπὲρ δὲ τῆς κεφαλῆς τοῦ Διός εἰσιν Ὧραι καὶ Μοῖραι· δῆλα δὲ πᾶσι τὴν πεπρωμένην μόνῳ οἱ πείθεσθαι καὶ τὰς ὥρας τὸν θεὸν τοῦτον νέμειν ἐς τὸ δέον. ὄπισθε δὲ τοῦ ναοῦ κεῖται ξύλα ἡμίεργα· ταῦτα ἔμελλεν ὁ Θεόκοσμος ἐλέφαντι καὶ χρυσῷ κοσμήσας τὸ ἄγαλμα ἐκτελέσειν τοῦ Διός. 1.43.5. παρὰ δὲ τὴν ἔσοδον τὴν ἐς τὸ Διονύσιον τάφος ἐστὶν Ἀστυκρατείας καὶ Μαντοῦς· θυγατέρες δὲ ἦσαν Πολυίδου τοῦ Κοιράνου τοῦ Ἄβαντος τοῦ Μελάμποδος ἐς Μέγαρα δʼ ἐλθόντος Ἀλκάθουν ἐπὶ τῷ φόνῳ τῷ Καλλιπόλιδος καθῆραι τοῦ παιδός. ᾠκοδόμησε δὴ καὶ τῷ Διονύσῳ τὸ ἱερὸν Πολύιδος καὶ ξόανον ἀνέθηκεν ἀποκεκρυμμένον ἐφʼ ἡμῶν πλὴν τοῦ προσώπου· τοῦτο δέ ἐστι τὸ φανερόν. Σάτυρος δὲ παρέστηκεν αὐτῷ Πραξιτέλους ἔργον Παρίου λίθου. τοῦτον μὲν δὴ Πατρῷον καλοῦσιν· ἕτερον δὲ Διόνυσον Δασύλλιον ἐπονομάζοντες Εὐχήνορα τὸν Κοιράνου τοῦ Πολυίδου τὸ ἄγαλμα ἀναθεῖναι λέγουσι. 2.2.6. λόγου δὲ ἄξια ἐν τῇ πόλει τὰ μὲν λειπόμενα ἔτι τῶν ἀρχαίων ἐστίν, τὰ δὲ πολλὰ αὐτῶν ἐπὶ τῆς ἀκμῆς ἐποιήθη τῆς ὕστερον. ἔστιν οὖν ἐπὶ τῆς ἀγορᾶς— ἐνταῦθα γὰρ πλεῖστά ἐστι τῶν ἱερῶν—Ἄρτεμίς τε ἐπίκλησιν Ἐφεσία καὶ Διονύσου ξόανα ἐπίχρυσα πλὴν τῶν προσώπων· τὰ δὲ πρόσωπα ἀλοιφῇ σφισιν ἐρυθρᾷ κεκόσμηται· Λύσιον δέ, τὸν δὲ Βάκχειον ὀνομάζουσι. 2.2.7. τὰ δὲ λεγόμενα ἐς τὰ ξόανα καὶ ἐγὼ γράφω. Πενθέα ὑβρίζοντα ἐς Διόνυσον καὶ ἄλλα τολμᾶν λέγουσι καὶ τέλος ἐς τὸν Κιθαιρῶνα ἐλθεῖν ἐπὶ κατασκοπῇ τῶν γυναικῶν, ἀναβάντα δὲ ἐς δένδρον θεάσασθαι τὰ ποιούμενα· τὰς δέ, ὡς ἐφώρασαν, καθελκύσαι τε αὐτίκα Πενθέα καὶ ζῶντος ἀποσπᾶν ἄλλο ἄλλην τοῦ σώματος. ὕστερον δέ, ὡς Κορίνθιοι λέγουσιν, ἡ Πυθία χρᾷ σφισιν ἀνευρόντας τὸ δένδρον ἐκεῖνο ἴσα τῷ θεῷ σέβειν· καὶ ἀπʼ αὐτοῦ διὰ τόδε τὰς εἰκόνας πεποίηνται ταύτας. 2.4.5. τὸ δὲ ἱερὸν τῆς Ἀθηνᾶς τῆς Χαλινίτιδος πρὸς τῷ θεάτρῳ σφίσιν ἐστὶν καὶ πλησίον ξόανον γυμνὸν Ἡρακλέους, Δαιδάλου δὲ αὐτό φασιν εἶναι τέχνην. Δαίδαλος δὲ ὁπόσα εἰργάσατο, ἀτοπώτερα μέν ἐστιν ἐς τὴν ὄψιν, ἐπιπρέπει δὲ ὅμως τι καὶ ἔνθεον τούτοις. ὑπὲρ δὲ τὸ θέατρόν ἐστιν ἱερὸν Διὸς Καπετωλίου φωνῇ τῇ Ῥωμαίων· κατὰ Ἑλλάδα δὲ γλῶσσαν Κορυφαῖος ὀνομάζοιτο ἄν. τοῦ θεάτρου δέ ἐστι τοῦδε οὐ πόρρω γυμνάσιον τὸ ἀρχαῖον καὶ πηγὴ καλουμένη Λέρνα· κίονες δὲ ἑστήκασι περὶ αὐτὴν καὶ καθέδραι πεποίηνται τοὺς ἐσελθόντας ἀναψύχειν ὥρᾳ θέρους. πρὸς τούτῳ τῷ γυμνασίῳ ναοὶ θεῶν εἰσιν ὁ μὲν Διός, ὁ δὲ Ἀσκληπιοῦ· τὰ δὲ ἀγάλματα Ἀσκληπιὸς μὲν καὶ Ὑγεία λευκοῦ λίθου, τὸ δὲ τοῦ Διὸς χαλκοῦν ἐστιν. 2.9.6. μετὰ δὲ τὸ Ἀράτου ἡρῷον ἔστι μὲν Ποσειδῶνι Ἰσθμίῳ βωμός, ἔστι δὲ Ζεὺς Μειλίχιος καὶ Ἄρτεμις ὀνομαζομένη Πατρῴα, σὺν τέχνῃ πεποιημένα οὐδεμιᾷ· πυραμίδι δὲ ὁ Μειλίχιος, ἡ δὲ κίονί ἐστιν εἰκασμένη. ἐνταῦθα καὶ βουλευτήριόν σφισι πεποίηται καὶ στοὰ καλουμένη Κλεισθένειος ἀπὸ τοῦ οἰκοδομήσαντος· ᾠκοδόμησε δὲ ἀπὸ λαφύρων ὁ Κλεισθένης αὐτὴν τὸν πρὸς Κίρρᾳ πόλεμον συμπολεμήσας Ἀμφικτύοσι. τῆς δὲ ἀγορᾶς ἐστιν ἐν τῷ ὑπαίθρῳ Ζεὺς χαλκοῦς, τέχνη Λυσίππου , παρὰ δὲ αὐτὸν Ἄρτεμις ἐπίχρυσος. 2.10.4. οὗτος μὲν δὴ παρείχετο ὁ περίβολος τοσάδε ἐς μνήμην, πέραν δὲ διʼ αὐτοῦ δὲ ἄλλος ἐστὶν Ἀφροδίτης ἱερός· ἐν δὲ αὐτῷ πρῶτον ἄγαλμά ἐστιν Ἀντιόπης· εἶναι γάρ οἱ τοὺς παῖδας Σικυωνίους καὶ διʼ ἐκείνους ἐθέλουσι καὶ αὐτὴν Ἀντιόπην προσήκειν σφίσι. μετὰ τοῦτο ἤδη τὸ τῆς Ἀφροδίτης ἐστὶν ἱερόν. ἐσίασι μὲν δὴ ἐς αὐτὸ γυνή τε νεωκόρος, ᾗ μηκέτι θέμις παρʼ ἄνδρα φοιτῆσαι, καὶ παρθένος ἱερωσύνην ἐπέτειον ἔχουσα· λουτροφόρον τὴν παρθένον ὀνομάζουσι· τοῖς δὲ ἄλλοις κατὰ ταὐτὰ καὶ ὁρᾶν ἀπὸ τῆς ἐσόδου τὴν θεὸν καὶ αὐτόθεν προσεύχεσθαι. 2.10.5. τὸ μὲν δὴ ἄγαλμα καθήμενον Κάναχος Σικυώνιος ἐποίησεν, ὃς καὶ τὸν ἐν Διδύμοις τοῖς Μιλησίων καὶ Θηβαίοις τὸν Ἰσμήνιον εἰργάσατο Ἀπόλλωνα· πεποίηται δὲ ἔκ τε χρυσοῦ καὶ ἐλέφαντος, φέρουσα ἐπὶ τῇ κεφαλῇ πόλον, τῶν χειρῶν δὲ ἔχει τῇ μὲν μήκωνα τῇ δὲ ἑτέρᾳ μῆλον. τῶν δὲ ἱερείων τοὺς μηροὺς θύουσι πλὴν ὑῶν, τἄλλα δὲ ἀρκεύθου ξύλοις καθαγίζουσι, καιομένοις δὲ ὁμοῦ τοῖς μηροῖς φύλλον τοῦ παιδέρωτος συγκαθαγίζουσιν. 2.11.3. ἐκ Σικυῶνος δὲ τὴν κατʼ εὐθὺ ἐς Φλιοῦντα ἐρχομένοις καὶ ἐν ἀριστερᾷ τῆς ὁδοῦ δέκα μάλιστα ἐκτραπεῖσι στάδια, Πυραία καλούμενόν ἐστιν ἄλσος, ἱερὸν δὲ ἐν αὐτῷ Προστασίας Δήμητρος καὶ Κόρης. ἐνταῦθα ἐφʼ αὑτῶν οἱ ἄνδρες ἑορτὴν ἄγουσι, τὸν δὲ Νυμφῶνα καλούμενον ταῖς γυναιξὶν ἑορτάζειν παρείκασι· καὶ ἀγάλματα Διονύσου καὶ Δήμητρος καὶ Κόρης τὰ πρόσωπα φαίνοντα ἐν τῷ Νυμφῶνί ἐστιν. ἡ δὲ ἐς Τιτάνην ὁδὸς σταδίων μέν ἐστιν ἑξήκοντα καὶ ζεύγεσιν ἄβατος διὰ στενότητα· 2.17.4. τὸ δὲ ἄγαλμα τῆς Ἥρας ἐπὶ θρόνου κάθηται μεγέθει μέγα, χρυσοῦ μὲν καὶ ἐλέφαντος, Πολυκλείτου δὲ ἔργον· ἔπεστι δέ οἱ στέφανος Χάριτας ἔχων καὶ Ὥρας ἐπειργασμένας, καὶ τῶν χειρῶν τῇ μὲν καρπὸν φέρει ῥοιᾶς, τῇ δὲ σκῆπτρον. τὰ μὲν οὖν ἐς τὴν ῥοιὰν—ἀπορρητότερος γάρ ἐστιν ὁ λόγος—ἀφείσθω μοι· κόκκυγα δὲ ἐπὶ τῷ σκήπτρῳ καθῆσθαί φασι λέγοντες τὸν Δία, ὅτε ἤρα παρθένου τῆς Ἥρας, ἐς τοῦτον τὸν ὄρνιθα ἀλλαγῆναι, τὴν δὲ ἅτε παίγνιον θηρᾶσαι. τοῦτον τὸν λόγον καὶ ὅσα ἐοικότα εἴρηται περὶ θεῶν οὐκ ἀποδεχόμενος γράφω, γράφω δὲ οὐδὲν ἧσσον. 2.35.11. πρὸς δὲ τῇ πύλῃ, καθʼ ἣν ὁδὸς εὐθεῖά ἐστιν ἄγουσα ἐπὶ Μάσητα, Εἰλειθυίας ἐστὶν ἐντὸς τοῦ τείχους ἱερόν. ἄλλως μὲν δὴ κατὰ ἡμέραν ἑκάστην καὶ θυσίαις καὶ θυμιάμασι μεγάλως τὴν θεὸν ἱλάσκονται καὶ ἀναθήματα δίδοται πλεῖστα τῇ Εἰλειθυίᾳ· τὸ δὲ ἄγαλμα οὐδενὶ πλὴν εἰ μὴ ἄρα ταῖς ἱερείαις ἔστιν ἰδεῖν. 3.9.13. Ἀγησίλαος δὲ Θεσσαλίαν τε διεξῆλθε τρεψάμενος αὐτῶν τὸ ἱππικὸν καὶ αὖθις διὰ Βοιωτῶν διώδευσε Θηβαίους ἐν Κορωνείᾳ καὶ τὸ ἄλλο νικήσας συμμαχικόν. ὡς δὲ ἐτράποντο οἱ Βοιωτοί, καταφεύγουσιν ἄνδρες ἐξ αὐτῶν ἐς ἱερὸν Ἀθηνᾶς ἐπίκλησιν Ἰτωνίας· Ἀγησίλαος δὲ εἶχε μὲν τραῦμα ἐκ τῆς μάχης, ἐς δὲ τοὺς ἱκέτας παρενόμησεν οὐδʼ οὕτως. 3.15.7. πλησίον δέ ἐστιν Ἱπποσθένους ναός, ᾧ γεγόνασιν αἱ πολλαὶ νῖκαι πάλης· σέβουσι δὲ ἐκ μαντεύματος τὸν Ἱπποσθένην ἅτε Ποσειδῶνι τιμὰς νέμοντες. τοῦ ναοῦ δὲ ἀπαντικρὺ πέδας ἐστὶν ἔχων Ἐνυάλιος, ἄγαλμα ἀρχαῖον. γνώμη δὲ Λακεδαιμονίων τε ἐς τοῦτό ἐστιν ἄγαλμα καὶ Ἀθηναίων ἐς τὴν Ἄπτερον καλουμένην Νίκην, τῶν μὲν οὔποτε τὸν Ἐνυάλιον φεύγοντα οἰχήσεσθαί σφισιν ἐνεχόμενον ταῖς πέδαις, Ἀθηναίων δὲ τὴν Νίκην αὐτόθι ἀεὶ μενεῖν οὐκ ὄντων πτερῶν. τόνδε μέν εἰσιν αἱ πόλεις αὗται τὰ ξόανα τὸν τρόπον ἱδρυμέναι καὶ ἐπὶ δόξῃ τοιαύτῃ· 3.15.10. τοῦ θεάτρου δὲ οὐ πόρρω Ποσειδῶνός τε ἱερόν ἐστι Γενεθλίου καὶ ἡρῷα Κλεοδαίου τοῦ Ὕλλου καὶ Οἰβάλου. τῶν δὲ Ἀσκληπιείων τὸ ἐπιφανέστατον πεποίηταί σφισι πρὸς τοῖς Βοωνήτοις, ἐν ἀριστερᾷ δὲ ἡρῷον Τηλέκλου· τούτου δὲ καὶ ὕστερον ποιήσομαι μνήμην ἐν τῇ Μεσσηνίᾳ συγγραφῇ. προελθοῦσι δὲ οὐ πολὺ λόφος ἐστὶν οὐ μέγας, ἐπὶ δὲ αὐτῷ ναὸς ἀρχαῖος καὶ Ἀφροδίτης ξόανον ὡπλισμένης. ναῶν δὲ ὧν οἶδα μόνῳ τούτῳ καὶ ὑπερῷον ἄλλο ἐπῳκοδόμηται Μορφοῦς ἱερόν. 3.15.11. ἐπίκλησις μὲν δὴ τῆς Ἀφροδίτης ἐστὶν ἡ Μορφώ, κάθηται δὲ καλύπτραν τε ἔχουσα καὶ πέδας περὶ τοῖς ποσί· περιθεῖναι δέ οἱ Τυνδάρεων τὰς πέδας φασὶν ἀφομοιοῦντα τοῖς δεσμοῖς τὸ ἐς τοὺς συνοικοῦντας τῶν γυναικῶν βέβαιον. τὸν γὰρ δὴ ἕτερον λόγον, ὡς τὴν θεὸν πέδαις ἐτιμωρεῖτο ὁ Τυνδάρεως, γενέσθαι ταῖς θυγατράσιν ἐξ Ἀφροδίτης ἡγούμενος τὰ ὀνείδη, τοῦτον οὐδὲ ἀρχὴν προσίεμαι· ἦν γὰρ δὴ παντάπασιν εὔηθες κέδρου ποιησάμενον ζῴδιον καὶ ὄνομα Ἀφροδίτην θέμενον ἐλπίζειν ἀμύνεσθαι τὴν θεόν. 3.16.1. πλησίον δὲ Ἱλαείρας καὶ Φοίβης ἐστὶν ἱερόν· ὁ δὲ ποιήσας τὰ ἔπη τὰ Κύπρια θυγατέρας αὐτὰς Ἀπόλλωνός φησιν εἶναι. κόραι δὲ ἱερῶνταί σφισι παρθένοι, καλούμεναι κατὰ ταὐτὰ ταῖς θεαῖς καὶ αὗται Λευκιππίδες. τὸ μὲν δὴ ἕτερον τῶν ἀγαλμάτων ἱερασαμένη τις ταῖς θεαῖς Λευκιππὶς ἐπεκόσμησε, πρόσωπον ἀντὶ τοῦ ἀρχαίου ποιησαμένη τῆς ἐφʼ ἡμῶν τέχνης τὸ δὲ ἕτερον μὴ καὶ τοῦτο ἐπικοσμεῖν αὐτὴν ἀπεῖπεν ὄνειρον. ἐνταῦθα ἀπήρτηται ᾠὸν τοῦ ὀρόφου κατειλημένον ταινίαις· εἶναι δέ φασιν ᾠὸν ἐκεῖνο ὃ τεκεῖν Λήδαν ἔχει λόγος. 3.16.2. ὑφαίνουσι δὲ κατὰ ἔτος αἱ γυναῖκες τῷ Ἀπόλλωνι χιτῶνα τῷ ἐν Ἀμύκλαις, καὶ τὸ οἴκημα ἔνθα ὑφαίνουσι Χιτῶνα ὀνομάζουσιν. οἰκία δὲ αὐτοῦ πεποίηται πλησίον· τὸ δὲ ἐξ ἀρχῆς φασιν αὐτὴν οἰκῆσαι τοὺς Τυνδάρεω παῖδας, χρόνῳ δὲ ὕστερον ἐκτήσατο Φορμίων Σπαρτιάτης. παρὰ τοῦτον ἀφίκοντο οἱ Διόσκουροι ξένοις ἀνδράσιν ἐοικότες· ἥκειν δὲ ἐκ Κυρήνης φήσαντες καταχθῆναί τε ἠξίουν παρʼ αὐτῷ καὶ οἴκημα ᾐτοῦντο ᾧ μάλιστα ἔχαιρον, ἡνίκα μετὰ ἀνθρώπων ἦσαν. 3.16.3. ὁ δὲ οἰκίας μὲν τῆς ἄλλης ἐκέλευεν αὐτοὺς ἔνθα ἂν ἐθέλωσιν οἰκῆσαι, τὸ δὲ οἴκημα οὐκ ἔφη δώσειν· θυγάτηρ γὰρ ἔτυχέν οἱ παρθένος ἔχουσα ἐν αὐτῷ δίαιταν. ἐς δὲ τὴν ὑστεραίαν παρθένος μὲν ἐκείνη καὶ θεραπεία πᾶσα ἡ περὶ τὴν παῖδα ἠφάνιστο, Διοσκούρων δὲ ἀγάλματα ἐν τῷ οἰκήματι εὑρέθη καὶ τράπεζά τε καὶ σίλφιον ἐπʼ αὐτῇ. 3.16.7. τὸ δὲ χωρίον τὸ ἐπονομαζόμενον Λιμναῖον Ὀρθίας ἱερόν ἐστιν Ἀρτέμιδος. τὸ ξόανον δὲ ἐκεῖνο εἶναι λέγουσιν ὅ ποτε καὶ Ὀρέστης καὶ Ἰφιγένεια ἐκ τῆς Ταυρικῆς ἐκκλέπτουσιν· ἐς δὲ τὴν σφετέραν Λακεδαιμόνιοι κομισθῆναί φασιν Ὀρέστου καὶ ἐνταῦθα βασιλεύοντος. καί μοι εἰκότα λέγειν μᾶλλόν τι δοκοῦσιν ἢ Ἀθηναῖοι. ποίῳ γὰρ δὴ λόγῳ κατέλιπεν ἂν ἐν Βραυρῶνι Ἰφιγένεια τὸ ἄγαλμα; ἢ πῶς, ἡνίκα Ἀθηναῖοι τὴν χώραν ἐκλιπεῖν παρεσκευάζοντο, οὐκ ἐσέθεντο καὶ τοῦτο ἐς τὰς ναῦς; 3.16.8. καίτοι διαμεμένηκεν ἔτι καὶ νῦν τηλικοῦτο ὄνομα τῇ Ταυρικῇ θεῷ, ὥστε ἀμφισβητοῦσι μὲν Καππάδοκες καὶ οἱ τὸν Εὔξεινον οἰκοῦντες τὸ ἄγαλμα εἶναι παρὰ σφίσιν, ἀμφισβητοῦσι δὲ καὶ Λυδῶν οἷς ἐστιν Ἀρτέμιδος ἱερὸν Ἀναιίτιδος. Ἀθηναίοις δὲ ἄρα παρώφθη γενόμενον λάφυρον τῷ Μήδῳ· τὸ γὰρ ἐκ Βραυρῶνος ἐκομίσθη τε ἐς Σοῦσα καὶ ὕστερον Σελεύκου δόντος Σύροι Λαοδικεῖς ἐφʼ ἡμῶν ἔχουσι. 3.16.9. μαρτύρια δέ μοι καὶ τάδε, τὴν ἐν Λακεδαίμονι Ὀρθίαν τὸ ἐκ τῶν βαρβάρων εἶναι ξόανον· τοῦτο μὲν γὰρ Ἀστράβακος καὶ Ἀλώπεκος οἱ Ἴρβου τοῦ Ἀμφισθένους τοῦ Ἀμφικλέους τοῦ Ἄγιδος τὸ ἄγαλμα εὑρόντες αὐτίκα παρεφρόνησαν· τοῦτο δὲ οἱ Λιμνᾶται Σπαρτιατῶν καὶ Κυνοσουρεῖς καὶ οἱ ἐκ Μεσόας τε καὶ Πιτάνης θύοντες τῇ Ἀρτέμιδι ἐς διαφοράν, ἀπὸ δὲ αὐτῆς καὶ ἐς φόνους προήχθησαν, ἀποθανόντων δὲ ἐπὶ τῷ βωμῷ πολλῶν νόσος ἔφθειρε τοὺς λοιπούς. 3.16.10. καί σφισιν ἐπὶ τούτῳ γίνεται λόγιον αἵματι ἀνθρώπων τὸν βωμὸν αἱμάσσειν· θυομένου δὲ ὅντινα ὁ κλῆρος ἐπελάμβανε, Λυκοῦργος μετέβαλεν ἐς τὰς ἐπὶ τοῖς ἐφήβοις μάστιγας, ἐμπίπλαταί τε οὕτως ἀνθρώπων αἵματι ὁ βωμός. ἡ δὲ ἱέρεια τὸ ξόανον ἔχουσά σφισιν ἐφέστηκε· τὸ δέ ἐστιν ἄλλως μὲν κοῦφον ὑπὸ σμικρότητος, ἢν δὲ οἱ 3.16.11. μαστιγοῦντές ποτε ὑποφειδόμενοι παίωσι κατὰ ἐφήβου κάλλος ἢ ἀξίωμα, τότε ἤδη τῇ γυναικὶ τὸ ξόανον γίνεται βαρὺ καὶ οὐκέτι εὔφορον, ἡ δὲ ἐν αἰτίᾳ τοὺς μαστιγοῦντας ποιεῖται καὶ πιέζεσθαι διʼ αὐτούς φησιν. οὕτω τῷ ἀγάλματι ἀπὸ τῶν ἐν τῇ Ταυρικῇ θυσιῶν ἐμμεμένηκεν ἀνθρώπων αἵματι ἥδεσθαι· καλοῦσι δὲ οὐκ Ὀρθίαν μόνον ἀλλὰ καὶ Λυγοδέσμαν τὴν αὐτήν, ὅτι ἐν θάμνῳ λύγων εὑρέθη, περιειληθεῖσα δὲ ἡ λύγος ἐποίησε τὸ ἄγαλμα ὀρθόν. 3.19.2. μέγεθος δὲ αὐτοῦ μέτρῳ μὲν οὐδένα ἀνευρόντα οἶδα, εἰκάζοντι δὲ καὶ τριάκοντα εἶναι φαίνοιντο ἂν πήχεις. ἔργον δὲ οὐ Βαθυκλέους ἐστίν, ἀλλὰ ἀρχαῖον καὶ οὐ σὺν τέχνῃ πεποιημένον· ὅτι γὰρ μὴ πρόσωπον αὐτῷ καὶ πόδες εἰσὶν ἄκροι καὶ χεῖρες, τὸ λοιπὸν χαλκῷ κίονί ἐστιν εἰκασμένον. ἔχει δὲ ἐπὶ τῇ κεφαλῇ κράνος, λόγχην δὲ ἐν ταῖς χερσὶ καὶ τόξον. 3.22.12. ἀπὸ δὴ τούτων τῶν πόλεων ἀναστάντες ἐζήτουν ἔνθα οἰκῆσαι σφᾶς χρεὼν εἴη· καί τι καὶ μάντευμα ἦν αὐτοῖς Ἄρτεμιν ἔνθα οἰκήσουσιν ἐπιδείξειν. ὡς οὖν ἐκβᾶσιν ἐς τὴν γῆν λαγὼς ἐπιφαίνεται, τὸν λαγὼν ἐποιήσαντο ἡγεμόνα τῆς ὁδοῦ· καταδύντος δὲ ἐς μυρσίνην πόλιν τε οἰκίζουσιν ἐνταῦθα, οὗπερ ἡ μυρσίνη ἦν, καὶ τὸ δένδρον ἔτι ἐκείνην σέβουσι τὴν μυρσίνην καὶ Ἄρτεμιν ὀνομάζουσι Σώτειραν. 5.11.10. ὅσον δὲ τοῦ ἐδάφους ἐστὶν ἔμπροσθεν τοῦ ἀγάλματος, τοῦτο οὐ λευκῷ, μέλανι δὲ κατεσκεύασται τῷ λίθῳ· περιθεῖ δὲ ἐν κύκλῳ τὸν μέλανα λίθου Παρίου κρηπίς, ἔρυμα εἶναι τῷ ἐλαίῳ τῷ ἐκχεομένῳ. ἔλαιον γὰρ τῷ ἀγάλματί ἐστιν ἐν Ὀλυμπίᾳ συμφέρον, καὶ ἔλαιόν ἐστι τὸ ἀπεῖργον μὴ γίνεσθαι τῷ ἐλέφαντι βλάβος διὰ τὸ ἑλῶδες τῆς Ἄλτεως. ἐν ἀκροπόλει δὲ τῇ Ἀθηναίων τὴν καλουμένην Παρθένον οὐκ ἔλαιον, ὕδωρ δὲ τὸ ἐς τὸν ἐλέφαντα ὠφελοῦν ἐστιν· ἅτε γὰρ αὐχμηρᾶς τῆς ἀκροπόλεως οὔσης διὰ τὸ ἄγαν ὑψηλόν, τὸ ἄγαλμα ἐλέφαντος πεποιημένον ὕδωρ καὶ δρόσον τὴν ἀπὸ τοῦ ὕδατος ποθεῖ. 5.14.5. τέταρτα καὶ πέμπτα Ἀρτέμιδι θύουσι καὶ Ληίτιδι Ἀθηνᾷ, ἕκτα Ἐργάνῃ· ταύτῃ τῇ Ἐργάνῃ καὶ οἱ ἀπόγονοι Φειδίου, καλούμενοι δὲ φαιδρυνταί, γέρας παρὰ Ἠλείων εἰληφότες τοῦ Διὸς τὸ ἄγαλμα ἀπὸ τῶν προσιζανόντων καθαίρειν, οὗτοι θύουσιν ἐνταῦθα πρὶν ἢ λαμπρύνειν τὸ ἄγαλμα ἄρχονται. ἔστι δὲ Ἀθηνᾶς καὶ ἄλλος βωμὸς πλησίον τοῦ ναοῦ, καὶ Ἀρτέμιδος παρʼ αὐτὸν τετράγωνος ἀνήκων ἠρέμα ἐς ὕψος. 5.18.1. τῆς χώρας δὲ ἐπὶ τῇ λάρνακι τῆς δευτέρας ἐξ ἀριστερῶν μὲν γίνοιτο ἂν ἡ ἀρχὴ τῆς περιόδου, πεποίηται δὲ γυνὴ παῖδα λευκὸν καθεύδοντα ἀνέχουσα τῇ δεξιᾷ χειρί, τῇ δὲ ἑτέρᾳ μέλανα ἔχει παῖδα καθεύδοντι ἐοικότα, ἀμφοτέρους διεστραμμένους τοὺς πόδας. δηλοῖ μὲν δὴ καὶ τὰ ἐπιγράμματα, συνεῖναι δὲ καὶ ἄνευ τῶν ἐπιγραμμάτων ἔστι Θάνατόν τε εἶναι σφᾶς καὶ Ὕπνον καὶ ἀμφοτέροις Νύκτα αὐτοῖς τροφόν. 5.21.1. τὸ δὲ ἀπὸ τούτου μοι πρόεισιν ὁ λόγος ἔς τε τῶν ἀνδριάντων καὶ ἐς τῶν ἀναθημάτων ἐξήγησιν. ἀναμῖξαι δὲ οὐκ ἀρεστὰ ἦν μοι τὸν ἐπʼ αὐτοῖς λόγον. ἐν ἀκροπόλει μὲν γὰρ τῇ Ἀθήνῃσιν οἵ τε ἀνδριάντες καὶ ὁπόσα ἄλλα, τὰ πάντα ἐστὶν ὁμοίως ἀναθήματα· ἐν δὲ τῇ Ἄλτει τὰ μὲν τιμῇ τῇ ἐς τὸ θεῖον ἀνάκεινται, οἱ δὲ ἀνδριάντες τῶν νικώντων ἐν ἄθλου λόγῳ σφίσι καὶ οὗτοι δίδονται. τῶν μὲν δὴ ἀνδριάντων ποιησόμεθα καὶ ὕστερον μνήμην· ἐς δὲ τὰ ἀναθήματα ἡμῖν τραπήσεται πρότερα ὁ λόγος, τὰ ἀξιολογώτατα αὐτῶν ἐπερχομένοις. 5.25.1. τοσαῦτα ἐντὸς τῆς Ἄλτεως ἀγάλματα εἶναι Διὸς ἀνηριθμησάμεθα ἐς τὸ ἀκριβέστατον. τὸ ἀνάθημα γὰρ τὸ πρὸς τῷ μεγάλῳ ναῷ ὑπὸ ἀνδρὸς Κορινθίου τεθέν, Κορινθίων δὲ οὐ τῶν ἀρχαίων ἀλλʼ οἳ παρὰ βασιλέως ἔχουσιν εἰληφότες τὴν πόλιν, τοῦτο τὸ ἀνάθημα Ἀλέξανδρός ἐστιν ὁ Φιλίππου, Διὶ εἰκασμένος δῆθεν. ὁπόσα δὲ ἀλλοῖα καὶ οὐ μίμησίς ἐστι Διός, ἐπιμνησόμεθα καὶ τούτων· εἰκόνας δὲ οὐ τιμῇ τῇ πρὸς τὸ θεῖον, τῇ δὲ ἐς αὐτοὺς χάριτι ἀνατεθείσας τοὺς ἀνθρώπους, λόγῳ σφᾶς τῷ ἐς τοὺς ἀθλητὰς ἀναμίξομεν. 6.20.3. ἐν μὲν δὴ τῷ ἔμπροσθεν τοῦ ναοῦ—διπλοῦς γὰρ δὴ πεποίηται—τῆς τε Εἰλειθυίας βωμὸς καὶ ἔσοδος ἐς αὐτό ἐστιν ἀνθρώποις· ἐν δὲ τῷ ἐντὸς ὁ Σωσίπολις ἔχει τιμάς, καὶ ἐς αὐτὸ ἔσοδος οὐκ ἔστι πλὴν τῇ θεραπευούσῃ τὸν θεὸν ἐπὶ τὴν κεφαλὴν καὶ τὸ πρόσωπον ἐφειλκυσμένῃ ὕφος λευκόν· παρθένοι δὲ ἐν τῷ τῆς Εἰλειθυίας ὑπομένουσαι καὶ γυναῖκες ὕμνον ᾄδουσι, καθαγίζους α ι δὲ καὶ θυμιάματα παντοῖα αὐτῷ ἐπισπένδειν οὐ νομίζουσιν οἶνον. καὶ ὅρκος παρὰ τῷ Σωσιπόλιδι ἐπὶ μεγίστοις καθέστηκεν. 7.9.6. Λακεδαιμονίων δὲ οἱ κατελθόντες, βουλεύοντες παντοῖα ἐπὶ Ἀχαιοῖς, λυπήσειν σφᾶς ἐπὶ τοιῷδε μάλιστα ἤλπιζον. Μεσσηνίους τοὺς Φιλοποίμενι θανάτου συναιτίους γενέσθαι νομισθέντας καὶ κατὰ τὴν αἰτίαν ταύτην ὑπὸ Ἀχαιῶν ἐκπεπτωκότας, τούτους τε καὶ Ἀχαιῶν αὐτῶν τοὺς φεύγοντας ἀναβῆναι πείθουσιν ἐς Ῥώμην· σὺν δέ σφισιν ἀνεληλυθότες καὶ αὐτοὶ γενέσθαι τοῖς ἀνδράσιν ἔπρασσον κάθοδον. ἅτε δὲ τοῦ Ἀππίου Λακεδαιμονίοις συμπροθυμουμένου μεγάλως, Ἀχαιοῖς δὲ ἐπὶ παντὶ ἀντιβαίνοντος, ἔμελλεν οὐ χαλεπῶς Μεσσηνίων καὶ Ἀχαιῶν τοῖς φεύγουσι τὰ βουλεύματα ἐς δέον χωρήσειν· γράμματά τε αὐτίκα ὑπὸ τῆς βουλῆς ἔς τε Ἀθήνας κατεπέμπετο καὶ ἐς Αἰτωλίαν κατάγειν σφᾶς Μεσσηνίους καὶ Ἀχαιοὺς ἐπὶ τὰ οἰκεῖα. 7.9.7. τοῦτο Ἀχαιοὺς ἐς τὰ μάλιστα ἠνίασεν, ὡς οὔτε ἄλλως πάσχοντας δίκαια ὑπὸ Ῥωμαίων καὶ ἐς τὸ ἀνωφελὲς προϋπηργμένων σφίσιν ἐς αὐτούς, οἳ ἐπὶ τὰ Φιλίππου καὶ Αἰτωλῶν ἐναντία καὶ αὖθις Ἀντιόχου στρατεύσαντες χάριτι τῇ ἐς Ῥωμαίους ἐγίνοντο ὕστεροι φυγάδων ἀνθρώπων καὶ οὐ καθαρῶν χεῖρας· ὅμως δὲ εἴκειν σφίσιν ἐδόκει. 7.18.8. Πατρεῦσι δὲ ἐν ἄκρᾳ τῇ πόλει Λαφρίας ἱερόν ἐστιν Ἀρτέμιδος· ξενικὸν μὲν τῇ θεῷ τὸ ὄνομα, ἐσηγμένον δὲ ἑτέρωθεν καὶ τὸ ἄγαλμα. Καλυδῶνος γὰρ καὶ Αἰτωλίας τῆς ἄλλης ὑπὸ Αὐγούστου βασιλέως ἐρημωθείσης διὰ τὸ τὴν ἐς τὴν Νικόπολιν τὴν ὑπὲρ τοῦ Ἀκτίου συνοικίζεσθαι καὶ τὸ Αἰτωλικόν, οὕτω τὸ ἄγαλμα τῆς Λαφρίας οἱ Πατρεῖς ἔσχον. 7.18.9. ὡσαύτως δὲ καὶ ὅσα ἄλλα ἀγάλματα ἔκ τε Αἰτωλίας καὶ παρὰ Ἀκαρνάνων, τὰ μὲν πολλὰ ἐς τὴν Νικόπολιν κομισθῆναι, Πατρεῦσι δὲ ὁ Αὔγουστος ἄλλα τε τῶν ἐκ Καλυδῶνος λαφύρων καὶ δὴ καὶ τῆς Λαφρίας ἔδωκε τὸ ἄγαλμα, ὃ δὴ καὶ ἐς ἐμὲ ἔτι ἐν τῇ ἀκροπόλει τῇ Πατρέων εἶχε τιμάς. γενέσθαι δὲ ἐπίκλησιν τῇ θεῷ Λαφρίαν ἀπὸ ἀνδρὸς Φωκέως φασί· Λάφριον γὰρ τὸν Κασταλίου τοῦ Δελφοῦ Καλυδωνίοις ἱδρύσασθαι τὸ ἄγαλμα τῆς Ἀρτέμιδος τὸ ἀρχαῖον, οἱ δὲ τῆς Ἀρτέμιδος τὸ μήνιμα τὸ 7.18.10. ἐς Οἰνέα ἀνὰ χρόνον τοῖς Καλυδωνίοις ἐλαφρότερον γενέσθαι λέγουσι καὶ αἰτίαν τῇ θεῷ τῆς ἐπικλήσεως ἐθέλουσιν εἶναι ταύτην. τὸ μὲν σχῆμα τοῦ ἀγάλματος θηρεύουσά ἐστιν, ἐλέφαντος δὲ καὶ χρυσοῦ πεποίηται, Ναυπάκτιοι δὲ Μέναιχμος καὶ Σοΐδας εἰργάσαντο· τεκμαίρονται σφᾶς Κανάχου τοῦ Σικυωνίου καὶ τοῦ Αἰγινήτου Κάλλωνος οὐ πολλῷ γενέσθαι τινὶ ἡλικίαν ὑστέρους. 7.18.11. ἄγουσι δὲ καὶ Λάφρια ἑορτὴν τῇ Ἀρτέμιδι οἱ Πατρεῖς ἀνὰ πᾶν ἔτος, ἐν ᾗ τρόπος ἐπιχώριος θυσίας ἐστὶν αὐτοῖς. περὶ μὲν τὸν βωμὸν ἐν κύκλῳ ξύλα ἱστᾶσιν ἔτι χλωρὰ καὶ ἐς ἑκκαίδεκα ἕκαστον πήχεις· ἐντὸς δὲ ἐπὶ τοῦ βωμοῦ τὰ αὐότατά σφισι τῶν ξύλων κεῖται. μηχανῶνται δὲ ὑπὸ τὸν καιρὸν τῆς ἑορτῆς καὶ ἄνοδον ἐπὶ τὸν βωμὸν λειοτέραν, ἐπιφέροντες γῆν ἐπὶ τοῦ βωμοῦ τοὺς ἀναβασμούς. 7.18.12. πρῶτα μὲν δὴ πομπὴν μεγαλοπρεπεστάτην τῇ Ἀρτέμιδι πομπεύουσι, καὶ ἡ ἱερωμένη παρθένος ὀχεῖται τελευταία τῆς πομπῆς ἐπὶ ἐλάφων ὑπὸ τὸ ἅρμα ἐζευγμένων· ἐς δὲ τὴν ἐπιοῦσαν τηνικαῦτα ἤδη δρᾶν τὰ ἐς τὴν θυσίαν νομίζουσι, δημοσίᾳ τε ἡ πόλις καὶ οὐχ ἧσσον ἐς τὴν ἑορτὴν οἱ ἰδιῶται φιλοτίμως ἔχουσιν. ἐσβάλλουσι γὰρ ζῶντας ἐς τὸν βωμὸν ὄρνιθάς τε τοὺς ἐδωδίμους καὶ ἱερεῖα ὁμοίως ἅπαντα, ἔτι δὲ ὗς ἀγρίους καὶ ἐλάφους τε καὶ δορκάδας, οἱ δὲ καὶ λύκων καὶ ἄρκτων σκύμνους, οἱ δὲ καὶ τὰ τέλεια τῶν θηρίων· κατατιθέασι δὲ ἐπὶ τὸν βωμὸν καὶ δένδρων καρπὸν τῶν ἡμέρων. 7.18.13. τὸ δὲ ἀπὸ τούτου πῦρ ἐνιᾶσιν ἐς τὰ ξύλα. ἐνταῦθά που καὶ ἄρκτον καὶ ἄλλο τι ἐθεασάμην τῶν ζῴων, τὰ μὲν ὑπὸ τὴν πρώτην ὁρμὴν τοῦ πυρὸς βιαζόμενα ἐς τὸ ἐκτός, τὰ δὲ καὶ ἐκφεύγοντα ὑπὸ ἰσχύος· ταῦτα οἱ ἐμβαλόντες ἐπανάγουσιν αὖθις ἐς τὴν πυράν. τρωθῆναι δὲ οὐδένα ὑπὸ τῶν θηρίων μνημονεύουσιν. 7.19.6. παύσασθαι δὲ οὕτω λέγονται θύοντες τῇ Ἀρτέμιδι ἀνθρώπους. ἐκέχρητο δὲ αὐτοῖς πρότερον ἔτι ἐκ Δελφῶν ὡς βασιλεὺς ξένος παραγενόμενός σφισιν ἐπὶ τὴν γῆν, ξενικὸν ἅμα ἀγόμενος δαίμονα, τὰ ἐς τὴν θυσίαν τῆς Τρικλαρίας παύσει. Ἰλίου δὲ ἁλούσης καὶ νεμομένων τὰ λάφυρα τῶν Ἑλλήνων, Εὐρύπυλος ὁ Εὐαίμονος λαμβάνει λάρνακα· Διονύσου δὲ ἄγαλμα ἦν ἐν τῇ λάρνακι, ἔργον μὲν ὥς φασιν Ἡφαίστου , δῶρον δὲ ὑπὸ Διὸς ἐδόθη Δαρδάνῳ. 7.19.9. καὶ οὕτω τῷ Εὐρυπύλῳ τε ἡ νόσος καὶ τοῖς ἐνταῦθα ἀνθρώποις τὰ ἐς τὴν θυσίαν ἐπαύσθη, τό τε ὄνομα ἐτέθη τὸ νῦν τῷ ποταμῷ Μείλιχος. ἔγραψαν δὲ ἤδη τινὲς οὐ τῷ Θεσσαλῷ συμβάντα Εὐρυπύλῳ τὰ εἰρημένα, ἀλλὰ Εὐρύπυλον Δεξαμενοῦ παῖδα τοῦ ἐν Ὠλένῳ βασιλεύσαντος ἐθέλουσιν ἅμα Ἡρακλεῖ στρατεύσαντα ἐς Ἴλιον λαβεῖν παρὰ τοῦ Ἡρακλέους τὴν λάρνακα· τὰ δὲ ἄλλα κατὰ τὰ αὐτὰ εἰρήκασι καὶ οὗτοι. 7.20.1. τῷ θεῷ δὲ τῷ ἐντὸς τῆς λάρνακος ἐπίκλησις μέν ἐστιν Αἰσυμνήτης, οἱ δὲ αὐτὸν ἐς τὰ μάλιστα θεραπεύοντες ἐννέα τέ εἰσιν ἄνδρες, οὓς ἂν ἐκ πάντων ὁ δῆμος προέληται κατʼ ἀξίωμα, καὶ ἴσαι γυναῖκες τοῖς ἀνδράσι. μιᾷ δὲ ἐν τῇ ἑορτῇ νυκτὶ ἐς τὸ ἐκτὸς φέρει τὴν λάρνακα ὁ ἱερεύς. αὕτη μὲν δὴ ἡ νὺξ γέρας τοῦτο εἴληφε, καταβαίνουσι δὲ καὶ ὁπόσοι δὴ τῶν ἐπιχωρίων παῖδες ἐπὶ τὸν Μείλιχον ἀστάχυσιν ἐστεφανωμένοι τὰς κεφαλάς· ἐκόσμουν δὲ οὕτω καὶ τὸ ἀρχαῖον οὓς ἄγοιεν τῇ Ἀρτέμιδι θύσοντες. 7.22.4. τοιαύτη καὶ Αἰγυπτίοις ἑτέρα περὶ τοῦ Ἄπιδος τὸ ἱερὸν μαντεία καθέστηκεν· ἐν Φαραῖς δὲ καὶ ὕδωρ ἱερόν ἐστι τοῦ Ἑρμοῦ· Ἑρμοῦ νᾶμα μὲν τῇ πηγῇ τὸ ὄνομα, τοὺς δὲ ἰχθῦς οὐχ αἱροῦσιν ἐξ αὐτῆς, ἀνάθημα εἶναι τοῦ θεοῦ νομίζοντες. ἑστήκασι δὲ ἐγγύτατα τοῦ ἀγάλματος τετράγωνοι λίθοι τριάκοντα μάλιστα ἀριθμόν· τούτους σέβουσιν οἱ Φαρεῖς, ἑκάστῳ θεοῦ τινὸς ὄνομα ἐπιλέγοντες. τὰ δὲ ἔτι παλαιότερα καὶ τοῖς πᾶσιν Ἕλλησι τιμὰς θεῶν ἀντὶ ἀγαλμάτων εἶχον ἀργοὶ λίθοι. 8.37.7. τῶν δὲ ἡμέρων οἱ Ἀρκάδες δένδρων ἁπάντων πλὴν ῥοιᾶς ἐσκομίζουσιν ἐς τὸ ἱερόν. ἐν δεξιᾷ δὲ ἐξιόντι ἐκ τοῦ ναοῦ κάτοπτρον ἡρμοσμένον ἐστὶν ἐν τῷ τοίχῳ· τοῦτο ἤν τις προσβλέπῃ τὸ κάτοπτρον, ἑαυτὸν μὲν ἤτοι παντάπασιν ἀμυδρῶς ἢ οὐδὲ ὄψεται τὴν ἀρχήν, τὰ δὲ ἀγάλματα τῶν θεῶν καὶ αὐτὰ καὶ τὸν θρόνον ἔστιν ἐναργῶς θεάσασθαι. 8.39.6. ἐν δὲ τῷ γυμνασίῳ τὸ ἄγαλμα τοῦ Ἑρμοῦ ἀμπεχομένῳ μὲν ἔοικεν ἱμάτιον, καταλήγει δὲ οὐκ ἐς πόδας, ἀλλὰ ἐς τὸ τετράγωνον σχῆμα. πεποίηται δὲ καὶ Διονύσου ναός· ἐπίκλησις μέν ἐστιν αὐτῷ παρὰ τῶν ἐπιχωρίων Ἀκρατοφόρος, τὰ κάτω δὲ οὐκ ἔστι σύνοπτα τοῦ ἀγάλματος ὑπὸ δάφνης τε φύλλων καὶ κισσῶν. ὁπόσον δὲ αὐτοῦ καθορᾶν ἔστιν, ἐπαλήλιπται κιννάβαρι ἐκλάμπειν· εὑρίσκεσθαι δὲ ὑπὸ τῶν Ἰβήρων ὁμοῦ τῷ χρυσῷ λέγεται. 8.42.3. τὴν Ἀρκαδίαν καὶ ἄλλοτε αὐτὸν ἐν ἄλλῳ θηρεύειν τῶν ὀρῶν, ἀφικόμενον δὲ καὶ πρὸς τὸ Ἐλάιον κατοπτεῦσαι τὴν Δήμητρα σχήματός τε ὡς εἶχε καὶ ἐσθῆτα ἐνεδέδυτο ποίαν· πυθέσθαι δὴ τὸν Δία ταῦτα παρὰ τοῦ Πανὸς καὶ οὕτως ὑπʼ αὐτοῦ πεμφθῆναι τὰς Μοίρας παρὰ τὴν Δήμητρα, τὴν δὲ πεισθῆναί τε ταῖς Μοίραις καὶ ἀποθέσθαι μὲν τὴν ὀργήν, ὑφεῖναι δὲ καὶ τῆς λύπης. σφᾶς δὲ ἀντὶ τούτων φασὶν οἱ Φιγαλεῖς τό τε σπήλαιον νομίσαι τοῦτο ἱερὸν Δήμητρος καὶ ἐς αὐτὸ ἄγαλμα ἀναθεῖναι ξύλου. 8.42.4. πεποιῆσθαι δὲ οὕτω σφίσι τὸ ἄγαλμα· καθέζεσθαι μὲν ἐπὶ πέτρᾳ, γυναικὶ δὲ ἐοικέναι τἄλλα πλὴν κεφαλήν· κεφαλὴν δὲ καὶ κόμην εἶχεν ἵππου, καὶ δρακόντων τε καὶ ἄλλων θηρίων εἰκόνες προσεπεφύκεσαν τῇ κεφαλῇ· χιτῶνα δὲ ἐνεδέδυτο καὶ ἐς ἄκρους τοὺς πόδας· δελφὶς δὲ ἐπὶ τῆς χειρὸς ἦν αὐτῇ, περιστερὰ δὲ ἡ ὄρνις ἐπὶ τῇ ἑτέρᾳ. ἐφʼ ὅτῳ μὲν δὴ τὸ ξόανον ἐποιήσαντο οὕτως, ἀνδρὶ οὐκ ἀσυνέτῳ γνώμην ἀγαθῷ δὲ καὶ τὰ ἐς μνήμην δῆλά ἐστι· Μέλαιναν δὲ ἐπονομάσαι φασὶν αὐτήν, ὅτι καὶ ἡ θεὸς μέλαιναν τὴν ἐσθῆτα εἶχε. 8.42.5. τοῦτο μὲν δὴ τὸ ξόανον οὔτε ὅτου ποίημα ἦν οὔτε ἡ φλὸξ τρόπον ὅντινα ἐπέλαβεν αὐτό, μνημονεύουσιν· ἀφανισθέντος δὲ τοῦ ἀρχαίου Φιγαλεῖς οὔτε ἄγαλμα ἄλλο ἀπεδίδοσαν τῇ θεῷ καὶ ὁπόσα ἐς ἑορτὰς καὶ θυσίας τὰ πολλὰ δὴ παρῶπτό σφισιν, ἐς ὃ ἡ ἀκαρπία ἐπιλαμβάνει τὴν γῆν· καὶ ἱκετεύσασιν αὐτοῖς χρᾷ τάδε ἡ Πυθία· 8.42.6. Ἀρκάδες Ἀζᾶνες βαλανηφάγοι, οἳ Φιγάλειαν νάσσασθʼ, ἱππολεχοῦς Δῃοῦς κρυπτήριον ἄντρον, ἥκετε πευσόμενοι λιμοῦ λύσιν ἀλγινόεντος, μοῦνοι δὶς νομάδες, μοῦνοι πάλιν ἀγριοδαῖται. Δῃὼ μέν σε ἔπαυσε νομῆς, Δῃὼ δὲ νομῆας ἐκ δησισταχύων καὶ ἀναστοφάγων πάλι θῆκε, νοσφισθεῖσα γέρα προτέρων τιμάς τε παλαιάς. καί σʼ ἀλληλοφάγον θήσει τάχα καὶ τεκνοδαίτην, εἰ μὴ πανδήμοις λοιβαῖς χόλον ἱλάσσεσθε σήραγγός τε μυχὸν θείαις κοσμήσετε τιμαῖς. 8.42.7. ὡς δὲ οἱ Φιγαλεῖς ἀνακομισθὲν τὸ μάντευμα ἤκουσαν, τά τε ἄλλα ἐς πλέον τιμῆς ἢ τὰ πρότερα τὴν Δήμητρα ἦγον καὶ Ὀνάταν τὸν Μίκωνος Αἰγινήτην πείθουσιν ἐφʼ ὅσῳ δὴ μισθῷ ποιῆσαί σφισιν ἄγαλμα Δήμητρος· τοῦ δὲ Ὀνάτα τούτου Περγαμηνοῖς ἐστιν Ἀπόλλων χαλκοῦς, θαῦμα ἐν τοῖς μάλιστα μεγέθους τε ἕνεκα καὶ ἐπὶ τῇ τέχνῃ. τότε δὴ ὁ ἀνὴρ οὗτος ἀνευρὼν γραφὴν ἢ μίμημα τοῦ ἀρχαίου ξοάνου—τὰ πλείω δέ, ὡς λέγεται, καὶ κατὰ ὀνειράτων ὄψιν—ἐποίησε χαλκοῦν Φιγαλεῦσιν ἄγαλμα, γενεαῖς μάλιστα δυσὶν ὕστερον τῆς ἐπὶ τὴν Ἑλλάδα ἐπιστρατείας τοῦ Μήδου. 8.42.8. μαρτυρεῖ δέ μοι τῷ λόγῳ· κατὰ γὰρ τὴν Ξέρξου διάβασιν ἐς τὴν Εὐρώπην Συρακουσῶν τε ἐτυράννει καὶ Σικελίας τῆς ἄλλης Γέλων ὁ Δεινομένους· ἐπεὶ δὲ ἐτελεύτησε Γέλων, ἐς Ἱέρωνα ἀδελφὸν Γέλωνος περιῆλθεν ἡ ἀρχή· Ἱέρωνος δὲ ἀποθανόντος πρότερον πρὶν ἢ τῷ Ὀλυμπίῳ Διὶ ἀναθεῖναι τὰ ἀναθήματα ἃ εὔξατο ἐπὶ τῶν ἵππων ταῖς νίκαις, οὕτω Δεινομένης ὁ Ἱέρωνος ἀπέδωκεν ὑπὲρ τοῦ πατρός. 9.1.1. Ἀθηναίοις δὲ ἡ Βοιωτία καὶ κατὰ ἄλλα τῆς Ἀττικῆς ἐστιν ὅμορος, πρὸς δὲ Ἐλευθερῶν οἱ Πλαταιεῖς. Βοιωτοὶ δὲ τὸ μὲν πᾶν ἔθνος ἀπὸ Βοιωτοῦ τὸ ὄνομα ἔσχηκεν, ὃν Ἰτώνου παῖδα καὶ νύμφης δὴ Μελανίππης, Ἴτωνον δὲ Ἀμφικτύονος εἶναι λέγουσι· καλοῦνται δὲ κατὰ πόλεις ἀπό τε ἀνδρῶν καὶ τὰ πλείω γυναικῶν. οἱ δὲ Πλαταιεῖς τὸ ἐξ ἀρχῆς ἐμοὶ δοκεῖν εἰσιν αὐτόχθονες· ὄνομα δέ σφισιν ἀπὸ Πλαταίας, ἣν θυγατέρα εἶναι Ἀσωποῦ τοῦ ποταμοῦ νομίζουσιν. 9.34.1. πρὶν δὲ ἐς Κορώνειαν ἐξ Ἀλαλκομενῶν ἀφικέσθαι, τῆς Ἰτωνίας Ἀθηνᾶς ἐστι τὸ ἱερόν· καλεῖται δὲ ἀπὸ Ἰτωνίου τοῦ Ἀμφικτύονος, καὶ ἐς τὸν κοινὸν συνίασιν ἐνταῦθα οἱ Βοιωτοὶ σύλλογον. ἐν δὲ τῷ ναῷ χαλκοῦ πεποιημένα Ἀθηνᾶς Ἰτωνίας καὶ Διός ἐστιν ἀγάλματα· τέχνη δὲ Ἀγορακρίτου , μαθητοῦ τε καὶ ἐρωμένου Φειδίου. ἀνέθεσαν δὲ καὶ Χαρίτων ἀγάλματα ἐπʼ ἐμοῦ. 10.19.3. τὸ ἀπὸ τούτου δὲ ἔρχομαι διηγησόμενος λόγον Λέσβιον. ἁλιεῦσιν ἐν Μηθύμνῃ τὰ δίκτυα ἀνείλκυσεν ἐκ θαλάσσης πρόσωπον ἐλαίας ξύλου πεποιημένον· τοῦτο ἰδέαν παρείχετο φέρουσαν μὲν τοι ἐς τὸ θεῖον, ξένην δὲ καὶ ἐπὶ θεοῖς Ἑλληνικοῖς οὐ καθεστῶσαν. εἴροντο οὖν οἱ Μηθυμναῖοι τὴν Πυθίαν ὅτου θεῶν ἢ καὶ ἡρώων ἐστὶν ἡ εἰκών· ἡ δὲ αὐτοὺς σέβεσθαι Διόνυσον Φαλλῆνα ἐκέλευσεν. ἐπὶ τούτῳ οἱ Μηθυμναῖοι ξόανον μὲν τὸ ἐκ τῆς θαλάσσης παρὰ σφίσιν ἔχοντες καὶ θυσίαις καὶ εὐχαῖς τιμῶσι, χαλκοῦν δὲ ἀποπέμπουσιν ἐς Δελφούς. 10.24.6. ἐξελθόντι δὲ τοῦ ναοῦ καὶ τραπέντι ἐς ἀριστερὰ περίβολός ἐστι καὶ Νεοπτολέμου τοῦ Ἀχιλλέως ἐν αὐτῷ τάφος· καί οἱ κατὰ ἔτος ἐναγίζουσιν οἱ Δελφοί. ἐπαναβάντι δὲ ἀπὸ τοῦ μνήματος λίθος ἐστὶν οὐ μέγας· τούτου καὶ ἔλαιον ὁσημέραι καταχέουσι καὶ κατὰ ἑορτὴν ἑκάστην ἔρια ἐπιτιθέασι τὰ ἀργά· ἔστι δὲ καὶ δόξα ἐς αὐτὸν δοθῆναι Κρόνῳ τὸν λίθον ἀντὶ τοῦ παιδός, καὶ ὡς αὖθις ἤμεσεν αὐτὸν ὁ Κρόνος. 10.37.1. τῆς πόλεως δὲ ἐν δεξιᾷ δύο μάλιστα προελθόντι ἀπʼ αὐτῆς σταδίους, πέτρα τέ ἐστιν ὑψηλὴ—μοῖρα ὄρους ἡ πέτρα—καὶ ἱερὸν ἐπʼ αὐτῆς πεποιημένον ἐστὶν Ἀρτέμιδος· ἡ Ἄρτεμις ἔργων τῶν Πραξιτέλους , δᾷδα ἔχουσα τῇ δεξιᾷ καὶ ὑπὲρ τῶν ὤμων φαρέτραν, παρὰ δὲ αὐτὴν κύων ἐν ἀριστερᾷ· μέγεθος δὲ ὑπὲρ τὴν μεγίστην γυναῖκα τὸ ἄγαλμα. | 1.8.2. After the statues of the eponymoi come statues of gods, Amphiaraus, and Eirene (Peace) carrying the boy Plutus (Wealth). Here stands a bronze figure of Lycurgus, An Athenian orator who did great service to Athens when Demosthenes was trying to stir up his countrymen against Philip of Macedon . son of Lycophron, and of Callias, who, as most of the Athenians say, brought about the peace between the Greeks and Artaxerxes, son of Xerxes. c. 448 B.C. Here also is Demosthenes, whom the Athenians forced to retire to Calauria, the island off Troezen , and then, after receiving him back, banished again after the disaster at Lamia . 1.14.6. Above the Cerameicus and the portico called the King's Portico is a temple of Hephaestus. I was not surprised that by it stands a statue of Athena, be cause I knew the story about Erichthonius. But when I saw that the statue of Athena had blue eyes I found out that the legend about them is Libyan. For the Libyans have a saying that the Goddess is the daughter of Poseidon and Lake Tritonis, and for this reason has blue eyes like Poseidon. 1.18.7. Within the precincts are antiquities: a bronze Zeus, a temple of Cronus and Rhea and an enclosure of Earth surnamed Olympian. Here the floor opens to the width of a cubit, and they say that along this bed flowed off the water after the deluge that occurred in the time of Deucalion, and into it they cast every year wheat meal mixed with honey. 1.23.7. I remember looking at other things also on the Athenian Acropolis, a bronze boy holding the sprinkler, by Lycius son of Myron, and Myron's Perseus after beheading Medusa. There is also a sanctuary of Brauronian Artemis; the image is the work of Praxiteles, but the goddess derives her name from the parish of Brauron . The old wooden image is in Brauron , the Tauric Artemis as she is called. 1.26.6. Both the city and the whole of the land are alike sacred to Athena; for even those who in their parishes have an established worship of other gods nevertheless hold Athena in honor. But the most holy symbol, that was so considered by all many years before the unification of the parishes, is the image of Athena which is on what is now called the Acropolis, but in early days the Polis (City). A legend concerning it says that it fell from heaven; whether this is true or not I shall not discuss. A golden lamp for the goddess was made by Callimachus fl. 400 B.C. ? 1.27.1. In the temple of Athena Polias (of the City) is a wooden Hermes, said to have been dedicated by Cecrops, but not visible because of myrtle boughs. The votive offerings worth noting are, of the old ones, a folding chair made by Daedalus, Persian spoils, namely the breastplate of Masistius, who commanded the cavalry at Plataea 479 B.C. , and a scimitar said to have belonged to Mardonius. Now Masistius I know was killed by the Athenian cavalry. But Mardonius was opposed by the Lacedaemonians and was killed by a Spartan; so the Athenians could not have taken the scimitar to begin with, and furthermore the Lacedaemonians would scarcely have suffered them to carry it off. 1.28.8. The Athenians have other law courts as well, which are not so famous. We have the Parabystum (Thrust aside) and the Triangle; the former is in an obscure part of the city, and in it the most trivial cases are tried; the latter is named from its shape. The names of Green Court and Red Court, due to their colors, have lasted down to the present day. The largest court, to which the greatest numbers come, is called Heliaea. One of the other courts that deal with bloodshed is called “At Palladium,” into which are brought cases of involuntary homicide. All are agreed that Demophon was the first to be tried there, but as to the nature of the charge accounts differ. 1.40.4. After this when you have entered the precinct of Zeus called the Olympieum you see a note worthy temple. But the image of Zeus was not finished, for the work was interrupted by the war of the Peloponnesians against the Athenians, in which the Athenians every year ravaged the land of the Megarians with a fleet and an army, damaging public revenues and bringing private families to dire distress. The face of the image of Zeus is of ivory and gold, the other parts are of clay and gypsum. The artist is said to have been Theocosmus, a native, helped by Pheidias. Above the head of Zeus are the Seasons and Fates, and all may see that he is the only god obeyed by Destiny, and that he apportions the seasons as is due. Behind the temple lie half-worked pieces of wood, which Theocosmus intended to overlay with ivory and gold in order a complete the image of Zeus. 1.43.5. Beside the entrance to the sanctuary of Dionysus is the grave of Astycratea and Manto. They were daughters of Polyidus, son of Coeranus, son of Abas, son of Melampus, who came to Megara to purify Alcathous when he had killed his son Callipolis . Polyidus also built the sanctuary of Dionysus, and dedicated a wooden image that in our day is covered up except the face, which alone is exposed. By the side of it is a Satyr of Parian marble made by Praxiteles. This Dionysus they call Patrous (Paternal); but the image of another, that they surname Dasyllius, they say was dedicated by Euchenor, son of Coeranus, son of Polyidus. 2.2.6. The things worthy of mention in the city include the extant remains of antiquity, but the greater number of them belong to the period of its second ascendancy. On the market-place, where most of the sanctuaries are, stand Artemis surnamed Ephesian and wooden images of Dionysus, which are covered with gold with the exception of their faces; these are ornamented with red paint. They are called Lysius and Baccheus, 2.2.7. and I too give the story told about them. They say that Pentheus treated Dionysus despitefully, his crowning outrage being that he went to Cithaeron, to spy upon the women, and climbing up a tree beheld what was done. When the women detected Pentheus, they immediately dragged him down, and joined in tearing him, living as he was, limb from limb. Afterwards, as the Corinthians say, the Pythian priestess commanded them by an oracle to discover that tree and to worship it equally with the god. For this reason they have made these images from the tree. 2.4.5. Now the sanctuary of Athena Chalinitis is by their theater, and near is a naked wooden image of Heracles, said to be a work of Daedalus. All the works of this artist, although rather uncouth to look at, are nevertheless distinguished by a kind of inspiration. Above the theater is a sanctuary of Zeus surnamed in the Latin tongue Capitolinus, which might be rendered into Greek “Coryphaeos”. Not far from this theater is the ancient gymnasium, and a spring called Lerna . Pillars stand around it, and seats have been made to refresh in summer time those who have entered it. By this gymnasium are temples of Zeus and Asclepius. The images of Asclepius and of Health are of white marble, that of Zeus is of bronze. 2.9.6. After the hero-shrine of Aratus is an altar to Isthmian Poseidon, and also a Zeus Meilichius (Gracious) and an Artemis named Patroa (Paternal), both of them very inartistic works. The Meilichius is like a pyramid, the Artemis like a pillar. Here too stand their council-chamber and a portico called Cleisthenean from the name of him who built it. It was built from spoils by Cleisthenes, who helped the Amphictyons in the war at Cirrha . c. 590 B.C. In the market-place under the open sky is a bronze Zeus, a work of Lysippus, Contemporary of Alexander the Great. and by the side of it a gilded Artemis. 2.10.4. Such are the noteworthy things that this enclosure presented to me, and opposite is another enclosure, sacred to Aphrodite. The first thing inside is a statue of Antiope. They say that her sons were Sicyonians, and because of them the Sicyonians will have it that Antiope herself is related to themselves. After this is the sanctuary of Aphrodite, into which enter only a female verger, who after her appointment may not have intercourse with a man, and a virgin, called the Bath-bearer, holding her sacred office for a year. All others are wont to behold the goddess from the entrance, and to pray from that place. 2.10.5. The image, which is seated, was made by the Sicyonian Canachus, who also fashioned the Apollo at Didyma of the Milesians, and the Ismenian Apollo for the Thebans. It is made of gold and ivory, having on its head a polos, A curiously shaped head-gear. and carrying in one hand a poppy and in the other an apple. They offer the thighs of the victims, excepting pigs; the other parts they burn for the goddess with juniper wood, but as the thighs are burning they add to the offering a leaf of the paideros. 2.11.3. On the direct road from Sicyon to Phlius, on the left of the road and just about ten stades from it, is a grove called Pyraea, and in it a sanctuary of Hera Protectress and the Maid. Here the men celebrate a festival by themselves, giving up to the women the temple called Nymphon for the purposes of their festival. In the Nymphon are images of Dionysus, Demeter, and the Maid, with only their faces exposed. The road to Titane is sixty stades long, and too narrow to be used by carriages drawn by a yoke. 2.17.4. The statue of Hera is seated on a throne; it is huge, made of gold and ivory, and is a work of Polycleitus. She is wearing a crown with Graces and Seasons worked upon it, and in one hand she carries a pomegranate and in the other a sceptre. About the pomegranate I must say nothing, for its story is somewhat of a holy mystery. The presence of a cuckoo seated on the sceptre they explain by the story that when Zeus was in love with Hera in her maidenhood he changed himself into this bird, and she caught it to be her pet. This tale and similar legends about the gods I relate without believing them, but I relate them nevertheless. 2.35.11. At the gate through which there is a straight road leading to Mases , there is a sanctuary of Eileithyia within the wall. Every day, both with sacrifices and with incense, they magnificently propitiate the goddess, and, moreover, there is a vast number of votive gifts offered to Eileithyia. But the image no one may see, except, perhaps, the priestesses. 3.9.13. But Agesilaus put the Thessalian cavalry to flight and passed through Thessaly , and again made his way through Boeotia , winning a victory over Thebes and the allies at Coronea . When the Boeotians were put to flight, certain of them took refuge in the sanctuary of Athena surnamed Itonia. Agesilaus, although suffering from a wound received in the battle, did not sin against the suppliants. 3.15.7. Near is a temple of Hipposthenes, who won so many victories in wrestling. They worship Hipposthenes in accordance with an oracle, paying him honors as to Poseidon. Opposite this temple is an old image of Enyalius in fetters. The idea the Lacedaemonians express by this image is the same as the Athenians express by their Wingless Victory; the former think that Enyalius will never run away from them, being bound in the fetters, while the Athenians think that Victory, having no wings, will always remain where she is. 3.15.10. Not far from the theater is a sanctuary of Poseidon God of Kin, and there are hero-shrines of Cleodaeus, son of Hyllus, and of Oebalus. The most famous of their sanctuaries of Asclepius has been built near Booneta, and on the left is the hero-shrine of Teleclus. I shall mention him again later in my history of Messenia . See Paus. 4.4.2 , and Paus. 4.31.3 . A little farther on is a small hill, on which is an ancient temple with a wooden image of Aphrodite armed. This is the only temple I know that has an upper storey built upon it. 3.15.11. It is a sanctuary of Morpho, a surname of Aphrodite, who sits wearing a veil and with fetters on her feet. The story is that the fetters were put on her by Tyndareus, who symbolized by the bonds the faithfulness of wives to their husbands. The other account, that Tyndareus punished the goddess with fetters because he thought that from Aphrodite had come the shame of his daughters, I will not admit for a moment. For it were surely altogether silly to expect to punish the goddess by making a cedar figure and naming it Aphrodite. 3.16.1. Near is a sanctuary of Hilaeira and of Phoebe. The author of the poem Cypria calls them daughters of Apollo. Their priestesses are young maidens, called, as are also the goddesses, Leucippides (Daughter of Leucippus). Paus. 1.18.1 ; Paus. 3.13.7 and Paus. 3.17.3 . One of the images was adorned by a Leucippis who had served the goddesses as a priestess. She gave it a face of modern workmanship instead of the old one; she was forbidden by a dream to adorn the other one as well. Here there his been hung from the roof an egg tied to ribands, and they say that it is the famous egg that legend says Leda brought forth. 3.16.2. Each year the women weave a tunic for the Apollo at Amyclae, and they call Tunic the chamber in which they do their weaving. Near it is built a house, said to have been occupied originally by the sons of Tyndareus, but afterwards it was acquired by Phormion, a Spartan. To him came the Dioscuri in the likeness of strangers. They said that they had come from Cyrene , and asked to lodge with him, requesting to have the chamber which had pleased them most when they dwelt among men. 3.16.3. He replied that they might lodge in any other part of the house they wished, but that they could not have the chamber. For it so happened that his maiden daughter was living in it. By the next day this maiden and all her girlish apparel had disappeared, and in the room were found images of the Dioscuri, a table, and silphium upon it. 3.16.7. The place named Limnaeum (Marshy) is sacred to Artemis Orthia (Upright). The wooden image there they say is that which once Orestes and Iphigenia stole out of the Tauric land, and the Lacedaemonians say that it was brought to their land because there also Orestes was king. I think their story more probable than that of the Athenians. For what could have induced Iphigenia to leave the image behind at Brauron ? Or why did the Athenians, when they were preparing to abandon their land, fail to include this image in what they put on board their ships? 3.16.8. And yet, right down to the present day, the fame of the Tauric goddess has remained so high that the Cappadocians dwelling on the Euxine claim that the image is among them, a like claim being made by those Lydians also who have a sanctuary of Artemis Anaeitis. But the Athenians, we are asked to believe, made light of it becoming booty of the Persians. For the image at Brauron was brought to Susa , and afterwards Seleucus gave it to the Syrians of Laodicea, who still possess it. 3.16.9. I will give other evidence that the Orthia in Lacedaemon is the wooden image from the foreigners. Firstly, Astrabacus and Alopecus, sons of Irbus, son of Amphisthenes, son of Amphicles, son of Agis, when they found the image straightway became insane. Secondly, the Spartan Limnatians, the Cynosurians, and the people of Mesoa and Pitane , while sacrificing to Artemis, fell to quarreling, which led also to bloodshed; many were killed at the altar and the rest died of disease. 3.16.10. Whereat an oracle was delivered to them, that they should stain the altar with human blood. He used to be sacrificed upon whomsoever the lot fell, but Lycurgus changed the custom to a scourging of the lads, and so in this way the altar is stained with human blood. By them stands the priestess, holding the wooden image. Now it is small and light, 3.16.11. but if ever the scourgers spare the lash because of a lad's beauty or high rank, then at once the priestess finds the image grow so heavy that she can hardly carry it. She lays the blame on the scourgers, and says that it is their fault that she is being weighed down. So the image ever since the sacrifices in the Tauric land keeps its fondness for human blood. They call it not only Orthia, but also Lygodesma (Willow-bound), because it was found in a thicket of willows, and the encircling willow made the image stand upright. 3.19.2. I know of nobody who has measured the height of the image, but at a guess one would estimate it to be as much as thirty cubits. It is not the work of Bathycles, being old and uncouth; for though it has face, feet, and hands, the rest resembles a bronze pillar. On its head it has a helmet, in its hands a spear and a bow. 3.22.12. When the inhabitants of these cities were expelled, they were anxious to know where they ought to settle, and an oracle was given them that Artemis would show them where they were to dwell. When therefore they had gone on shore, and a hare appeared to them, they looked upon the hare as their guide on the way. When it dived into a myrtle tree, they built a city on the site of the myrtle, and down to this day they worship that myrtle tree, and name Artemis Saviour. 5.11.10. All the floor in front of the image is paved, not with white, but with black tiles. In a circle round the black stone runs a raised rim of Parian marble, to keep in the olive oil that is poured out. For olive oil is beneficial to the image at Olympia , and it is olive oil that keeps the ivory from being harmed by the marshiness of the Altis. On the Athenian Acropolis the ivory of the image they call the Maiden is benefited, not by olive oil, but by water. For the Acropolis, owing to its great height, is over-dry, so that the image, being made of ivory, needs water or dampness. 5.14.5. sixthly to the Worker Goddess. The descendants of Pheidias, called Cleansers, have received from the Eleans the privilege of cleaning the image of Zeus from the dirt that settles on it, and they sacrifice to the Worker Goddess before they begin to polish the image. There is another altar of Athena near the temple, and by it a square altar of Artemis rising gently to a height. 5.18.1. Now I come to the second space on the chest, and in going round it I had better begin from the left. There is a figure of a woman holding on her right arm a white child asleep, and on her left she has a black child like one who is asleep. Each has his feet turned different ways. The inscriptions declare, as one could infer without inscriptions, that the figures are Death and Sleep, with Night the nurse of both. 5.21.1. From this point my account will proceed to a description of the statues and votive offerings; but I think that it would be wrong to mix up the accounts of them. For whereas on the Athenian Acropolis statues are votive offerings like everything else, in the Altis some things only are dedicated in honor of the gods, and statues are merely part of the prizes awarded to the victors. The statues I will mention later; I will turn first to the votive offerings, and go over the most noteworthy of them. 5.25.1. I have enumerated the images of Zeus within the Altis with the greatest accuracy. For the offering near the great temple, though supposed to be a likeness of Zeus, is really Alexander, the son of Philip. It was set up by a Corinthian, not one of the old Corinthians, but one of those settlers whom the Emperor planted in the city. I shall also mention those offerings which are of a different kind, and not representations of Zeus. The statues which have been set up, not to honor a deity, I translate the articles in τὸ θεῖον and τοὺς ἀνθρώπους as generic articles. but to reward mere men, I shall include in my account of the athletes. 6.20.3. In the front part of the temple, for it is built in two parts, is an altar of Eileithyia and an entrance for the public; in the inner Part Sosipolis is worshipped, and no one may enter it except the woman who tends the god, and she must wrap her head and face in a white veil. Maidens and matrons wait in the sanctuary of Eileithyia chanting a hymn; they burn all manner of incense to the god, but it is not the custom to pour libations of wine. An oath is taken by Sosipolis on the most important occasions. 7.9.6. The restored Lacedaemonian exiles carried on various intrigues against the Achaeans, hoping to vex them most by the following plot. They persuaded to go up to Rome the exiles of the Achaeans, along with the Messenians who had been held to be involved in the death of Philopoemen and banished on that account by the Achaeans. Going up with them to Rome they intrigued for the restoration of the exiles. As Appius was a zealous supporter of the Lacedaemonians and opposed the Achaeans in everything, the plans of the Messenian and Achaean exiles were bound to enjoy an easy success. Despatches were at once sent by the senate to Athens and Aetolia , with instructions to bring back the Messenians and Achaeans to their homes. 7.9.7. This caused the greatest vexation to the Achaeans. They bethought themselves of the injustice they had suffered at the hands of the Romans, and how all their services had proved of no avail; to please the Romans they had made war against Philip, against the Aetolians and afterwards against Antiochus, and after all there was preferred before them a band of exiles, whose hands were stained with blood. Nevertheless, they decided to give way. 7.18.8. On the acropolis of Patrae is a sanctuary of Artemis Laphria. The surname of the goddess is a foreign one, and her image too was brought in from elsewhere. For after Calydon with the rest of Aetolia had been laid waste by the Emperor Augustus in order that the Aetolian people might be incorporated into Nicopolis above Actium , the people of Patrae thus secured the image of Laphria. 7.18.9. Most of the images out of Aetolia and from Acaria were brought by Augustus' orders to Nicopolis , but to Patrae he gave, with other spoils from Calydon, the image of Laphria, which even in my time was still worshipped on the acropolis of Patrae . It is said that the goddess was surnamed Laphria after a man of Phocis , because the ancient image of Artemis was set up at Calydon by Laphrius, the son of Castalius, the son of Delphus. 7.18.10. Others say that the wrath of Artemis against Oeneus weighed as time went on more lightly ( elaphroteron) on the Calydonians, and they believe that this was why the goddess received her surname. The image represents her in the guise of a huntress; it is made of ivory and gold, and the artists were Menaechmus and Soldas of Naupactus, who, it is inferred, lived not much later than Canachus of Sicyon and Callon of Aegina . 7.18.11. Every year too the people of Patrae celebrate the festival Laphria in honor of their Artemis, and at it they employ a method of sacrifice peculiar to the place. Round the altar in a circle they set up logs of wood still green, each of them sixteen cubits long. On the altar within the circle is placed the driest of their wood. Just before the time of the festival they construct a smooth ascent to the altar, piling earth upon the altar steps. 7.18.12. The festival begins with a most splendid procession in honor of Artemis, and the maiden officiating as priestess rides last in the procession upon a car yoked to deer. It is, however, not till the next day that the sacrifice is offered, and the festival is not only a state function but also quite a popular general holiday. For the people throw alive upon the altar edible birds and every kind of victim as well; there are wild boars, deer and gazelles; some bring wolf-cubs or bear-cubs, others the full-grown beasts. They also place upon the altar fruit of cultivated trees. 7.18.13. Next they set fire to the wood. At this point I have seen some of the beasts, including a bear, forcing their way outside at the first rush of the flames, some of them actually escaping by their strength. But those who threw them in drag them back again to the pyre. It is not remembered that anybody has ever been wounded by the beasts. 7.19.6. The sacrifice to Artemis of human beings is said to have ceased in this way. An oracle had been given from Delphi to the Patraeans even before this, to the effect that a strange king would come to the land, bringing with him a strange divinity, and this king would put an end to the sacrifice to Triclaria. When Troy was captured, and the Greeks divided the spoils, Eurypylus the son of Euaemon got a chest. In it was an image of Dionysus, the work, so they say, of Hephaestus, and given as a gift by Zeus to Dardanus. 7.19.9. And so the malady of Eurypylus and the sacrifice of these people came to an end, and the river was given its present name Meilichus. Certain writers have said that the events I have related happened not to the Thessalian Eurypylus, but to Eurypylus the son of Dexamenus who was king in Olenus , holding that this man joined Heracles in his campaign against Troy and received the chest from Heracles. The rest of their story is the same as mine. 7.20.1. The surname of the god inside the chest is Aesymnetes ( Dictator), and his chief attendants are nine men, elected by the people from all the citizens for their reputation, and women equal in number to the men. On one night of the festival the priest carries the chest outside. Now this is a privilege that this night has received, and there go down to the river Meilichus a certain number of the native children, wearing on their heads garlands of corn-ears. It was in this way that they used to array of old those whom they led to be sacrificed to Artemis. 7.22.4. There is a similar method of divination practised at the sanctuary of Apis in Egypt . At Pharae there is also a water sacred to Hermes. The name of the spring is Hermes' stream, and the fish in it are not caught, being considered sacred to the god. Quite close to the image stand square stones, about thirty in number. These the people of Pharae adore, calling each by the name of some god. At a more remote period all the Greeks alike worshipped uncarved stones instead of images of the gods. 8.37.7. The Arcadians bring into the sanctuary the fruit of all cultivated trees except the pomegranate. On the right as you go out of the temple there is a mirror fitted into the wall. If anyone looks into this mirror, he will see himself very dimly indeed or not at all, but the actual images of the gods and the throne can be seen quite clearly. 8.39.6. The image of Hermes in the gymnasium is like to one dressed in a cloak; but the statue does not end in feet, but in the square shape. A temple also of Dionysus is here, who by the inhabitants is surnamed Acratophorus, but the lower part of the image cannot be seen for laurel-leaves and ivy. As much of it as can be seen is painted . . . with cinnabar to shine. It is said to be found by the Iberians along with the gold. 8.42.3. until Pan, they say, visited Arcadia . Roaming from mountain to mountain as he hunted, he came at last to Mount Elaius and spied Demeter, the state she was in and the clothes she wore. So Zeus learnt this from Pan, and sent the Fates to Demeter, who listened to the Fates and laid aside her wrath, moderating her grief as well. For these reasons, the Phigalians say, they concluded that this cavern was sacred to Demeter and set up in it a wooden image. 8.42.4. The image, they say, was made after this fashion. It was seated on a rock, like to a woman in all respects save the head. She had the head and hair of a horse, and there grew out of her head images of serpents and other beasts. Her tunic reached right to her feet; on one of her hands was a dolphin, on the other a dove. Now why they had the image made after this fashion is plain to any intelligent man who is learned in traditions. They say that they named her Black because the goddess had black apparel. 8.42.5. They cannot relate either who made this wooden image or how it caught fire. But the old image was destroyed, and the Phigalians gave the goddess no fresh image, while they neglected for the most part her festivals and sacrifices, until the barrenness fell on the land. Then they went as suppliants to the Pythian priestess and received this response:— 8.42.6. Azanian Arcadians, acorn-eaters, who dwell In Phigaleia , the cave that hid Deo, who bare a horse, You have come to learn a cure for grievous famine, Who alone have twice been nomads, alone have twice lived on wild fruits. It was Deo who made you cease from pasturing, Deo who made you pasture again After being binders of corn and eaters With the reading ἀναστοφάγους “made you pasture again, and to be non-eaters of cakes, after being binders of corn.” of cakes, Because she was deprived of privileges and ancient honors given by men of former times. And soon will she make you eat each other and feed on your children, Unless you appease her anger with libations offered by all your people, And adorn with divine honors the nook of the cave. 8.42.7. When the Phigalians heard the oracle that was brought back, they held Demeter in greater honor than before, and particularly they persuaded Onatas of Aegina , son of Micon, to make them an image of Demeter at a price. The Pergamenes have a bronze Apollo made by this Onatas, a most wonderful marvel both for its size and workmanship. This man then, about two generations after the Persian invasion of Greece , made the Phigalians an image of bronze, guided partly by a picture or copy of the ancient wooden image which he discovered, but mostly (so goes the story) by a vision that he saw in dreams. As to the date, I have the following evidence to produce. 8.42.8. At the time when Xerxes crossed over into Europe , Gelon the son of Deinomenes was despot of Syracuse and of the rest of Sicily besides. When Gelon died, the kingdom devolved on his brother Hieron. Hieron died before he could dedicate to Olympian Zeus the offerings he had vowed for his victories in the chariot-race, and so Deinomenes his son paid the debt for his father. 9.1.1. Boeotia borders on Attica at several places, one of which is where Plataea touches Eleutherae. The Boeotians as a race got their name from Boeotus, who, legend says, was the son of Itonus and the nymph Melanippe, and Itonus was the son of Amphictyon. The cities are called in some cases after men, but in most after women. The Plataeans were originally, in my opinion, sprung from the soil; their name comes from Plataea, whom they consider to be a daughter of the river Asopus. 9.34.1. Before reaching Coroneia from Alalcomenae we come to the sanctuary of Itonian Athena. It is named after Itonius the son of Amphictyon, and here the Boeotians gather for their general assembly. In the temple are bronze images of Itonian Athena and Zeus; the artist was Agoracritus, pupil and loved one of Pheidias. In my time they dedicated too images of the Graces. 10.19.3. I am going on to tell a Lesbian story. Certain fishermen of Methymna found that their nets dragged up to the surface of the sea a face made of olive-wood. Its appearance suggested a touch of divinity, but it was outlandish, and unlike the normal features of Greek gods. So the people of Methymna asked the Pythian priestess of what god or hero the figure was a likeness, and she bade them worship Dionysus Phallen. Whereupon the people of Methymna kept for themselves the wooden image out of the sea, worshipping it with sacrifices and prayers, but sent a bronze copy to Delphi . 10.24.6. Leaving the temple and turning to the left you will come to an enclosure in which is the grave of Neoptolemus, the son of Achilles. Every year the Delphians sacrifice to him as to a hero. Ascending from the tomb you come to a stone of no large size. Over it every day they pour olive oil, and at each feast they place on it unworked wool. There is also an opinion about this stone, that it was given to Cronus instead of his child, and that Cronus vomited it up again. 10.37.1. About two stades off the city there is, on the right, a high rock, which forms part of a mountain, with a sanctuary of Artemis built upon it. The image of Artemis is one of the works of Praxiteles; she carries a torch in her right hand and a quiver over her shoulders, while at her left side there is a dog. The image is taller than the tallest woman. |
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| 57. Gellius, Attic Nights, 2.28, 2.28.3 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •cult, images Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 94 |
| 58. Clement of Alexandria, Exhortation To The Greeks, 4.40 (2nd cent. CE - 3rd cent. CE) Tagged with subjects: •cult images •cult images, aniconic •cult images, iconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 91 |
| 59. Athenaeus, The Learned Banquet, None (2nd cent. CE - 3rd cent. CE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100 |
| 60. Pliny The Younger, Letters, 3.6.2 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •cult, images •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13, 90 |
| 61. Lucian, The Syrian Goddess, 32, 10 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 159, 182 |
| 62. Aelian, Varia Historia, 3.42 (2nd cent. CE - 3rd cent. CE) Tagged with subjects: •cult images, and mobility •hobbling, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 168 |
| 63. Maximus of Tyre, Dialexeis, 8.1 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 85 |
| 64. Polyaenus, Stratagems, 2.1.5 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 145 |
| 65. Pollux, Onomasticon, 8.118 (2nd cent. CE - 3rd cent. CE) Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 257 |
66. Tertullian, Apology, 16.6 (2nd cent. CE - 3rd cent. CE) Tagged with subjects: •cult images •cult images, aniconic •cult images, iconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 91| 16.6. ligno prostant? Pars crucis est omne robur quod erecta statione defigitur. Nos, si forte, integrum et totum deum colimus. Diximus originem deorum vestrorum a plastis de cruce induci. Sed et victorias adoratis, cum in tropaeis cruces intestina sint tropaeorum. | |
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67. Apuleius, The Golden Ass, 11.8-11.13, 11.17 (2nd cent. CE - 2nd cent. CE) Tagged with subjects: •cult images, external manipulation of •gaze, of cult images •cult, images •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13, 90; Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 107, 178 | 11.8. Behold, then more and more there appeared the parades and processions. The people were attired in regal manner and singing joyfully. One was girded about the middle like a man of arms. Another was bare and spare, and had a cloak and high shoes like a hunter! Another was attired in a robe of silk and socks of gold, having his hair laid out and dressed like a woman! There was another who wore leg harnesses and bore a shield, a helmet, and a spear like a martial soldier. After him marched one attired in purple, with vergers before him like a magistrate! After him followed one with a cloak, a staff, a pair of sandals, and a gray beard, signifying that he was a philosopher. After him came one with a line, betokening a fowler. Another came with hooks, declaring him a fisherman. I saw there a meek and tame bear which, dressed like a matron, was carried on a stool. An ape, with a bonnet on his head and covered with a Phrygian garment, resembled a shepherd, and bore a cup of gold in his hand. There was an ass, which had wings glued to his back and followed an old man: you would judge the one to be Pegasus, and the other Bellerophon. 11.9. Amongst the pleasures and popular delights which wandered hither and thither, you might see the procession of the goddess triumphantly marching forward. The women, attired in white vestments and rejoicing because they wore garlands and flowers upon their heads, bedspread the road with herbs which they bare in their aprons. This marked the path this regal and devout procession would pass. Others carried mirrors on their backs to testify obeisance to the goddess who came after. Other bore combs of ivory and declared by the gesture and motions of their arms that they were ordained and ready to dress the goddess. Others dropped balm and other precious ointments as they went. Then came a great number of men as well as women with candles, torches, and other lights, doing honor to the celestial goddess. After that sounded the musical harmony of instruments. Then came a fair company of youths, appareled in white vestments, singing both meter and verse a comely song which some studious poet had made in honor of the Muses. In the meantime there arrived the blowers of trumpets, who were dedicated to the god Serapis. Before them were officers who prepared room for the goddess to pass. 11.10. Then came the great company of men and women who had taken divine orders and whose garments glistened all the streets over. The women had their hair anointed and their heads covered with linen. But the men had their crowns shaven, which were like earthly stars of the goddess. They held in their hands instruments of brass, silver and gold, which rendered a pleasant sound. The principal priests, who were appareled with white surpluses hanging down to the ground, bore the relics of the powerful goddess. One carried in his hand a light, not unlike to those which we used in our houses, except that in the middle of it there was a bole which rendered a brighter flame. The second, attired like the other, bore in his hand an altar which the goddess herself named the succor of nations. The third held a tree of palm, with leaves of gold, and the verge of Mercury. The fourth showed a token of equity in his left hand, which was deformed in every place, signifying more equity then by the right hand. The same priest carried a round vessel of gold in the form of a cap. The fifth bore a van, wrought with springs of gold, and another carried a vessel for wine. 11.11. By and by, after the goddess, there followed gods on foot. There was Anubis, the messenger of the gods infernal and celestial, with his face sometimes black, sometimes faire, lifting up the head of a dog and bearing in his left hand his verge, and in his right hand the branches of a palm tree. After whom followed a cow with an upright gait, representing the figure of the great goddess. He who guided her marched on with much gravity. Another carried the secrets of their religion closed in a coffer. There was one who bore on his stomach a figure of his god, not formed like any beast, bird, savage thing or humane shape, but made by a new invention. This signified that such a religion could not be discovered or revealed to any person. There was a vessel wrought with a round bottom, having on the one side pictures figured in the manner of the Egyptians, and on the other side was an ear on which stood the serpent Aspis, holding out his scaly neck. 11.12. Finally came he who was appointed to my good fortune, according to the promise of the goddess. For the great priest, who bore the restoration of my human shape by the command of the goddess, approached ever closer bearing in his left hand the rattle, and in the other a garland of roses to give me. This was to deliver me from cruel fortune, which was always my enemy after I had suffered so much calamity and pain and had endured so many perils. I did not approach hastily, though I was seized by sudden joy, lest I disturb the quiet procession by my eagerness. But going softly through the press of the people (which gave way to me on every side) I went up to the priest. 11.13. The priest, having been advised the night before, stood still and holding out his hand, and thrust out the garland of roses into my mouth. I (trembling) devoured it with a great eagerness. And as soon as I had eaten them, I found that the promise made to me had not been in vain. For my deformed face changed, and first the rugged hair of my body fell off, my thick skin grew soft and tender, the hooves of my feet changed into toes, my hands returned again, my neck grew short, my head and mouth became round, my long ears were made little, my great and stony teeth grew more like the teeth of men, and my tail, which had burdened me most, disappeared. Then the people began to marvel. The religious honored the goddess for so evident a miracle. They wondered at the visions which they saw in the night, and the ease of my restoration, whereby they rendered testimony of so great a benefit that I had received from the goddess. 11.17. When we had come to the temple, the great priest and those who were assigned to carry the divine images (but especially those who had long been worshippers of the religion) went into the secret chamber of the goddess where they placed the images in order. This done, one of the company, who was a scribe or interpreter of letters, in the manner of a preacher stood up on a chair before the holy college and began to read out of a book. He began pronounce benedictions upon the great emperor, the senate, the knights, and generally to all the Roman people, and to all who are under the jurisdiction of Rome. These words following signified the end of their divine service and that it was lawful for every man to depart. Whereupon all the people gave a great shout and, filled with much joy, bore all kind of herbs and garlands of flowers home to their houses, kissing and embracing the steps where the goddess had passed. However, I could not do as the rest did, for my mind would not allow me to depart one foot away. This was how eager I was to behold the beauty of the goddess, remembering the great misery I had endured. |
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68. Philostratus The Athenian, Life of Apollonius, 6.4 (2nd cent. CE - missingth cent. CE) Tagged with subjects: •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 176| 6.4. ὑπὸ τούτῳ ἡγεμόνι παρελθεῖν φασιν ἐς τὸ τέμενος τοῦ Μέμνονος. περὶ δὲ τοῦ Μέμνονος τάδε ἀναγράφει Δάμις: ̓Ηοῦς μὲν παῖδα γενέσθαι αὐτόν, ἀποθανεῖν δὲ οὐκ ἐν Τροίᾳ, ὅτι μηδὲ ἀφικέσθαι ἐς Τροίαν, ἀλλ' ἐν Αἰθιοπίᾳ τελευτῆσαι βασιλεύσαντα Αἰθιόπων γενεὰς πέντε. οἱ δ', ἐπειδὴ μακροβιώτατοι ἀνθρώπων εἰσίν, ὀλοφύρονται τὸν Μέμνονα ὡς κομιδῇ νέον καὶ ὅσα ἐπὶ ἀώρῳ κλαίουσι, τὸ δὲ χωρίον, ἐν ᾧ ἵδρυται, φασὶ μὲν προσεοικέναι ἀγορᾷ ἀρχαίᾳ, οἷαι τῶν ἀγορῶν ἐν πόλεσί ποτε οἰκηθείσαις λείπονται στηλῶν παρεχόμεναι τρύφη καὶ τειχῶν ἴχνη καὶ θάκους καὶ φλιὰς ἑρμῶν τε ἀγάλματα, τὰ μὲν ὑπὸ χειρῶν διεφθορότα, τὰ δὲ ὑπὸ χρόνου. τὸ δὲ ἄγαλμα τετράφθαι πρὸς ἀκτῖνα μήπω γενειάσκον, λίθου δὲ εἶναι μέλανος, ξυμβεβηκέναι δὲ τὼ πόδε ἄμφω κατὰ τὴν ἀγαλματοποιίαν τὴν ἐπὶ Δαιδάλου καὶ τὰς χεῖρας ἀπερείδειν ὀρθὰς ἐς τὸν θᾶκον, καθῆσθαι γὰρ ἐν ὁρμῇ τοῦ ὑπανίστασθαι. τὸ δὲ σχῆμα τοῦτο καὶ τὸν τῶν ὀφθαλμῶν νοῦν καὶ ὁπόσα τοῦ στόματος ὡς φθεγξομένου ᾅδουσι, τὸν μὲν ἄλλον χρόνον ἧττον θαυμάσαι φασίν, οὔπω γὰρ ἐνεργὰ φαίνεσθαι, προσβαλούσης δὲ τὸ ἄγαλμα τῆς ἀκτῖνος, τουτὶ δὲ γίγνεσθαι περὶ ἡλίου ἐπιτολάς, μὴ κατασχεῖν τὸ θαῦμα, φθέγξασθαι μὲν γὰρ παραχρῆμα τῆς ἀκτῖνος ἐλθούσης αὐτῷ ἐπὶ στόμα, φαιδροὺς δὲ ἱστάναι τοὺς ὀφθαλμοὺς δόξαι πρὸς τὸ φῶς, οἷα τῶν ἀνθρώπων οἱ εὐήλιοι. τότε ξυνεῖναι λέγουσιν, ὅτι τῷ ̔Ηλίῳ δοκεῖ ὑπανίστασθαι, καθάπερ οἱ τὸ κρεῖττον ὀρθοὶ θεραπεύοντες. θύσαντες οὖν ̔Ηλίῳ τε Αἰθίοπι καὶ ̓Ηῴῳ Μέμνονι, τουτὶ γὰρ ἔφραζον οἱ ἱερεῖς, τὸν μὲν ἀπὸ τοῦ αἴθειν τε καὶ θάλπειν, τὸν δὲ ἀπὸ τῆς μητρὸς ἐπονομάζοντες, ἐπορεύοντο ἐπὶ καμήλων ἐς τὰ τῶν Γυμνῶν ἤθη. | 6.4. Under his guidance, they say, they went on to the sacred enclosure of Memnon, of whom Damis gives the following account. He says that he was the son of the Dawn, and that he did not meet his death in Troy, where indeed he never went; but that he died in Ethiopia after ruling the land for five generations. But his countrymen being the longest lived of men, still mourn him as a mere youth and deplore his untimely death. But the place in which his statue is set up resembles, they tell us, an ancient market-place, such as remain in cities that were long ago inhabited, and where we come on broken stumps and fragments of columns, and find traces of walls as well as seats and jambs of doors, and images of Hermes, some destroyed by the hand of man, others by that of time. Now this statue, says Damis, was turned towards the sunrise, and was that of a youth still unbearded; and it was made of a black stone, and the two feet were joined together after the style in which statues were made in the time of Daedalus; and the arms of the figure were perpendicular to the seat pressing upon it, for though the figure was still sitting it was represented in the very act of rising up. We hear much of this attitude of the statue, and of the expression of its eyes, and of how the lips seem about to speak; but they say that they had no opportunity of admiring these effects until they saw them realized; for when the sun's rays fell upon the statue, and this happened exactly at dawn, they could not restrain their admiration; for the lips spoke immediately the sun's ray touched them, and the eyes seemed to stand out and gleam against the light as do those of men who love to bask in the sun. Then they say they understood that the figure was of one in the act of rising and making obeisance to the sun, in the way those do who worship the powers above standing erect. They accordingly offered a sacrifice to the Sun of Ethiopia and to Memnon of the Dawn, for this the priests recommended them to do, explaining that one name was derived from the words signifying to burn and be warm [ 1] and the other from his mother. Having done this they set out upon camels for the home of the naked philosophers. |
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| 69. Arnobius, Against The Gentiles, 1.39, 7.49 (3rd cent. CE - 4th cent. CE) Tagged with subjects: •cult images, external manipulation of •regeneration, of cult images •cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 82, 112 |
| 70. Eusebius of Caesarea, Preparation For The Gospel, 5.36.1 (3rd cent. CE - 4th cent. CE) Tagged with subjects: •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 174 |
| 71. Lactantius, Divine Institutes, 1.22.13-1.22.14, 5.22.3-5.22.8 (3rd cent. CE - 4th cent. CE) Tagged with subjects: •gods/goddesses, cult images of •cult, images Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 12, 13, 88, 90 |
72. Porphyry, On Abstinence, 2.18 (3rd cent. CE - 4th cent. CE) Tagged with subjects: •cult images •display, of cult images •sacredness, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 102 | 2.18. 18.On this account also, earthen, wooden, and wicker vessels were formerly used, and especially in public sacrifices, the ancients being persuaded that divinity is delighted with things of this kind. Whence, even now, the most ancient vessels, and which are made of wood, are thought to be more divine, both on account of the matter and the simplicity of the art by which they were fashioned. It is said, therefore, that Aeschylus, on his brother's asking him to write a Paean in honour of Apollo, replied, that the best Paean was written by Tynnichus8; and that if his composition were to be compared with that of Tynnichus, the same thing would take place as if new were compared with ancient statues. For the latter, though they are simple in their formation, are conceived to be divine; but the former, though they are most accurately elaborated, produce indeed admiration, but are not believed to possess so much of a divine nature. Hence Hesiod, praising the law of ancient sacrifices, very properly says, |55 Your country's rites in sacrifice observe: [In pious works] the ancient law is best 9. SPAN |
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73. Porphyry, On The Cave of The Nymphs, 16 (3rd cent. CE - 4th cent. CE) Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 162 | 16. In this cave, therefore, says Homer, all external possessions must be deposited. Here, naked, and assuming a suppliant habit, afflicted in body, casting aside everything superfluous, and being averse to the energies of sense, it is requisite to sit at the foot of the olive and consult with Minerva by what |39 means we may most effectually destroy that hostile rout of passions which insidiously lurk in the secret recesses of the soul. Indeed, as it appears to me, it was not without reason that Numenius and his followers thought the person of Ulysses in the Odyssey represented to us a man who passes in a reguIar manner over the dark and stormy sea of generation, and thus at length arrives at that region where tempests and seas are unknown, and finds a nation "Who ne'er knew salt, or heard the billows roar." |
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| 74. Theodore of Mopsuestia, Comm. In Pauli Ep., 18, 40, 38 (4th cent. CE - 5th cent. CE) Tagged with subjects: •nan Found in books: Wynne (2019), Horace and the Gift Economy of Patronage, 77 |
| 75. Theodore of Mopsuestia, Adv. Iul., 18, 38, 70 (4th cent. CE - 5th cent. CE) Tagged with subjects: •nan Found in books: Rupke (2016), Religious Deviance in the Roman World Superstition or Individuality?, 52 |
| 76. Macrobius, Saturnalia, 1.23.13 (4th cent. CE - 5th cent. CE) Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 160 |
| 77. Various, Anthologia Palatina, 9.144, 9.805 Tagged with subjects: •cult images, external manipulation of •regeneration, of cult images •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 112, 163 |
| 78. Aristophanes Boeotus, Fragments, 591.84-591.86 Tagged with subjects: •cult images, external manipulation of Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 113 |
79. Strabo, Geography, 6.1.14, 8.3.30, 9.2.29 Tagged with subjects: •cult images, and mobility •cult images •gaze, of cult images •richness, of cult images •sacredness, of cult images •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 105; Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 100, 104, 159, 179 | 6.1.14. After Thurii comes Lagaria, a stronghold, founded by Epeius and the Phocaeans; thence comes the Lagaritan wine, which is sweet, mild, and extremely well thought of among physicians. That of Thurii, too, is one of the famous wines. Then comes the city Heracleia, a short distance above the sea; and two navigable rivers, the Aciris and the Siris. On the Siris there used to be a Trojan city of the same name, but in time, when Heracleia was colonized thence by the Tarantini, it became the port of the Heracleotes. It is twenty-four stadia distant from Heracleia and about three hundred and thirty from Thurii. Writers produce as proof of its settlement by the Trojans the wooden image of the Trojan Athene which is set up there — the image that closed its eyes, the fable goes, when the suppliants were dragged away by the Ionians who captured the city; for these Ionians came there as colonists when in flight from the dominion of the Lydians, and by force took the city, which belonged to the Chones, and called it Polieium; and the image even now can be seen closing its eyes. It is a bold thing, to be sure, to tell such a fable and to say that the image not only closed its eyes (just as they say the image in Troy turned away at the time Cassandra was violated) but can also be seen closing its eyes; and yet it is much bolder to represent as brought from Troy all those images which the historians say were brought from there; for not only in the territory of Siris, but also at Rome, at Lavinium, and at Luceria, Athene is called Trojan Athena, as though brought from Troy. And further, the daring deed of the Trojan women is current in numerous places, and appears incredible, although it is possible. According to some, however, both Siris and the Sybaris which is on the Teuthras were founded by the Rhodians. According to Antiochus, when the Tarantini were at war with the Thurii and their general Cleandridas, an exile from Lacedemon, for the possession of the territory of Siris, they made a compromise and peopled Siris jointly, although it was adjudged the colony of the Tarantini; but later on it was called Heracleia, its site as well as its name being changed. 8.3.30. It remains for me to tell about Olympia, and how everything fell into the hands of the Eleians. The sanctuary is in Pisatis, less than three hundred stadia distant from Elis. In front of the sanctuary is situated a grove of wild olive trees, and the stadium is in this grove. Past the sanctuary flows the Alpheius, which, rising in Arcadia, flows between the west and the south into the Triphylian Sea. At the outset the sanctuary got fame on account of the oracle of the Olympian Zeus; and yet, after the oracle failed to respond, the glory of the sanctuary persisted none the less, and it received all that increase of fame of which we know, on account both of the festal assembly and of the Olympian Games, in which the prize was a crown and which were regarded as sacred, the greatest games in the world. The sanctuary was adorned by its numerous offerings, which were dedicated there from all parts of Greece. Among these was the Zeus of beaten gold dedicated by Cypselus the tyrant of Corinth. But the greatest of these was the image of Zeus made by Pheidias of Athens, son of Charmides; it was made of ivory, and it was so large that, although the temple was very large, the artist is thought to have missed the proper symmetry, for he showed Zeus seated but almost touching the roof with his head, thus making the impression that if Zeus arose and stood erect he would unroof the temple. Certain writers have recorded the measurements of the image, and Callimachus has set them forth in an iambic poem. Panaenus the painter, who was the nephew and collaborator of Pheidias, helped him greatly in decorating the image, particularly the garments, with colors. And many wonderful paintings, works of Panaenus, are also to be seen round the temple. It is related of Pheidias that, when Panaenus asked him after what model he was going to make the likeness of Zeus, he replied that he was going to make it after the likeness set forth by Homer in these words: Cronion spoke, and nodded assent with his dark brows, and then the ambrosial locks flowed streaming from the lord's immortal head, and he caused great Olympus to quake. A noble description indeed, as appears not only from the brows but from the other details in the passage, because the poet provokes our imagination to conceive the picture of a mighty personage and a mighty power worthy of a Zeus, just as he does in the case of Hera, at the same time preserving what is appropriate in each; for of Hera he says, she shook herself upon the throne, and caused lofty Olympus to quake. What in her case occurred when she moved her whole body, resulted in the case of Zeus when he merely nodded with his brows, although his hair too was somewhat affected at the same time. This, too, is a graceful saying about the poet, that he alone has seen, or else he alone has shown, the likenesses of the gods. The Eleians above all others are to be credited both with the magnificence of the sanctuary and with the honor in which it was held. In the times of the Trojan war, it is true, or even before those times, they were not a prosperous people, since they had been humbled by the Pylians, and also, later on, by Heracles when Augeas their king was overthrown. The evidence is this: The Eleians sent only forty ships to Troy, whereas the Pylians and Nestor sent ninety. But later on, after the return of the Heracleidae, the contrary was the case, for the Aitolians, having returned with the Heracleidae under the leadership of Oxylus, and on the strength of ancient kinship having taken up their abode with the Epeians, enlarged Coele Elis, and not only seized much of Pisatis but also got Olympia under their power. What is more, the Olympian Games are an invention of theirs; and it was they who celebrated the first Olympiads, for one should disregard the ancient stories both of the founding of the sanctuary and of the establishment of the games — some alleging that it was Heracles, one of the Idaean Dactyli, who was the originator of both, and others, that it was Heracles the son of Alcmene and Zeus, who also was the first to contend in the games and win the victory; for such stories are told in many ways, and not much faith is to be put in them. It is nearer the truth to say that from the first Olympiad, in which the Eleian Coroebus won the stadium-race, until the twenty-sixth Olympiad, the Eleians had charge both of the sanctuary and of the games. But in the times of the Trojan War, either there were no games in which the prize was a crown or else they were not famous, neither the Olympian nor any other of those that are now famous. In the first place, Homer does not mention any of these, though he mentions another kind — funeral games. And yet some think that he mentions the Olympian Games when he says that Augeas deprived the driver of four horses, prize-winners, that had come to win prizes. And they say that the Pisatans took no part in the Trojan War because they were regarded as sacred to Zeus. But neither was the Pisatis in which Olympia is situated subject to Augeas at that time, but only the Eleian country, nor were the Olympian Games celebrated even once in Eleia, but always in Olympia. And the games which I have just cited from Homer clearly took place in Elis, where the debt was owing: for a debt was owing to him in goodly Elis, four horses, prize-winners. And these were not games in which the prize was a crown (for the horses were to run for a tripod), as was the case at Olympia. After the twenty-sixth Olympiad, when they had got back their homeland, the Pisatans themselves went to celebrating the games because they saw that these were held in high esteem. But in later times Pisatis again fell into the power of the Eleians, and thus again the direction of the games fell to them. The Lacedemonians also, after the last defeat of the Messenians, cooperated with the Eleians, who had been their allies in battle, whereas the Arcadians and the descendants of Nestor had done the opposite, having joined with the Messenians in war. And the Lacedemonians cooperated with them so effectually that the whole country as far as Messene came to be called Eleia, and the name has persisted to this day, whereas, of the Pisatans, the Triphylians, and the Cauconians, not even a name has survived. Further, the Eleians settled the inhabitants of sandy Pylus itself in Lepreum, to gratify the Lepreatans, who had been victorious in a war, and they broke up many other settlements, and also exacted tribute of as many a they saw inclined to act independently. 9.2.29. Next Homer names Coroneia, Haliartus, Plataeae, and Glissas. Now Coroneia is situated on a height near Helicon. The Boeotians took possession of it on their return from the Thessalian Arne after the Trojan War, at which time they also occupied Orchomenus. And when they got the mastery of Coroneia, they built in the plain before the city the sanctuary of the Itonian Athena, bearing the same name as the Thessalian sanctuary; and they called the river which flowed past it Cuarius, giving it the same name as the Thessalian river. But Alcaeus calls it Coralius, when he says, Athena, warrior queen, who dost keep watch o'er the cornfields of Coroneia before thy temple on the banks of the Coralius River. Here, too, the Pamboeotian Festival used to be celebrated. And for some mystic reason, as they say, a statue of Hades was dedicated along with that of Athena. Now the people in Coroneia are called Coronii, whereas those in the Messenian Coroneia are called Coronaeis. |
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| 80. Demosthenes, Orations, 24.121 Tagged with subjects: •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 178 |
| 81. Epigraphy, Ig Vii, 2711 Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 159 |
| 82. Epigraphy, Ig Xi,2, 12.5 Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 5 |
83. Vergil, Aeneis, 6.847-6.848 Tagged with subjects: •cult, images •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13, 90 | 6.847. Lo! on the left and right at feast reclined 6.848. Are other blessed souls, whose chorus sings |
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84. Vergil, Georgics, 3.34 Tagged with subjects: •cult, images •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 13, 90| 3.34. Stabunt et Parii lapides, spirantia signa, | |
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| 85. Orphic Hymns., Fragments, 148-149 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 162 |
| 86. Pseudo-Jerome, Haer., 1.505 Tagged with subjects: •cult without images Found in books: Rupke (2016), Religious Deviance in the Roman World Superstition or Individuality?, 52 |
| 87. Plutarch, Q.N., 6 Tagged with subjects: •cult, images Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 94 |
| 88. Lucil., Ass, 15.526-15.528 Tagged with subjects: •gods/goddesses, cult images of Found in books: Mackey (2022), Belief and Cult: Rethinking Roman Religion, 12, 88, 89 |
| 89. Epigraphy, Seg, 11.1208, 18.240, 21.541 Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 5, 145, 159 |
| 90. Homeric Hymns, Bacch., 12-14, 38-39, 41, 40 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 168 |
| 91. Homeric Hymns, Cer., 101, 182-183, 188-190, 275, 277-280, 276 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 96, 97 |
| 92. Homeric Hymns, Ven., 156, 173-175, 59-64, 85-86, 65 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 97 |
| 93. Lucian, Eikones, 11, 22, 7, 6 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 102, 301 |
| 94. Euripides, Eurystheus, 286 Tagged with subjects: •cult images •cult images, iconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95 |
| 95. Diod. Sic., Hist., 17.41.7-17.41.8 Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 160 |
| 96. Epigraphy, Lsag, 11 Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 159 |
| 97. Various, Carmina Epigraphica Graeca, 394 Tagged with subjects: •cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 17 |
| 98. Callim., Fr., 197 Tagged with subjects: •cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 83 |
| 99. Homeric Hymns, Ap., 444, 442 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 97 |
| 100. Dio Chrys., Or., 12.54, 12.85 Tagged with subjects: •cult images •sacredness, of cult images •cult images, and speech Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 104, 182 |
| 101. Apollodorus of Athens, Fgrh 224, None Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 164 |
| 102. Xanthos The Lydian, Fgrh 765, None Tagged with subjects: •cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 86 |
| 103. Alc., Or., 10, 16-27, 8-9 Tagged with subjects: •nan Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 158 |
| 104. Quintus Curtius Rufus, Quintus Curtius Rufus, 4.3.21-4.3.22 Tagged with subjects: •cult images, and mobility Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 160 |
| 105. Plato, Fr.204 Ka 143,, 204 Tagged with subjects: •cult images, and speech •gaze, of cult images Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 181 |
| 106. Epigraphy, Fdd, 358 Tagged with subjects: •statues, cult images, xoanon Found in books: Lalone (2019), Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess, 145 |
| 107. Damascius, Fr., 203 Tagged with subjects: •cult images •cult images, aniconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 82 |
| 108. Protagoras Nicaenus V3. Jh., Fragments, None Tagged with subjects: •cult images •cult images, iconic Found in books: Steiner (2001), Images in Mind: Statues in Archaic and Classical Greek Literature and Thought, 95 |
