Home About Network of subjects Linked subjects heatmap Book indices included Search by subject Search by reference Browse subjects Browse texts

Tiresias: The Ancient Mediterranean Religions Source Database

   Search:  
validated results only / all results

and or

Filtering options: (leave empty for all results)
By author:     
By work:        
By subject:
By additional keyword:       



Results for
Please note: the results are produced through a computerized process which may frequently lead to errors, both in incorrect tagging and in other issues. Please use with caution.
Due to load times, full text fetching is currently attempted for validated results only.
Full texts for Hebrew Bible and rabbinic texts is kindly supplied by Sefaria; for Greek and Latin texts, by Perseus Scaife, for the Quran, by Tanzil.net

For a list of book indices included, see here.

graph

graph

All subjects (including unvalidated):
subject book bibliographic info
comedies Eidinow (2007) 32
comedies, greek Walter (2020) 10
comedies, palliata Clark (2007) 73, 74, 75, 78, 80, 83, 84, 85, 86, 87, 88, 89, 92, 93, 94, 95, 98, 99, 100, 102, 105, 106, 107, 108
comedies’, sulla, general, writer of ‘satyric Csapo (2022) 84
comedy Athanassaki and Titchener (2022) 10, 93, 115, 292, 305
Berglund Crostini and Kelhoffer (2022) 285, 340, 349
Bernabe et al (2013) 2, 41, 42, 97, 103, 302, 366, 369, 372, 373, 374, 375, 376, 379, 381, 382, 560
Brule (2003) 15, 38, 39, 98, 99, 171, 174, 175, 194
Csapo (2022) 3, 4, 19, 26, 45, 65, 81, 82, 97, 100, 108, 118, 124, 163, 164, 172
Ebrey and Kraut (2022) 66, 80, 339
Edmonds (2019) 4, 20, 128, 129, 147, 159, 198, 231
Huebner and Laes (2019) 15, 171
Joosse (2021) 49, 186, 187, 188, 189, 190, 191, 194, 195, 196, 197
Ker and Wessels (2020) 159, 166, 312
Konig and Wiater (2022) 333, 334, 338
König and Wiater (2022) 333, 334, 338
Liddel (2020) 212, 213, 215, 218, 219, 220
Lidonnici and Lieber (2007) 234
Meister (2019) 155, 156, 157, 158, 159, 160
Mikalson (2010) 88, 93, 232, 233
Pamias (2017) 85, 116, 133, 212
Rohland (2022) 68, 70, 212
Thonemann (2020) 5, 26, 27, 57, 131, 132, 160
Van Nuffelen (2012) 117
comedy, aelius aristides, sophist, , on the prohibition of Csapo (2022) 168
comedy, ancient comedy, greek , middle Laemmle (2021) 190
comedy, ancient comedy, greek , new Laemmle (2021) 190
comedy, ancient comedy, greek , old Laemmle (2021) 183, 190, 328, 329, 330, 333, 334, 335, 336, 337, 338, 339, 340, 341, 342, 343, 344, 345, 346, 348, 349, 350, 351, 352, 353, 354, 355
comedy, and absent from informal, oaths Sommerstein and Torrance (2014) 320, 327
comedy, and absent from informal, oaths invoking Sommerstein and Torrance (2014) 28, 60, 83, 113, 120
comedy, and carpe diem Rohland (2022) 24
comedy, and freedom of speech Csapo (2022) 167
comedy, and homoeroticism Hubbard (2014) 143, 154, 248
comedy, and informal, absent from arginusae, battle of Sommerstein and Torrance (2014) 208, 210
comedy, and political critique Richlin (2018) 43, 64, 132, 139, 145, 317, 323
comedy, and the palliata, old Richlin (2018) 10, 162
comedy, and war, new Richlin (2018) 11, 30, 450
comedy, ares and hera absent from Sommerstein and Torrance (2014) 327
comedy, as revolutionary Richlin (2018) 20, 26, 50, 477
comedy, as source of sacrificial rituals Ekroth (2013) 88, 255
comedy, at actian games Csapo (2022) 118
comedy, at the great dionysia Jouanna (2018) 181, 182
comedy, athenian, new Clark (2007) 99
comedy, attic and athenian religion Parker (2005) 148, 149, 150
comedy, augustus, and Csapo (2022) 97, 169
comedy, booklist, of authors of Johnson and Parker (2009) 241, 242
comedy, by, germanicus, julio-claudian general Csapo (2022) 98
comedy, characters of Martin (2009) 34, 67, 68, 106, 114
comedy, chorostatas, kho-, in middle and new Liapis and Petrides (2019) 214, 220, 246
comedy, chorostatas, kho-, in roman Liapis and Petrides (2019) 215
comedy, choruses of Csapo (2022) 11, 82, 163, 168
comedy, classical athenian König (2012) 12, 13, 43, 144
comedy, colloquial language Martin (2009) 8, 9, 63
comedy, comic technique Martin (2009) 111, 112, 113
comedy, concept, in old Kowalzig (2007) 114, 115, 116
comedy, connotes jealousy Sorabji (2000) 290
comedy, connotes jealousy, plato Sorabji (2000) 290
comedy, connotes sense of superiority Sorabji (2000) 290, 291
comedy, corpse as source of pollution, not polluting in Petrovic and Petrovic (2016) 241, 242
comedy, criticisms of Mikalson (2010) 61, 92, 93, 94, 214
comedy, definition, aristotle Sorabji (2000) 290
comedy, demagogues, in Marincola et al (2021) 154, 155
comedy, depiction in Parker (2005) 149
comedy, drama Eidinow and Kindt (2015) 179, 180, 182, 199, 409, 512
comedy, epicurus, and Rohland (2022) 69, 70, 71
comedy, epikleros, in Humphreys (2018) 65
comedy, false oaths in Sommerstein and Torrance (2014) 302
comedy, genres of latin poetry Čulík-Baird (2022) 27, 39, 95, 98, 99, 101, 108, 110, 111, 123, 129, 136, 140, 141, 146, 147, 148, 149, 156, 157, 158, 161, 163, 164, 165, 166, 168, 169, 171, 216
comedy, greek Braund and Most (2004) 83, 84, 86, 88, 89, 91, 92, 93, 94, 95, 96, 97, 98, 132
Gruen (2011) 205, 206, 256
comedy, greek new Miller and Clay (2019) 98, 109
comedy, greek, egypt in Gruen (2011) 102, 103
comedy, greek, playwrights, antiochus, l. marius of corinth Liapis and Petrides (2019) 219
comedy, greek, roman Braund and Most (2004) 232
comedy, hadrian, emperor, and Csapo (2022) 169
comedy, helper figures, in Meister (2019) 155, 156, 157, 158, 159, 160
comedy, herakles/heracles/hercules, in Miller and Clay (2019) 98
comedy, hermes, and Miller and Clay (2019) 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 107, 166
comedy, hermes, as god of Miller and Clay (2019) 116
comedy, imitation of politics Martin (2009) 75, 221, 223, 224
comedy, in marriage, new Pinheiro et al (2012a) 189
comedy, in rape, new Pinheiro et al (2012a) 131, 132, 133
comedy, informal oaths in Sommerstein and Torrance (2014) 122, 137, 195, 316, 318
comedy, informal oaths, in Sommerstein and Torrance (2014) 30, 122, 137, 138, 195, 302, 304, 315, 316, 318
comedy, jealousy, phthonos, connotes Sorabji (2000) 290
comedy, lena in Huebner and Laes (2019) 168, 170, 175
comedy, literary genres Toloni (2022) 8, 95, 96, 198, 209, 219, 221
comedy, marcus aurelius, emperor, on role of Csapo (2022) 166, 167
comedy, megalopolis, and invention of Eidinow (2007) 298
comedy, mercury/hermes, as god of Miller and Clay (2019) 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117
comedy, middle Amendola (2022) 65, 132, 414
Bierl (2017) 170, 172
comedy, middle, comedy, Csapo (2022) 4, 167
comedy, misogyny, in Brule (2003) 39, 40, 98, 171
comedy, motivation for Richlin (2018) 66, 314
comedy, muses Castagnoli and Ceccarelli (2019) 116, 117, 118, 119, 123, 134
comedy, new Amendola (2022) 132
Csapo (2022) 4, 97, 167, 168
Faraone (1999) 9, 154
Kirichenko (2022) 238
Konig (2022) 377
König (2012) 245, 251
Liapis and Petrides (2019) 247
Pinheiro Bierl and Beck (2013) 58, 112, 240
Pinheiro et al (2012a) 131, 132, 135, 184, 185, 189
Repath and Whitmarsh (2022) 11, 184, 185
Seaford (2018) 317
Sly (1990) 30
Sommerstein and Torrance (2014) 166, 321, 381
Yona (2018) 131
comedy, new nicias, peace of Sommerstein and Torrance (2014) 283, 310, 345
comedy, new, comedy, Meister (2019) 10, 11, 12, 21
comedy, old Amendola (2022) 65
Kirichenko (2022) 127, 128, 129, 130, 131, 132, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 231, 232, 233, 234
Liapis and Petrides (2019) 38, 121
Liddel (2020) 212, 213, 215, 218, 219, 220
Sommerstein and Torrance (2014) 84, 111, 117, 120, 316, 349
comedy, old, attic Csapo (2022) 4, 63, 97, 155, 163, 166, 167, 168, 169
comedy, old, attic, countering arrogance of elites Csapo (2022) 167, 169, 172
comedy, old, attic, freedom of speech in Csapo (2022) 167, 169
comedy, old, attic, written by women Csapo (2022) 168
comedy, on marriage Hubbard (2014) 373, 374
comedy, on pederasty Hubbard (2014) 112, 113, 122, 248
comedy, on prostitutes Hubbard (2014) 192, 368
comedy, on women Hubbard (2014) 372, 373, 375, 376
comedy, open meaning of Richlin (2018) 153, 314
comedy, playwrights, greek, aristophanes Liapis and Petrides (2019) 1, 30, 38, 75, 181, 197, 200, 201, 207, 209, 213, 229, 246, 272, 314, 328, 335, 339, 343, 348
comedy, playwrights, greek, ephippus Liapis and Petrides (2019) 47, 59
comedy, playwrights, greek, epicharmus Liapis and Petrides (2019) 85, 215
comedy, playwrights, greek, menander Liapis and Petrides (2019) 48, 86, 200, 201, 202, 214, 220, 246, 247, 272, 298, 305
comedy, poetry tragedy, plato’s criticism of Joosse (2021) 171, 186, 188, 198, 199, 200
comedy, proper to slaves Richlin (2018) 148, 314
comedy, religious stance of new Parker (2005) 124, 148
comedy, revision, diaskeue, of Csapo (2022) 168
comedy, roman Csapo (2022) 4
Faraone (1999) 154
Miller and Clay (2019) 109, 116, 166
comedy, sardanapallus epitaph, and Rohland (2022) 68, 69, 70, 71
comedy, satyrplay, theatre, drama see also tragedy , excerpts/extracts of Csapo (2022) 99, 163
comedy, satyrplay, theatre, drama see also tragedy , italic Csapo (2022) 88
comedy, satyrplay, theatre, drama see also tragedy , private performances of Csapo (2022) 31, 88, 163
comedy, satyrplay, theatre, drama see also tragedy , written in greek by roman elites Csapo (2022) 98
comedy, sexual terminology Brule (2003) 98, 99, 100, 101, 129
comedy, shtick in new Richlin (2018) 333, 450
comedy, shtick in old Richlin (2018) 30, 31, 49, 246, 331
comedy, sicilian Richlin (2018) 11, 16, 374, 474
comedy, socrates in Martin (2009) 151
comedy, spirit of Edmonds (2004) 114, 115
comedy, stage music Cosgrove (2022) 210, 211
comedy, stock characters in columbaria inscriptions Goldman (2013) 114, 117
comedy, too immoderate to produce catharsis, catharsis, proclus, tragedy and Sorabji (2000) 295, 296
comedy, tragedy, roman, overlaps with Richlin (2018) 11, 157
comedy, tragedy, vs. Jouanna (2018) 114, 115, 116
comedy, true stories, odysseus letter, and old Mheallaigh (2014) 167, 168, 169, 170, 171, 172, 173, 174
comedy, types of Radicke (2022) 131
comedy, ‘drama’, structure of in job Toloni (2022) 96
comedy, ‘drama’, structure of in tobit Toloni (2022) 95, 96, 217
comedy, ‘new music’, new Liapis and Petrides (2019) 210, 229, 257, 258
comedy, ‘new’ Csapo (2022) 122, 164, 168
comedy, ‘old’ Csapo (2022) 4, 97, 122, 164

List of validated texts:
49 validated results for "comedy"
1. Hesiod, Theogony, 947-949 (8th cent. BCE - 7th cent. BCE)
 Tagged with subjects: • Old Comedy • absent from comedy and informal, Arginusae,battle of

 Found in books: Lipka (2021) 114; Sommerstein and Torrance (2014) 210


947. χρυσοκόμης δὲ Διώνυσος ξανθὴν Ἀριάδνην,'948. κούρην Μίνωος, θαλερὴν ποιήσατʼ ἄκοιτιν. 949. τὴν δέ οἱ ἀθάνατον καὶ ἀγήρω θῆκε Κρονίων. '. None		947. For they are sent by the gods and are to all'948. A boon; the others, though, fitfully fall 949. Upon the sea, and there some overthrow '. None
2. Homer, Iliad, 23.166-23.178 (8th cent. BCE - 7th cent. BCE)
 Tagged with subjects: • comedy as source of sacrificial rituals • comedy, comic, in the Aeneid

 Found in books: Ekroth (2013) 255; Farrell (2021) 272


23.166. πολλὰ δὲ ἴφια μῆλα καὶ εἰλίποδας ἕλικας βοῦς 23.167. πρόσθε πυρῆς ἔδερόν τε καὶ ἄμφεπον· ἐκ δʼ ἄρα πάντων 23.168. δημὸν ἑλὼν ἐκάλυψε νέκυν μεγάθυμος Ἀχιλλεὺς 23.169. ἐς πόδας ἐκ κεφαλῆς, περὶ δὲ δρατὰ σώματα νήει. 23.170. ἐν δʼ ἐτίθει μέλιτος καὶ ἀλείφατος ἀμφιφορῆας 23.171. πρὸς λέχεα κλίνων· πίσυρας δʼ ἐριαύχενας ἵππους 23.172. ἐσσυμένως ἐνέβαλλε πυρῇ μεγάλα στεναχίζων. 23.173. ἐννέα τῷ γε ἄνακτι τραπεζῆες κύνες ἦσαν, 23.174. καὶ μὲν τῶν ἐνέβαλλε πυρῇ δύο δειροτομήσας, 23.175. δώδεκα δὲ Τρώων μεγαθύμων υἱέας ἐσθλοὺς 23.176. χαλκῷ δηϊόων· κακὰ δὲ φρεσὶ μήδετο ἔργα· 23.177. ἐν δὲ πυρὸς μένος ἧκε σιδήρεον ὄφρα νέμοιτο. 23.178. ᾤμωξέν τʼ ἄρʼ ἔπειτα, φίλον δʼ ὀνόμηνεν ἑταῖρον·''. None		23.166. and on the topmost part thereof they set the dead man, their hearts sorrow-laden. And many goodly sheep and many sleek kine of shambling gait they flayed and dressed before the pyre; and from them all great-souled Achilles gathered the fat, and enfolded the dead therein from head to foot, and about him heaped the flayed bodies. 23.170. And thereon he set two-handled jars of honey and oil, leaning them against the bier; and four horses with high arched neeks he cast swiftly upon the pyre, groaning aloud the while. Nine dogs had the prince, that fed beneath his table, and of these did Achilles cut the throats of twain, and cast them upon the pyre. 23.175. And twelve valiant sons of the great-souled Trojans slew he with the bronze—and grim was the work he purposed in his heart and thereto he set the iron might of fire, to range at large. Then he uttered a groan, and called on his dear comrade by name:Hail, I bid thee, O Patroclus, even in the house of Hades, 23.178. And twelve valiant sons of the great-souled Trojans slew he with the bronze—and grim was the work he purposed in his heart and thereto he set the iron might of fire, to range at large. Then he uttered a groan, and called on his dear comrade by name:Hail, I bid thee, O Patroclus, even in the house of Hades, ''. None
3. None, None, nan (8th cent. BCE - 7th cent. BCE)
 Tagged with subjects: • deception, and comedy • literary genres, comedy

 Found in books: Hesk (2000) 271; Toloni (2022) 198
4. Euripides, Bacchae, 221-225, 233, 247, 259, 263, 352, 366 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • comedy • comedy, • comedy, comic technique

 Found in books: Bernabe et al (2013) 41, 302; Edmonds (2019) 231; Martin (2009) 112


221. πλήρεις δὲ θιάσοις ἐν μέσοισιν ἑστάναι'222. κρατῆρας, ἄλλην δʼ ἄλλοσʼ εἰς ἐρημίαν 223. πτώσσουσαν εὐναῖς ἀρσένων ὑπηρετεῖν, 224. πρόφασιν μὲν ὡς δὴ μαινάδας θυοσκόους, 225. τὴν δʼ Ἀφροδίτην πρόσθʼ ἄγειν τοῦ Βακχίου.
233.
247. ὕβρεις ὑβρίζειν, ὅστις ἔστιν ὁ ξένος;
259. καθῆσʼ ἂν ἐν βάκχαισι δέσμιος μέσαις,
263. τῆς δυσσεβείας. ὦ ξένʼ, οὐκ αἰδῇ θεοὺς
366. τῷ Βακχίῳ γὰρ τῷ Διὸς δουλευτέον. '. None		221. this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are Maenads worshipping;'222. this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are Maenads worshipping; 225. but they consider Aphrodite before Bacchus.As many of them as I have caught, servants keep in the public strongholds with their hands bound, and as many as are absent I will hunt from the mountains, I mean Ino and Agave, who bore me to Echion, and
233. Autonoe, the mother of Actaeon. And having bound them in iron fetters, I will soon stop them from this ill-working revelry. And they say that some stranger has come, a sorcerer, a conjuror from the Lydian land,
247. because she had falsely claimed a marriage with Zeus. Is this not worthy of a terrible death by hanging, for a stranger to insult me with these insults, whoever he is?But here is another wonder—I see Teiresias the soothsayer in dappled fawn-skin
259. You persuaded him to this, Teiresias. Do you wish, by introducing another new god to men, to examine birds and receive rewards for sacrifices? If your gray old age did not defend you, you would sit in chains in the midst of the Bacchae,
263. Oh, what impiety! O stranger, do you not reverence the gods and Kadmos who sowed the earth-born crop?
352. and release his garlands to the winds and storms. In this way I will especially wound him. And some of you hunt throughout the city for this effeminate stranger, who introduces a new disease to women and pollutes our beds.
366. it would be shameful for two old men to fall down. But let that pass, for we must serve Bacchus, the son of Zeus. Beware lest Pentheus bring trouble to your house, Kadmos; I do not speak in prophecy, but judging from the state of things; for a foolish man speaks foolishness. Choru '. None
5. Euripides, Hippolytus, 612, 1417-1425, 1437 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • New Comedy • absent from comedy and informal, oaths invoking • corpse as source of pollution, not polluting in comedy • deception, and comedy • informal oaths, in comedy

 Found in books: Hesk (2000) 267; Lipka (2021) 83; Petrovic and Petrovic (2016) 241, 242; Sommerstein and Torrance (2014) 28, 304


612. ἡ γλῶσς' ὀμώμοχ', ἡ δὲ φρὴν ἀνώμοτος." '
1417. θεᾶς ἄτιμοι Κύπριδος ἐκ προθυμίας'1418. ὀργαὶ κατασκήψουσιν ἐς τὸ σὸν δέμας, 1419. σῆς εὐσεβείας κἀγαθῆς φρενὸς χάριν: 1420. ἐγὼ γὰρ αὐτῆς ἄλλον ἐξ ἐμῆς χερὸς 1421. ὃς ἂν μάλιστα φίλτατος κυρῇ βροτῶν 1422. τόξοις ἀφύκτοις τοῖσδε τιμωρήσομαι.' "1423. σοὶ δ', ὦ ταλαίπωρ', ἀντὶ τῶνδε τῶν κακῶν" '1424. τιμὰς μεγίστας ἐν πόλει Τροζηνίᾳ 1425. δώσω: κόραι γὰρ ἄζυγες γάμων πάρος' "
1437. καὶ χαῖρ': ἐμοὶ γὰρ οὐ θέμις φθιτοὺς ὁρᾶν" "'. None		612. My tongue an oath did take, but not my heart. Nurse
1417. Enough! for though thou pass to gloom beneath the earth, the wrath of Cypris shall not, at her will, fall on thee unrequited, because thou hadst a noble righteous soul. Nauck encloses this line in brackets.'1418. Enough! for though thou pass to gloom beneath the earth, the wrath of Cypris shall not, at her will, fall on thee unrequited, because thou hadst a noble righteous soul. Nauck encloses this line in brackets. 1420. For I with mine own hand will with these unerring shafts avenge me on another, Adonis. who is her votary, dearest to her of all the sons of men. And to thee, poor sufferer, for thy anguish now will I grant high honours in the city of Troezen; 1425. for thee shall maids unwed before their marriage cut off their hair, thy harvest through the long roll of time of countless bitter tears. Yea, and for ever shall the virgin choir hymn thy sad memory,
1437. And thee Hippolytus, I admonish; hate not thy sire, for in this death thou dost but meet thy destined fate. '. None
6. Euripides, Ion, 550, 552-553 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • comedy • comedy, comic technique

 Found in books: Bernabe et al (2013) 41; Martin (2009) 112


550. Πυθίαν δ' ἦλθες πέτραν πρίν;"
550. τῷ χρόνῳ γε συντρέχει.' "
552. προξένων δ' ἔν του κατέσχες;" '
552. ταῦτ' ἀμηχανῶ." "553. διὰ μακρᾶς ἐλθὼν κελεύθου; 553. ὅς με Δελφίσιν κόραις . . . ". None		550. Didst thou in days gone by come to the Pythian rock? Xuthu'
552. Initiated thee? or what is it thou sayest? Xuthu 553. Wert thou sober, or in thy cups? Xuthu '. None
7. Euripides, Orestes, 1496, 1516-1517 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • Augustus, and comedy • Hadrian (Emperor), and comedy • New Comedy, ‘New Music’ • Old Comedy (Attic) • Old Comedy (Attic), countering arrogance of elites • Old Comedy (Attic), freedom of speech in • informal oaths, in comedy • playwrights, comedy (Greek), Aristophanes

 Found in books: Csapo (2022) 169; Liapis and Petrides (2019) 229; Sommerstein and Torrance (2014) 30


1496. ἄφαντος, ὦ Ζεῦ καὶ γᾶ'
1496. ξυνήρπασαν: πάλιν δὲ τὰν Διὸς κόραν
1516. ὄμοσον — εἰ δὲ μή, κτενῶ σε — μὴ λέγειν ἐμὴν χάριν.' "1517. τὴν ἐμὴν ψυχὴν κατώμος', ἣν ἂν εὐορκοῖμ' ἐγώ." ''. None		1496. passing right through the house, O Zeus and Earth and light and night! whether by magic spells or wizards’ arts or heavenly theft.'
1516. Swear you are not saying this to humor me, or I will kill you. Phrygian 1517. I swear by my life, an oath I would keep! Oreste '. None
8. Euripides, Phoenician Women, 1489 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • New Comedy, ‘New Music’ • comedy • playwrights, comedy (Greek), Aristophanes

 Found in books: Bernabe et al (2013) 41; Liapis and Petrides (2019) 229


1489. αἰδομένα φέρομαι βάκχα νεκύ-''. None		1489. I do not veil my tender cheek shaded with curls, nor do I feel shame, from maiden modesty, at the dark red beneath my eyes, the blush upon my face, as I hurry on, in bacchic revelry for the dead,''. None
9. Euripides, Rhesus, 5-6, 168, 780-789, 972 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • New Comedy • Old Comedy • comedy • playwrights, comedy (Greek), Aristophanes • playwrights, comedy (Greek), Epicharmus • playwrights, comedy (Greek), Menander

 Found in books: Bernabe et al (2013) 41; Ker and Wessels (2020) 166; Liapis and Petrides (2019) 75, 85, 86; Lipka (2021) 128, 131; Seaford (2018) 317


5. οἳ τετράμοιρον νυκτὸς φυλακὴν 6. πάσης στρατιᾶς προκάθηνται.' "
168. οὐδ' ἐξ ἐμαυτοῦ μειζόνων γαμεῖν θέλω."
780. καί μοι καθ' ὕπνον δόξα τις παρίσταται:" '781. ἵππους γὰρ ἃς ἔθρεψα κἀδιφρηλάτουν 782. ̔Ρήσῳ παρεστώς, εἶδον, ὡς ὄναρ δοκῶν, 783. λύκους ἐπεμβεβῶτας ἑδραίαν ῥάχιν:' "784. θείνοντε δ' οὐρᾷ πωλικῆς ῥινοῦ τρίχα" "78
5. ἤλαυνον, αἳ δ' ἔρρεγκον ἐξ ἀντηρίδων" '786. θυμὸν πνέουσαι κἀνεχαίτιζον φόβῳ.' "787. ἐγὼ δ' ἀμύνων θῆρας ἐξεγείρομαι" '788. πώλοισιν: ἔννυχος γὰρ ἐξώρμα φόβος.' "789. κλύω δ' ἐπάρας κρᾶτα μυχθισμὸν νεκρῶν." '
972. Βάκχου προφήτης ὥστε Παγγαίου πέτραν' "'. None		5. The four long watches of the dark, 6. While others sleep.—Uplift thine head,
168. I seek no mate that might look down on me. HECTOR.'
780. I said no more but turned and presently 781. I seemed to see the horses—mine own team 782. I had trained long since and drove at Rhesus’ side— 783. But wolves were on their backs, wolves, couched astride, 784. Who drove and scourged; I saw the horses rear 78
5. And stagger with wide nostrils, stiff with fear, 786. And, starting up to drive the beasts away, 787. I woke.—A terror of great darkness lay 788. About me, but I lifted up my head 789. And listened. There was moaning, like the dead
972. As under far Pangaion Orpheus lies, '. None
10. Plato, Symposium, None (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Old Comedy • Poetry comedy, tragedy, Plato’s criticism of

 Found in books: Joosse (2021) 188; Lipka (2021) 82


223d. Ἀριστόδημος οὐκ ἔφη μεμνῆσθαι τῶν λόγων—οὔτε γὰρ ἐξ ἀρχῆς παραγενέσθαι ὑπονυστάζειν τε—τὸ μέντοι κεφάλαιον, ἔφη, προσαναγκάζειν τὸν Σωκράτη ὁμολογεῖν αὐτοὺς τοῦ αὐτοῦ ἀνδρὸς εἶναι κωμῳδίαν καὶ τραγῳδίαν ἐπίστασθαι ποιεῖν, καὶ τὸν τέχνῃ τραγῳδοποιὸν ὄντα καὶ κωμῳδοποιὸν εἶναι. ταῦτα δὴ ἀναγκαζομένους αὐτοὺς καὶ οὐ σφόδρα ἑπομένους νυστάζειν, καὶ πρότερον μὲν καταδαρθεῖν τὸν Ἀριστοφάνη, ἤδη δὲ ἡμέρας γιγνομένης τὸν Ἀγάθωνα. τὸν οὖν Σωκράτη, κατακοιμίσαντʼ ἐκείνους, ἀναστάντα ἀπιέναι, καὶ ἓ ὥσπερ εἰώθει ἕπεσθαι, καὶ ἐλθόντα εἰς Λύκειον, ἀπονιψάμενον, ὥσπερ ἄλλοτε τὴν ἄλλην ἡμέραν διατρίβειν, καὶ οὕτω διατρίψαντα εἰς ἑσπέραν οἴκοι ἀναπαύεσθαι.''. None		223d. for he had missed the beginning and was also rather drowsy; but the substance of it was, he said, that Socrates was driving them to the admission that the same man could have the knowledge required for writing comedy and tragedy—that the fully skilled tragedian could be a comedian as well. While they were being driven to this, and were but feebly following it, they began to nod; first Aristophanes dropped into a slumber, and then, as day began to dawn, Agathon also. When Socrates had seen them comfortable, he rose and went away,—followed in the usual manner by my friend; on arriving at the Lyceum, he washed himself, and then spent the rest of the day in his ordinary fashion; and so, when the day was done, he went home for the evening and reposed.''. None
11. Sophocles, Ajax, 694 (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • Comedy • Helper figures, in comedy • New Comedy, ‘New Music’

 Found in books: Liapis and Petrides (2019) 258; Meister (2019) 157


694. I shiver with rapture; I soar on the wings of sudden joy!''. None
12. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Greek New Comedy • Helper figures, in comedy • Herakles/Heracles/Hercules, in comedy • Hermes, and comedy • Hermes, as god of comedy • Mercury/Hermes, as god of comedy • Middle Comedy • New Comedy • Old Comedy • Roman Comedy • Roman comedy • comedy • comedy, ancient Greek\n, Old Comedy • comedy, at the Great Dionysia • comedy, imitation of politics • comedy, old • deception, and comedy • playwrights, comedy (Greek), Aristophanes

 Found in books: Amendola (2022) 65; Bernabe et al (2013) 42, 375, 376; Brule (2003) 194; Faraone (1999) 154; Hesk (2000) 259, 260, 261, 262, 263, 265, 266, 267, 268, 269, 270; Jouanna (2018) 181, 182; Kirichenko (2022) 128; Laemmle (2021) 334, 335, 336, 337, 338, 339, 340, 341, 343, 344, 345, 346, 348, 349, 350, 351, 352; Liapis and Petrides (2019) 75; Liddel (2020) 212; Lipka (2021) 22; Martin (2009) 221; Meister (2019) 157, 158; Michalopoulos et al. (2021) 193, 199, 202, 203, 204, 205; Miller and Clay (2019) 98, 113, 116; Sommerstein and Torrance (2014) 111
13. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Mercury/Hermes, as god of comedy • Old Comedy • comedy, • comedy, Attic and Athenian religion • comedy, colloquial language • depiction in comedy

 Found in books: Edmonds (2019) 231; Lipka (2021) 106; Martin (2009) 63; Miller and Clay (2019) 113; Parker (2005) 149, 150; Sommerstein and Torrance (2014) 111
14. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Old Comedy • comedy, comic technique • comedy, old • informal oaths, in comedy

 Found in books: Kirichenko (2022) 127; Liddel (2020) 215; Martin (2009) 113; Sommerstein and Torrance (2014) 30
15. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Helper figures, in comedy • Hermes, and comedy • Mercury/Hermes, as god of comedy • New Comedy • New Comedy, Nicias,Peace of • Old Comedy • comedy, ancient Greek\n, Old Comedy • comedy, and political critique • comedy, motivation for • comedy, on prostitutes • deception, and comedy

 Found in books: Hesk (2000) 256, 265; Hubbard (2014) 192; Kanellakis (2020) 95; Laemmle (2021) 328; Lipka (2021) 132, 133; Meister (2019) 155, 156, 158; Miller and Clay (2019) 103, 113; Papaioannou et al. (2021) 47; Richlin (2018) 64, 66; Sommerstein and Torrance (2014) 111, 345
16. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Helper figures, in comedy • Hermes, and comedy • New Comedy, religious stance of • Old Comedy • comedy • comedy and fulfillment of hopes • comedy, • comedy, Attic and Athenian religion • comedy, and homoeroticism • comedy, false oaths in • comedy, i, • comedy, informal oaths in • comedy, on pederasty • concept, in Old Comedy • deception, and comedy • informal oaths, in comedy

 Found in books: Bernabe et al (2013) 41, 381; Bowie (2021) 669; Edmonds (2019) 4, 20, 231; Fortenbaugh (2006) 69; Hesk (2000) 261, 267; Hubbard (2014) 112, 122, 248; Kazantzidis and Spatharas (2018) 96, 102; Kowalzig (2007) 115; Lipka (2021) 22, 106; Meister (2019) 157; Michalopoulos et al. (2021) 199; Miller and Clay (2019) 99; Parker (2005) 148; Sommerstein and Torrance (2014) 117, 302, 318
17. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Helper figures, in comedy • Hermes, and comedy • Mercury/Hermes, as god of comedy • New Comedy • New Comedy, religious stance of • Old Comedy • comedy, • comedy, Attic and Athenian religion • comedy, on pederasty

 Found in books: Edmonds (2019) 159; Hubbard (2014) 112; Liddel (2020) 212; Lipka (2021) 22, 79, 105; Meister (2019) 155; Michalopoulos et al. (2021) 193, 199; Miller and Clay (2019) 96, 101, 102, 104, 113; Parker (2005) 148
18. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Hermes, and comedy • Mercury/Hermes, as god of comedy • New Comedy • Old Comedy • comedy • playwrights, comedy (Greek), Aristophanes • playwrights, comedy (Greek), Menander

 Found in books: Bernabe et al (2013) 379; Liapis and Petrides (2019) 200; Lipka (2021) 22, 89, 104, 105; Miller and Clay (2019) 97, 113, 114, 115; Sommerstein and Torrance (2014) 111
19. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Comedy (personification) • Greek New Comedy • Helper figures, in comedy • Herakles/Heracles/Hercules, in comedy • Hermes, and comedy • Hermes, as god of comedy • Mercury/Hermes, as god of comedy • New Comedy • New Comedy, and war • New Comedy, ‘New Music’ • Old Comedy • Old Comedy, shtick in • Roman Comedy • absent from comedy and informal, Arginusae,battle of • comedy • comedy, false oaths in • comedy, informal oaths in • comedy, old • corpse as source of pollution, not polluting in comedy • demagogues, in comedy, • informal oaths, in comedy • playwrights, comedy (Greek), Aristophanes

 Found in books: Bernabe et al (2013) 42, 103, 372, 373; Joosse (2021) 195; Kirichenko (2022) 127; Liapis and Petrides (2019) 1, 209, 229; Lipka (2021) 86, 104, 131; Marincola et al (2021) 154; Meister (2019) 156; Miller and Clay (2019) 98, 113, 114, 116; Petrovic and Petrovic (2016) 241, 242; Richlin (2018) 30; Sommerstein and Torrance (2014) 111, 122, 138, 208, 302
20. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Helper figures, in comedy • Mercury/Hermes, as god of comedy • New Comedy • Old Comedy • comedy • comedy and fulfillment of hopes • comedy, Greek, Egypt in • comedy, and homoeroticism • comedy, false oaths in • comedy, informal oaths in • comedy, on marriage • comedy, on women • concept, in Old Comedy • deception, and comedy • informal oaths, in comedy • playwrights, comedy (Greek), Aristophanes

 Found in books: Bernabe et al (2013) 381; Gruen (2011) 102; Hesk (2000) 261, 263; Hubbard (2014) 143, 373; Kazantzidis and Spatharas (2018) 96; Kowalzig (2007) 115; Liapis and Petrides (2019) 207; Lipka (2021) 22; Meister (2019) 155, 159, 160; Miller and Clay (2019) 113; Sommerstein and Torrance (2014) 137, 302, 304, 321
21. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Comedy • Comedy (personification) • Hermes, and comedy • Mercury/Hermes, as god of comedy • New Comedy • Old Comedy • Old Comedy, shtick in • comedy Greek • comedy, false oaths in • comedy, on pederasty • deception, and comedy • informal oaths, in comedy

 Found in books: Braund and Most (2004) 84, 89, 95; Hesk (2000) 272; Hubbard (2014) 112; Lipka (2021) 86, 106, 132; Michalopoulos et al. (2021) 57, 107, 152, 199, 205; Miller and Clay (2019) 100, 113; Richlin (2018) 331; Sommerstein and Torrance (2014) 30, 302, 304
22. None, None, nan (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • Comedy (personification) • Mercury/Hermes, as god of comedy • New Comedy

 Found in books: Lipka (2021) 86; Miller and Clay (2019) 113
23. None, None, nan (5th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • deception, and comedy • playwrights, comedy (Greek), Ephippus

 Found in books: Hesk (2000) 267; Liapis and Petrides (2019) 47
24. None, None, nan (4th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Aristotle, Comedy, definition • Comedy • Comedy, connotes jealousy • Comedy, connotes sense of superiority • Jealousy (phthonos), connotes Comedy • Plato, Comedy connotes jealousy • comedy • drama, comedy • playwrights, comedy (Greek), Aristophanes

 Found in books: Eidinow and Kindt (2015) 182; Fortenbaugh (2006) 251; Joosse (2021) 189; Liapis and Petrides (2019) 339; Sorabji (2000) 290, 291
25. None, None, nan (4th cent. BCE - 3rd cent. BCE)
 Tagged with subjects: • Comedy • Middle Comedy • Old Comedy

 Found in books: Amendola (2022) 414; Liddel (2020) 218, 219
26. None, None, nan (4th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Old Comedy • comedy, criticisms of

 Found in books: Mikalson (2010) 94; Sommerstein and Torrance (2014) 349
27. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • Old Comedy, shtick in • comedy, on marriage

 Found in books: Hubbard (2014) 374; Richlin (2018) 31
28. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • Hermes, and comedy • Mercury/Hermes, as god of comedy • New Comedy • Old Comedy • Roman Comedy • comedy • comedy, and political critique • comedy, motivation for • comedy, open meaning of • comedy, proper to slaves

 Found in books: Csapo (2022) 3; Lipka (2021) 80, 81, 97, 122; Miller and Clay (2019) 112, 114, 115, 166; Richlin (2018) 145, 148, 314
29. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • comedies, palliata • comedy and fulfillment of hopes

 Found in books: Clark (2007) 84, 86; Kazantzidis and Spatharas (2018) 165
30. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • comedies, palliata • comedy, as revolutionary

 Found in books: Clark (2007) 83, 105; Richlin (2018) 50
31. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • comedies, palliata • comedy

 Found in books: Clark (2007) 105, 106; Mawford and Ntanou (2021) 23
32. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • Mercury/Hermes, as god of comedy • comedy, as revolutionary

 Found in books: Miller and Clay (2019) 111; Richlin (2018) 20
33. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • Mercury/Hermes, as god of comedy • comedies, palliata • comedy, and political critique

 Found in books: Clark (2007) 83; Miller and Clay (2019) 112, 115; Richlin (2018) 132
34. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • Mercury/Hermes, as god of comedy • comedies, palliata

 Found in books: Clark (2007) 84; Miller and Clay (2019) 112
35. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • comedies, palliata • comedy and fulfillment of hopes • comedy, and political critique

 Found in books: Clark (2007) 78, 86, 87; Kazantzidis and Spatharas (2018) 167; Richlin (2018) 145, 317
36. Ovid, Metamorphoses, 4.65-4.66, 4.69-4.70 (1st cent. BCE - missingth cent. CE)
 Tagged with subjects: • comedy / comic • comedy, New

 Found in books: Fabre-Serris et al (2021) 205; Mayor (2017) 254


4.65. Fissus erat tenui rima, quam duxerat olim, 4.66. cum fieret paries domui communis utrique.
4.69. et vocis fecistis iter; tutaeque per illud 4.70. murmure blanditiae minimo transire solebant.''. None		4.65. passed her declining years in whitened towers. 4.66. Or should she tell of Nais, who with herbs,
4.69. herself the same sad fate; or of that tree 4.70. which sometime bore white fruit, but now is changed''. None
37. None, None, nan (1st cent. BCE - missingth cent. CE)
 Tagged with subjects: • comedy

 Found in books: Konig and Wiater (2022) 333, 338; König and Wiater (2022) 333, 338
38. None, None, nan (1st cent. BCE - 1st cent. BCE)
 Tagged with subjects: • Old Comedy • comedy, comic • comedy, comic, relation to satyr drama

 Found in books: Farrell (2021) 170; Liapis and Petrides (2019) 121
39. Dio Chrysostom, Orations, 18.6-18.7, 18.10, 19.5 (1st cent. CE - missingth cent. CE)
 Tagged with subjects: • comedy • comedy, stage music • playwrights, comedy (Greek), Aristophanes • playwrights, comedy (Greek), Menander

 Found in books: Cosgrove (2022) 211; Konig and Wiater (2022) 333, 334, 338; König and Wiater (2022) 333, 334, 338; Liapis and Petrides (2019) 305, 343


18.6. \xa0So first of all, you should know that you have no need of toil or exacting labour; for although, when a man has already undergone a great deal of training, these contribute very greatly to his progress, yet if he has had only a little, they will lessen his confidence and make him diffident about getting into action; just as with athletes who are unaccustomed to the training of the body, such training weakens them if they become fatigued by exercises which are too severe. But just as bodies unaccustomed to toil need anointing and moderate exercise rather than the training of the gymnasium, so you in preparing yourself for public speaking have need of diligence which has a tempering of pleasure rather than laborious training. So let us consider the poets: I\xa0would counsel you to read Meder of the writers of Comedy quite carefully, and Euripides of the writers of Tragedy, and to do so, not casually by reading them to yourself, but by having them read to you by others, preferably by men who know how to render the lines pleasurably, but at any rate so as not to offend. For the effect is enhanced when one is relieved of the preoccupation of reading. <' "18.7. \xa0And let no one of the more 'advanced' critics chide me for selecting Meder's plays in preference to the Old Comedy, or Euripides in preference to the earlier writers of Tragedy. For physicians do not prescribe the most costly diet for their patients, but that which is salutary. Now it would be a long task to enumerate all the advantages to be derived from these writers; indeed, not only has Meder's portrayal of every character and every charming trait surpassed all the skill of the early writers of Comedy, but the suavity and plausibility of Euripides, while perhaps not completely attaining to the grandeur of the tragic poet's way of deifying his characters, or to his high dignity, are very useful for the man in public life; and furthermore, he cleverly fills his plays with an abundance of characters and moving incidents, and strews them with maxims useful on all occasions, since he was not without acquaintance with philosophy. <" '
18.10. \xa0As for Herodotus, if you ever want real enjoyment, you will read him when quite at your ease, for the easy-going manner and charm of his narrative will give the impression that his work deals with stories rather than with actual history. But among the foremost historians I\xa0place Thucydides, and among those of second rank Theopompus; for not only is there a rhetorical quality in the narrative portion of his speeches, but he is not without eloquence nor negligent in expression, and the slovenliness of his diction is not so bad as to offend you. As for Ephorus, while he hands down to us a great deal of information about events, yet the tediousness and carelessness of his narrative style would not suit your purpose. <
19.5. \xa0And the most of what they give us comes from ancient times, and from much wiser men than those of the present. In the case of comedy everything is kept; in the case of tragedy only the strong parts, it would seem, remain â\x80\x94 I\xa0mean the iambics, and portions of these they still give in our theatres â\x80\x94 but the more delicate parts have fallen away, that is, the lyric parts. I\xa0might illustrate by the case of old men: all the firm parts of the body resist the ravages of time, namely, the bones and the muscles; but everything else shrivels up. This is the reason that the bodies of the extremely old men are seen to be wasted and shrunken, whereas all those old men who are corpulent because of their wealth and luxury, although they have no strength left but only fat instead of flesh, do seem well nourished and younger to the great majority.''. None
40. Plutarch, Pericles, 38.2 (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • New Comedy, religious stance of • comedy,

 Found in books: Edmonds (2019) 147; Parker (2005) 124


38.2. ὁ γοῦν Θεόφραστος ἐν τοῖς Ἠθικοῖς διαπορήσας εἰ πρὸς τὰς τύχας τρέπεται τὰ ἤθη καὶ κινούμενα τοῖς τῶν σωμάτων πάθεσιν ἐξίσταται τῆς ἀρετῆς, ἱστόρηκεν ὅτι νοσῶν ὁ Περικλῆς ἐπισκοπουμένῳ τινὶ τῶν φίλων δείξειε περίαπτον ὑπὸ τῶν γυναικῶν τῷ τραχήλῳ περιηρτημένον, ὡς σφόδρα κακῶς ἔχων ὁπότε καὶ ταύτην ὑπομένοι τὴν ἀβελτερίαν.''. None		38.2. Certain it is that Theophrastus, in his Ethics, querying whether one’s character follows the bent of one’s fortunes and is forced by bodily sufferings to abandon its high excellence, records this fact, that Pericles, as he lay sick, showed one of his friends who was come to see him an amulet that the women had hung round his neck, as much as to say that he was very badly off to put up with such folly as that.''. None
41. None, None, nan (1st cent. CE - 1st cent. CE)
 Tagged with subjects: • comedy

 Found in books: Konig and Wiater (2022) 334, 338; König and Wiater (2022) 334, 338
42. None, None, nan (1st cent. CE - 1st cent. CE)
 Tagged with subjects: • comedy, • comedy, New

 Found in books: Edmonds (2019) 20; Fabre-Serris et al (2021) 222
43. None, None, nan (2nd cent. CE - 3rd cent. CE)
 Tagged with subjects: • Hermes, and comedy • comedy

 Found in books: Miller and Clay (2019) 104; Rohland (2022) 212
44. None, None, nan (2nd cent. CE - 2nd cent. CE)
 Tagged with subjects: • Comedy, Old, • Old Comedy • True stories, Odysseus letter, and Old Comedy

 Found in books: Bowersock (1997) 20, 21; Mheallaigh (2014) 172, 173, 174; Stephens and Winkler (1995) 107, 108
45. Aeschines, Or., 2.78
 Tagged with subjects: • Comedy • comedy, characters of

 Found in books: Martin (2009) 68; Michalopoulos et al. (2021) 83


2.78. for Atrometus our father, whom you slander, though you do not know him and never saw what a man he was in his prime—you, Demosthenes, a descendant through your mother of the nomad Scythians—our father went into exile in the time of the Thirty, and later helped to restore the democracy; while our mother's brother, our uncle Cleobulus, the son of Glaucus of the deme Acharnae, was with Demaenetus of the family of the Buzygae, when he won the naval victory over Cheilon the Lacedaemonian admiral. The sufferings of the city were therefore a household word with us, familiar to my ears."". None
46. Demosthenes, Orations, 6.31, 18.282, 18.284
 Tagged with subjects: • Old Comedy • comedy, characters of • comedy, imitation of politics • comedy, informal oaths in • comedy, on prostitutes • deception, and comedy • informal oaths, in comedy

 Found in books: Hesk (2000) 270; Hubbard (2014) 192; Martin (2009) 75, 114; Sommerstein and Torrance (2014) 316, 349


6.31. And the crowning disgrace is that your posterity also is bound by the same peace which these hopes prompted you to conclude; so completely were you led astray. Why do I mention this now and assert that these men ought to be called upon? I vow that I will boldly tell you the whole truth and keep nothing back.
18.282. Can you say the same? No, indeed! Why, immediately after the battle you went on embassy to visit Philip, the author of all the recent calamities of your country, although hitherto you had notoriously declined that employment. And who is the deceiver of his country? Surely the man who does not say what he thinks. For whom does the marshal read the commination? For him. What graver crime can be charged to an orator than that his thoughts and his words do not tally? In that crime you were detected;
18.284. But no sooner had the news of the battle reached us than you ignored all your protests, and confessed, or rather claimed, that you were Philip’s friend and Philip’s guest—a euphemism for Philip’s hired servant; for with what show of equality or honesty could Philip possibly be the host or the friend or even the acquaintance of Aeschines, son of Glaucothea the tambourinist ? I cannot see: but the truth is, you took his pay to injure the interests of your countrymen. And yet you, a traitor publicly convicted on information laid by yourself after the fact, vilify and reproach me for misfortunes for which you will find I am less responsible than any other man. ' '. None
47. Vergil, Aeneis, 1.8, 1.344, 6.302-6.304, 7.365
 Tagged with subjects: • columbaria inscriptions, comedy, stock characters in • comedy • comedy and fulfillment of hopes • comedy, Plautine • comedy, comic • comedy, comic, relation to satyr drama • tragedy, and comedy

 Found in books: Fabre-Serris et al (2021) 186; Farrell (2021) 122, 170, 177; Goldman (2013) 117; Kazantzidis and Spatharas (2018) 167; Mawford and Ntanou (2021) 6


1.8. Musa, mihi causas memora, quo numine laeso,
1.344. Phoenicum, et magno miserae dilectus amore,
6.302. Ipse ratem conto subigit, velisque ministrat, 6.303. et ferruginea subvectat corpora cymba, 6.304. iam senior, sed cruda deo viridisque senectus.
7.365. Quid tua sancta fides, quid cura antiqua tuorum''. None		1.8. the city, and bring o'er his fathers' gods " '
1.344. Is this what piety receives? Or thus
6.302. With blessed olive branch and sprinkling dew, 6.303. Purges the people with ablution cold, 6.304. In lustral rite; oft chanting, “Hail! Farewell!”
7.365. uch gifts and greetings from Latinus bearing, '". None
48. None, None, nan
 Tagged with subjects: • comedy • concept, in Old Comedy

 Found in books: Bernabe et al (2013) 103; Kowalzig (2007) 114
49. None, None, nan
 Tagged with subjects: • Old Comedy • comedy, Socrates in • comedy, informal oaths in • informal oaths, in comedy

 Found in books: Martin (2009) 151; Sommerstein and Torrance (2014) 316



Please note: the results are produced through a computerized process which may frequently lead to errors, both in incorrect tagging and in other issues. Please use with caution.
Due to load times, full text fetching is currently attempted for validated results only.
Full texts for Hebrew Bible and rabbinic texts is kindly supplied by Sefaria; for Greek and Latin texts, by Perseus Scaife, for the Quran, by Tanzil.net

For a list of book indices included, see here.