| subject | book bibliographic info |
|---|---|
| actor | Athanassaki and Titchener (2022), Plutarch's Cities, 88, 93, 210 Humphreys (2018), Kinship in Ancient Athens: An Anthropological Analysis, 173, 174, 367, 503, 660, 701, 716, 818, 977, 993, 1006, 1040, 1044, 1053 Lateiner and Spatharas (2016), The Ancient Emotion of Disgust, 96, 267, 269, 270, 271, 272, 273, 274, 275 |
| actor, ambassador to philipp ii, aristodemus, the | Gygax (2016), Benefaction and Rewards in the Ancient Greek City: The Origins of Euergetism, 238 |
| actor, and auctor | Oksanish (2019), Benedikt Eckhardt, and Meret Strothmann, Law in the Roman Provinces, 67, 68 |
| actor, and politician, aristodemos of metapontion | Papazarkadas (2011), Sacred and Public Land in Ancient Athens, 302 |
| actor, apelles of ascalon, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 115, 124 |
| actor, apollonides, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 49 |
| actor, asklepiodoros, comic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 49 |
| actor, astyanax, as | Bexley (2022), Seneca's Characters: Fictional Identities and Implied Human Selves, 138, 139, 140, 141, 142 |
| actor, athenodorus, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 27, 34, 35 |
| actor, atreus, as | Bexley (2022), Seneca's Characters: Fictional Identities and Implied Human Selves, 66, 67, 68, 69, 70 |
| actor, caecilius, quintus, comic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 124 |
| actor, canutius | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 96 |
| actor, cretheus, as ritual | Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 84 |
| actor, euripides, never an | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 207 |
| actor, gestures of | Boeghold (2022), When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature. 26, 53, 54, 63, 64, 68 |
| actor, gestures, of | Boeghold (2022), When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature. 26, 53, 54, 63, 65, 68 |
| actor, hannibal, as religious | Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 120, 124, 125, 130 |
| actor, iason of tralleis | Marek (2019), In the Land of a Thousand Gods: A History of Asia Minor in the Ancient World, 294 |
| actor, jason, tragic | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 114 |
| actor, jason, tragic jeremiah, book of | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 269 |
| actor, lycon, comic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 26, 35 |
| actor, neoptolemos, tragic | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 159 |
| actor, neoptolemus, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 33 |
| actor, network | Harkins and Maier (2022), Experiencing the Shepherd of Hermas, 77, 78, 79, 81, 82, 83, 88, 91 |
| actor, of asklepiades satyrplay | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 82 |
| actor, paulus, as religious | Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 122 |
| actor, quintus caecilius, comic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 124 |
| actor, religious communication | Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 84, 111, 120, 122, 124, 125, 130, 133 |
| actor, ritual | Stavrianopoulou (2006), Ritual and Communication in the Graeco-Roman World, 136 |
| actor, roscius, quintus, the | Wynne (2019), Horace and the Gift Economy of Patronage, 215 |
| actor, sophocles as | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 629 |
| actor, sophocles, as | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 207 |
| actor, sophron, comic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 118 |
| actor, thespis, tragic poet and | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 19, 156 |
| actor, thessalus, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 27 |
| actor, thyestes, as | Bexley (2022), Seneca's Characters: Fictional Identities and Implied Human Selves, 63, 64, 65, 66 |
| actor, tlepolemus | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198 |
| actor, vitalis | Alexiou and Cairns (2017), Greek Laughter and Tears: Antiquity and After. 225 |
| actor, within halakhic system, theology, god as | Hayes (2022), The Literature of the Sages: A Re-Visioning, 501, 608 |
| actor, zopyros, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 46 |
| actor/s | van 't Westeinde (2021), Roman Nobilitas in Jerome's Letters: Roman Values and Christian Asceticism for Socialites, 96 |
| actores, catholic | Humfress (2007), Oppian's Halieutica: Charting a Didactic Epic, 189 |
| actors | Arampapaslis, Augoustakis, Froedge, Schroer (2023), Dynamics Of Marginality: Liminal Characters and Marginal Groups in Neronian and Flavian Literature. 18 Bruun and Edmondson (2015), The Oxford Handbook of Roman Epigraphy, 542 Cain (2013), Jerome and the Monastic Clergy: A Commentary on Letter 52 to Nepotian, 79, 156, 159 Castelli and Sluiter 92023), Agents of Change in the Greco-Roman and Early Modern Periods: Ten Case Studies in Agency in Innovation. 32 Clackson et al. (2020), Migration, Mobility and Language Contact in and around the Ancient Mediterranean, 63, 71, 188, 189, 190, 197 Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 3, 6, 26, 27, 30, 34, 45, 94, 106, 123, 124 Edmondson (2008), Roman Dress and the Fabrics of Roman Culture, 25, 38, 71, 72, 114, 175 Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 196, 197, 198, 199, 200, 201, 202, 203, 204, 207, 473, 482, 494, 506, 519, 528, 538, 544 Lampe (2003), Christians at Rome in the First Two Centuries: From Paul to Valentinus, 132 Mueller (2002), Roman Religion in Valerius Maximus, 28, 29, 30, 31, 32, 205 Shannon-Henderson (2019), Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s Tacoma (2016), Models from the Past in Roman Culture: A World of Exempla, 41, 93, 94, 95, 97, 100, 101, 103, 220, 236 Tacoma (2020), Cicero and Roman Education: The Reception of the Speeches and Ancient Scholarship, 142, 143 Wright (2015), The Letter of Aristeas : 'Aristeas to Philocrates' or 'On the Translation of the Law of the Jews' 251, 354, 363, 364, 365 |
| actors, acting | Poulsen (2021), Usages of the Past in Roman Historiography, 61, 151, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 215, 216, 243 |
| actors, aeschylus, and | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198, 199, 210, 246, 698, 699 |
| actors, alexander iii, the great of macedon, and professional | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 149 |
| actors, alexander iii, ‘the great’, of macedon, and | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 34, 35, 74, 81 |
| actors, and actresses, jewish | Bloch (2022), Ancient Jewish Diaspora: Essays on Hellenism, 190, 191 |
| actors, and aeschylus | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 698, 699 |
| actors, and autocrats | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 27, 34, 35, 81 |
| actors, and infamia | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 16, 281 |
| actors, and military service | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 17 |
| actors, aristotle, on | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198, 202, 210 |
| actors, as agents | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 24, 160, 345 |
| actors, as outsiders | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 139, 149, 378 |
| actors, as souvenirs, terracotta figurines of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 355 |
| actors, augustus, and | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 107, 113 |
| actors, autocrats/autocracy see also dionysus, monarchy, satyrplay, tragedy, tyrants , friendships with poets and | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 34, 35 |
| actors, beaten | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 103, 146 |
| actors, chorus, the, and | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 210 |
| actors, circulation of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 20, 162, 357 |
| actors, class of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 20, 146, 185 |
| actors, comic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 26, 45, 80, 97, 102, 118, 124 |
| actors, communication, between | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 207, 208, 209, 210 |
| actors, competitions of | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 73, 97 |
| actors, contest, of | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 197, 198 |
| actors, critique audience | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 49, 124, 145, 316 |
| actors, dancing | Gianvittorio-Ungar and Schlapbach (2021), Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond, 40, 41, 129, 130, 131, 263, 264, 265, 267, 268, 269, 270, 271, 272, 273, 278, 279 |
| actors, delos, insula of tragic | Benefiel and Keegan (2016), Inscriptions in the Private Sphere in the Greco-Roman World, 71 |
| actors, demosthenes, on | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 197 |
| actors, entrance, of | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 207, 218, 219, 220, 221 |
| actors, ethnicity of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 376 |
| actors, exit, of | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 207 |
| actors, gender of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 14 |
| actors, grex, troupe | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 41, 124, 220, 367, 422 |
| actors, hierarchies among | Bruun and Edmondson (2015), The Oxford Handbook of Roman Epigraphy, 542 |
| actors, horace, on | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 199 |
| actors, in ajax, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 207, 208, 209, 210 |
| actors, in antigone, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 208, 209, 210 |
| actors, in electra, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 210 |
| actors, in myth, choreuts, dancers, narrators of and | Kowalzig (2007), Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece, 67, 220 |
| actors, in oedipus at colonus, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198, 199, 200, 201, 202, 203, 204, 207, 210, 213 |
| actors, in oedipus the king, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198, 199, 200, 203, 204, 210 |
| actors, in philoctetes, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 208, 209, 210 |
| actors, in women of trachis, the, sophocles | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 210 |
| actors, individual, actor, parmenon, comic | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 197 |
| actors, individual, aristocritus | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 153, 154 |
| actors, individual, aristomedes | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 155 |
| actors, individual, athenodorus | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 153, 154 |
| actors, individual, hippasus of ambracia | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 155 |
| actors, individual, jason of tralles | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 178 |
| actors, individual, kallippides | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 196, 197 |
| actors, individual, kleandros | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 155 |
| actors, individual, neoptolemus of scyrus, -os | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 152, 155, 182, 195, 196 |
| actors, individual, nicostratus | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 238 |
| actors, individual, pleisthenes | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 41 |
| actors, individual, polus, -los, of aegina | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 155, 177, 195, 317 |
| actors, individual, theodorus | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 40, 195, 197 |
| actors, individual, thessalus, -tt- | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 153, 154 |
| actors, individual, timotheus of zacynthus | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 155 |
| actors, information, from the outside, and | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198, 199 |
| actors, movement, of | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 213 |
| actors, musical performers | Bruun and Edmondson (2015), The Oxford Handbook of Roman Epigraphy, 542 |
| actors, of satyrplay | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 72, 81 |
| actors, passageways, for the | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 224, 225 |
| actors, plutarch, on compliance, citharodes/comic | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 199, 205 |
| actors, poetics, aristotle, on | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 198 |
| actors, politics, aristotle, on | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 202 |
| actors, pollux, on | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 197 |
| actors, religiosity of | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 11 |
| actors, ritual | Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 84, 111, 122, 125, 130, 133 |
| actors, singing, of | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 197, 200, 207, 247, 269, 270, 271, 699 |
| actors, skill set | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 11, 56, 139, 157, 158, 160, 289 |
| actors, speak from experience | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 124, 140, 160 |
| actors, stage, for the | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 210, 213, 214, 215, 216, 217, 218, 219, 220 |
| actors, status of | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 13, 16, 56, 97, 103, 137, 140, 146, 236, 323, 356, 407 |
| actors, t. publilius pellio | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 13, 224 |
| actors, tekhnitai | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 5, 11, 384 |
| actors, terminology of | Castelli and Sluiter 92023), Agents of Change in the Greco-Roman and Early Modern Periods: Ten Case Studies in Agency in Innovation. 8 |
| actors, tragic | Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 34, 35, 45, 80, 90, 97, 99, 106, 124, 164, 169 |
| actors, used for sex | Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 56, 104, 109, 119, 282 |
| actors, voice, of | Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 197, 207 |
| actors, woman, as religious | Alexander (2013), Gender and Timebound Commandments in Judaism. 1 |
| actors/acting | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 8, 195, 196, 197, 317, 318, 319, 326 |
| actors/acting, aristotle, and | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 7, 195, 196, 197, 348 |
| actors/acting, cantica | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 215 |
| actors/acting, deuteragonistos | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 7, 67 |
| actors/acting, epideixeis | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 170 |
| actors/acting, hypotragoidos | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 240 |
| actors/acting, interpolations | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 83, 182, 328 |
| actors/acting, protagonistos | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 7, 8, 67, 153, 165, 166, 171 |
| actors/acting, synagonistai | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 165 |
| actors/acting, tragoidos | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 207, 212, 219, 220, 238, 240, 241, 301, 319, 320, 321 |
| actors/acting, tritagonistos | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 67 |
| actors/actresses | Huebner and Laes (2019), Aulus Gellius and Roman Reading Culture: Text, Presence and Imperial Knowledge in the 'Noctes Atticae', 120, 121 |
| actors/singers, comic, comōdoi | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 152, 153 |
| actors/singers, comic, comōdoi, roman era | Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 199, 213 |
| actors’, interpolation | Radicke (2022), Roman Women’s Dress: Literary Sources, Terminology, and Historical Development, 69, 70, 90, 99 |
| actors’, interpolations, aeschylus, and | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 237 |
| actors’, interpolations, euripides, and | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 83, 237 |
| actors’, interpolations, sophocles, and | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 83, 237 |
| actors’, song, euripides, and | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 244, 245 |
| actors’, ‘promptbooks’, euripides, and | Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 202 |
| 17 validated results for "actors" | ||
|---|---|---|
| 1. None, None, nan (6th cent. BCE - 5th cent. BCE) Tagged with subjects: • Aeschylus, and actors’ interpolations • Euripides, and actors’ interpolations • Sophocles, and actors’ interpolations • actors • actors/acting,interpolations Found in books: Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 482; Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 83, 237 |
||
| 2. None, None, nan (5th cent. BCE - 4th cent. BCE) Tagged with subjects: • Aeschylus, and actors • actor • actors, and Aeschylus Found in books: Humphreys (2018), Kinship in Ancient Athens: An Anthropological Analysis, 367; Jouanna (2018), Sophocles: A Study of His Theater in Its Political and Social Context, 698 |
||
| 3. None, None, nan (4th cent. BCE - 4th cent. BCE) Tagged with subjects: • Aristotle, and actors/acting • actors • actors/acting,deuteragonistos • actors/acting,protagonistos Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 6; Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 7 |
||
| 4. None, None, nan (3rd cent. BCE - 2nd cent. BCE) Tagged with subjects: • actors • actors, beaten • actors, class of • actors, critique audience • actors, status of Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 3; Richlin (2018), Slave Theater in the Roman Republic: Plautus and Popular Comedy, 103, 145, 146 |
||
| 5. None, None, nan (2nd cent. BCE - 1st cent. BCE) Tagged with subjects: • actors Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 94; Tacoma (2016), Models from the Past in Roman Culture: A World of Exempla, 220 |
||
| 6. Philo of Alexandria, Against Flaccus, 39-41 (1st cent. BCE - missingth cent. CE) Tagged with subjects: • actors Found in books: Arampapaslis, Augoustakis, Froedge, Schroer (2023), Dynamics of Marginality: Liminal Characters and Marginal Groups in Neronian and Flavian Literature. 18; Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 3
|
||
| 7. Plutarch, Crassus, 33.1-33.6 (1st cent. CE - 2nd cent. CE) Tagged with subjects: • Aristotle, and actors/acting • Iason of Tralleis, actor • Jason (tragic actor) • actors, individual, Jason of Tralles • actors, individual, Kallippides • actors, individual, Neoptolemus of Scyrus (-os) • actors/acting Found in books: Cosgrove (2022), Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine, 114; Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 178, 196; Marek (2019), In the Land of a Thousand Gods: A History of Asia Minor in the Ancient World, 294
|
||
| 8. Seneca The Younger, Letters, 80.7 (1st cent. CE - 1st cent. CE) Tagged with subjects: • Actors • Atreus, as actor • actor(s), acting Found in books: Bexley (2022), Seneca's Characters: Fictional Identities and Implied Human Selves, 70; Lampe (2003), Christians at Rome in the First Two Centuries: From Paul to Valentinus, 132; Poulsen (2021), Usages of the Past in Roman Historiography, 210
|
||
| 9. Tacitus, Annals, 14.20 (1st cent. CE - 2nd cent. CE) Tagged with subjects: • Augustus, and actors • actor(s), acting • actors, tragic Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 99, 113; Poulsen (2021), Usages of the Past in Roman Historiography, 203
|
||
| 10. None, None, nan (1st cent. CE - 2nd cent. CE) Tagged with subjects: • Hannibal, as religious actor • Religious communication, actor • Ritual, actors • actor • actors • actors, tragic Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 99; Lateiner and Spatharas (2016), The Ancient Emotion of Disgust, 274; Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 130; Tacoma (2016), Models from the Past in Roman Culture: A World of Exempla, 220 |
||
| 11. None, None, nan (1st cent. CE - 2nd cent. CE) Tagged with subjects: • actors Found in books: Mueller (2002), Roman Religion in Valerius Maximus, 205; Tacoma (2016), Models from the Past in Roman Culture: A World of Exempla, 100 |
||
| 12. None, None, nan (1st cent. CE - missingth cent. CE) Tagged with subjects: • Neoptolemus (tragic actor) • actors, individual, Aristocritus • actors, individual, Athenodorus • actors, individual, Thessalus (-tt-) • actors/acting,protagonistos Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 33; Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 153 |
||
| 13. None, None, nan (1st cent. CE - 2nd cent. CE) Tagged with subjects: • actor and auctor • drama, actors Found in books: Keane (2015), Juvenal and the Satiric Emotions, 96; Oksanish (2019), Benedikt Eckhardt, and Meret Strothmann, Law in the Roman Provinces, 67 |
||
| 14. None, None, nan (2nd cent. CE - 3rd cent. CE) Tagged with subjects: • Hannibal, as religious actor • Religious communication, actor • Ritual, actors • actors, tragic Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 99; Roumpou (2023), Ritual and the Poetics of Closure in Flavian Literature. 130 |
||
| 15. None, None, nan (2nd cent. CE - 2nd cent. CE) Tagged with subjects: • Augustus, and actors • actors Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 107; Tacoma (2016), Models from the Past in Roman Culture: A World of Exempla, 93 |
||
| 16. None, None, nan (5th cent. CE - 6th cent. CE) Tagged with subjects: • Actors • actors/actresses Found in books: Huebner and Laes (2019), Aulus Gellius and Roman Reading Culture: Text, Presence and Imperial Knowledge in the 'Noctes Atticae', 121; Lampe (2003), Christians at Rome in the First Two Centuries: From Paul to Valentinus, 132 |
||
| 17. None, None, nan Tagged with subjects: • Apollonides (tragic actor) • Asklepiodoros (comic actor) • Zopyros (tragic actor) • actors • actors, comic • actors, tragic • actors/acting,protagonistos • actors/acting,synagonistai Found in books: Csapo et al. (2022), Theatre and Autocracy in the Ancient World, 45, 46, 49; Liapis and Petrides (2019), Greek Tragedy After the Fifth Century: A Survey from ca, 165, 166 |