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Tiresias: The Ancient Mediterranean Religions Source Database

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Please note: the results are produced through a computerized process which may frequently lead to errors, both in incorrect tagging and in other issues. Please use with caution.
Due to load times, full text fetching is currently attempted for validated results only.
Full texts for Hebrew Bible and rabbinic texts is kindly supplied by Sefaria; for Greek and Latin texts, by Perseus Scaife, for the Quran, by Tanzil.net

For a list of book indices included, see here.

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All subjects (including unvalidated):
subject book bibliographic info
actor Athanassaki and Titchener (2022) 88, 93, 210
Humphreys (2018) 173, 174, 367, 503, 660, 701, 716, 818, 977, 993, 1006, 1040, 1044, 1053
Lateiner and Spatharas (2016) 96, 267, 269, 270, 271, 272, 273, 274, 275
actor, ambassador to philipp ii, aristodemus, the Gygax (2016) 238
actor, and auctor Oksanish (2019) 67, 68
actor, and politician, aristodemos of metapontion Papazarkadas (2011) 302
actor, apelles of ascalon, tragic Csapo (2022) 115, 124
actor, apollonides, tragic Csapo (2022) 49
actor, asklepiodoros, comic Csapo (2022) 49
actor, astyanax, as Bexley (2022) 138, 139, 140, 141, 142
actor, athenodorus, tragic Csapo (2022) 27, 34, 35
actor, atreus, as Bexley (2022) 66, 67, 68, 69, 70
actor, caecilius, quintus, comic Csapo (2022) 124
actor, canutius Csapo (2022) 96
actor, euripides, never an Liapis and Petrides (2019) 207
actor, iason of tralleis Marek (2019) 294
actor, jason, tragic Cosgrove (2022) 114
actor, jason, tragic jeremiah, book of Cosgrove (2022) 269
actor, lycon, comic Csapo (2022) 26, 35
actor, neoptolemos, tragic Cosgrove (2022) 159
actor, neoptolemus, tragic Csapo (2022) 33
actor, network Harkins and Maier (2022) 77, 78, 79, 81, 82, 83, 88, 91
actor, of asklepiades satyrplay Csapo (2022) 82
actor, quintus caecilius, comic Csapo (2022) 124
actor, ritual Stavrianopoulou (2006) 136
actor, roscius, quintus, the Wynne (2019) 215
actor, sophocles as Jouanna (2018) 629
actor, sophocles, as Liapis and Petrides (2019) 207
actor, sophron, comic Csapo (2022) 118
actor, thespis, tragic poet and Csapo (2022) 19, 156
actor, thessalus, tragic Csapo (2022) 27
actor, thyestes, as Bexley (2022) 63, 64, 65, 66
actor, tlepolemus Jouanna (2018) 198
actor, within halakhic system, theology, god as Hayes (2022) 501, 608
actor, zopyros, tragic Csapo (2022) 46
actor/s van , t Westeinde (2021) 96
actores, catholic Humfress (2007) 189
actors Bruun and Edmondson (2015) 542
Cain (2013) 79, 156, 159
Clackson et al. (2020) 63, 71, 188, 189, 190, 197
Csapo (2022) 3, 6, 26, 27, 30, 34, 45, 94, 106, 123, 124
Edmondson (2008) 25, 38, 71, 72, 114, 175
Jouanna (2018) 196, 197, 198, 199, 200, 201, 202, 203, 204, 207, 473, 482, 494, 506, 519, 528, 538, 544
Lampe (2003) 132
Mueller (2002) 28, 29, 30, 31, 32, 205
Shannon-Henderson (2019) 39, 175
Tacoma (2016) 41, 93, 94, 95, 97, 100, 101, 103, 220, 236
Tacoma (2020) 142, 143
actors, acting Poulsen and Jönsson (2021) 61, 151, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 215, 216, 243
actors, aeschylus, and Jouanna (2018) 198, 199, 210, 246, 698, 699
actors, alexander iii, the great of macedon, and professional Cosgrove (2022) 149
actors, alexander iii, ‘the great’, of macedon, and Csapo (2022) 34, 35, 74, 81
actors, and actresses, jewish Bloch (2022) 190, 191
actors, and aeschylus Jouanna (2018) 698, 699
actors, and autocrats Csapo (2022) 27, 34, 35, 81
actors, and infamia Richlin (2018) 16, 281
actors, and military service Richlin (2018) 17
actors, aristotle, on Jouanna (2018) 198, 202, 210
actors, as agents Richlin (2018) 24, 160, 345
actors, as outsiders Richlin (2018) 139, 149, 378
actors, as souvenirs, terracotta figurines of Richlin (2018) 355
actors, augustus, and Csapo (2022) 107, 113
actors, autocrats/autocracy see also dionysus, monarchy, satyrplay, tragedy, tyrants , friendships with poets and Csapo (2022) 34, 35
actors, beaten Richlin (2018) 103, 146
actors, chorus, the, and Jouanna (2018) 210
actors, circulation of Richlin (2018) 20, 162, 357
actors, class of Richlin (2018) 20, 146, 185
actors, comic Csapo (2022) 26, 45, 80, 97, 102, 118, 124
actors, communication, between Jouanna (2018) 207, 208, 209, 210
actors, competitions of Csapo (2022) 73, 97
actors, contest, of Jouanna (2018) 197, 198
actors, critique audience Richlin (2018) 49, 124, 145, 316
actors, delos, insula of tragic Benefiel and Keegan (2016) 71
actors, demosthenes, on Jouanna (2018) 197
actors, entrance, of Jouanna (2018) 207, 218, 219, 220, 221
actors, ethnicity of Richlin (2018) 376
actors, exit, of Jouanna (2018) 207
actors, gender of Richlin (2018) 14
actors, grex, troupe Richlin (2018) 41, 124, 220, 367, 422
actors, hierarchies among Bruun and Edmondson (2015) 542
actors, horace, on Jouanna (2018) 199
actors, in ajax, sophocles Jouanna (2018) 207, 208, 209, 210
actors, in antigone, sophocles Jouanna (2018) 208, 209, 210
actors, in electra, sophocles Jouanna (2018) 210
actors, in myth, choreuts, dancers, narrators of and Kowalzig (2007) 67, 220
actors, in oedipus at colonus, sophocles Jouanna (2018) 198, 199, 200, 201, 202, 203, 204, 207, 210, 213
actors, in oedipus the king, sophocles Jouanna (2018) 198, 199, 200, 203, 204, 210
actors, in philoctetes, sophocles Jouanna (2018) 208, 209, 210
actors, in women of trachis, the, sophocles Jouanna (2018) 210
actors, individual, actor, parmenon, comic Liapis and Petrides (2019) 197
actors, individual, aristocritus Liapis and Petrides (2019) 153, 154
actors, individual, aristomedes Liapis and Petrides (2019) 155
actors, individual, athenodorus Liapis and Petrides (2019) 153, 154
actors, individual, hippasus of ambracia Liapis and Petrides (2019) 155
actors, individual, jason of tralles Liapis and Petrides (2019) 178
actors, individual, kallippides Liapis and Petrides (2019) 196, 197
actors, individual, kleandros Liapis and Petrides (2019) 155
actors, individual, neoptolemus of scyrus, -os Liapis and Petrides (2019) 152, 155, 182, 195, 196
actors, individual, nicostratus Liapis and Petrides (2019) 238
actors, individual, pleisthenes Liapis and Petrides (2019) 41
actors, individual, polus, -los, of aegina Liapis and Petrides (2019) 155, 177, 195, 317
actors, individual, theodorus Liapis and Petrides (2019) 40, 195, 197
actors, individual, thessalus, -tt- Liapis and Petrides (2019) 153, 154
actors, individual, timotheus of zacynthus Liapis and Petrides (2019) 155
actors, information, from the outside, and Jouanna (2018) 198, 199
actors, movement, of Jouanna (2018) 213
actors, musical performers Bruun and Edmondson (2015) 542
actors, of satyrplay Csapo (2022) 72, 81
actors, passageways, for the Jouanna (2018) 224, 225
actors, plutarch, on compliance, citharodes/comic Cosgrove (2022) 199, 205
actors, poetics, aristotle, on Jouanna (2018) 198
actors, politics, aristotle, on Jouanna (2018) 202
actors, pollux, on Jouanna (2018) 197
actors, religiosity of Csapo (2022) 11
actors, singing, of Jouanna (2018) 197, 200, 207, 247, 269, 270, 271, 699
actors, skill set Richlin (2018) 11, 56, 139, 157, 158, 160, 289
actors, speak from experience Richlin (2018) 124, 140, 160
actors, stage, for the Jouanna (2018) 210, 213, 214, 215, 216, 217, 218, 219, 220
actors, status of Richlin (2018) 13, 16, 56, 97, 103, 137, 140, 146, 236, 323, 356, 407
actors, t. publilius pellio Richlin (2018) 13, 224
actors, tekhnitai Richlin (2018) 5, 11, 384
actors, tragic Csapo (2022) 34, 35, 45, 80, 90, 97, 99, 106, 124, 164, 169
actors, used for sex Richlin (2018) 56, 104, 109, 119, 282
actors, voice, of Jouanna (2018) 197, 207
actors/acting Liapis and Petrides (2019) 8, 195, 196, 197, 317, 318, 319, 326
actors/acting, aristotle, and Liapis and Petrides (2019) 7, 195, 196, 197, 348
actors/acting, cantica Liapis and Petrides (2019) 215
actors/acting, deuteragonistos Liapis and Petrides (2019) 7, 67
actors/acting, epideixeis Liapis and Petrides (2019) 170
actors/acting, hypotragoidos Liapis and Petrides (2019) 240
actors/acting, interpolations Liapis and Petrides (2019) 83, 182, 328
actors/acting, protagonistos Liapis and Petrides (2019) 7, 8, 67, 153, 165, 166, 171
actors/acting, synagonistai Liapis and Petrides (2019) 165
actors/acting, tragoidos Liapis and Petrides (2019) 207, 212, 219, 220, 238, 240, 241, 301, 319, 320, 321
actors/acting, tritagonistos Liapis and Petrides (2019) 67
actors/actresses Huebner and Laes (2019) 120, 121
actors/singers, comic, comōdoi Cosgrove (2022) 152, 153
actors/singers, comic, comōdoi, roman era Cosgrove (2022) 199, 213
actors’, interpolation Radicke (2022) 69, 70, 90, 99
actors’, interpolations, aeschylus, and Liapis and Petrides (2019) 237
actors’, interpolations, euripides, and Liapis and Petrides (2019) 83, 237
actors’, interpolations, sophocles, and Liapis and Petrides (2019) 83, 237
actors’, song, euripides, and Liapis and Petrides (2019) 244, 245
actors’, ‘promptbooks’, euripides, and Liapis and Petrides (2019) 202

List of validated texts:
15 validated results for "actors"
1. None, None, nan (6th cent. BCE - 5th cent. BCE)
 Tagged with subjects: • Aeschylus, and actors’ interpolations • Euripides, and actors’ interpolations • Sophocles, and actors’ interpolations • actors • actors/acting,interpolations

 Found in books: Jouanna (2018) 482; Liapis and Petrides (2019) 83, 237
2. None, None, nan (5th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Aeschylus, and actors • actor • actors, and Aeschylus

 Found in books: Humphreys (2018) 367; Jouanna (2018) 698
3. None, None, nan (4th cent. BCE - 4th cent. BCE)
 Tagged with subjects: • Aristotle, and actors/acting • actors • actors/acting,deuteragonistos • actors/acting,protagonistos

 Found in books: Csapo (2022) 6; Liapis and Petrides (2019) 7
4. None, None, nan (3rd cent. BCE - 2nd cent. BCE)
 Tagged with subjects: • actors • actors, beaten • actors, class of • actors, critique audience • actors, status of

 Found in books: Csapo (2022) 3; Richlin (2018) 103, 145, 146
5. Plutarch, Crassus, 33.1-33.6 (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • Aristotle, and actors/acting • Iason of Tralleis, actor • Jason (tragic actor) • actors, individual, Jason of Tralles • actors, individual, Kallippides • actors, individual, Neoptolemus of Scyrus (-os) • actors/acting

 Found in books: Cosgrove (2022) 114; Liapis and Petrides (2019) 178, 196; Marek (2019) 294


33.1. τούτων δὲ πραττομένων Ὑρώδης ἐτύγχανεν ἤδη διηλλαγμένος Ἀρταουάσδῃ τῷ Ἀρμενίῳ καὶ τὴν ἀδελφὴν αὐτοῦ γυναῖκα Πακόρῳ τῷ παιδὶ καθωμολογημένος, ἑστιάσεις τε καὶ πότοι διʼ ἀλλήλων ἦσαν αὐτοῖς, καὶ πολλὰ παρεισήγετο τῶν ἀπὸ τῆς Ἑλλάδος ἀκουσμάτων. 33.2. ἦν γὰρ οὔτε φωνῆς οὔτε γραμμάτων Ὑρώδης Ἑλληνικῶν ἄπειρος, ὁ δʼ Ἀρταοθάσδης καὶ τραγῳδίας ἐποίει καὶ λόγους ἔγραφε καὶ ἱστορίας, ὧν ἔνιαι διασῴζονται, τῆς δὲ κεφαλῆς τοῦ Κράσσου κομισθείσης ἐπὶ θύρας ἀπηρμέναι μὲν ἦσαν αἱ τράπεζαι, τραγῳδιῶν δὲ ὑποκριτὴς Ἰάσων ὄνομα Τραλλιανὸς ᾖδεν Εὐριπίδου Βακχῶν τὰ περὶ τὴν Ἀγαύην. εὐδοκιμοῦντος δʼ αὐτοῦ Σιλλάκης ἐπιστὰς τῷ ἀνδρῶνι καὶ προσκυνήσας προὔβαλεν εἰς μέσον τοῦ Κράσσου τὴν κεφαλήν. 33.3. κρότῳ δὲ τῶν Πάρθων μετὰ κραυγῆς καὶ χαρᾶς ἀραμένων, τὸν μὲν Σιλλάκην κατέκλιναν οἱ ὑπηρέται βασιλέως κελεύσαντος, ὁ δʼ Ἰάσων τὰ μὲν τοῦ Πενθέως σκευοποιήματα παρέδωκέ τινι τῶν χορευτῶν, τῆς δὲ τοῦ Κράσσου κεφαλῆς λαβόμενος καὶ ἀναβακχεύσας ἐπέραινεν ἐκεῖνα τὰ μέλη μετʼ ἐνθουσιασμοῦ καὶ ᾠδῆς· φέρομεν ἐξ ὄρεος ἕλικα νεότομον ἐπὶ μέλαθρα, μακαρίαν θήραν. Euripides, Bacchae, 1170-72 (Kirchhoff μακάριον ).καὶ ταῦτα μὲν πάντας ἔτερπεν· 33.4. ᾀδομένων δὲ τῶν ἑφεξῆς ἀμοιβαίων πρὸς τὸν χορόν, Χόρος τίς ἐφόνευσεν;Ἀγαύη ἐμὸν τὸ γέρας· Euripides, Bacchae, 1179 (Kirchhoff, XO. τίς ἁ βαλοῦσα πρῶτα ;). ἀναπηδήσας ὁ Πομαξάθρης ἐτύγχανε δὲ δειπνῶν ἀντελαμβάνετο τῆς κεφαλῆς, ὡς ἑαυτῷ λέγειν ταῦτα μᾶλλον ἢ; ἐκείνῳ προσῆκον. ἡσθεὶς δʼ ὁ βασιλεὺς τὸν μὲν οἷς πάτριόν ἐστιν ἐδωρήσατο, τῷ δʼ Ἰάσονι τάλαντον ἔδωκεν. εἰς τοιοῦτό φασιν ἐξόδιον τὴν Κράσσου στρατηγίαν ὥσπερ τραγῳδίαν τελευτῆσαι. 33.5. δίκη μέντοι καὶ τῆς ὠμότητος Ὑρώδην καὶ τῆς ἐπιορκίας Σουρήναν ἀξία μετῆλθεν. Σουρήναν μὲν γὰρ οὐ μετὰ πολὺν χρόνον Ὑρώδης φθόνῶ τῆς δόξης ἀπέκτεινεν, Ὑρώδῃ δὲ ἀποβαλόντι Πάκορον ὑπὸ Ῥωμαίων μάχῃ κρατηθέντα, καὶ νοσήσαντι νόσον εἰς ὓδρωπα τραπεῖσαν, Φραάτης ὁ υἱὸς ἐπιβουλεύων ἀκόνιτον ἔδωκεν. ἀναδεξαμένης δὲ τῆς νόσου τὸ φάρμακον εἰς ἑαυτὴν, ὥστε συνεκκριθῆναι, καὶ τοῦ σώματος κουφισθέντος, ἐπὶ τὴν ταχίστην τῶν ὁδῶν ἐλθὼν ὁ Φραάτης ἀπέπνιξεν αὐτόν.' '. None		33.1. 33.5. ' '. None
6. Seneca The Younger, Letters, 80.7 (1st cent. CE - 1st cent. CE)
 Tagged with subjects: • Actors • Atreus, as actor • actor(s), acting

 Found in books: Bexley (2022) 70; Lampe (2003) 132; Poulsen and Jönsson (2021) 210


80.7. But surely, you say, "it is the part of justice to render to each that which is his due, – thanks in return for a benefit, and retribution,4 or at any rate ill-will, in return for an injury!" This, I say, will be true when it is one man who has inflicted the injury, and a different man who has conferred the benefit; for if it is the same man, the force of the injury is nullified by the benefit conferred. Indeed, a man who ought to be pardoned, even though there were no good deeds credited to him in the past, should receive something more than mere leniency if he commits a wrong when he has a benefit to his credit. '
80.7. I often feel called upon to use the following illustration, and it seems to me that none expresses more effectively this drama of human life, wherein we are assigned the parts which we are to play so badly. Yonder is the man who stalks upon the stage with swelling port and head thrown back, and says: Lo, I am he whom Argos hails as lord, Whom Pelops left the heir of lands that spread From Hellespont and from th' Ionian sea E'en to the Isthmian straits.5 And who is this fellow? He is but a slave; his wage is five measures of grain and five denarii. " '". None
7. Tacitus, Annals, 14.20 (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • Augustus, and actors • actor(s), acting • actors, tragic

 Found in books: Csapo (2022) 99, 113; Poulsen and Jönsson (2021) 203


14.20. \xa0In the consulate of Nero â\x80\x94 his fourth term â\x80\x94 and of Cornelius Cossus, a quinquennial competition on the stage, in the style of a Greek contest, was introduced at Rome. Like almost all innovations it was variously canvassed. Some insisted that "even Pompey had been censured by his elders for establishing the theatre in a permanent home. Before, the games had usually been exhibited with the help of improvised tiers of benches and a stage thrown up for the occasion; or, to go further into the past, the people stood to watch: seats in the theatre, it was feared, might tempt them to pass whole days in indolence. By all means let the spectacles be retained in their old form, whenever the praetor presided, and so long as no citizen lay under any obligation to compete. But the national morality, which had gradually fallen into oblivion, was being overthrown from the foundations by this imported licentiousness; the aim of which was that every production of every land, capable of either undergoing or engendering corruption, should be on view in the capital, and that our youth, under the influence of foreign tastes, should degenerate into votaries of the gymnasia, of indolence, and of dishonourable amours, â\x80\x94 and this at the instigation of the emperor and senate, who, not content with conferring immunity upon vice, were applying compulsion, in order that Roman nobles should pollute themselves on the stage under pretext of delivering an oration or a poem. What remained but to strip to the skin as well, put on the gloves, and practise that mode of conflict instead of the profession of arms? Would justice be promoted, would the equestrian decuries better fulfil their great judicial functions, if they had lent an expert ear to emasculated music and dulcet voices? Even night had been re­quisitioned for scandal, so that virtue should not be left with a breathing-space, but that amid a promiscuous crowd every vilest profligate might venture in the dark the act for which he had lusted in the light." <''. None
8. None, None, nan (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • actors

 Found in books: Csapo (2022) 94; Tacoma (2016) 220
9. None, None, nan (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • actor • actors, tragic

 Found in books: Csapo (2022) 99; Lateiner and Spatharas (2016) 274
10. None, None, nan (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • actors

 Found in books: Mueller (2002) 205; Tacoma (2016) 100
11. None, None, nan (1st cent. CE - missingth cent. CE)
 Tagged with subjects: • Neoptolemus (tragic actor) • actors, individual, Aristocritus • actors, individual, Athenodorus • actors, individual, Thessalus (-tt-) • actors/acting,protagonistos

 Found in books: Csapo (2022) 33; Liapis and Petrides (2019) 153
12. None, None, nan (1st cent. CE - 2nd cent. CE)
 Tagged with subjects: • actor and auctor • drama, actors

 Found in books: Keane (2015) 96; Oksanish (2019) 67
13. None, None, nan (2nd cent. CE - 2nd cent. CE)
 Tagged with subjects: • Augustus, and actors • actors

 Found in books: Csapo (2022) 107; Tacoma (2016) 93
14. None, None, nan (5th cent. CE - 6th cent. CE)
 Tagged with subjects: • Actors • actors/actresses

 Found in books: Huebner and Laes (2019) 121; Lampe (2003) 132
15. None, None, nan
 Tagged with subjects: • Apollonides (tragic actor) • Asklepiodoros (comic actor) • Zopyros (tragic actor) • actors • actors, comic • actors, tragic • actors/acting,protagonistos • actors/acting,synagonistai

 Found in books: Csapo (2022) 45, 46, 49; Liapis and Petrides (2019) 165, 166



Please note: the results are produced through a computerized process which may frequently lead to errors, both in incorrect tagging and in other issues. Please use with caution.
Due to load times, full text fetching is currently attempted for validated results only.
Full texts for Hebrew Bible and rabbinic texts is kindly supplied by Sefaria; for Greek and Latin texts, by Perseus Scaife, for the Quran, by Tanzil.net

For a list of book indices included, see here.